There are currently, at least, two artists known as Angel City:
1) A… Read Full Bio ↴There are currently, at least, two artists known as Angel City:
1) A UK-based Zentveld & Oomen dance music project, fronted by female singer Lara McAllen. The majority of their songs are dance covers or remakes. Their hit "Do You Know (I Go Crazy)" samples the instrumental track "Children" by Robert Miles - as well as the lyrics from "Do You Know" by Michelle Gayle - and their hit "Touch Me" samples the lyrics from Cathy Dennis's UK #6 / US #2 hit - Touch Me (All Night Long).
Singer McAllen left the group in 2005 to pursue a solo career. However, she re-joined Angel City in late 2006 & features in the band's 2007 single "24/7" which is awaiting release.
Website: http://www.myspace.com/AngelCityOfficial.
2) An alternate name of Australia's The Angels, who've influenced Great White, Mötley Crüe, Guns N' Roses, Melvins, Leanne Kingwell, Grinspoon, L.A. Guns, Dust Rhinos, Andy Scott & Sweet.
Doc Neeson and the Brewster brothers John and Rick formed The Angels after a barmaid name Angel at Adelaide in South Australia in 1974. They recorded a demo of “Am I Ever Gonna See Your Face Again” in 1974.
In 1975, the band was offered a recording deal with the Alberts label and became The Angels. As this point the band was a four-piece with Neeson on bass guitar, Charlie King (Peter Christopolous) on drums, Rick Brewster on lead guitars and John Brewster on lead vocals and rhythm guitar. Albert issued “Am I Ever Gonna See Your Face Again” on Rocka album.
The Angels' first single, “Am I Ever Gonna See Your Face Again”, was released in April 1976. The Angels made their debut TV appearance on Countdown. Later in the year, Charlie King was replaced by Graham "Buzz" Bidstrup on the drums.
Chris Bailey and Bon Scott were members of Mount Lofty Rangers in 1974. They released Round and Round, later remixed by Vince Lovegrove as Round and Round and Round in 1996.
Chris Bailey joined the band on bass, to allow Neeson to concentrate on vocals. The move to specialist frontman allowed the band to develop an energetic and theatrical live presence. As a foil, Rick Brewster would remain motionless, his head cocked to one side, for the entire performance.
July of 1977, saw the release of the band's second single, "You're A Lady Now", followed a month later by their self-titled debut LP, The Angels.
In August 1978, Face to Face album reached #16 in November and stayed on the Australian charts for 79 weeks. Mark Opitz engineered, and along with The Angels, co-produced the album.
Peter Ledger, who designed the cover, won Best Australian Album Cover Design Award. In November 1978, The Angels supported David Bowie on his first Australian tour, resulting in The Tour EP single.
In June 1979, No Exit entered the Australian album chart at #8 upon its release and again at #15 in September. George Young contributed as a backing vocalist to Out of The Blue. In October 1979, Albert released the Out Of The Blue EP .
On New Year's Eve 1979, the band performed in front of almost 100,000 people on the steps of the Sydney Opera House. Their show, however, was cut short when a riot broke out in the audience. Doc Neeson was hit on the head with a sign and Chris Bailey was knocked unconscious by a flying bottle and hospitalised.
International As Angel City, 1980-1985
In March 1980, the band signed an international contract with CBS Records and released, Face to Face, a compilation of tracks from the Australian Face to Face and No Exit albums, on the Epic label. The band renamed themselves as Angel City to avoid confusion with "Angel" in the USA .
In June 1980, Dark Room, produced by the Brewster brothers, The overseas version of this album featured re-recorded versions of "Ivory Stairs" and "Straight Jacket" in place of "Alexander" and "I'm Scared". American band Great White would later cover "Face The Day", from this LP as well as "Can't Shake It" from Face to Face.
In March 1981, drummer Graham Bidstrup left the band, reportedly due to non-musical differences, and was replaced by New Zealander Brent Eccles.
In October 1981, Never So Live EP, received heavy airplay and on the strength of the new song "Fashion And Fame" went to sell some 80,000 copies. In November 1981 Night Attack, produced by Ed Thacker and the Brewsters.
The band's third international album, Night Attack Early in 1982, American Jim Hilbun was recruited as replacement for Chris Bailey.
In May 1983, Watch The Red album was produced by The Angels and engineered by Andrew Scott and Al Wright, was issued. The first single "Stand Up" was release and was written by Hilbun, was a success.
The album, critically acclaimed for its musical inventiveness, featured saxophone leads from Hilbun, John Brewster on lead vocals for one track, and even a piano accordion.
In November 1984, Two Minute Warning album was released following a three-month recording session in Los Angeles. The American version of the album, on MCA, included a new version of "Be With You". Metal Blade Records re-issued the album in 1990.
John Brewster left the band in February 1986. In his place, the band hired ex-Skyhooks guitarist Bob Spencer in March 1986.
In October of the same year Howling was released on the band's new label Mushroom Records. This album included a cover version of The Animals hit, "We Gotta Get Out Of This Place" which, at #6, became the band's highest charting single up to that point.
In December 1987, the double live album Liveline was released. The collection spanned ten years of the band's career. The CD version of Liveline included several songs not included on the vinyl release. A live version of "Am I Ever Gonna See Your Face Again" was issued as a single.
Following the success of the album, The Angels embarked on a massive tour of Australia with a lengthy two-hour set that covered the entire history of the group.
Guns N' Roses recorded "Marseilles", it was issued on a Bootleg album Ultra Rare Tracks III in 1988.
International As The Angels From Angel City, 1988-1989
In November of 1989, Chrysalis Records in the US issued (known as The Angels From Angel City). It included four new songs, three of which would later appear on the Australian version of the album, and new recordings of the classics "I Ain't The One", "Can't Shake It", "Who Rings The Bell", "City Out of Control" and "Am I Ever Gonna See Your Face Again", none of which was made available in Australia.
Alan Niven was signed on as manager of the band's affairs in the US. At the time, Niven was also managing Great White and Guns N' Roses.
Jim Hilbun left during these recording sessions and was replaced by Australian James Morley on bass.
In February 1990, Beyond Salvation was released and became the band's first and only No. 1 album. Produced by Terry Manning, the LP spawned five successful singles, including "Dogs are Talking" and "Backstreet Pickup".
The flipside of "Dogs are Talking" featured demo tracks by three new Australian bands that The Angels had chosen to support them on their upcoming tour, including The Desert Cats, The Hurricanes and the John Woodruff-managed Baby Animals.
The Angels then hit the road on their "Beyond Salvation" Tour with Cheap Trick as supporting act. The video for "Backstreet Pickup" was filmed the day the band were told of the album reaching number one on the charts and shows a very buoyant and enthusiastic band performing for the cameras.
in November of 1991, Red Back Fever, were recorded in Memphis. The band toured for two years, and the song "Tear Me Apart" was included a multi-million dollar government campaign highlighting alcohol related violence.
International The Angels Official name in Australia, 1992
Andy Scott & The Sweet recorded “Am I Ever Gonna See Your Face Again” in 1992.
In July 1992 Mushroom re-issued Red Back Fever / Left Hand Drive as a two CD set. In 1992, both Bob Spencer and James Morley left the band. John Brewster and Jim Hilbun to return, and thus the classic line-up of Brewster-Neeson-Brewster-Eccles-Hilbun was reunited. They immediately set out to write new material.
In December 1994, Evidence a career-spanning collection of the band's hits. In April 1995, The Hard Evidence Tour EP was issued to coincide with the Barbed Wire Ball tour, a national tour that also featured The Screaming Jets and The Poor.
The band then took a break from recording and touring, reconvening in mid-1996 at Darling Harbour studios for the start of what would become the sessions for their last studio album.
In 1995, Great White live album Stage featured "Face the Day" and "I Can't Shake It", comply by Alan Niven. Tracks 1-6 recorded live at The House Of Blues, Los Angeles, CA, 1994. Tracks 7-12 recorded live at The Celebrity Theatre, Anaheim, CA, 1993. Japanese release is a 2-CD set that offers 2 tracks not found on the U.S. release.
In July 1997, The Angels hit the road with The Lounge Lizard Tour with Angry Anderson from Rose Tattoo and Ross Wilson from Mondo Rock and Daddy Cool. The band backed each singer acoustically through classics from their respective bands.
In August 1997, The Angels sign world wide deal with Shock Records they can release albums as THE ANGELS official statement from record company from Australia, USA, Canada, Europe. In October, "Caught in the Night" was the band first single from the album.
In March 1998, Skin and Bone a moderately successful, the album was nominated by ARIA as one of the year's best Australian recordings.
In October 1998, The Angels were inducted into the ARIA Hall of Fame by Angry Anderson. In November 1998 the band performed a brief set at the Concert of the Century in Melbourne to celebrate Mushroom Records' 25th anniversary
In February 1999, Shock Records reissued Live Line - Definitive Digital Remaster as a double live album with 10 bonus tracks, 'Nothin' To Win', 'Night Comes Early', 'Into The Heat', 'Long Night', 'Easy Prey', 'Is That You', 'No Sleep In Hell', 'Talk About You', 'Gonna Leave You' and 'I Ain't The One'. Also containsthe four bonus tracks from the original release, 'Small Price', 'Underground', 'Face The Day' and 'Eat City', for a totalof 14 extra cuts and a grand total of 34 tracks jewel case.
Grinspoon recorded "Take A Long Line" for the movie "Sample People" Soundtrack in 2000.
In November 2000, Shock Records reissued Left Hand Drive, previously released by Mushroom in 1992 as a limited-edition collection of unreleased versions and B-sides.
In March of 2001, The Angels reformed as Members of The Angels with John and Rick Brewster, Buzz Bidstrup, Chris Bailey and Jim Hilbun on lead vocals, for the Gimme Ted - The Ted Mulry Benefit Concert (released on video as Gimme Ted).
In June 2002, Shock Records issued The Complete Sessions 1980-1983, 4-CD box set collection of the band's recorded output from the period between the Dark Room and Watch the Red albums.
Los Angeles Hard Rockers L.A. Guns cut a rendition of “Marseilles” for their album “Rip The Covers Off” released with Shrapnel Records in 2004.
In December 2006, Live at The Basement containing all the classics with Brewster, Bailey, Bidstrup and Brewster.
In July 2006, Liberation reissued the The Angels' catalogue. Albums included: Dark Room, Night Attack, Watch the Red, Two Minute Warning, Howling, Beyond Salvation, Red Back Fever, and Wasted Sleepless Night - The Definitive Greatest Hits.
Leanne Kingwell second single “Be With You” to be lifted off Leanne's critically acclaimed debut album in 2006. The album is currently going off on the US radio charts.
Canadian band Dust Rhinos recorded “Am I Ever Gonna See Your Face” features on The Second Set in 2007. Consists of fiddles, mandolins and something called a bodhran.
In June 2007, Wasted Sleepless Nights - The Videos. Includes live footage never before released and tracks recorded live from ABC's Studio 22.
The Angels reformed in 2008, featuring Doc Neeson on vocals, the Brewster brothers on lead and rhythm guitar, Chris Bailey on bass and Graham "Buzz" Bidstrup on drums. As of October 2009, the group continues to tour across Australia.
John Brewster, Doc Neeson and Rick Brewster were inducted into the Songwriters Hall of Fame in 2008.
In April 2009, The Angels, Rose Tattoo and The Screaming Jets will team up for the Australian Monsters Of Rock concert at Enmore Theatre in Sydney, Autralia.
In July 2009, The Angels By Request Concert Series fans get to choose their favourite fifteen songs from the entire Angels catalogue. Their votes along with thousands of others from around Australia will be tallied up and the top songs chosen will comprise The Ultimate Angels Set List.
In April 2010, Symphony Of Angels perform their classic hits with the Adelaide Art Orchestra in an Australian first. The biggest project ever undertaken by this iconic band and will be held at The Festival Theatre in Adelaide.
Members
John Brewster, (rhythm guitar, vocals), 1976-1985, 2001-
Rick Brewster (lead guitar, vocals), 1976-
Chris Bailey (bass), 1977-1982, 2001-
Graham "Buzz" Bidstrup (drums, vocals), 1976-1981, 2001-
Doc Neeson (lead vocals), 1976-2000, 2008 -
Brent Eccles (drums), 1981-2000
1) A… Read Full Bio ↴There are currently, at least, two artists known as Angel City:
1) A UK-based Zentveld & Oomen dance music project, fronted by female singer Lara McAllen. The majority of their songs are dance covers or remakes. Their hit "Do You Know (I Go Crazy)" samples the instrumental track "Children" by Robert Miles - as well as the lyrics from "Do You Know" by Michelle Gayle - and their hit "Touch Me" samples the lyrics from Cathy Dennis's UK #6 / US #2 hit - Touch Me (All Night Long).
Singer McAllen left the group in 2005 to pursue a solo career. However, she re-joined Angel City in late 2006 & features in the band's 2007 single "24/7" which is awaiting release.
Website: http://www.myspace.com/AngelCityOfficial.
2) An alternate name of Australia's The Angels, who've influenced Great White, Mötley Crüe, Guns N' Roses, Melvins, Leanne Kingwell, Grinspoon, L.A. Guns, Dust Rhinos, Andy Scott & Sweet.
Doc Neeson and the Brewster brothers John and Rick formed The Angels after a barmaid name Angel at Adelaide in South Australia in 1974. They recorded a demo of “Am I Ever Gonna See Your Face Again” in 1974.
In 1975, the band was offered a recording deal with the Alberts label and became The Angels. As this point the band was a four-piece with Neeson on bass guitar, Charlie King (Peter Christopolous) on drums, Rick Brewster on lead guitars and John Brewster on lead vocals and rhythm guitar. Albert issued “Am I Ever Gonna See Your Face Again” on Rocka album.
The Angels' first single, “Am I Ever Gonna See Your Face Again”, was released in April 1976. The Angels made their debut TV appearance on Countdown. Later in the year, Charlie King was replaced by Graham "Buzz" Bidstrup on the drums.
Chris Bailey and Bon Scott were members of Mount Lofty Rangers in 1974. They released Round and Round, later remixed by Vince Lovegrove as Round and Round and Round in 1996.
Chris Bailey joined the band on bass, to allow Neeson to concentrate on vocals. The move to specialist frontman allowed the band to develop an energetic and theatrical live presence. As a foil, Rick Brewster would remain motionless, his head cocked to one side, for the entire performance.
July of 1977, saw the release of the band's second single, "You're A Lady Now", followed a month later by their self-titled debut LP, The Angels.
In August 1978, Face to Face album reached #16 in November and stayed on the Australian charts for 79 weeks. Mark Opitz engineered, and along with The Angels, co-produced the album.
Peter Ledger, who designed the cover, won Best Australian Album Cover Design Award. In November 1978, The Angels supported David Bowie on his first Australian tour, resulting in The Tour EP single.
In June 1979, No Exit entered the Australian album chart at #8 upon its release and again at #15 in September. George Young contributed as a backing vocalist to Out of The Blue. In October 1979, Albert released the Out Of The Blue EP .
On New Year's Eve 1979, the band performed in front of almost 100,000 people on the steps of the Sydney Opera House. Their show, however, was cut short when a riot broke out in the audience. Doc Neeson was hit on the head with a sign and Chris Bailey was knocked unconscious by a flying bottle and hospitalised.
International As Angel City, 1980-1985
In March 1980, the band signed an international contract with CBS Records and released, Face to Face, a compilation of tracks from the Australian Face to Face and No Exit albums, on the Epic label. The band renamed themselves as Angel City to avoid confusion with "Angel" in the USA .
In June 1980, Dark Room, produced by the Brewster brothers, The overseas version of this album featured re-recorded versions of "Ivory Stairs" and "Straight Jacket" in place of "Alexander" and "I'm Scared". American band Great White would later cover "Face The Day", from this LP as well as "Can't Shake It" from Face to Face.
In March 1981, drummer Graham Bidstrup left the band, reportedly due to non-musical differences, and was replaced by New Zealander Brent Eccles.
In October 1981, Never So Live EP, received heavy airplay and on the strength of the new song "Fashion And Fame" went to sell some 80,000 copies. In November 1981 Night Attack, produced by Ed Thacker and the Brewsters.
The band's third international album, Night Attack Early in 1982, American Jim Hilbun was recruited as replacement for Chris Bailey.
In May 1983, Watch The Red album was produced by The Angels and engineered by Andrew Scott and Al Wright, was issued. The first single "Stand Up" was release and was written by Hilbun, was a success.
The album, critically acclaimed for its musical inventiveness, featured saxophone leads from Hilbun, John Brewster on lead vocals for one track, and even a piano accordion.
In November 1984, Two Minute Warning album was released following a three-month recording session in Los Angeles. The American version of the album, on MCA, included a new version of "Be With You". Metal Blade Records re-issued the album in 1990.
John Brewster left the band in February 1986. In his place, the band hired ex-Skyhooks guitarist Bob Spencer in March 1986.
In October of the same year Howling was released on the band's new label Mushroom Records. This album included a cover version of The Animals hit, "We Gotta Get Out Of This Place" which, at #6, became the band's highest charting single up to that point.
In December 1987, the double live album Liveline was released. The collection spanned ten years of the band's career. The CD version of Liveline included several songs not included on the vinyl release. A live version of "Am I Ever Gonna See Your Face Again" was issued as a single.
Following the success of the album, The Angels embarked on a massive tour of Australia with a lengthy two-hour set that covered the entire history of the group.
Guns N' Roses recorded "Marseilles", it was issued on a Bootleg album Ultra Rare Tracks III in 1988.
International As The Angels From Angel City, 1988-1989
In November of 1989, Chrysalis Records in the US issued (known as The Angels From Angel City). It included four new songs, three of which would later appear on the Australian version of the album, and new recordings of the classics "I Ain't The One", "Can't Shake It", "Who Rings The Bell", "City Out of Control" and "Am I Ever Gonna See Your Face Again", none of which was made available in Australia.
Alan Niven was signed on as manager of the band's affairs in the US. At the time, Niven was also managing Great White and Guns N' Roses.
Jim Hilbun left during these recording sessions and was replaced by Australian James Morley on bass.
In February 1990, Beyond Salvation was released and became the band's first and only No. 1 album. Produced by Terry Manning, the LP spawned five successful singles, including "Dogs are Talking" and "Backstreet Pickup".
The flipside of "Dogs are Talking" featured demo tracks by three new Australian bands that The Angels had chosen to support them on their upcoming tour, including The Desert Cats, The Hurricanes and the John Woodruff-managed Baby Animals.
The Angels then hit the road on their "Beyond Salvation" Tour with Cheap Trick as supporting act. The video for "Backstreet Pickup" was filmed the day the band were told of the album reaching number one on the charts and shows a very buoyant and enthusiastic band performing for the cameras.
in November of 1991, Red Back Fever, were recorded in Memphis. The band toured for two years, and the song "Tear Me Apart" was included a multi-million dollar government campaign highlighting alcohol related violence.
International The Angels Official name in Australia, 1992
Andy Scott & The Sweet recorded “Am I Ever Gonna See Your Face Again” in 1992.
In July 1992 Mushroom re-issued Red Back Fever / Left Hand Drive as a two CD set. In 1992, both Bob Spencer and James Morley left the band. John Brewster and Jim Hilbun to return, and thus the classic line-up of Brewster-Neeson-Brewster-Eccles-Hilbun was reunited. They immediately set out to write new material.
In December 1994, Evidence a career-spanning collection of the band's hits. In April 1995, The Hard Evidence Tour EP was issued to coincide with the Barbed Wire Ball tour, a national tour that also featured The Screaming Jets and The Poor.
The band then took a break from recording and touring, reconvening in mid-1996 at Darling Harbour studios for the start of what would become the sessions for their last studio album.
In 1995, Great White live album Stage featured "Face the Day" and "I Can't Shake It", comply by Alan Niven. Tracks 1-6 recorded live at The House Of Blues, Los Angeles, CA, 1994. Tracks 7-12 recorded live at The Celebrity Theatre, Anaheim, CA, 1993. Japanese release is a 2-CD set that offers 2 tracks not found on the U.S. release.
In July 1997, The Angels hit the road with The Lounge Lizard Tour with Angry Anderson from Rose Tattoo and Ross Wilson from Mondo Rock and Daddy Cool. The band backed each singer acoustically through classics from their respective bands.
In August 1997, The Angels sign world wide deal with Shock Records they can release albums as THE ANGELS official statement from record company from Australia, USA, Canada, Europe. In October, "Caught in the Night" was the band first single from the album.
In March 1998, Skin and Bone a moderately successful, the album was nominated by ARIA as one of the year's best Australian recordings.
In October 1998, The Angels were inducted into the ARIA Hall of Fame by Angry Anderson. In November 1998 the band performed a brief set at the Concert of the Century in Melbourne to celebrate Mushroom Records' 25th anniversary
In February 1999, Shock Records reissued Live Line - Definitive Digital Remaster as a double live album with 10 bonus tracks, 'Nothin' To Win', 'Night Comes Early', 'Into The Heat', 'Long Night', 'Easy Prey', 'Is That You', 'No Sleep In Hell', 'Talk About You', 'Gonna Leave You' and 'I Ain't The One'. Also containsthe four bonus tracks from the original release, 'Small Price', 'Underground', 'Face The Day' and 'Eat City', for a totalof 14 extra cuts and a grand total of 34 tracks jewel case.
Grinspoon recorded "Take A Long Line" for the movie "Sample People" Soundtrack in 2000.
In November 2000, Shock Records reissued Left Hand Drive, previously released by Mushroom in 1992 as a limited-edition collection of unreleased versions and B-sides.
In March of 2001, The Angels reformed as Members of The Angels with John and Rick Brewster, Buzz Bidstrup, Chris Bailey and Jim Hilbun on lead vocals, for the Gimme Ted - The Ted Mulry Benefit Concert (released on video as Gimme Ted).
In June 2002, Shock Records issued The Complete Sessions 1980-1983, 4-CD box set collection of the band's recorded output from the period between the Dark Room and Watch the Red albums.
Los Angeles Hard Rockers L.A. Guns cut a rendition of “Marseilles” for their album “Rip The Covers Off” released with Shrapnel Records in 2004.
In December 2006, Live at The Basement containing all the classics with Brewster, Bailey, Bidstrup and Brewster.
In July 2006, Liberation reissued the The Angels' catalogue. Albums included: Dark Room, Night Attack, Watch the Red, Two Minute Warning, Howling, Beyond Salvation, Red Back Fever, and Wasted Sleepless Night - The Definitive Greatest Hits.
Leanne Kingwell second single “Be With You” to be lifted off Leanne's critically acclaimed debut album in 2006. The album is currently going off on the US radio charts.
Canadian band Dust Rhinos recorded “Am I Ever Gonna See Your Face” features on The Second Set in 2007. Consists of fiddles, mandolins and something called a bodhran.
In June 2007, Wasted Sleepless Nights - The Videos. Includes live footage never before released and tracks recorded live from ABC's Studio 22.
The Angels reformed in 2008, featuring Doc Neeson on vocals, the Brewster brothers on lead and rhythm guitar, Chris Bailey on bass and Graham "Buzz" Bidstrup on drums. As of October 2009, the group continues to tour across Australia.
John Brewster, Doc Neeson and Rick Brewster were inducted into the Songwriters Hall of Fame in 2008.
In April 2009, The Angels, Rose Tattoo and The Screaming Jets will team up for the Australian Monsters Of Rock concert at Enmore Theatre in Sydney, Autralia.
In July 2009, The Angels By Request Concert Series fans get to choose their favourite fifteen songs from the entire Angels catalogue. Their votes along with thousands of others from around Australia will be tallied up and the top songs chosen will comprise The Ultimate Angels Set List.
In April 2010, Symphony Of Angels perform their classic hits with the Adelaide Art Orchestra in an Australian first. The biggest project ever undertaken by this iconic band and will be held at The Festival Theatre in Adelaide.
Members
John Brewster, (rhythm guitar, vocals), 1976-1985, 2001-
Rick Brewster (lead guitar, vocals), 1976-
Chris Bailey (bass), 1977-1982, 2001-
Graham "Buzz" Bidstrup (drums, vocals), 1976-1981, 2001-
Doc Neeson (lead vocals), 1976-2000, 2008 -
Brent Eccles (drums), 1981-2000
Waiting For The World
Angel City Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Barefooted could've beens, playing snakes and ladders climbing up the gravel walk
Welcome them inside and you watch their words collide as they try to talk
Show them the door to the cold star chamber they say "after you"
Then they all take turns waving flags, playing mastermind, held by a thumbscrew
That's you, yeah you, ah that's you
Waiting for the world to come to you
Spare me the dose of your roneoed wisdom that you think is so new
'Cause good ol' fate's making monkeys out of small time flunkies like you
That's you, yeah you
That's you
Waiting for the world
Waiting for the world to come to you
Show them the door to the cold star chamber they say "after you"
Then they all take turns waving flags, playing mastermind, held by a thumbscrew
Spare me the dose of your roneoed wisdom that you think is so new
'Cause good ol' fate's making monkeys out of small time flunkies like you
Welcome them inside and you watch their words collide as they try to talk
Show them the door to the cold star chamber they say "after you"
Then they all take turns waving flags, playing mastermind, held by a thumbscrew
That's you, yeah you, ah that's you
Waiting for the world to come to you
'Cause good ol' fate's making monkeys out of small time flunkies like you
That's you, yeah you
That's you
Waiting for the world
Waiting for the world to come to you
Show them the door to the cold star chamber they say "after you"
Then they all take turns waving flags, playing mastermind, held by a thumbscrew
Spare me the dose of your roneoed wisdom that you think is so new
'Cause good ol' fate's making monkeys out of small time flunkies like you
The first verse of Angel City's "Waiting For The World" paints a vivid picture of a group of people who are just going through the motions of life, represented by their game of snakes and ladders. They climb up a gravel walk, evoking a sense of struggle and roughness. Once inside, their attempts to communicate result in collisions of words that don't quite connect. The singer of the song watches from the outside, somewhat removed from their world. They are then shown to a "cold star chamber," an isolated and sterile environment. The group tells the singer to go first, but then they all take turns waving flags and playing mastermind, suggesting they are all vying for control and power. This game is held together by a "thumbscrew," a torture instrument that keeps the players in line.
The second verse is a direct challenge to the group and their self-important posturing. The singer rejects the "roneoed wisdom," a term meaning copied or unoriginal, that they try to pass off as new and valuable. They expose these people as "small time flunkies," likely referring to their lack of real power or influence. The singer accuses fate of making these people into "monkeys," implying that they are foolish and have no real control over their lives.
Overall, "Waiting For The World" seems to be a cynical commentary on the meaningless power struggles and empty rhetoric of certain groups of people. The singer remains distant and unconvinced, rejecting their attempts to pull them into their game. It is a critique of those who sit passively waiting for success to come to them instead of actively pursuing their dreams and goals.
Line by Line Meaning
Barefooted could've beens, playing snakes and ladders climbing up the gravel walk
People who could have been something more, but are stuck in their current situation, trying to climb the ladder of life on a difficult path.
Welcome them inside and you watch their words collide as they try to talk
Inviting these individuals to be part of your world and seeing them unable to communicate effectively, leading to miscommunication and conflicts.
Show them the door to the cold star chamber they say "after you"
Pointing these people towards a place where they can be alone and reflect, but they insist on doing it after you, delaying their own progress.
Then they all take turns waving flags, playing mastermind, held by a thumbscrew
These people consistently try to assert their dominance and control over situations, but are actually being manipulated by someone else's power.
That's you, yeah you, ah that's you
Directly addressing the listener, implying that they are the subject of these lyrics.
Waiting for the world to come to you
Passively waiting for good things to happen in life, instead of actively pursuing them.
Spare me the dose of your roneoed wisdom that you think is so new
Don't try to impress others with your recycled and outdated thoughts that you believe are groundbreaking.
'Cause good ol' fate's making monkeys out of small time flunkies like you
Implying that those who passively wait for life to happen to them will eventually realize that they are being controlled and feel like foolish monkeys.
That's you, yeah you
Reiterating that the listener is the intended subject of the song.
Waiting for the world
Continuing to emphasize the theme of waiting passively for something to happen in life.
Waiting for the world to come to you
Repeating the refrain to drive home the message that waiting for opportunities to come to you is not the way to live life to the fullest.
Contributed by Abigail B. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found