Malian guitarist Ali Farka Touré and American guitarist/producer Ry Cooder in 1995 joined forces to record the Grammy award-winning album Talking Timbuktu.
Talking Timbuktu is a groundbreaking record that vividly illustrates the Africa-Blues connection in real time. Ali Farka Toure, who was one of Mali's leading singer-guitarists, has a trance-like, bluesy style that, although deeply rooted in Malian tradition, bears astonishing similarity to that of John Lee Hooker or even Canned Heat. Read Full BioMalian guitarist Ali Farka Touré and American guitarist/producer Ry Cooder in 1995 joined forces to record the Grammy award-winning album Talking Timbuktu.
Talking Timbuktu is a groundbreaking record that vividly illustrates the Africa-Blues connection in real time. Ali Farka Toure, who was one of Mali's leading singer-guitarists, has a trance-like, bluesy style that, although deeply rooted in Malian tradition, bears astonishing similarity to that of John Lee Hooker or even Canned Heat. It's a mono-chordal vamp, with repetitive song lines cut with shards of blistering solo runs that shimmer like a desert mirage. Toure may be conversant with some blues artists, but it is unlikely that artists like Hooker or Robert Pete Williams ever heard these Malian roots, which makes the connection so uncanny. Ry Cooder, well versed in domestic and world guitar styles, is the perfect counterpoint in these extended songs/jams, his sinewy slide guitar intertwining with his partner's in a super world summit without barriers or borders.
Talking Timbuktu is a groundbreaking record that vividly illustrates the Africa-Blues connection in real time. Ali Farka Toure, who was one of Mali's leading singer-guitarists, has a trance-like, bluesy style that, although deeply rooted in Malian tradition, bears astonishing similarity to that of John Lee Hooker or even Canned Heat. Read Full BioMalian guitarist Ali Farka Touré and American guitarist/producer Ry Cooder in 1995 joined forces to record the Grammy award-winning album Talking Timbuktu.
Talking Timbuktu is a groundbreaking record that vividly illustrates the Africa-Blues connection in real time. Ali Farka Toure, who was one of Mali's leading singer-guitarists, has a trance-like, bluesy style that, although deeply rooted in Malian tradition, bears astonishing similarity to that of John Lee Hooker or even Canned Heat. It's a mono-chordal vamp, with repetitive song lines cut with shards of blistering solo runs that shimmer like a desert mirage. Toure may be conversant with some blues artists, but it is unlikely that artists like Hooker or Robert Pete Williams ever heard these Malian roots, which makes the connection so uncanny. Ry Cooder, well versed in domestic and world guitar styles, is the perfect counterpoint in these extended songs/jams, his sinewy slide guitar intertwining with his partner's in a super world summit without barriers or borders.
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Sega
Ali Farka Touré and Ry Cooder Lyrics
We have lyrics for 'Sega' by these artists:
KEKRA Wealstarr is in the building! J'suis dans mon propre game c…
The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
hieronymus9
Written by Ali Farka Toure. Title in Pulaar (the language of the Fulani). Liner note: "The grass snake."
Alexandre Rosenberg
Maravilha!
Learn Everything
Hi, Loved to hear this music, thanks for sharing. Can I use this music on my podcast with credit?
Shenn Evans
super original!
Sam Loni
Anyone know the name of this instrument?
Idriss Askour
In our Amazigh (North African) culture, we call it Ribab. And it probably came from Sub Saharan Africa.
HAM za
https://youtu.be/SlY2LLDZ2Z8
HAM za
No it's called n jarka
Pratish Dahal
It is sarangi
Mausam subedi
Sruti sambeg