Early life and career
The son of the Rabbi of the Talmud Torah Synagogue (now Ohev Sholom Talmud Torah) in Washington, D.C., Jolson became a popular singer in New York City in 1898, and gradually developed the key elements of his performance: blackface makeup; exuberant gestures; operatic-style singing; whistling and directly addressing his audience.
By 1911, he had parlayed a supporting appearance in the Broadway musical La Belle Paree into a starring role. He began recording and was soon internationally famous for his extraordinary stage presence and personal rapport with audiences. His Broadway career is unmatched for length and popularity, having spanned close to 30 years (1911-1940). Audiences shouted, pleaded, and often would not allow the show to proceed, such was the power of Jolson's presence. At one performance in Boston, the usual staid and conservative audience stopped the show for 45 minutes. He was said to have had an "electric" personality, along with the ability to make each member of the audience believe that he was singing only to them. However, he is best known today for his appearance in one of the first "talkies" The Jazz Singer, the first feature film with sound to enjoy wide commercial success, in 1927. In The Jazz Singer Jolson performed the song "Mammy" in blackface. In truth, Jolson's singing was never jazz, indeed his style remained forever rooted in the vaudeville stage at the turn of 20th century.
Jolson is the first music artist to sell over 10 million records. While no official Billboard magazine chart existed during Jolson's career, their staff archivist Joel Whitburn used a variety of sources such as Talking Machine World's list of top-selling recordings, and Billboard's own sheet music and vaudeville charts to estimate the hits of 1890-1954. By his reckoning, Jolson had the equivalent of 23 No. 1 hits, the 4th-highest total ever, trailing only Bing Crosby, Paul Whiteman, and Guy Lombardo. Whitburn calculates that Jolson topped one chart or another for 114 weeks.
Among the many songs popularized by Jolson were "You Made Me Love You," "Rock-a-Bye Your Baby With A Dixie Melody," "Swanee" (songwriter George Gershwin's first success), "April Showers," "Toot, Toot, Tootsie, Goodbye," "California, Here I Come," "When the Red, Red Robin Comes Bob-Bob-Bobbin' Along," "Sonny Boy" and "Avalon."
Jolson was a political and economic conservative, supporting Calvin Coolidge for president of the United States in 1924 (with the ditty "Keep Cool with Coolidge") unlike most other Jews in the arts, who supported the losing Democratic candidate, John William Davis.
Jolson was married to actress/dancer Ruby Keeler from 1928 to 1940, when they divorced. The couple had adopted a son, Al Jolson Jr., during their marriage, but when he was 14 the boy changed his name to Peter Lowe after his mother's second husband, John Lowe.
After leaving the Broadway stage, Jolson starred on radio. The Al Jolson Show aired 1933-1939, 1942-1943, and 1947-1949, and these shows were typically rated in the top ten. Jolson continued performing until his death in 1950.
The Jolson story
After the success of Warner Bros. film Yankee Doodle Dandy about George M. Cohan, Hollywood columnist Sidney Skolsky believed that a smiliar film could be made about Al Jolson -- and he knew just where to pitch the project. Harry Cohn may have seemed to a lot of people in Hollywood like a crude, loud vulgarian, but he had one soft spot: he loved the music of Al Jolson.
Skolsky pitched the idea of an Al Jolson biopic and Cohn agreed to it. Directed by Alfred E. Green (best known today for the pre-Code masterpiece Baby Face, The Jolson Story is one of the most entertaining of the musical biopics of that era -- an era that included Yankee Doodle Dandy, Till the Clouds Roll By, Words and Music and Three Little Words. With Jolson providing almost all the vocals, and actor Larry Parks playing Jolson, The Jolson Story was released in 1946, and became one of the biggest hits of the year. Parks received an Academy Award nomination for Best Actor, and the film became one of the highest grossing films of the year.
"The Jolson Story," and its 1949 sequel "Jolson Sings Again," led to a whole new generation who became enthralled with Jolson's voice and charisma. Jolson, who had been a popular guest star on radio since its earliest days, now had his own show, hosting the "Kraft Music Hall" from 1947-1949, with Oscar Levant as a sardonic piano-playing sidekick. Despite such singers as Frank Sinatra, Bing Crosby, and Perry Como being in their primes, Jolson was voted the "Most Popular Male Vocalist" in 1948 by a Variety poll. The next year, Jolson was named Personality of the Year by the Variety Clubs of America. When Jolson appeared on Bing Crosby's radio show, he attributed his receiving the award to his being the only singer not to make a record of Mule Train, which had been a widely covered hit of that year (four different versions, one of them by Crosby, had made the top ten on the charts).
Jolson joked that he'd tried to sing the hit song. "I got the clippetys all right, but I can't clop like I used to."
Jolson's legacy is considered by many to be severely neglected today because of his use of stage blackface, at the time a theatrical convention used by many performers (both white and black), but today viewed by many as racially insensitive. Jolson was billed as "The World's Greatest Entertainer," which is how many of the greatest stars (including Bing Crosby, Frank Sinatra, Judy Garland, Elvis Presley, Mick Jagger, Rod Stewart, Jackie Wilson) referred to him. Charles Chaplin wrote in his Autobiography that he was one of the most electrifying entertainers he had ever seen. A life-long devotion to entertaining American servicemen (he first sang for servicemen of the Spanish-American War as a boy in Washington, D.C.) led Jolson, against the advice of his doctors, to entertain troops in Korea in 1950 when his heart began to fail.
Death
Jolson died on October 23, 1950, in San Francisco at a card game, at the age of 64, apparently of a heart attack, and was interred in the Hillside Memorial Park Cemetery in Culver City, California, where a statue of Jolson beckons visitors to his crypt. On the day he died, Broadway turned off its lights for 10 minutes in Jolson's honor.
Al Jolson has three stars on the Hollywood Walk of Fame:
1. For his contribution to the motion picture industry at 6622 Hollywood Blvd.;
2. For his contribution to the recording industry at 1716 Vine St.;
3. For his contribution to the radio industry at 6750 Hollywood Blvd.
Forty-four years after Jolson's death, the United States Postal Service acknowledged his contribution by issuing a postage stamp in his honor. The 29-cent stamp was unveiled by Erle Jolson Krasna, Jolson's fourth wife, at a ceremony in New York City's Lincoln Center on September 1, 1994. This stamp was one of a series honoring popular American singers, which included Bing Crosby, Nat King Cole, Ethel Merman, and Ethel Waters. Al Jolson is one of Mr. Burns' (from The Simpsons) favorite actors - he still believes that he is alive.
Jolson's song I'm Sitting on Top of the World was played during the opening montage of 1930's New York City in the 2005 remake of King Kong.
In August of 2006, Al Jolson had a street in New York named after him.
Dinah
Al Jolson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gave me Dinah;
I'm the proudest one
Beneath the Dixie sun.
News is spreadin'
'Bout our weddin';
I hear church bells ringin',
Dinah,
Is there anyone finer
In the state of Carolina?
If there is and you know her,
Show her!
Dinah,
With her Dixie eyes blazin',
How I love to sit and gaze in
To the eyes of Dinah Lee!
Yet, every night,
My, how I shake with fright,
Because my Dinah might,
Change her mind about me!
But if Dinah,
Ever wandered to China,
I would hop an ocean liner,
Just to be with Dinah Lee!
Dinah,
Is there anyone finer
In the state of Carolina?
If there is and you know her,
Show her!
Dinah,
With her Dixie eyes blazin',
How I love to sit and gaze in
To the eyes of Dinah Lee!
Yet, every night,
My, how I shake with fright,
Because my Dinah might,
Change her mind about me!
But if Dinah,
Ever wandered to China,
I would hop an ocean!,
Just to be with Dinah Lee!
The lyrics to Al Jolson's song Dinah tells the story of a man who is proud to have met and wedded a woman named Dinah, who he describes as the finest woman in the state of Carolina. The singer of the song seems to be in love with Dinah's Dixie eyes and her beauty. He is so smitten with her that he would do anything to be with her, including hopping on an ocean liner if she ever wandered to China. However, he fears that Dinah might change her mind about him, which scares him deeply.
The song portrays the deep love and admiration that the singer has for the woman he loves. He considers himself to be the luckiest man in Dixie for having found Dinah, and he cannot stop singing about how wonderful and beautiful she is. However, he is also aware that he could lose her at any time, which makes him anxious and fearful.
Overall, the lyrics to Dinah reflect the passion, fear, and deep emotions that accompany falling in love. It depicts the happiness that comes with finding someone special, but also the anxiety and vulnerability that comes with the possibility of losing them.
Line by Line Meaning
Carolina
The place where Al Jolson was gifted with Dinah
Gave me Dinah;
Dinah was given as a gift to Al Jolson by Carolina
I'm the proudest one
Beneath the Dixie sun.
Al Jolson is extremely proud to have Dinah and feels blessed to have her in the land of Dixie
News is spreadin'
'Bout our weddin';
I hear church bells ringin',
Here's the song my heart keeps singin':
The news of Al Jolson's wedding with Dinah is spreading and he can hear the church bells ringing. His heart is filled with love and happiness and he can't stop singing about it
Dinah,
Is there anyone finer
In the state of Carolina?
If there is and you know her,
Show her!
Al Jolson thinks Dinah is the finest person in Carolina and challenges anyone who thinks otherwise to prove it
Dinah,
With her Dixie eyes blazin',
How I love to sit and gaze in
To the eyes of Dinah Lee!
Al Jolson is in love with Dinah's beautiful, blazing Dixie eyes and loves to look into them
Yet, every night,
My, how I shake with fright,
Because my Dinah might,
Change her mind about me!
Al Jolson fears that Dinah may change her mind about him and it makes him very scared every night
But if Dinah,
Ever wandered to China,
I would hop an ocean liner,
Just to be with Dinah Lee!
Al Jolson loves Dinah so much that he would travel across the ocean just to be with her, even if she wandered off to China
Dinah,
Is there anyone finer
In the state of Carolina?
If there is and you know her,
Show her!
Al Jolson still believes that Dinah is the best person in Carolina and challenges anyone who argues with him
Dinah,
With her Dixie eyes blazin',
How I love to sit and gaze in
To the eyes of Dinah Lee!
Al Jolson still can't get enough of Dinah's beautiful Dixie eyes and loves to gaze into them
Yet, every night,
My, how I shake with fright,
Because my Dinah might,
Change her mind about me!
Al Jolson still fears that Dinah might change her mind about him every night
But if Dinah,
Ever wandered to China,
I would hop an ocean!,
Just to be with Dinah Lee!
Al Jolson ends the song by promising to go wherever Dinah goes, even if she goes to China
Lyrics © Kanjian Music, BMG Rights Management, Warner Chappell Music, Inc.
Written by: Harry Akst, Samuel M. Lewis, Joseph Young
Lyrics Licensed & Provided by LyricFind