Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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Etude in C-Sharp Minor Op. 2 No. 1
Alexander Scriabin Lyrics
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@PatriciaGoodsonpianist
I heard him play this live and it was the single greatest musical experience of my life. I’ll never forget the sound of the first C sharp at the beginning - almost rose out of my seat with it.
@atelieravantguard3917
You are so lucky to have had that experience!! I was too young, never had the opportunity to see him live. And picking THAT piece.. unbelievably great ❤️
@aszalkowska
You are so lucky …
@PatriciaGoodsonpianist
@Alicja Szalkowska yes! Old too! 😄❤️
@cgoodson2010
My last name is Goodson, too!!
@user-qb7lr8yk9k
WOW,なんて素晴らしい経験をなさった事でしょう‼️人生の宝物ですね。羨ましいです。
@Prestigiose
Playing like this doesn't come with practice, but with a deep, powerful and sensitive experience in understanding the music you are playing under your fingers. It doesn't come with hours of repetitions, but rather with years of listening
@sylvestercoffee7212
Well said.
@logui113
And also decades of practice, but yeah, I agree
@danielfisher8484
Immaculate technique is lost without good taste