The members of the group included José Roberto Bertrami (born February 21, 1946, in Tatui; died July 8, 2012, in Rio de Janeiro) on acoustic piano and keyboards, Alex Malheiros (born August 19, 1946, in Niteroi) on bass, and Ivan Conti (born August 16, 1946, in Rio de Janeiro) on drums.
Classically trained and originally influenced by pianists Bill Evans and Luíz Eça (of the Tamba 4), Bertrami worked with Flora Purim and Robertinho Silva before meeting Conti at a Rio nightclub. Upon a visit to a bowling alley/club in 1972, they heard Malheiros and decided to join forces to form Azymuth. Their first album, the soundtrack for the film O Fabuloso Fittipaldi, was released in Brazil in 1973.
After spending a number of years as session men in Rio recording studios and touring South America, a successful appearance at the 1977 Montreux Jazz Festival led to a 1978 U.S. tour with Airto and Purim. A contract with Milestone in 1979 resulted in a long string of eclectic and influential albums that established the group in the American and European markets. All three members also recorded solo albums for Milestone.
Bertrami left the group around 1988, after which Malheiros and Conti carried on for a while with keyboardist Jota Moraes. In the '90s, Bertrami rejoined Azymuth permanently. They signed to Far Out Recordings and issued a long string of albums including Carnival, 1997; Woodland Warrior, 1998; Pieces of Ipanema, 1999; Before We Forget, 2000; and Partido Novo, 2002.
In 2007, their self-titled debut album was reissued by the label in a deluxe package. It was completely remastered, and contained an additional disc of remixes by some of the world's best-known dance music producers. In 2008, Azymuth continued their tireless display of creativity with the universally acclaimed Butterfly, which they followed with Aurora in 2011.
Sadly, José Roberto Bertrami died in Rio during July of the following year; he was 66 years old.
Estrada Dos Deuses
Azymuth Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The lyrics of Azymuth's "Montreal City" are instrumental, so there are no words to be interpreted. Instead, the music itself conveys feelings and emotions that can be interpreted by the listener. The song begins with a catchy, upbeat melody played on a synthesizer, which creates a feeling of excitement and anticipation. This is followed by a funky bassline and jazzy percussion, which give the song a cool, laid-back vibe.
As the song progresses, the musicians take turns soloing over the groove, adding their own unique flavors to the mix. The solos are often intricate and virtuosic, showcasing the technical prowess of the players. Despite the complexity of the music, there is an underlying sense of joy and playfulness that runs throughout the song.
Overall, "Montreal City" is a celebration of music and creativity. It is a testament to the power of instrumental music to evoke emotions and paint vivid sonic landscapes in the minds of listeners.
Line by Line Meaning
Pools of freezing misery
The city's streets and people are cold and miserable.
She's walking on a tightrope
The city is on the edge of a precarious situation, balancing between progress and failure.
Living with her ghost again
The city is haunted by its past and its memories.
Hobo jungle
There are homeless communities living in the city.
People tellin' stories
The diverse population of the city have stories to tell.
Churches burnished gold
The city's religious institutions are wealthy and prosperous.
Windows and the sky
The city's architecture reaches for the sky, with tall buildings and expansive windows.
But the rain never stops
The city is constantly wet and rainy.
Beaches always near
Despite the rain, the city is near bodies of water, including beaches.
I'll remember long
The artist will always remember their time in the city.
Contributed by Asher W. Suggest a correction in the comments below.
@raulsouza5866
séloko parça q som da porra, o brasil tem a melhor música do mundo mesmo.
@rodrigoferreira6996
Pois é irmão e a gente não aproveita...
@laurajamil8943
Oldies but goldies...
@oobabyt
tameeeeeeeeee