Blood Hound
50 Cent & Young Buck Lyrics

G-Unit, UTP
The collaboration between the groups G-Unit and UTP is acknowledged in the opening line.

Hahahaha
An audible expression of amusement or mirth is made.

G-Unit, UTP, G-Unit, UTP (yeah)
The names of the collaborating groups are reiterated with a positive affirmation.

G-Unit, UTP, 50 Cent, get 'em, Buck
The lead artist, 50 Cent, is named before a command is given to the co-artist, Young Buck, to take action.

50 Cent, that's my name, man I ain't fuckin' playin'
The artist 50 Cent introduces himself and asserts that he is not joking or showing amusement.

I move on you with that MAC, mane (MAC, mane)
The artist 50 Cent proclaims that he will attack with a MAC-10 submachine gun.

Come off that watch and chain 'fore I blow out your brains
The artist 50 Cent threatens to shoot someone unless they surrender their jewelry.

Shells hit your chest, go out your back, mane (back, mane)
The artist 50 Cent describes the trajectory of bullets fired from his weapon.

See me I put in work, man, I been doin' dirt for so long
The artist 50 Cent boasts of his long-standing experience in committing criminal acts.

When niggas get laid out (laid out)
The artist 50 Cent acknowledges that he is capable of murdering others.

Niggas run through my crib to holla at the kid
People visit the artist 50 Cent's place of residence to interact with him.

That's when I start bringin' them thangs out (thangs out)
The artist 50 Cent reveals that visitors prompt him to retrieve his firearms.

Then we go through the strip hangin' up out the whip
The artist 50 Cent and his associates cruise through the neighborhood while leaning out of their vehicle.

Dumpin' clips off at their whole clique, mane (clique, mane)
The artist 50 Cent and his associates fire their weapons multiple times at a group of adversaries.

When witnesses around they know how we get down
People who witness the actions of the artist 50 Cent and his associates are aware of their reputation for violence.

So when the cops come they ain't see shit, mane (shit, mane)
Witnesses to the artist 50 Cent and his associates' criminal acts refuse to cooperate with law enforcement.

My soldiers slangin' 'caine, sunny, snowy, sleet or rain
The associates of the artist 50 Cent sell cocaine regardless of the prevailing weather conditions.

Come through the hood and you can cop that (cop that)
The associates of the artist 50 Cent can be found in the neighborhood and are willing to sell drugs.

I'm sittig' on some change, G-Unit that's the gang
The artist 50 Cent has amassed a significant amount of wealth, and identifies with his affiliated group, G-Unit.

Come through here stuntin' you get popped at (popped at) (woo)
People who visit the artist 50 Cent's neighborhood and flaunt their wealth may become the targets of gun violence.

I love to pump crack, love to stay strapped
The artist 50 Cent enjoys selling cocaine and carrying weapons.

Love to squeeze gats, but you don't hear me though
The artist 50 Cent likes using firearms but feels that this is not fully appreciated or acknowledged.

I love to hit the block, I love my two Glocks
The artist 50 Cent enjoys patrolling his neighborhood while carrying two handguns.

Love to bust shots, but you don't hear me though
The artist 50 Cent frequently fires his weapons in public for his own amusement, yet believes that others do not fully understand his motives.

I came in this game knowin' niggas gon' hate me
The artist 50 Cent began his music career with the expectation that many people would dislike him and his work.

Just for the simple fact they know that I'm a rider (rider)
Some people dislike the artist 50 Cent because they know he is willing to engage in violent behavior.

I got a hell of a aim, I keep on tellin' you, mane
The artist 50 Cent believes himself to be a skilled marksman.

I swear ain't nobody gon' find ya (find ya)
If the artist 50 Cent were to try to kill someone, he is confident that authorities would be unable to locate the body.

When I get lifted I'm tempted to tear your block up
When the artist 50 Cent is under the influence of drugs or alcohol, he is more inclined to engage in acts of violence in his neighborhood.

Your niggas can't run 'cause I'm behind ya (behind ya)
The artist 50 Cent asserts that he is capable of keeping pace with anyone trying to escape his wrath.

Me and Chili in your city with a couple nine-milli's
The artist Young Buck and another associate named Chili enter a city armed with two 9mm handguns.

You better stay in line, bro (in line, bro)
The artist Young Buck warns others to behave themselves and not cause trouble.

'Cause if I walk it I'll talk it, you know we'll walk up and pop it
The artist Young Buck asserts that he will engage in violent behavior if he deems it necessary.

I love the sound of gunfire, bro ('fire, bro)
The artist Young Buck is fascinated by the sound of firearms being discharged.

Right now we smackin' 'em with platinum
The collaborating artists are achieving significant commercial success.

And they hate it 'cause we made it
The success of the collaborating artists is resented by others.

That's what we keep that iron for (that iron for)
The artists keep weapons on hand to protect themselves from people who may resent their success.

I represent it 'cause I'm in it, UTP until I'm finished
The artist Young Buck identifies closely with his affiliated group, UTP, and plans to remain a part of it for the foreseeable future.

Juvenile, they can't stop us (they can't stop us)
The artist Young Buck believes that his group is invincible and cannot be stopped by their enemies.

And I admit it I live it
The artist Young Buck is unapologetic about his violent and criminal lifestyle.

I'll knock a baller off his pivot with this motherfuckin' chopper (baow)
The artist Young Buck boasts that he is capable of killing a wealthy individual with his firearm.

My twenty-inches spinnin', you always see me grinnin' (yeah)
The artist Young Buck enjoys driving a vehicle with large wheels, and is usually in good spirits when doing so.

And you hear niggas call me grimy (grimy)
The artist Young Buck's associates refer to him as being unclean or unethical.

They hit me with them bricks and I ain't pay 'em shit
People have sold drugs to the artist Young Buck and he has refused to pay them.

I'm outta town, they can't find me (find me)
The artist Young Buck has left town to avoid retribution from those he has refused to pay.

When I come back around, man, I'ma back 'em down
The artist Young Buck will return home eventually and plans to confront his enemies.

I run up bustin' that TEC, mane (TEC, mane)
The artist Young Buck will use a Tec-9 submachine gun to attack his enemies.

If you ain't got a gun and you can't fuckin' run
Individuals who are unarmed and unable to escape from danger are at a significant disadvantage.

My advice is you hit the deck, mane (deck, mane)
The artist Young Buck advises those in danger to lie down on the ground to avoid being shot.

But if you get away and come back another day
If someone is able to avoid being harmed on one occasion, they may not be so lucky during a subsequent encounter.

My soldiers'll leave you wet, mane (wet, mane)
The associates of the artist Young Buck are willing to use violence and inflict significant harm on others.

'Cause we know where you be and we know where you stay
The associates of the artist Young Buck are knowledgeable about the routines and living arrangements of their enemies.

And we'll come checkin' through your set, mane (set, mane)
The associates of the artist Young Buck will seek out and confront their enemies wherever they may be.

Man, you heard what I said, now get it in your head
The artist Young Buck insists that his listeners pay attention to and comprehend his message.

I ain't payin' no fuckin' debt, mane (debt, mane)
The artist Young Buck refuses to repay an outstanding debt to others.

'Cause you's a middle man, what you don't understand?
The individual who is owed a debt is not directly involved in the drug trade and does not understand the risks or pressures involved.

You's a fuckin' fake ass connect, mane (connect, mane)
The individual who is owed a debt is not a legitimate source of drugs and is not respected or trusted by those in the industry.