BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 198… Read Full Bio ↴BUCK-TICK is a Japanese rock band, originally formed by Imai Hisashi in 1983 in Gunma, Japan, with its current line-up lasting since 1985. They are commonly credited as one of the founders of the visual kei movement. As of yet, they have released twenty-three original studio albums and one of self-covers, nearly all reaching the top ten on the charts. Their most recent album, "異空 -IZORA-", was released on 12th April 2023.

The band members are 櫻井敦司 (Sakurai Atsushi) (vocals), 今井寿 (Imai Hisashi) (guitars, noises, electronics, vocals), 星野英彦 (Hoshino Hidehiko) (guitars, chorus), 桶口豊 (Higuchi Yutaka) (bass) and ヤガミ・トール (Yagami Toll) (drums).

BUCK-TICK's music has changed and evolved hugely over the course of their career. Their early work is what the Japanese call "positive punk". It used simple rhythms and chords, with the songs mostly in major keys and using some English words in the lyrics. Starting with 1989's TABOO, they experimented with a darker sound, which grew more mature with 狂った太陽 in 1991. darker than darkness style 93 delved into a harsher industrial rock sound which continued all the way up through Mona Lisa OVERDRIVE in 2003. With 2005's 十三階は月光, they deliberately adopted a "goth" concept, which they combined with a retro straight rock sound for the albums 天使のリボルバー (2007) and Memento Mori (2009). Their next album, 2010's RAZZLE DAZZLE, then incorporated many instances of dance-rock.

Some elements that persist throughout their music are resounding, jangling guitar chords, throbbing, prominent bass lines, harsh roars of electronically distorted noise, and ambivalent melodies that wander between major and minor keys, as well as Sakurai's distinctive rich baritone voice. Jrockrevolution described the band's style as having gone "from the bubbly sounds of pop to the buzz of electronic cyberpunk to lustful velvety goth to the smooth style of hard rock and back again". Sakurai, who is the main lyricist of the band, is famous for the erotic decadence of his lyrics, but he also often addresses existential psychological themes. His lyrics is also described as "dance in a daydream about reality". Imai, the main composer, has written many songs that read like science fiction stories, involving genetic engineering and computer hackers, but more recently has branched out into love songs.

As Josephine Yun describes them, in 'A Concise Report on 40 of the Biggest Rock Acts in Japan', "BUCK-TICK's music is smashed-together nuances of everything from Depeche Mode and New Order to U2 and The Knack. While wry, it can float and be nebulously melodic. [...] Masked in eye makeup, Atsushi looks and sounds possessed. BUCK-TICK was (and continues to be) and anomaly in the Japanese music scene, a tangle of goth rock diluted with synth and electronica. It's unhappy, dirty music, the musical equivalent of exploded soot and smoke."

BUCK-TICK and their members have performed with, for example, KMFDM, Soft Ballet, Luna Sea, Sheena Ringo, and The Yellow Monkey. The band members have also participated in different side-projects, such as Schaft, Schwein (Sakurai and Imai with Raymond Watts (PIG) and Sascha Konietzko (KMFDM)), and The Mortal.

For Dangerous Kids
BUCK-TICK Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

いつまで続けるつもりなの
機械にかこまれ Woo every day
つかんだプライド悲しくて
足あとだらけですててある
かがみにうつしたその顔は
まばたきするだけ Woo like a toy
すましたふりしているけれど
誰にも言えない夢のあと

SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
とびらを開けずにたたずんで
ため息つくだけ Woo every day
つかんだプライド悲しくて
足あとだらけですててある
アンテナのばしたその耳は
何をとらえる Woo like a toy
すましたふりしているけれど
誰にも言えない夢のあと
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
ほうり出された心のうちは
がんじがらめの自業自得
笑うことさえわすれ
眠ることさえすてて
その目に何をうつす
<間奏中>
いつまで続けるつもりなの
機械にかこまれ Woo every day
つかんだプライド悲しくて
足あとだらけですててある
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
SONG FOR DANGEROUS KIDS
ほうり出された心のうちは
がんじがらめの自業自得
笑うことさえわすれ
眠ることさえすてて
その目に何をうつす
ほうり出された心のうちは
がんじがらめの自業自得
笑うことさえわすれ

眠ることさえすてて
その目に何をうつす

Overall Meaning

The lyrics to BUCK-TICK's song For Dangerous Kids expresses a sense of isolation and helplessness in the face of conformity and societal pressures. The singer is trapped in a world of machines where they have lost their sense of individuality and their pride has been shattered. They pretend to be composed and collected, but nobody knows the dreams they hold or the pain they feel.

The chorus, "Song for Dangerous Kids", suggests that this song is for those who don't quite fit in with the status quo - those who are deemed "dangerous" for their uniqueness and unwillingness to conform. The singer is unable to open the door and step outside, but the song serves as a reminder that there are others out there who feel the same way.

The bridge expresses the singer's sense of being trapped, unable to even laugh or sleep, and unsure of what their eyes will see. The repetition of the chorus at the end of the song reinforces the idea that this song is a rallying cry for those who feel like outcasts.

Line by Line Meaning

いつまで続けるつもりなの
How long do you plan to keep going?

機械にかこまれ Woo every day
Surrounded by machines, wooed every day

つかんだプライド悲しくて
Gripped by sadness, holding onto pride

足あとだらけですててある
Leaving a trail of footprints in the wasteland

かがみにうつしたその顔は
The reflection in the mirror is just a silent toy-like expression

まばたきするだけ Woo like a toy
Just blinking, like a toy

すましたふりしているけれど
Appearing calm, but

誰にも言えない夢のあと
Keeping locked inside the remnants of our dreams

SONG FOR DANGEROUS KIDS
Song for dangerous kids

とびらを開けずにたたずんで
Standing without opening the door

ため息つくだけ Woo every day
Just sighing, every day