Arthur Arshawsky (23 May 1910 – 30 December 2004), better known as Artie Sh… Read Full Bio ↴Arthur Arshawsky (23 May 1910 – 30 December 2004), better known as Artie Shaw, was an accomplished jazz alto saxophonist, clarinetist, composer, arranger, bandleader, and author.
He was born in New York City (but grew up in New Haven, Connecticut) and began learning the saxophone when he was 15 and by age 16, had begun to tour with a band. He reached Hollywood the first time, as a sideman with Irving Aaronson's band in 1931, performing at the famous Orange Blossom Room (site of the first Academy Awards ceremony in 1929). Returning to New York City in1932, he became a highly in-demand session musician, working for example as one of just a handful of accompanists to Bing Crosby's first signature radio show for William S. Paley's already powerful and influential CBS radio network. Ultimately, Artie (who was known strictly as "Art" Shaw until his fortuitous Summer, 1938 contract with RCA Victor records' Bluebird label commenced) organized and led five, full-time touring orchestras that were all extremely popular -save the last, from 1949, with its be-bop oriented book. Ironically, that final Shaw-led big band (populated with players like Al Cohn), is considered by most jazz critics to have been Artie's best. With time out to lead a Navy service band (in the Pacific combat theater) during WWII, Shaw's actual big band- leading career lasted less than a decade overall -yet, it was a remarkably productive one, populated with some fourteen "Gold" records. These included such mega-hits as "Begin the Beguine", "Stardust", "Frenesi", "Moonglow", "Temptation", "Dancing In The Dark" and "Summit Ridge Drive" -the latter by his famous quintet billed as the Gramercy 5.

Shaw was known for being an innovator in the big band idiom, pioneering strings with jazz and using unusual instrumentations. His Summer, 1935 piece "Interlude in B-flat" was one of the earliest examples of what would be later dubbed "third stream". In 1938 he convinced Billie Holiday to be his band's vocalist, becoming the first white bandleader to hire a full-time black female singer. This 1938-1939 orchestra became phenomenonally successful and appeared in the movie "Dancing Co-ed" which also featured one of his future wives, Lana Turner, in the cast. Artie's clarinet playing, had by now reached a level that was arguably the greatest in jazz, easily rivaling that of Benny Goodman. Longtime Duke Ellington clarinetist Barney Bigard, himself a highly talented musician -cited Shaw (in 1940) as his "favorite" clarinet player. Literally abandoning his famous 1938-1939 band at the absolute peak of its' fame and earning power (Artie, just himself alone pulling down more than $10K per week) in late November, 1939, Shaw "abdicated" to Acapulco, Mexico. Returning to the U.S. he organized an entirely new orchestra, with full string section in the Summer of 1940. A truly stellar aggregation, it lasted until mid-1941, featuring stars Billy Butterfield, Johnny Guarneiri, Nick Fatool and Ray Conniff as principal arranger. This outfit can be prominently seen in the RKO film "Second Chorus" starring Fred Astaire and Paulette Goddard. The final pre-war Shaw band, started in late, 1941, had Davey Tough and Hot Lips Page and big hits on St. James Infirmary Blues and Blues In The NIght. Artie broke this outstanding unit up shortly after Pearl Harbor so he could "enlist" in the Navy -refusing an offered commission. Back from the Navy, Shaw put together a new band that featured Roy Eldridge and an ambitious library stocked with arrangements by Eddie Sauter, Buster Harding, Ray Conniff and others. Hit records for this band included "Little Jazz" and "S'Wonderful" and by now Artie was married to Ava Gardner. His final public performances (as a clarinetist) took place in 1954, including with a sublime quartet in an extended Las Vegas booking. Apparently, he last picked up and played his fabled clarinet in about 1960 at his beach house in Spain (as recounted in final wife actress Evelyn Keyes' autobiography) and resisted all lucrative offers to return to the stage until finally fielding a "ghost" band under the highly capable aegis of outstanding clarinetist Dick Johnson in 1985. For about the first year, Artie often appeared on stage with this very fine orchestra at certain, prestigious bookings, but soon tired of the "grind" -and not to Dick Johnson's dismay. This now true "ghost" band is still appearing during Summer seasons (with much of the original Shaw "books"), principally in the New England area (Johnson lives in Boston) and is well worth seeing. Although he had more wives (8) than bands, Artie fell one wife short of Charlie Barnet's record (for a famous bandleadrer) of nine.

If I Love Again
Artie Shaw Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I often wonder why he came to me
Brought such a flame to me

And let it die
And if another love should find my heart
It will remind my heart of your goodbye

With every new love you

Will come back to me
In others eyes, its you I see
If I love again
Though its someone new

If I love again
It'll still be you
In someone else's firm embrace
I'll close my eyes but see your face

If I love again
I'll find other charms
But I'll make believe, you are in my arms
And though my lips whisper

"I love you"
My heart will not be true

I'll be loving
Every time I love again

Overall Meaning

The song "If I Love Again" by Artie Shaw is a poignant reflection on the complex nature of love and loss. The lyrics speak of the singer's memories of a previous love, and how those memories will always be a part of any future romances they may have. The opening lines express the singer's confusion as to why the previous love ended, and why the person brought such intense feelings to them, only to let them "die". This sentiment speaks to the often-unpredictable nature of human connection and the mysteries of the heart.

The lyrics then go on to describe how every new love will be colored by the memory of the past love, with the singer seeing the previous person's face in the eyes of others. The singer acknowledges that they may find other charming qualities in new partners, but ultimately, they will be "making believe" that the past love is in their embrace. The line "My heart will not be true / I'll be loving / every time I love again" sums up the irony and tragedy of the situation. Though the singer may pursue new relationships, their heart will always hold some measure of love for the person they've lost.

Overall, "If I Love Again" is a beautifully crafted song that captures the complexities of love and loss. It speaks to the way that past relationships can shape our future connections, and how the memories of those we've loved can linger long after they've gone.

Line by Line Meaning

I often wonder why he came to me
I often ponder why fate brought you to me

Brought such a flame to me
Brought a passionate love in my life

And let it die
And let our love fade away

And if another love should find my heart
And if I fall in love with someone else

It will remind my heart of your goodbye
It will serve as a reminder of our bittersweet parting

With every new love you
With every new love

Will come back to me
I will be reminded of you

In others eyes, its you I see
In other people's eyes, you are who I always see

If I love again
If I ever fall in love again

Though its someone new
Even if it's with someone different

It'll still be you
It will always be you in my heart