Heartbeat
A.I.P Lyrics
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Went wasted waiting on some sign
To fall right down on me
And tell me who I gotta be
Diving off the deep end every weekend
Trying to get that high
But only I could be the one to go and set me free
We spend all our lives just trying to learn that all we have is time
'Cause we’re only a heartbeat away
And you can’t be afraid
To discover your fate
'Cause we’re only a heartbeat
A heartbeat away
Thinking of the ways that
I could have made a better use of my time
When all I did was hide
And cower from the thoughts inside
Now I’m growing older, and getting sober
I think it’s time to fight
For who I want to be,
It’s time to face reality
We spend all our lives just trying to learn that all we have is time
But it’s never too late to live your life for today
'Cause we’re only a heartbeat away
And you can’t be afraid
To discover your fate
'Cause we’re only a heartbeat
A heartbeat away
A heartbeat away
I’ve wasted so many chances
So many opportunities
They’ve slipped right through my fingers
Now I’m fallin' on my knees
And I’m so far
Oh so very far
From where I want to be
And you can’t be afraid to discover your fate
Cause we’re only a heartbeat away
But it’s never too late to live your life for today
'Cause we’re only a heartbeat away
And you can’t be afraid
To discover your fate
'Cause we’re only a heartbeat
A heartbeat away
A heartbeat away
A heartbeat away
The lyrics to A.I.P.’s song ‘Heartbeat’ stand out for their energy and playful exchanges between the female rapper Angie Martinez, KRS-One, and Funk Doc. The lyrics begin with a warning to the crowd to keep their distance from the ropes which, if not obeyed, could lead to the music being stopped. The song is a fun, playful rap track about the art of MCing and skillful rhyming delivered by a group of experienced hip-hop artists. Throughout the song, each artist has the chance to represent themselves and their skills on the microphone.
Angie Martinez delivers a memorable verse about her skills on the mic and her heritage. She takes the opportunity to big up her Boriquas (Puerto Rican) heritage and hip-hop seekers before questioning her own sanity when it comes to hyping up the crowd. Meanwhile, KRS-One encourages the MCs to bring their best rhymes and represents his busy schedule, having left his fans waiting so long for new music, they became frustrated. Funk Doc comes in with his signature humor before letting everyone know that what he represents is his way of life. All three artists come together for the chorus, which is a mix of rhymes and playful exchanges.
Overall, the song ‘Heartbeat’ is a lighthearted track with memorable lines and playful exchanges between the MCs. It is an ode to the art of MCing and celebrates the skills and artistry of hip-hop artists.
Line by Line Meaning
Alright everybody move back from the ropes
Asking everyone to move back from the music stage
If you don't move back we're gonna turn this music off
The music will stop if the people don't move back
and that's my word, move back!
Promise that the music will stop if the people don't move back
Word is bond let's get this shit goin
Let's start the show
Word up, it's the Funk Doc in the house
Introducing Funk Doc to the audience
say hell yeah! HELL YEAH!
Asking the audience to cheer
Say fuck yeah! FUCK YEAH!
Asking the audience to cheer even louder
Word up, it's the Funk Doc Spock you don't stop
Repeating the introduction of Funk Doc
It's my man KRS you don't stop
Introducing KRS
It's the girl Angie you don't stop
Introducing Angie
With the hah haha ha haha hah!!
Laughing to lighten the mood
It's the Butter Pecan Rican speakin deletin
Introducing Angie Martinez
other radio jocks that think they competin
Other radio hosts who think they are competing with her
they pre-sweetened, like candy, I'm hot like pepper
Comparing herself to others who are too sweet, Praising her own personality
Big up to Sandy but my name is Angie
Giving respect to Sandy, but also introducing herself
Martinez, what a true microphone fiend is
Praising herself to be a microphone fiend
Steppin up lovely with MY, AD-IDAS
Introducing herself again along with Adidas
through your speakers, representin
Representing for everyone who is listening
boriquas, and all hip-hop rhyme seekers
Representing boriquas and all hip-hop enthusiasts
You may think I'm crazy right, but I'm crazy hype
Saying she is full of energy
Slay this nice y'all, everytime Angie grab the mic
Promising to deliver a good performance
I jams it right tonight, not the hardest
She will perform well tonight
But peep the style of this Puerto Rican Goddess
A description of herself
Aiyyo yo yo yo, stop the music!
KRS-One asking to stop the music
Aiyyo back up off the ropes, man, word up!
Asking the people to move back more from the stage
Yo get from the off the ropes
Asking the people to move back more from the stage again
Now aiyyo yo yo, KRS-One, come again the selector!
Asking KRS-One to start the music again
It's been a long time but we made it, you waited
Introducing the idea that the performance was long awaited by the audience
You gettin frustrated cause these MC's in trainin
The audience is getting annoyed by amateur MCs
Skills on the mic for a royalty save it
Saved up skills to use at the appropriate time
Pullin down rap so that others can't make it
Toppling the competition by being better than them
They can't fake it in front of KRS they naked
Explaining how amateur performers can't fake their skill in front of KRS
That same old MC trend I'm here to break it
Wanting to break the trend of mediocre performers
The highly conceptional multidirectional
Praising himself for being versatile in his performance style
Hot in ninety-seven so I guess I'm flexible
A boast about being current and adaptable
Rap relieve stress so yes I guess it's medical
Positing that rap has therapeutic properties
All your wrecking and raping is still theoretical
Describing how actions of his detractors are all in theory, and not reality
Redman, you know you must understand (Whatup?)
Talking to Redman in particular
Redman, you know you gots to understand (Hah! Whatup love?)
Citing Redman's need to understand
Angie, rockin with the one BDP (Ha, haha)
Praising Angie for being part of BDP
Representin right now at Hit Factory
Proudly representing the Hit Factory
One two hah, and you don't quit
Starting another part of the performance
It's Kris and Angie with the ultimate
Introducing Kris and Angie together
One two hah, and you don't quack
Insinuating that the audience cannot outdo them
It's Funk Doc smoke weed and don't smoke crack
Introducing Funk Doc Smoky
Hahaha, hah, and you don't quit
Keeping up the energy of the show
Hoohahhahah, and you don't quit
Keeping up the energy of the show again
I rock jams like, Samsonites with mics
Boasting that he does well in concerts
Stage two boomin system and flood the lights
Describing the stage set up
The lyrical, fo'-fo's lettin off like suppose
Boasting about his lyrical talent
Reggie Reg is rockin on the ra-dioooo!
Shouting out to Reggie Reg
Hahh, huh, the oooh-child too chill
Telling a story about being too cool
Caps peeled, Someone In My Bed like Dru Hill
A clever wordplay comparing his hat to Dru Hill
Raise em up, cause I feel my spot can't be touched
Feeling secure that he can't be replaced
No time for the Pauline jack, hit the clutch
No time for bad luck or circumstance
Shotgun what?? It's the high exalted
Continuing to boast about himself
Ruler of the buddha, the cash make my pockets
Describing how he is rich
stick out like a tumor, for the consumers
Using a simile to describe his wealth
I get busy with La Pluma, detonate the bomb
Getting busy with the pen, and exploding as a performer
to make you hibernate sooner, certified luna-tic
Making people so tired they fall asleep, while also being a certified lunatic
My click run deeper than Charlie Tuna
His crew runs deeper than Charlie Tuna's
Kahunas, raw for the able key movers
Describing himself as bold for those who control the industry
all over the hood like them Crooked I coolers
They are all over the place, like Crooked I coolers
Bang maneuvers, from Jerz to Vancouver
Continuing his boastful freestyle
Back to the Bronx with heartbeats ample looped up
Back to the Bronx with a lot of excitement
I Blastmast like Kris, funk abyss
Complimenting Kris for being a good performer
like a phone chauvenist with a Roley on the wrist
Comparing himself to a rich playboy
Sike! I can afford it, less I slaughtered
Joking that he can afford a Rolex without violence
three platinum niggaz and none of em prerecorded
Bringing his own music, instead of using pre-recorded tracks
KRS-One need to be runnin for office
A call for KRS to run for office
So Butter Pecan Rican, tell them to get off his
Making an edgy joke about his ethnicity
Lyrics © DistroKid
Written by: Josh Rabenold, Parker Robertson
Lyrics Licensed & Provided by LyricFind