The daughter of a Brazilian mother and a German father, Gilberto was raised in Rio de Janeiro and moved to the USA in the early 1960s. In her mid-teens, she became part of (her own words) a "musical clan" when she met João Gilberto, whom she described as the clan's musical "guru". She married him a few months later, in 1959. She frequently sang duets with him, or sang while he accompanied her on guitar, and he acted as her musical tutor. She also sang publicly with her husband in a concert at the Rio de Janeiro Faculty of Architecture, but did not sing professionally at that time.
The couple moved to the United States in 1963, where she performed on the influential Getz/Gilberto album with João Gilberto, Stan Getz and Antonio Carlos Jobim. While rehearsing "The Girl from Ipanema", João asked her to sing a verse in English, and then persuaded Getz to include this in the final recording. Getz agreed, and Astrud's professional career began. After the recording Getz told Astrud it would make her famous, and was proved correct.
In the mid-1960s the couple divorced.
The success of Gilberto's vocal work on the song "The Girl from Ipanema" quickly turned her into a jazz star, and soon she started recording solo. She started as an interpreter of Brazilian bossa nova and American jazz standards, but started recording her own compositions in the 1970s.
Gilberto's recordings exposed the nations of the World to the sensuality of Brazilian music and to her unique vocal interpretations of American music, such as "The Shadow of your Smile", "It Might as well be Spring", "Fly Me to the Moon", "Look to the Rainbow" (from her album of the same title, with Gil Evans), "Love Story", etc...
Following the hit with "Ipanema", her recording career quickly took off. Her first solo effort, "The Astrud Gilberto Album", was an immediate best-seller and was itself nominated as album of the year. Her next albums were all chart-toppers and were released on a yearly schedule. Her talents were much in demand in other areas as well as she appeared in two motion pictures, "The Hanged Man" and "Get Yourself a College Girl" and also recorded the soundtrack for "The Deadly Affair", arranged by Quincy Jones. She made appearances in all of the popular US television shows of the time, and had TV specials built around her in Europe, Japan and Africa. For many years she was the voice of Eastern Airlines, having recorded award-winning commercials.
In the early seventies, Gilberto revealed another facet of her talents, her songwriting, which was introduced on the albums "Astrud Gilberto Now" (1972) and "That Girl From Ipanema" (1977). On the "That Girl from Ipanema" album, Gilberto recorded one of her songs, "Far Away" (with lyrics by Hal Shaper), as a duet with the legendary Chet Baker. As she has revealed in interviews, this was one of the most rewarding events of her career, since Baker had been one of Gilberto's idols dating back to her teenage years. In 1976, one of her compositions, "Live Today" (co-written with Jerome Schur), received an award at the Tokyo Music Festival.
In the early eighties, Gilberto formed a group, a sextet comprised of piano, bass, drums, trombone, guitar and percussion. Her son, Marcelo Gilberto, joined her group as bassist. With this group format, she toured Europe, Japan, Canada, and the United States. With the aid of Marcelo's valuable musical contributions, she polished the group's arrangements and entered a different phase in her career, as her music became more diversified and her songwriting more proliferous. Her shows, from the beginning of her career up to her last public appearance (2001), have been usually sold out and at many venues she has broken the house record in attendance. Seeking for a way to overcome her stage fright, which was sometimes overwhelming, Gilberto attended the Stella Adler School of Acting, for a couple of years, in the early eighties. The experience was helpful. Although still shy, Gilberto learned to control the stage fright to the extent that she can "live with it".
Her album "Astrud Gilberto Plus The James Last Orchestra", released in 1987, solidified her career as songwriter. The album includes a few of her own original compositions of which "Champagne & Caviar", "Amor e Som" and "I'm nothing without you" (Astrud's lyrics to A.C. Jobim's melody) are best known. The release of this album combined with the reissuing of some of her early records as CDs has created a whole new generation of fans for Astrud Gilberto all over the world, in addition to her already large number of followers. The "Astrud Gilberto Plus the James Last Orchestra" album was extremely well received by critics, as well as fellow artists.
In 1990, Gilberto, along with her sons Marcelo Gilberto and Gregory Lasorsa, formed Gregmar Productions, Inc. In the years that followed, Gilberto toured extensively, developing her live show and writing new material.
In 1992, Gilberto received the "Latin Jazz USA Award for Lifetime Achievement" for her outstanding contribution to Latin jazz music.
In 1995, the first project by Gregmar studios was released on an album as tribute to Jobim on the label Ps Flag/BMG ("Heirs To Jobim"). The song, "Forever Green", one of Jobim's last compositions before passing away, features saxophonist Michael Brecker. In that same year, in a sold-out Thursday night appearance, Astrud Gilberto became the first "Jazz" Artist to sing at the trendy "House of Blues" in Los Angeles, which had until then presented Blues and Rock acts, exclusively. She has also broken house records at the very popular "Jazz Cafe" club in London.
In early 1996 the first album from Gregmar was released in the Asian territories, including Japan, on the Pony Canyon label. It is comprised of various live performances recorded in NYC in 1989, for which is called "Astrud Gilberto - Live in New York".
The "Desafinado" duet with George Michael, in the Fall of 1996 included on the "Red Hot & Rio" album, gained international attention, and exposed the Bossa Nova style to a large number of Pop music fans. "Desafinado" has also been included on George Michael's 1999 release "Ladies and Gentlemen, The Best of George Michael".
Also in 1996, Gilberto recorded a duet with the famous European vocalist, French Pop star, Ettienne Daho. The song, "Les Bordes de Seine", included on Daho's "Eden" album, was co-written by Daho and Gilberto and was particularly well received by "Hip-Hop" fans.
In late 1997, a studio album (also by Gregmar Productions), produced by Astrud and Marcelo Gilberto, was released in the Asian territories by the Pony Canyon label. Comprised entirely of Astrud Gilberto's original compositions (with the exception of just one American standard), the album bears the title of "Temperance". Yet to be released outside of Asia, the album features guests Michael Franks and the New York Voices.
Gilberto's sold-out performances at the "House of Blues", and her legendary shows at NYC's SOB's continued to be musical "happenings" to her fans up until 2001, when she decided to take indefinite time off the "road", in order to be able to spend more time with her family, and do more writing and painting (she is also a fine art artist (click here to view some of her artwork).
Gilberto's style has been a strong influence in contemporary music. Many artists have revealed the fact that they have been inspired by her musical style, among them: Basia (who recorded a tribute to Astrud, a song named "Astrud"), Sade, Sinead O'Connor, Michael Franks, Pat Metheney, and Suzanne Vega. Several "avant-garde" groups have also professed having Astrud as their "inspiring muse".
Gilberto's work as songwriter has gradually but surely developed from a "side thing" in the beginning of her career, to an integral part of it, in the later years. Since the mid-eighties, her live shows featured a large number of her own original compositions, to which audiences have been just as receptive as they have always been to old standards such as "The Girl from Ipanema", "One Note Samba", or "Quiet Nights".
Gilberto's 2002 "Jungle" album release, is a showcase of her songwriting, as it features ten original new compositions.
In April 2002, Gilberto was inducted into the "International Latin Music Hall of Fame".
In November 2008, Gilberto was awarded by the Latin Recording Academy the "Lifetime Achievement" Grammy Award.
Lugar bonito
Astrud Gilberto Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On the road of life I travel
Looking forward, never back,
Looking to that dream before me,
Leaving old dreams in my track.
Lugar bonito, bonito,
It's a pretty place I see.
Where this road is taking me.
Earth is barren where I come from
But it's greener where I go
How I'll get there,
I'm not certain,
When I get there, I will know.
Lugar bonito, bonito,
It's a pretty place I see
Lugar bonito, bonito,
Where this road is taking me.
Long and lonely, hard and dusty,
Is this trail I walk upon.
But the journey's end gets nearer
As the day goes by, gets gone.
Lugar bonito, bonito,
It's a pretty place, I know.
Lugar bonito, bonito,
At the end of this road.
Astrud Gilberto's song Lugar bonito is a beautifully crafted ballad about the journey of life and the hope of finding a better place. The lyrics, written by Carlos Lyra, convey the idea of moving forward, leaving behind the past and chasing dreams. The singer of the song is on a long journey, walking on a hard and dusty trail, but always looking towards the future, towards a pretty place, a "lugar bonito" where everything is better.
The first verse sets the tone for the entire song. The singer walks on the road of life, always looking forward, never back, as if trying to escape from a past that is holding them back. The dream, the "lugar bonito" is the driving force that keeps the singer going, leaving the old dreams in the past, behind them. The second verse reveals that the singer comes from a barren earth, a place that doesn't offer much hope, but they keep walking towards a greener land, a place where they will find what they are looking for. The journey is hard and uncertain, but the hope of finding a better place keeps the singer going. The third verse suggests that the end of the journey is near, as the day goes by and gets gone, making the "lugar bonito" closer and closer.
Overall, Lugar bonito is a poignant, uplifting song that speaks to the human desire for a better life, for more than what they have. The idea of leaving the past behind and moving forward, no matter how hard the journey, is something that many people can relate to.
Line by Line Meaning
On the road of life I travel
I'm living my life and moving forward.
Looking forward, never back,
I'm moving towards my dreams and goals, not dwelling on the past.
Looking to that dream before me,
I have a clear vision of my dream and I'm focused on making it a reality.
Leaving old dreams in my track.
I've pursued my past dreams, but I'm moving on to something new now.
Lugar bonito, bonito,
I'm going to a beautiful place.
It's a pretty place I see.
The place I'm going to is beautiful and attractive.
Where this road is taking me.
I don't know exactly where I'm going, but I trust this road will lead me to my destination.
Earth is barren where I come from
My past was not very fulfilling or fruitful.
But it's greener where I go
The future looks brighter and more promising than my past.
How I'll get there,
I don't know how I'll reach my destination.
I'm not certain,
I'm not sure how things will work out.
When I get there, I will know.
But I know I'll recognize it when I arrive at my destination.
Long and lonely, hard and dusty,
The journey is tough and challenging.
Is this trail I walk upon.
The path I am taking is arduous.
But the journey's end gets nearer
However, I'm getting closer to my destination every day.
As the day goes by, gets gone.
Each passing day brings me closer to achieving my dream.
It's a pretty place, I know.
I'm confident that the place I'm going to is beautiful.
At the end of this road.
My destination is at the end of the road I'm traveling on.
Contributed by Maria B. Suggest a correction in the comments below.
Edésio de Lara Melo
Lindo!
Ty Smith
positively brilliant
Carol Parker
lovely.
Leslie Callender
fantastic
Muck2014
Sounds like all the wrong notes.
Ana Lívia
? what do you mean
noahvale939
Muck 2014, Nonsense. All the notes are just fine. You must have a tin ear. (I assume you know what that means.)
Gabriel Terry
Lydian mode my friend