(1) Antaeus, the French Black Metal band, formed in Maisons-Laffitte, Île-de-France, France in 1994. They have released four full-length albums to date: Cut Your Flesh and Worship Satan (2000) and De Principii Evangelikum (2002) released on Osmose Productions, and Blood Libels (2006) and Condemnation (2016) released on Norma Evangelium Diaboli.
About Blood Libels, Todd DePalma of StylusMagazine.com said, "Melody is tempered through vivid motion, recycling a violent conquering of style. Upstrokes rake hopeless feeling across incessant blast-beaten rhythm, falling like copper shavings into an open sore.... Structure betrays a craft in tune with the adamantine will. The mordant efflorescence is reset through ambient refrains, suspiring in the aftermath or else opening like a valve between them as toxic pools reflect a fetid attraction to misery and imprisonment of the body—a spiritual negative condensed in the title track’s provocation to prove we’re 'more than flesh.'" Jeremy Garner of MetalReview.com notes that "the attenuation of mood is absolutely flawless. 'Words as Weapons', 'Here is Punishment', and 'Blood Libels' all act as damn impressive moments flesh tearing guitar lines and pernicious vocals enveloping the listener in a fog of aural torture and despair by creating interesting juxtapositions between atmosphere and the no quarter attitude of songs like 'Cyklik Torture'. When it comes down to it though, there are very few other bands that have such good taste as musicians to not let their music become repetitive or annoyingly overdone."
The current line-up is:
MkM - Vocals (Aosoth, ex-Temple of Baal, ex-Tenebrare, ex-Deviant)
Set - Guitars (ex-Aosoth, ex-Aes Dana, ex-Sublime Cadaveric Decomposition)
According to a recent interview with MkM, Antaeus will never play live again. They remain active as a recording band with the "incomplete" line-up and probably some session musicians in the future.
MkM used to run Spikekult Productions and took part in establishing Norma Evangelium Diaboli. Set is also a member of the band Aosoth.
Myspace/antaeusdpe
(2) A chill/electronica/club music artist (aka Alexx Antaeus) with albums Byzantine Meditation, World Prayer, and Zero4; notable track Palm of the Prophet. Antaeus (aka Alexx Antaeus) has released three albums to date: Byzantine Meditation (2004), World Prayer, and Zero4 (2007), released on Monom and Monom Records.
Byzantine Meditation is a chillout soundscape fusing voices, traditional instruments, electronica, hip-hop, and drum 'n' bass. The title track Byzantine Meditation received significant airplay on Smooth Jazz and eclectic stations and was used in Jacob's Coffee TV commercials. For World Prayer, the Virgin Megastore magazine raved: "Few Greeks up to now have been able to make their presence felt in the international music world. One of them is Antaeus...Sources of inspiration this time are religions from around the world, always with the enchanting atmosphere that Antaeus creates..." Zero4 is his latest release. In it, he blends urban and club beats with ethnic melodies and ambient sensitivity. Palm of the Prophet, one of the album's tracks, has been included in the Buddha Bar VIII compilation. Several songs from the album are receiving airplay on chill, Smooth Jazz, and eclectic stations around the world. In his review of Zero4 at enigmaonline.com, Thomas Martin wrote: "Production is at its...best," and "I'll recommend Antaeus to anyone who owns Paul Simon's Graceland and Air's Virgin Suicide / Talkie Walkie." Professor Marshall J. Cook, Editor of Creativity Connection at the University of Wisconsin-Madison, said, "(Antaeus' music) seems at once unique and familiar to me, and I don't seem to tire of it after several playings."
Alexx Antaeus has been active in the music industry since 1986: he has remixed/produced for Young M.C., Falco, Lonnie Gordon, Malcolm McLaren, Nusrat Fateh Ali Khan, The Rolling Stones, The Boys, Herbert Gronemeyer, and Earth, Wind & Fire. Some of the club music projects he has launched are Jeek! and Aar. For his work, he has earned several gold and platinum plaques.
Similar artist: Enigma.
Website: http://monomrecords.com/artists/antaeus/
http://www.antaeusmusic.com/
Myspace/antaeusmusic
Other artists who have used the name Antaeus include:
An alternative rock band from Smithtown, USA, who established a freespace website and a facebook page in 1995 and used them for maybe a month. They list members: Tyler Liers (lead guitar/vocals), Brian Kassay (rhythm guitar/lead vocals), Julie Tarry (drums), and Hannah Havemann (bass); and influences: Weezer, The Beatles. www.freewebs.com/antaeusrock & Myspace.com/Antaeus (apparently they got to Myspace first).
Early versions of this wiki mentioned another band named Antaeus, hardcore/metal, based in Oklahoma, and cited their myspace page Myspace/antaeushardcore.
Antaeus is also a Greek mythological figure, the giant son of Poseidon and Gaia.
Words As Weapons
Antaeus Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Those meaning and those invective tone we had
What did affect without effect
Took another form one will never neglect
Torments of angels that faded
All those shade I had to sew back making all one
Reaching none while
All those shadows I had to fake
Trapped in a body
My own betrayer
Not allowing any moves nor excess
An unsharp tool that damage unity
An enemy within that evolves toward statues
Lack of motion, lack of action, Mind overprocessing
For he hath shown the way and put on my path
The pain and the torture of a shattered body
I shall go on, wearing the burden of Pain, turning it
Glorifying it
For it didn't limit the strong For it didn't stop the Evilution
For it just changed the process
And made the whole scheme higher
Battling on different mindfield
Words as weapons
Eyes as judges
Smell the viktory
& sense the defeat
The lyrics of Antaeus's song "Words As Weapons" paint a picture of struggle and pain that is felt both internally and externally. The opening lines refer to the power that words can have, both good and bad. The next few lines address the difficulty of dealing with the effects of these words and the way they can shape and define a person. The reference to "torments of angels that faded" suggests that even those who are perceived as strong or invincible can have their own battles to fight. The struggles of the singer are compounded by their own physical limitations - they feel "trapped in a body" that cannot do what they desire it to.
Despite this, the song is not just a lamentation of pain and struggle. The line "I shall go on, wearing the burden of Pain, turning it / Glorifying it" speaks to a sense of resilience and determination. The singer is not defeated by their pain, but rather seeks to overcome it and make it meaningful. They find a way to turn their struggle into something greater, to use it as a tool for growth and change. The final lines of the song - "Battling on different mindfield / Words as weapons / Eyes as judges / Smell the viktory & sense the defeat" - suggest that the singer is still fighting, that they face enemies both external and internal, and that the outcome is not yet clear. The song leaves off on a note of tension and uncertainty, but also a sense of hope and resilience.
Line by Line Meaning
Words brought back to life
Reviving the power of words that we once spoke with meaning and passion.
Those meaning and those invective tone we had
The weight and emotion behind our words, both positive and negative, that we once wielded.
What did affect without effect
The futility of saying things that have no real impact or that fail to achieve their intended effect.
Took another form one will never neglect
The words transform into something else, something that cannot be ignored or forgotten.
Torments of angels that faded
The pain and suffering of those who were once considered divine or infallible but have since lost their luster.
All those shade I had to sew back making all one
The singer brings together disparate elements, reconciling internal conflicts and harmonizing distinct features into a singular entity.
Reaching none while
Despite their best efforts, the singer is unable to connect with others through their words.
All those shadows I had to fake
The artist puts on a facade, masking their true self and altering their words in order to fit in or avoid confrontation.
Hiding some form Praying the One...
Concealing a part of themselves from the world, seeking solace or guidance from a higher power.
Trapped in a body
The artist feels confined by their physical form, unable to express themselves fully or move as they desire.
My own betrayer
The singer feels as though their own body is working against them, hindering their progress and sabotaging their efforts.
Not allowing any moves nor excess
Their physical limitations prevent them from taking any action or accomplishing something beyond their capabilities.
An unsharp tool that damage unity
Their mind and body are not functioning in unison, causing discord and harm rather than working together towards a common goal.
An enemy within that evolves toward statues
The singer's internal struggles are becoming increasingly prominent and influential, solidifying into an unchangeable statue-like state.
Lack of motion, lack of action, Mind overprocessing
The singer is paralyzed by overanalyzing, failing to take the necessary steps towards progress or change.
For he hath shown the way and put on my path
The artist acknowledges a higher power that has guided them and directed their path forward.
The pain and the torture of a shattered body
The physical pain and suffering caused by their broken body.
I shall go on, wearing the burden of Pain, turning it
The singer endures the pain and uses it as a source of strength and motivation to keep going.
Glorifying it
Transforming the painful experience into a positive one, one that is celebrated and elevated rather than lamented.
For it didn't limit the strong For it didn't stop the Evilution
Despite the pain and challenges they faced, the artist was not defeated or held back.
For it just changed the process
The experience introduced a new process or path forward for the artist.
And made the whole scheme higher
The experience elevated the artist's perspective and approach to life, allowing them to see things from a higher vantage point.
Battling on different mindfield
The singer is fighting a mental battle, one that is not easily visible or perceivable by others.
Words as weapons
The power of words to influence and impact others, for better or for worse.
Eyes as judges
The judgment and scrutiny of others, particularly their eyes and facial expressions, that can influence the singer's confidence and self-worth.
Smell the viktory & sense the defeat
The singer can sense either victory or defeat based on subtle cues and indicators, including the scent of success or failure.
Contributed by Elizabeth L. Suggest a correction in the comments below.