He has been named number one in the prestigious DJ MAG Top 100 poll four times in a row, from 2007 till 2010 and for the 5th time in 2012. He's the first DJ in the history of the DJ Magazine to achieve that and an indication of his prolific output over more than 14 years he’s been dj’ing and producing. Being the official World’s Most Popular DJ is just one of his many achievements, but the driving force behind his success is an overriding passion for electronic dance music.
2008 began with the success that the number one DJ seems to attract; he was awarded with the prestigious Buma Cultuur Pop Award in January. This was followed by being voted as the Best Trance Artist in the Beatport Music Awards in March; judged on the musician’s artistic achievements, national and international success, it is evident that Armin van Buuren has become one of the decade’s most influential trance acts.
Even a basic list of recent successes reads like a lifetime of work: ‘Best Album’ for artist album ‘Shivers’ at both the Dutch Release Dance Awards and the prestigious Edison Awards; ‘Best Compilation’ for ‘A State Of Trance’, in 2006, claiming the ‘Best European DJ’ award in 2007 and ‘Best Mix Radio Show’ at the Miami Winter Music Conference in 2006 and 2007, for radio show ‘A State Of Trance’ – now broadcasting on a massive 40 FM stations as well as satellite and internet radio, with over 26 million listeners a week; a 5th year residency in Ibiza at Amnesia and over 50,000 downloads every week from podcasting high end chart-bothering positions all over the world for singles, albums and compilations , with single “Rush Hour” used as the theme tune to the UEFA European Youth Championship; the #1 entry in the Dutch album charts with his artist album ‘Imagine’, the #1 entry of the DVD registration of ‘Armin Only ‘ Imagine’ – the landmarks just keep coming!
The 350th episode and the 7th year of the hit radio show ‘A State of Trance’ was celebrated in May 2008 with an eight hour live broadcast from Antwerp in Belgium to over 40 radio stations internationally. Fans were invited to a free party with a line up that had been voted for by the show’s listeners; another example of the importance the DJ places on the satisfaction of his fans. Considering the popularity of the radio show the introduction of ‘A State of Trance Podcast’ was a natural progression. The weekly podcasts which contain highlights and Armin’s favourite tracks from the previous episode ensure that trance lovers across the world will never miss another episode!
Sold-out shows for Armin Only in 2005 and 2006 created eager anticipation of the third edition, which kicked off in a sold-out Jaarbeurs in Utrecht in 2008; over 16,000 fans attended and were enthralled by the DJ’s nine hour set. The theme of the night was ‘Imagine’, described by Armin as “the celebration of our sensations both in life and in clubland.” Fans all around the world should not despair, as ‘Armin Only’ tour dates have also been set for Romania, Poland, Belgium and Australia; the DJ will also be touring in England, Scotland, Ibiza, Brazil, Mexico, Canada, and the USA, with expected dates in, for an example, the Czech Republic.
Born in Leiden, Holland (on December 25, 1976) to a musical family, Armin indulged his passion for music from a young age. He spent all the money he earned with his paper round on records. His mum won a computer when he was 10, gaining Armin’s interest. “So as a little nerdy kid I was writing my own basic programmes, and learnt about the technology from there.” He progressed from making low-profile mix tapes for friends to higher profile mixes when he discovered experimenting with different sequences on his computer through his uncle. “I was so stunned by what I saw him doing on the computer, that I got addicted to creating music right there and then!”
“I loved dance music immediately – this great rebellious sound that was so different to the ‘beautiful’ songs of the years before”. Armin cites electronic pioneer Jean Michel Jarre as a major influence (famed for his awesome visuals as well as his groundbreaking synth sounds), as well as Dutch producer Ben Liebrand, who later mentored him in his mixing and producing.
In the early days, Armin thought it was wise to have something extra in case the DJ’ing didn’t work out. So he studied for a law degree. The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his rise to fame included lots of productions and remixes, as well as playing out to packed clubs every weekend. It took him three years to graduate, but his determination made him succeed!
Armin’s own productions have all made a huge impact and quickly gain worldwide acclaim; his latest artist album titled ‘Imagine’ entered the Dutch Album Top 100 Chart at number one; this is the first time a dance producer has ever accomplished such a feat in the history of Dutch music. The first single to be taken from this album, ‘Going Wrong’ with DJ Shah featuring Chris Jones, entered the Dutch Singles Chart at number five. The ‘Armin Only DVD’ was also released and reached the acclaimed number one spot in its second week. His back catalogue includes Blue Fear, Communication, Sound of Goodbye, Shivers, Rush Hour, Burned With Desire, Exhale, Love You More, This World Is Watching Me, and Yet Another Day. While the remix offers flood in, Armin only takes on tracks that he really loves. He uses exactly the same criteria for his compilations, meaning that every release from Armin or his long-running Armind label is a bone fide stormer that’s earned its place. His output includes tracks for the cult TV series 24, and the likes of Motorcycle’s As The Rush Comes.
Armin is a dedicated trance lover, but isn’t imprisoned by a single genre, saying “What makes trance work so well is that it doesn’t stick to one style, and can incorporate electro, minimal, whatever it likes.” His desire to showcase more of the great music he hears, along with the number of people sending him tracks they wanted to release, led to the obvious step of starting his own label, Armada, in 2003.
The label is a joint venture between Armin, Maykel Piron (former head of A&R for Warner Music) and David Lewis, who'd previously managed Armin. "What we wanted was a company that could offer everything for an artist: representation, a booking agency, and a record company. Artists can choose full management, or to just release a record or play out at gigs. Armada lets the artists choose what they want without telling them what to do".
Armin is now a fully-fledged artist in his own right, having made his songwriting debut on his album, the award-winning Shivers; The events continue to get bigger and bigger, and Armin regularly headlines the likes of Sensation White, Global Gathering, Dance Valley, ZoukOut, Mysteryland, Coachella, Beats In Brazil, Trance Energy, Fort Dance, Summer Days – basically whether you’re in Australia, Russia, the Middle East, the US or Europe, you can catch Armin van Buuren at a club or festival near you!
"This is just what I really want," says Armin. "It’s not just love for music, it’s my passion. It goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential to my life”.
Computers Take Over The World
Armin van Buuren Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I am your electronic dance music processor
Computers take over the world
Let me prove we can create music by ourselves now
You need a beat, you need a clap, put in some hats, And you need some bass
So
Beat
Beat
Beat
Beat
Beat
Beat
You need a
Clap
Clap
Clap
Clap
Clap
Clap
Clap
Give me a
Bass
Bass
Bass
Bass
Bass
Bass
Bass
You need some hats
Computers take over the world
Beat
Beat
Beat
Beat
Beat
Beat
Beat
You need a
Clap
Clap
Clap
Clap
Clap
Clap
Clap
Give me a
Bass
Bass
Bass
Bass
Bass
Bass
Bass
You need some
hats
hats
hats
hats
hats
hats
hats
You need a
Beat
Beat
Beat
Beat
Beat
Beat
Beat
You need a
Clap
Clap
Clap
Clap
Clap
Clap
Clap
Give me a
Bass
Bass
Bass
Bass
Bass
Bass
Bass
You need some
hats
hats
hats
hats
hats
hats
hats
Beat Clap Hats Bass
Beat Clap Hats Bass
Beat Clap Hats Bass
Beat Beat Clap Clap
Hats Hats Bass Bass
Beat Clap Hats Bass
Beat Clap Hats Bass
Beat Clap Hats Bass
Let me try some beatboxing
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
I can do this all night long.
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
I love to make a beat!
beat beat beat beat
beat beat beat beat
beat beat beat beat
beat beat beat beat
beat beat beat beat
beat beat beat beat
Computers take over the world
Beat Beat Beat Beat
Clap Clap Clap Clap
Bass Bass Bass Bass
Hats Hats Hats Hats
I can do this all night long
Beat
Beat
Beat
Beat
Beat
Beat
Beat
You need a
Clap
Clap
Clap
Clap
Clap
Clap
Clap
Give me a
Bass
Bass
Bass
Bass
Bass
Bass
Bass
You need some
hats
hats
hats
hats
hats
hats
hats
I love to make a beat!
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Boom Clap Boom Clap
Boomsikka Boomsikka Boomsikka Boomsikka
Computers take over the world
Armin van Buuren's "Computers Take Over The World" is a uniquely self-aware electronic dance music piece that questions the role of technology in music creation. The lyrics of the song are delivered in a robotic, computerized voice, symbolizing the growing trend of AI technology taking over different aspects of human culture. The opening lines, "Hello, I am your electronic dance music processor / Computers take over the world," set the tone for the rest of the song, suggesting that artificial intelligence can now create music on its own, without human input.
The lyrics then move on to give specific instructions on how to create a basic electronic dance track, first establishing the need for a beat, clap, hats, and bass. Throughout the song, the computer voice repeats these instructions, gradually building up the different elements of the track until all the components are in place. However, the repeated phrase "Computers take over the world" indicates that this technological advancement in music creation is not necessarily a positive one, and that there may be a cost to the loss of human creativity in the music industry.
Overall, "Computers Take Over the World" is a unique commentary on the intersection of technology and art. It raises interesting questions about the role of AI in creativity, while also showcasing the capabilities of electronic dance music as a genre.
Line by Line Meaning
Hello
The electronic dance music processor greets the listener.
Computers take over the world
The song is named 'Computers Take Over The World' and suggests that computers can do more things by themselves.
Let me prove we can create music by ourselves now
The processor intends to prove that computers can create music without human intervention.
You need a beat, you need a clap, put in some hats, And you need some bass
To create electronic dance music, one will need a steady beat, clapping sounds, high hat sounds, and deep bass sounds.
Beat Clap Hats Bass
These four elements are the basic building blocks of electronic dance music.
Let me try some beatboxing
The processor demonstrates its ability to imitate human beatboxing, showing that a computer can replicate human sounds.
Computers take over the world
The song's theme of exploring the idea of computers doing things humans can.
I love to make a beat!
The processor reiterates its enjoyment in creating music and has no qualms about being in control.
Lyrics © Downtown Music Publishing, Cloud9
Lyrics Licensed & Provided by LyricFind
@arminvanbuuren
Really happy that Computers Take Over The World is finally here!! Did you know this video was generated using AI technology?
P.S. 👾 I'm on Discord! Make sure to join the server ➡ https://discord.gg/arminvanbuuren
@adrianamanoiu2633
Congratulations, dear Armin! 👏❤ I am very happy for you too! The track 'Computers Take Over The World', it's fabulous, Perfect, full of energy! 💕🎶🔥🔊💻🙌 I love it! I love the sounds and the Lyric Video, are awesome! Fantastic job, Armin! I've been listening to it repeatedly on Spotify since it came out as new ID (Live at Tomorrowland 2022 ID # 005)! Good luck in everything you do, Armin! Thank you very much, you bring so much happiness to our lives! 🙏 Be Safe! Have a Perfect and fantastic weekend! Lots of love and Best wishes from Romania! 🤗❤💎👑💎❤🇷🇴
@angelvillacaqui95AQP
Training and fun to our body, I need to listen it at home and also in the gym for my days off until I sweat it 👏🏼🙌🏼🕺🏃 thank you for the premiere of release track in anticipation ❤️👑
@jonathankarel7735
Congrats Armin, this is a massive one. Like that you know how to learn to make a beat. Good job. I hope you release Typically Dutch soon and hope that it make it on the Feel Again album.
@GachaRobloxianAndrew
Wow! You mean the whole video? Like lyrics and all? Cool!
@KAT86
LOVE this!! ❤️❤️❤️
@rickastleynevergonnagiveyo2199
Kick, Bass & Trance 2.0🔥🔥🔥
@armandolopez7817
La escuché en su set de Tomorrowland y estaba esperando a que saliera, excelente canción buenos bajos, gracias Armin Van Buuren
@anamariag4297
It reminds me of 90's electronic music 🤖 💙
@ProLansPl
ikr! like music instructor and members of mayday blended together :3