Ahmad Jamal (born Frederick Russell Jones in Pittsburgh, Pennsylvania, on 2… Read Full Bio ↴Ahmad Jamal (born Frederick Russell Jones in Pittsburgh, Pennsylvania, on 2 July 1930; died 16 April 2023) was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz.[2] He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history. While he invariably recorded as part of a trio or quintet, some releases were as Ahmad Jamal Trio and Ahmad Jamal Quintet.
A child prodigy who began to play the piano at the age of three, he began formal studies at age seven. While in high school, he completed the equivalent of college master classes under the noted African-American concert singer and teacher Mary Cardwell Dawson and pianist James Miller. He joined the musicians’ union at the age of 14, and he began touring upon graduation from Westinghouse High School at the age of 17, drawing critical acclaim for his solos. In 1951 he formed his first trio, The Three Strings. Performing at New York’s The Embers club, Record Producer John Hammond “discovered” The Three Strings and signed them to Okeh Records (a division of Columbia, now Sony, Records.)
In 1956, Jamal, who had already been joined by bassist Israel Crosby in 1955, replaced guitarist Ray Crawford with a drummer. Working as the “house trio” at Chicago’s Pershing Hotel in 1958, drummer Vernell Fournier joined this trio and Mr. Jamal made an on-location recording for Argo (Chess) Records entitled But Not For Me. The resulting hit single and album, which also included Poinciana - - his rendition, now Mr. Jamal’s “trademark, “ remained on the Ten Best – selling charts - - amazingly for a jazz album - - an unprecedented 108 weeks! This financial success enabled Mr. Jamal to realize a dream, and he opened a restaurant/club, The Alhambra, in Chicago. Here the trio was able to perform while limiting their touring schedule.
Considering his trio "an orchestra", Jamal not only achieves a unified sound, but subtly inserted independent roles for the bass and drums. The hallmarks of Jamal's style are rhythmic innovations, colorful harmonic perceptions, especially left-hand harmonic and melodic figures, plus parallel and contrary motion lines in and out of chordal substitutions and alterations and pedal point ostinato interludes in tasteful dynamics. He also incorporates a unique sense of space in his music, and his musical concepts are exciting without being loud in volume. Augmented by a selection of unusual standards and his own compositions, Mr. Jamal would notably impress and influence, among others, trumpeter Miles Davis.
In 1951, Jamal first recorded Ahmad's Blues on Okeh Records. His arrangement of the folk tune Billy Boy, and Poinciana (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included New Rhumba, Excerpts From The Blues, Medley (actually I Don't Want To Be Kissed), and It Ain't Necessarily So, -- all later utilized by Miles Davis and Gil Evans on the albums Miles Ahead and Porgy and Bess.
In his autobiography, Miles Davis praised Jamal's special artistic qualities and cites his influence. In fact, the mid-to-late 1950s Miles Davis Quintet recordings notably feature material previously recorded by Jamal: Squeeze Me, It Could Happen To You, But Not For Me, Surrey With -The Fringe On Top, Ahmad's Blues, On Green Dolphin Street and Billy Boy
In 1994, Jamal received the American Jazz Masters fellowship award from the National Endowment for the Arts. The same year he was named a Duke Ellington Fellow at Yale University, where he performed commissioned works with the Assai String Quartet.
In 1970, Jamal performed the title composition by Johnny Mandel for the soundtrack of the film MASH!; and in 1995, two tracks from his smash album But Not For Me--Music, Music, Music, and Poinciana were featured in the Clint Eastwood film The Bridges of Madison County.
Jamal's 1996 release, The Essence (Verve 529 327-2) features a first -- a recording made with a horn, tenor saxophonist George Coleman. Already released in Europe, the album has received such critical comments as "Historique!" as well as the resulting outstanding sales and the"CHOC" award in France. The album has also received the D'jango award, and a concert at Salle Pleyel was sold out.
Hal Leonard Publications issued The Ahmad Jamal Collection Piano Transcriptions in 1998.
In 1994 Mr. Jamal received the National Endowment of the Arts American Jazz Masters award and also was named a Duke Ellington Fellow at Yale University.
In June of 2007 the French Government inducted Jamal into the prestigious Order of the Arts and Letters by French Culture Minister Renaud Donnedieu de Vabres, naming him Officier de l’Ordre des Arts et des Lettres. Former recipients being William Faulkner, Ralph Waldo Emerson, Jackson Pollack, Ella Fitzgerald, Alan Ginsberg and Tony Morrison.
His 2008 recording, “It’s Magic”, hit the US charts at #13 immediately after its release. It graced the Billboard Top Jazz Albums chart, the iTunes Jazz Top 10, and it recently peaked at #2 on the Jazz Week Radio Chart In France. Jamal was awarded Best International Album (Album International de Production Francaise) by Les Victoire du Jazz, the French version of the Grammys. The album also garnered Record of the Year by Jazz Man magazine.
In his 80s, Jamal continued to make numerous tours and recordings, including albums such as Saturday Morning (2013), the CD/DVD release Ahmad Jamal Featuring Yusef Lateef Live at L'Olympia (2014), and Marseille (2017).
ahmadjamal.com
A child prodigy who began to play the piano at the age of three, he began formal studies at age seven. While in high school, he completed the equivalent of college master classes under the noted African-American concert singer and teacher Mary Cardwell Dawson and pianist James Miller. He joined the musicians’ union at the age of 14, and he began touring upon graduation from Westinghouse High School at the age of 17, drawing critical acclaim for his solos. In 1951 he formed his first trio, The Three Strings. Performing at New York’s The Embers club, Record Producer John Hammond “discovered” The Three Strings and signed them to Okeh Records (a division of Columbia, now Sony, Records.)
In 1956, Jamal, who had already been joined by bassist Israel Crosby in 1955, replaced guitarist Ray Crawford with a drummer. Working as the “house trio” at Chicago’s Pershing Hotel in 1958, drummer Vernell Fournier joined this trio and Mr. Jamal made an on-location recording for Argo (Chess) Records entitled But Not For Me. The resulting hit single and album, which also included Poinciana - - his rendition, now Mr. Jamal’s “trademark, “ remained on the Ten Best – selling charts - - amazingly for a jazz album - - an unprecedented 108 weeks! This financial success enabled Mr. Jamal to realize a dream, and he opened a restaurant/club, The Alhambra, in Chicago. Here the trio was able to perform while limiting their touring schedule.
Considering his trio "an orchestra", Jamal not only achieves a unified sound, but subtly inserted independent roles for the bass and drums. The hallmarks of Jamal's style are rhythmic innovations, colorful harmonic perceptions, especially left-hand harmonic and melodic figures, plus parallel and contrary motion lines in and out of chordal substitutions and alterations and pedal point ostinato interludes in tasteful dynamics. He also incorporates a unique sense of space in his music, and his musical concepts are exciting without being loud in volume. Augmented by a selection of unusual standards and his own compositions, Mr. Jamal would notably impress and influence, among others, trumpeter Miles Davis.
In 1951, Jamal first recorded Ahmad's Blues on Okeh Records. His arrangement of the folk tune Billy Boy, and Poinciana (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included New Rhumba, Excerpts From The Blues, Medley (actually I Don't Want To Be Kissed), and It Ain't Necessarily So, -- all later utilized by Miles Davis and Gil Evans on the albums Miles Ahead and Porgy and Bess.
In his autobiography, Miles Davis praised Jamal's special artistic qualities and cites his influence. In fact, the mid-to-late 1950s Miles Davis Quintet recordings notably feature material previously recorded by Jamal: Squeeze Me, It Could Happen To You, But Not For Me, Surrey With -The Fringe On Top, Ahmad's Blues, On Green Dolphin Street and Billy Boy
In 1994, Jamal received the American Jazz Masters fellowship award from the National Endowment for the Arts. The same year he was named a Duke Ellington Fellow at Yale University, where he performed commissioned works with the Assai String Quartet.
In 1970, Jamal performed the title composition by Johnny Mandel for the soundtrack of the film MASH!; and in 1995, two tracks from his smash album But Not For Me--Music, Music, Music, and Poinciana were featured in the Clint Eastwood film The Bridges of Madison County.
Jamal's 1996 release, The Essence (Verve 529 327-2) features a first -- a recording made with a horn, tenor saxophonist George Coleman. Already released in Europe, the album has received such critical comments as "Historique!" as well as the resulting outstanding sales and the"CHOC" award in France. The album has also received the D'jango award, and a concert at Salle Pleyel was sold out.
Hal Leonard Publications issued The Ahmad Jamal Collection Piano Transcriptions in 1998.
In 1994 Mr. Jamal received the National Endowment of the Arts American Jazz Masters award and also was named a Duke Ellington Fellow at Yale University.
In June of 2007 the French Government inducted Jamal into the prestigious Order of the Arts and Letters by French Culture Minister Renaud Donnedieu de Vabres, naming him Officier de l’Ordre des Arts et des Lettres. Former recipients being William Faulkner, Ralph Waldo Emerson, Jackson Pollack, Ella Fitzgerald, Alan Ginsberg and Tony Morrison.
His 2008 recording, “It’s Magic”, hit the US charts at #13 immediately after its release. It graced the Billboard Top Jazz Albums chart, the iTunes Jazz Top 10, and it recently peaked at #2 on the Jazz Week Radio Chart In France. Jamal was awarded Best International Album (Album International de Production Francaise) by Les Victoire du Jazz, the French version of the Grammys. The album also garnered Record of the Year by Jazz Man magazine.
In his 80s, Jamal continued to make numerous tours and recordings, including albums such as Saturday Morning (2013), the CD/DVD release Ahmad Jamal Featuring Yusef Lateef Live at L'Olympia (2014), and Marseille (2017).
ahmadjamal.com
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loveyouall66
have always loved Ahmad's cover of this famous tune.
Dream Variation
thanks! it's always fun to hear jazz musicians play folk songs
ZZbar
According to Jamal (in an interview from Lyons "The Great Pianists" p116) what sounds like a congos is actually Ray Crawford's muted fretwork. Tommy Sewell is also mentioned as the bass player (from the "Three Strings" group). Not sure of the date, Jamal just says its the early days of his trio (maybe 1951-57)