Bernhard Fleischmann was born in Vienna in 1975. His first bands were Speed… Read Full Bio ↴Bernhard Fleischmann was born in Vienna in 1975. His first bands were Speed Is Essential and Sore!. Together with the latter his first record: „My Idea of Fun“.

In the nineties, Vienna became famous for its electronic music scene and Bernhard Fleischmann found its unique place in it. A laptop, sound loops, rhythm patterns. A gig at the legendary picknick@rhiz festival. Indulging melodies, but never sugary, surrounded by tricky rhythm structures. Songs, not just tracks, arranged on an impressing record – “pop loops for breakfast” found the love story between Bernhard Fleischmann and the young label Morr Music in autumn 1998. The “Sidonie EP” followed in 1999. Bernhard Fleischmann became a busy live artist, touring through Austria, Germany, Europe, the USA and nearly the rest of the world. The album “Choir of Empty Beds” was released on Fuzzy Box (2000). Besides, tracks for compilations on Morr Music (“Putting the Morr back into Morrissey“) and other labels – Christof Kurzmann’s Vienna based label Charizma, for instance. Bernhard Fleischmann’s “Nico”-7inch was the opener for the Morr Music-series “a number of small things” (2001).

Later came “Welcome Tourist” (autumn 2001) featuring Christof Kurzmann.

Together with Herbert Weixelbaum Bernhard Fleischmann formed Duo 505, delicate pulsing electronica. Their album “late” was released in autumn 2005 on Morr Music.

Together with Christof Kurzmann, Burkhard Stangl, Martin Siewert and Werner Dafeldecker – those who already have played one song together on “Welcome Tourist” – he founded The Year of, a country-esque chamber orchestra with slide guitars, clarinets, interferences, echo chambers. Songs in cinemascope, electro-acoustic experiences. Their debut “Slow Days” was released in spring 2006 also on Morr Music.

And there is „The Humbucking Coil“ Bernhard Fleischmann’s third solo record released in February 2006 – euphoric pop in slow motion, rustling rhythm patterns, songs that linger and indulge. Vibraphone, piano, electric guitars in a still electronic working process. Pop songs of course.

Bernhard Fleischmann is also the composer for different film scores: Bady Mincks “Am Anfang war der Blick“ (shown in Cannes 2003); Jörg Kalts “Crash Test Dummies” (shown at the berlinale 2005); and Marc Bauders and Dörte Frankes “Jeder schweigt von etwas anderem” (shown at the Berlinale 2006).

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Don't Follow
B. Fleischmann Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Hiding
In an empty room
I forget
To fast and pray

Trying
To find the words
Worried

That i might complain
I have big regrets
cnd now relate

Don't follow me I'm human
Don't follow me I'm human
Don't follow me I'm human
Let me bleed
In peace

Take off up to outerspace
Maybe angels want to play
I just want some company
Don't expect too much from me

Don't follow me I'm human
Don't follow me I'm human
Don't follow me I'm human

Just Let me bleed
Just let me bleed

Overall Meaning

In B. Fleischmann's song "Don't Follow," the lyrics depict a sense of isolation and the singer's longing for solitude amidst their own inner struggles and regrets. The opening lines, "Hiding, In an empty room, I forget, To fast and pray," suggest a desire to escape and withdraw from the world, perhaps seeking solace in seclusion. The mention of forgetting to fast and pray may imply a disregard for religious practices and a detachment from conventional means of finding peace.

The following lines, "Trying, To find the words, Worried, That I might complain, I have big regrets, And now relate," reflect the singer's internal turmoil and the struggle to express their thoughts and emotions. There is a self-consciousness in their desire not to complain or burden others with their problems, indicating a sense of guilt or fear of being a burden to those around them. The mention of "big regrets" suggests a profound sense of remorse or disappointment that the singer is wrestling with.

The refrain, "Don't follow me I'm human, Let me bleed in peace," becomes a plea for understanding and acceptance of their flaws and vulnerabilities. The repetition of this line reinforces the singer's desire for solitude and the acknowledgment that they are fallible, imperfect beings who need space to confront and heal their wounds.

Overall, "Don't Follow" delves into themes of isolation, introspection, and the need for self-compassion. It explores the human condition, highlighting the importance of understanding and allowing oneself the freedom to navigate personal struggles without the weight of external expectations.

Line by Line Meaning

Hiding
Concealing myself from others

In an empty room
Alone in a space devoid of life

I forget
Losing awareness

To fast and pray
Neglecting spiritual practices

Trying
Making an effort

To find the words
Seeking the right expressions

Worried
Anxious

That I might complain
Concerned about voicing my grievances

I have big regrets
Feeling remorse for significant mistakes

cnd now relate
And now I can understand

Don't follow me I'm human
Do not mirror my actions, as I am fallible