In 1989, Stephan Groth and Jon Erik Martinsen formed Apoptygma Berzerk in Norway. They wrote several songs, one of them "Ashes To Ashes" would later be released as a 12" single on the Norwegian label Tatra Productions in 1991. Martinsen left the band shortly afterwards feeling uncomfortable with the direction of the band's music. Since then the band had many lineup changes, Groth being the only constant members.
Stephan Groth claims that the band name was randomly picked out of a dictionary. Apoptygma is an old Greek word for the fold of a woman's garment. Technically the 'y' ought to be pronounced like a long 'u', but the band's name is commonly pronounced a-pop-TIG-ma or a-pop-TEEG-ma.
Apoptygma Berzerk released six studio albums so far: Soli Deo Gloria in 1993, 7 in 1996, Welcome To Earth in 2000, Harmonizer in 2002, You and Me Against the World in 2005, and Rocket Science in 2009.
The first two albums, Soli Deo Gloria and 7 were a similar style of synthpop and EBM. Welcome to Earth featured an evolved EBM/synthpop sound. Harmonizer featured a softer, more synthpop-oriented direction. You and Me Against the World represented an almost complete change in style for the band, from EBM to indie rock-oriented sound. Rocket Science continued the rock-oriented direction of their sound.
They also released three compilations (The Apopcalyptic Manifesto in 1998, The Singles Collection in 2003 , Sonic Diary in 2006), three live albums (APBL98 in 1999, APBL2000 in 2001, Imagine There's No Lennon in 2010) and three live DVDs (APBL2000 in 2001, The Harmonizer DVD in 2004, Imagine There's No Lennon in 2010).
In total, the band issued six EPs: Victims of Mutilation in 1990, The 2nd Manifesto in 1992, Mourn EP in 1997, Unicorn EP in 2004, Black EP in 2006, and Green Queen in 2009.
List of former band members:
Jon Erik Martensen: keyboards (1989)
Per Aksel Lundgreen: keyboards/manager (1991–1994)
Anders Odden: guitars (1992-1999)
Geir Bratland: keyboards/backing vocals (1995-2009)
Fredrik Darum: producer/live guitarist (1999–2001)
Ted Skogmann: drums and guitar (1999–2002)
Fredrik Brarud: drums (2002-2009)
Audun Stengel (Angel): guitars (2002-2009)
Anders Odden: guitars (2003-2006)
Official site: http://www.apoptygmaberzerk.de
Until the End of the World
Apoptygma Berzerk Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All the weights that keep me down
Seem heavier than before
They hit me in my face
Though you feel nothing
Only time will heal you say
That half of me is gone
My dearest treasure torn away
I'll stick with you until the end of the world
I cry out loud but you hear nothing
I'll wait for you until the end of the world
My dearest treasure torn away
All the weights that keep me down
Seem heavier than before
They hit me in my face
Though you feel nothing
Only time will heal you say
Your word's not therapy
That half of me is gone
My dearest treasure torn away
I'll stick with you until the end of the world
I cry out loud but you hear nothing
I'll wait for you until the end of the world
That half of me is gone, my dearest treasure torn away
I'll stick with you until the end of the world
I cry out loud but you hear nothing
I'll wait for you until the end of the world
My dearest treasure torn away
The song "Until the End of the World" by Apoptygma Berzerk is a melancholic yet romantic song, in which the singer expresses his devotion and loyalty to someone whom, from the lyrics we can infer, has suffered a great loss or is going through a tough time. The singer seems to be struggling with personal difficulties as well, as he describes being weighed down by something that hits him in the face, causing pain. However, despite his own struggles, he promises to "stick with you until the end of the world" and "wait for you until the end of the world," emphasizing his commitment to the other person who is apparently going through even deeper pain.
The lyrics suggest that the other person is not actively reciprocating or responding to the singer's emotional needs, as "you feel nothing" and "I cry out loud but you hear nothing." The singer is aware that time is the ultimate healer, but is frustrated that the other person's words are not enough and that a significant part ("that half of me") of him has been "torn away." Despite the pain and the lack of response from the other person, the singer remains steadfast in his commitment to be by their side. The song conveys a sense of longing, pain, and hopeful determination to maintain a bond even when faced with adversity.
Line by Line Meaning
I'll wait for you until the end of the world
I will wait for you through thick and thin, even if the world ends.
All the weights that keep me down
All the burdens and troubles are overwhelming.
Seem heavier than before
They become more difficult to bear over time.
They hit me in my face
These troubles affect me on a personal level.
Though you feel nothing
Despite this, you seem indifferent.
Only time will heal you say
You believe only time can make things better.
Your word's not therapy
However, your words are not enough to help.
That half of me is gone
Losing you feels like losing a huge part of myself.
My dearest treasure torn away
You are the most important thing to me, and losing you is painful.
I'll stick with you until the end of the world
My commitment to you is unwavering and unbreakable.
I cry out loud but you hear nothing
I express my pain and frustration, but you seem not to notice or care.
That half of me is gone, my dearest treasure torn away
Losing you feels like losing an essential part of who I am.
Lyrics © Universal Music Publishing Group
Written by: Adam Clayton, Dave Evans, Larry Mullen, Paul David Hewson
Lyrics Licensed & Provided by LyricFind
Lupiter
All the weights that hold me down seem heavier than before,
They hit me in my face, but you hear nothing
All the times you'll hear me say
You words my.... Parody?
Now half of me is gone,
My dearest treasure torn away
I'll stick with you until the end of the world,
I cry out loud but you hear nothing,
I'll wait for you until the end of the world,
My dearest treasure torn away.......
Robert Glover
What truly makes a great song epic is its longevity of popularity. Regardless of its age it still reaches new people and other generations on a daily basis. Fact is that most underground music does not make it as far as this song has. Maybe apop doesn't want to surpass it. Maybe its just too personal to even try. No matter the reason we cannot deny how truly great it is just because of its age. This song beats ass and we all know it!
Robert Glover
This song and the band apoptygma changed my life for ever. The songs impact on my dancefloor alone was amazing yet I'm amazed at how poor taste american radio stations have. This music is 12 years or more ahead of its time. It easily rivals any great/dark trance out there.
Petar Maksimovic
+Robert Glover Yeah, but APOP is now 12 year or more lagging behind this song.
Christopher cramer
I have to agree with you. seems like most radio stations here in the U.S with exception to some college stations play top 40 crap from cookie cutter industry artists who don't even write most of their own material.
claire carter
galbas78 in the UK nothing. Like this is ever played on the radio....you're lucky to hear such a diverse type of music..
Silfide Lunar
me too!!!!
Damien Sanchez
Robert Glover in an American.. and I....Agree!
Jade
I saw Apop in Seattle, WA in 2002..at a somewhat small venue. I think it was called The Catwalk. And we pushed our way to the very front of the stage..The keyboard player was soooo happy..he was just kind of jumping around on the keyboard with his dreadlocks..and Stephan had the white contact lenses in...and his hair was blonde..He looked hot..I was so drunk though..lol....Ha det bra Apop!!! Jeg vil se dem igjen en dag!!!
BillAnt
I remember a similar show here in Cleveland at The Phantasy Night Club around 2002, small venue, loud as fuq in the front row, drunk as a skunk, fun night for sure. They finished with a couple of Depeche Mode covers... miss those days. :)
Frank MVE I Guess
Saw them in San Fran, awesome band.