In 2001 she released her first solo single, 愛のバカやろう (Ai no Bakayarou), which hit the #1 spot on the Oricon charts. Goto graduated from Morning Musume on her 17th birthday in 2002, and went on to become the second best-selling solo artist in H!P behind super-idol Aya Matsuura. Throughout her career with H!P, she was placed in various groups, released photobooks, and starred in movies, dramas, and theatre productions. As an idol, she released four albums, one best album, and 17 singles.
At the last show of her fall 2007 tour on October 28, Goto announced that she was graduating Hello! Project. She transferred labels from Up Front Group to avex's side label Rythym Zone in June 2008.
Goto made her avex debut in 2009, starting with a special collaboration project titled SWEET BLACK feat. MAKI GOTO, working with artists such as KEN THE 390 and BIGGA RAIJI. The SWEET BLACK PROJECT included a radio show and a special space on the social networking site Mixi. Goto chose the name herself, reflecting the positive and negative sides of today's women.
In January 2010, Goto witnessed her mother commit suicide by falling from the 3rd story of their family home. After the funeral, she stayed out of the public eye until she performed in a special live called "PREMIUM MINI LIVE" on June 3rd. At this live, a seat was reserved for her mother.
Goto released first official debut mini-album under her own name in July 2010, called ONE. This was also her first release under the avex trax label, rather than Rhythm Zone. The mini-album achieved moderate success, peaking at #10 on the daily ORICON charts and #10 on the weekly charts. The mini-album included a ballad with lyrics by Goto dedicated to her late mother, entitled 華詩 -hanauta-, which she sang in a heart-felt performance for a television special about her life.
Satisfied with the commercial success of the mini-album, Goto's staff wanted to keep her in the Top 10 once again with her January 2011 sophomore mini-album, "Gloria". The mini-album peaked at #5 on the daily ORICON charts and #12 on the weekly charts, having the hit 足跡 (Ashiato) as its promotional track. The CD+DVD version of the album also included professional footage of her 2010 "PREMIUM MINI LIVE" showcase.
Goto then released her third mini-album, "LOVE," in May 2011. It was a mini-album with all the tracks, mostly ballads, encompassing a theme of love. It included 4 new songs with lyrics written by Goto herself, as well as cover of the 90s classic, 空と君のあいだに (Sora to Kimi no Aida ni), by Miyuki Nakajima. The mini-album peaked at #8 on the Oricon charts.
On June 22, 2011, Maki Goto suddenly announced her hiatus from the music scene beginning in 2012. She also announced that she will be releasing her first full-length debut under avex on November 2nd. Two new songs, What is LOVE and SCANDALOUS, were revealed on June 20th for digital download. Goto also joined that summer's a-nation concert series as a featured artist.
Goto has stated that she wants to give it her all before her hiatus. As of October 2011, her projects have included a collaboration single with Kishidan's Show Ayanocozey, a planned photobook, and a temporary official blog.
SOME BOYS! TOUCH
後藤真希 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
TOUCH
CATCH
TOUCH
CATCH
COME ON TOGETHER
指に キスして 耳に 優しく
TOUCH
TOUCH
CATCH
COME ON TOGETHER
後ろ向きなら 顔見えぬ DESIRE
欲張りなの 私って
挨拶でしょ キスくらいは
上手に出来るでしょ?
燃えるように エスコートしてよ
恋人には 早いけど 大事にしてあげる
サボってないで 愛をささやいて
SOME BOYS
乳房 ゆれだす 鼓動 激しく
TOUCH
CATCH
TOUCH
CATCH
COME ON TOGETHER
まぶた キスして 髪に 激しく
TOUCH
CATCH
TOUCH
CATCH
COME ON TOGETHER
香りがするわ 昇りつめる FIRE
会話するなら後で良い
常識だわ ソレくらいは
とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと
壊さないであげる
強がって こぼしちゃう SOME BOYS
SOME BOYS
常識だわ ソレくらいは
とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと
壊さないであげる
強がって こぼしちゃう SOME BOYS
SOME BOYS
The lyrics to 後藤真希's song SOME BOYS! TOUCH depict a woman who is confident and assertive in her desire for physical intimacy. The song opens with the lines "涙 濡れだす 瞳 優しく," which roughly translates to "tears well up in gentle eyes." The repetition of "TOUCH CATCH" throughout the song emphasizes the physicality of intimacy, and the chorus ("COME ON TOGETHER") underscores the importance of both parties being present and engaged in the moment.
The second verse finds the singer asserting her desire for physical affection, asking for kisses on her fingers and ears. She also makes it clear that she knows how to please her partner, and requests that they do the same for her. The line "恋人には 早いけど 大事にしてあげる" translates to "it's too soon to call you my lover, but I will cherish you," suggesting that while the relationship may be new, the singer places a high value on intimacy.
The bridge of the song changes the focus slightly, as the singer reveals that she is aware of her own power and the effect that she has on others. She notes that her desire is strong ("乳房 ゆれだす 鼓動 激しく" - "my breasts tremble, and my heartbeat races"), and that she can ignite a "fire" in those around her with her scent. However, she also acknowledges that sometimes she puts up emotional walls ("強がって こぼしちゃう"), and asks her partner to be gentle with her.
Overall, SOME BOYS! TOUCH is a song that celebrates physical intimacy and assertiveness in being honest about one's desires. The repeated refrain of "come on together" emphasizes the idea that intimacy should be a mutual experience, with both partners fully present in the moment.
Line by Line Meaning
涙 濡れだす 瞳 優しく
Tears start to fall, the eyes are gentle
TOUCH
Touch
CATCH
Catch
TOUCH
Touch
CATCH
Catch
COME ON TOGETHER
Come on together
指に キスして 耳に 優しく
Kiss on the fingers, gently in the ears
TOUCH
Touch
CATCH
Catch
TOUCH
Touch
CATCH
Catch
COME ON TOGETHER
Come on together
後ろ向きなら 顔見えぬ DESIRE
If you look back, you won't see your desire
欲張りなの 私って
I am greedy
挨拶でしょ キスくらいは
It's just a greeting, so a kiss is fine, right?
上手に出来るでしょ?
I can do it well, right?
燃えるように エスコートしてよ
Escort me like you're on fire
恋人には 早いけど 大事にしてあげる
It's too soon for us to be lovers, but I'll cherish it
サボってないで 愛をささやいて
Don't slack off, whisper words of love
SOME BOYS
Some boys
乳房 ゆれだす 鼓動 激しく
Breasts swaying, heartbeat intense
TOUCH
Touch
CATCH
Catch
TOUCH
Touch
CATCH
Catch
COME ON TOGETHER
Come on together
まぶた キスして 髪に 激しく
Kiss on the eyelids, fiercely in the hair
香りがするわ 昇りつめる FIRE
I smell the rising fire
会話するなら後で良い
We can talk later
常識だわ ソレくらいは
It's common sense, at least that much
とろけちゃうくらいに
I'll melt away
踊るように エスコートしてよ
Escort me as if we're dancing
ちょっと優しく 時にギュっと
Be a little gentle, sometimes tightly
壊さないであげる
I won't break
強がって こぼしちゃう SOME BOYS
Pretending to be strong, but some boys spill
SOME BOYS
Some boys
常識だわ ソレくらいは
It's common sense, at least that much
とろけちゃうくらいに
I'll melt away
踊るように エスコートしてよ
Escort me as if we're dancing
ちょっと優しく 時にギュっと
Be a little gentle, sometimes tightly
壊さないであげる
I won't break
強がって こぼしちゃう SOME BOYS
Pretending to be strong, but some boys spill
SOME BOYS
Some boys
Writer(s): つんく, つんく
Contributed by Caden M. Suggest a correction in the comments below.
someda shoya
[ SOME BOYS! TOUCH ]
(作詞/作曲) つんく (編曲) 田中直
涙 濡れだす 瞳 優しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
指に キスして 耳に 優しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
後ろ向きなら 顔見えぬ DESIRE
欲張りなの 私って
挨拶でしょ キスくらいは 上手に出来るでしょ?
燃えるように エスコートしてよ
恋人には 早いけど 大事にしてあげる
サボってないで 愛をささやいて
SOME BOYS
乳房 ゆれだす 鼓動 激しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
まぶた キスして 髪に 激しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
香りがするわ 昇りつめる FIRE
会話するなら 後で良い
常識だわ ソレくらいは とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと 壊さないであげる
強がって こぼしちゃう
SOME BOYS SOME BOYS
常識だわ ソレくらいは とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと 壊さないであげる
強がって こぼしちゃう
SOME BOYS SOME BOYS
someda shoya
[ SOME BOYS! TOUCH ]
(作詞/作曲) つんく (編曲) 田中直
涙 濡れだす 瞳 優しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
指に キスして 耳に 優しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
後ろ向きなら 顔見えぬ DESIRE
欲張りなの 私って
挨拶でしょ キスくらいは 上手に出来るでしょ?
燃えるように エスコートしてよ
恋人には 早いけど 大事にしてあげる
サボってないで 愛をささやいて
SOME BOYS
乳房 ゆれだす 鼓動 激しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
まぶた キスして 髪に 激しく
TOUCH CATCH TOUCH CATCH
COME ON TOGETHER
香りがするわ 昇りつめる FIRE
会話するなら 後で良い
常識だわ ソレくらいは とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと 壊さないであげる
強がって こぼしちゃう
SOME BOYS SOME BOYS
常識だわ ソレくらいは とろけちゃうくらいに
踊るように エスコートしてよ
ちょっと優しく 時にギュっと 壊さないであげる
強がって こぼしちゃう
SOME BOYS SOME BOYS
かいちょくどう
歌詞やメロディじゃなく、間奏でつんく楽曲らしさ出てる
お菓子の箱
「挨拶でしょ キスくらいは上手にできるでしょ」
何回聴いてもすごい歌詞
Mieko59Channel2
Poxa UpFront amei a homenagem de aniversário estou emocionadissima!!!!!!!!!!!
ダンシングオムスター
ハローはかわいい曲からトンチキ曲、壮大なバラードもあれば、こういうセクシーで大人っぽいちょっと際どい曲まで色々あって本当に沼ですね
きみかげ
運転しながら音だけ聞いてなにこの曲!!!!!めっちゃいい!!!!!と思って今MV見て大衝撃受けてる
マッツパープル
初めてこのMVを観たとき、曲調がavexっぽいからavex移籍後の曲なのかなと思ったら、まだハロプロにいた頃の曲で、しかもつんくさんが作った曲で、つんくさんの振り幅すごっ!と思った記憶。
生牡蠣あさり
よくアイドルのセクシーパフォに対して「健康的で下品じゃない」みたいな褒め言葉よく見るけど、この曲とごっちんのパフォに関してはだいぶ下品よりの生々しさ100%、猛々しいエロスで清純派のチラリズムお色気を一蹴してくれるから大好き。
純アイドルからこの洋楽DIVA的エロスをこなせるまで成熟した人って日本アイドル史上ごっちんしかいないと思ってる。
imaniface
I always loved this dance
江戸川意味がわか乱歩
ハロプロ では珍しく男性ダンサーが出て来るMVだけどこの2人めちゃくちゃかっこいいんだよなーーー