"Political Journalist" isn't… Read Full Bio ↴Anika Henderson, post-punk/avant garde/dub
"Political Journalist" isn't a credential we usually have in musician's bios, but this is exactly what Anika was doing while living between Berlin and Bristol earlier this year when she met Geoff Barrow. The producer was looking for a new singer to work with his band Beak>, and it was immediately clear they shared the same musical vision, including a love of punk, dub and 60s girl groups.
Just a week later Anika and Beak> (Barrow, Billy Fuller and Matt Williams) went into the studio to begin recording material. The resulting album was recorded in twelve days, live, with the four together in one room. Dub with no overdubs. The collaboration is political, trashy, dub, punk, funk ... a cohesive sound, and and experience in uneasy listening.
In the tradition of short-lived but deeply influential 99 Records and the NYC's 80s No Wave nexus, the nine songs on Anika run the gamut from experimental rock ("Yang Yang", "Officer Officer") to covers of folk ("Masters of War") and pop songs ("Terry", "I Go to Sleep"), while showcasing reverb-drenched ancient drum machine rhythms.
The album will be released by Beak's label Invada in Europe, and in USA & Japan by Stones Throw.
http://www.stonesthrow.com/anika
There are other artists with the same name:
2. Anika Auwiler, a German pop-folk artist out of Bonn (http://anika-musik.de/)
3. Footwork artist from Oregon, United States (https://soundcloud.com/anika_onesixty)
Masters Of War
Anika Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
You that never done nothin'
But build to destroy
You play with my world
Like it's your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten all the triggers
For the others to fire
Then you set back and watch
When the death count gets higher
You hide in your mansion
As young people's blood
Flows out of their bodies
And is buried in the mud
You've thrown the worst fear
That can ever be hurled
The fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain't worth the blood
That runs in your veins
How much do I know
To talk out of turn?
You might say that I'm young
You might say I'm unlearned
But there's one thing I know
Though I'm younger than you
Even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness?
Do you think that it could?
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death will come soon
I will follow your casket
In the pale afternoon
And I'll watch while you're lowered
Down to your deathbed
And I'll stand over your grave
'Til I'm sure that you're dead
The song "Masters of War" by Anika is a powerful anti-war protest song. The lyrics are a direct message to the people who build and supply the weapons used in wars, accusing them of being responsible for the destruction and loss of human lives. The song highlights the hypocrisy of those who hide behind their power and wealth while sending others to fight their battles.
The opening lines of the song, "Come, you masters of war, You that build all the guns," are directed towards the powerful people and institutions responsible for the proliferation and manufacturing of guns and weapons. The next lines, "You that build the death planes, You that build the big bombs," point out the consequences of their actions, emphasizing that they are responsible for the destruction and devastation caused by these weapons.
The lyrics then go on to point out the hypocrisy of those who hide behind walls and desks and manipulate the truth to advance their agendas. The song accuses them of playing with people's lives as if they were toys, and of being responsible for creating fear and insecurity in people's lives.
Overall, "Masters of War" is a powerful and thought-provoking song that raises important questions about the role of violence and power in society.
Line by Line Meaning
Come, you masters of war
Addressing those who wage war and the military industrial complex.
You that build all the guns
Pointing out to the people who manufacture firearms.
You that build the death planes
Criticizing the creation of warplanes that kill.
You that build the big bombs
Highlighting the manufacture of explosives that cause large-scale destruction.
You that hide behind walls
Calling out those in power for hiding behind their wealth and status.
You that hide behind desks
Satirizing CEOs and executives who are distanced from the consequences of their actions.
I just want you to know
I can see through your masks
Letting the masters of war know that their deception and lies don't go unnoticed.
You that never done nothin'
But build to destroy
Reproaching those who only create weapons and war materials instead of contributing positively to society.
You play with my world
Like it's your little toy
Chastising the way in which the powerful treat the planet as a disposable resource.
You put a gun in my hand
And you hide from my eyes
Saying how vulnerable soldiers are while the government officials who sent them to war take no responsibility.
And you turn and run farther
When the fast bullets fly
Accusing the people in power of abandoning their soldiers in times of danger.
Like Judas of old
You lie and deceive
Comparing the betrayal of Judas to the people who wield their power unscrupulously.
A world war can be won
You want me to believe
Questioning the validity of leaders who promote war as a means of winning their goals.
But I see through your eyes
And I see through your brain
Condemning the people in power as their true motivations are transparent.
Like I see through the water
That runs down my drain
Drawing a comparison between the dirt that goes down the drain, and the immorality of the leaders who claim to be protecting their countries.
You fasten all the triggers
For the others to fire
Denouncing the people in power for inspiring the common folk to fight their wars.
Then you set back and watch
When the death count gets higher
Commencing the people at the top of maintaining their distance while the soldiers and citizens are dying in their wars.
You hide in your mansion
As young people's blood
Flows out of their bodies
And is buried in the mud
Illustrating how the leaders hide behind their luxury, barricaded from the real-world consequences of their actions.
You've thrown the worst fear
That can ever be hurled
The fear to bring children
Into the world
Designating the threat of war as the gravest fear.
For threatening my baby
Unborn and unnamed
You ain't worth the blood
That runs in your veins
Censuring those in power for endangering the future of innocent generations.
How much do I know
To talk out of turn?
Acknowledging the limits of individual insight and the need for dialogue.
You might say that I'm young
You might say I'm unlearned
Accepting the potential for others to dismiss young or inexperienced voices.
But there's one thing I know
Though I'm younger than you
Asserting the importance of moral righteousness in the face of worldly experience.
Even Jesus would never
Forgive what you do
Highlighting the magnitude of the crimes committed by leaders who waged wars.
Let me ask you one question
Is your money that good?
Will it buy you forgiveness?
Do you think that it could?
Raising the question of whether wealth can absolve the wealthy of their sins.
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
Reflecting on the scope of the moral weight carried by actions carried out by the powerful.
And I hope that you die
And your death will come soon
Wishing an end to the power structures and the war machines that enable them.
I will follow your casket
In the pale afternoon
Acknowledging the gravity of the people in power's impending deaths.
And I'll watch while you're lowered
Down to your deathbed
Showing the visuals of the powerful being buried symbolically.
And I'll stand over your grave
'Til I'm sure that you're dead
Demonstrating the insistence of the young on the fall of the machinery of war.
Contributed by Riley A. Suggest a correction in the comments below.