Their debut album Pasto was recorded and released in 1992 and has guest appearances by Gustavo Cerati, Daniel Melero and members of other groups which, at the time, were also part of the New Argentinian Rock (or Sonic rock) movement, such as Martes Menta and Juana la Loca. The only single released from Pasto was "D-Generación", which was a minor radio hit at the time and made the upcoming band known to Argentinian listeners. The album has an eclectic style, with many of the tracks being short skits (such as "41" de Ocio", which consists of the band chatting between songs; or "Mutha Fucka", a track which seems to have been made by cutting and pasting together various audio samples taken from TV).
For their second album Trance Zomba, released in 1994, DJ Peggyn joined the band. As a a consequence of the band having now 6 members, this album has a mixture of Rap, Funk and Hardcore Punk, but at the same time even psychedelic rock influences. "Malón", "Montañas de Agua", "Patinador Sagrado" and "Koyote" were the singles released for this album.
In 1996 the band released the highly experimental Dopádromo. This album has all sorts of music from the highly psychedelic "Zumba" and "Su Majestad", hard rock tracks as "El Medium and "Su Ciervo", instrumentals and even a hasta un bossa nova: "Perfume Casino". Destacan también "¡Viva Satana!" and "El Médium" were the biggest hist from this record.
Their fourth album, Babasónica showcased a heavier edge than their previous three, being influenced by heavy metal with distorted riffs and guitar solos on many songs ("Egocripta", "Demonomanía", "El Adversario"). On the other hand, the album has a softer acoustic side, with the delicate ballads "Sharon Tate" and "Esther Narcótica". The band has declared that this was meant to balance out the roughness of the heavier songs. Some tracks even include both stylistic approaches at once making for interesting contrast, like "Parafinada" or "Convoy". Lyrically, the album deals with the concepts of satanism. The band has declared that this approach isn't meant to be taken at face value, but as homage to classic metal, and as an attack on common Western ways of thinking, such as religion.
On their fifth release Miami, DJ Peggyn participated as a member of the band for the last time, he was sacked as his contributions were no longer felt necessary for the band. In 2000 he went for a solo career, renaming himself Jimmy Dolor. The album cover was designed by Alejandro Ros. It is a map of Argentina turned 90 degrees clockwise, resembling a map of the east coast of the United States; the map places a fictional Miami in the Argentinian province of Misiones. After the release of the album, Cosme, their manager, left the band.
After the release of Jessico (2001), Babasónicos shifted into a more pop-influenced sound and reached massive mainstream success, becoming one of Latin America's top bands.
Their follow up records, Infame (2003), Anoche (2005) , Mucho (2008), A Propósito (2011), Romantisismico (2014) and Discutible (2018), further expended this sound and merged it with their early psychedelic and experimental influences.
In 1999 they collaborated with alternative rock artist Ian Brown on a track for his second studio album, Golden Greats, that bears their name.
In early 2008, the official site informed that after a long and painful struggle with Hodgkins lymphoma, bass player Gabriel "Gabo" Mannelli passed away on January the 12th. He was 38 years old.
Since then, Babasónicos teamed up with long-time-friend Carca to temporarily replace Gabo, until late 2011 when Tuta Torres (ex-bassist from Los Látigos) joined the group as their new official bass player, with Carca now serving as a multi-instrumentalist.
Fizz
Babasónicos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pluma por doquier
Ira a flor de piel
Le clavó su taco aguja
Y ahora esta del otro lado
No conecta el pasado
Su conciencia
La atormenta y huye
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Chico dandy
Rey farsante
Diferente igual del suburbio
Que se escapa
Deja atrás el gris cemento
Flash neón
Luces del centro
Seducido
Cae en la trampa
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Galoperos
Por dinero
Sacan un puñal
Sangre tibia en el paisaje
Cruza a vuelo sobre el puente
Lo distrae la corriente
Piensa en ello
Y no hay marcha atrás
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Fiesta de farsantes
De la espuma social
Invitarme a pasar
Fiesta de farsantes
De la espuma social
Invitarme a pasar
The lyrics to the song Fizz by Babasónicos offer a glimpse into the lavish world of celebrities and their vices. The song talks about a duel between two celebrities, revealing their vanity and rage. The references to feathers and stilettos indicate a display of over-the-top glamour and excess. The song also mentions the social elite and their faux parties, which serve as a showcase for their wealth and privilege. The lyrics offer an ironic commentary on the hypocrisy of society and the emptiness of the celebrity culture.
The song talks about a young man who longs to escape the monotony and drudgery of his suburban life. He is tempted by the bright lights of the city, but soon realizes that the glitz and glamour come at a price. The lyrics suggest that he falls prey to the illusions of the city and becomes a victim of its dark underbelly. The image of the galloping horses and the knife-wielding killers adds a surreal element to the ominous tone of the song.
Overall, Fizz by Babasónicos is a song that captures the contradictions and complexities of contemporary society. The lyrics offer a commentary on themes of power, privilege, and excess, and reflect on the impact of celebrity culture on our lives.
Line by Line Meaning
Duelo de vedettes,
A competition between famous people, where everybody tries to outdo each other.
Pluma por doquier,
Feathers are everywhere, possibly signifying a flamboyant or extravagant event.
Ira a flor de piel,
The feeling of anger is strong and intense.
Le clavó su taco aguja
Someone was stabbed with a stiletto heel.
Y ahora esta del otro lado,
The person who was once the victim is now the perpetrator.
No conecta el pasado,
The person cannot move on from their past experiences or mistakes.
Su conciencia,
The person's conscience.
La atormenta y huye
The person is tormented by their actions and tries to escape from it.
Fiesta de farsantes
A party where people pretend to be someone they're not.
De la espuma social,
A celebration of the frivolous and superficial aspects of the social scene.
Invitarme a pasar
The person being invited to join in the festivities.
Chico dandy,
A fashionable and stylish young man.
Rey farsante,
Someone who pretends to have more power or influence than they actually do.
Diferente igual del suburbio
Despite their different status, they are just like the people from the suburbs.
Que se escapa
The person who wants to get away from their current circumstances or lifestyle.
Deja atrás el gris cemento,
Leaves behind the dullness of city life.
Flash neón,
The bright and flashy lights of the city.
Luces del centro
Illuminated buildings and streets in the central part of the city.
Seducido,
The person is easily drawn in or attracted by their surroundings.
Cae en la trampa
The person falls into a trap, possibly of their own making.
Galoperos
People who ride fast on horseback.
Por dinero
They do it for money.
Sacan un puñal
They pull out a knife, possibly to threaten or harm someone.
Sangre tibia en el paisaje
The scene is now stained with warm blood, signifying recent violence.
Cruza a vuelo sobre el puente,
A bird flies over a bridge, possibly signifying freedom or escape.
Lo distrae la corriente,
The person is distracted by their surroundings or circumstances.
Piensa en ello
The person thinks about their situation or actions.
Y no hay marcha atrás
With their actions now done, there's no going back.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Adrian Hugo Rodriguez
Lyrics Licensed & Provided by LyricFind
@hellzea
Cada canción de Babasonicos es de amor, desamor, decepción y critica social. Son unos grandes músicos.
@MultiGtaforever
Y de caramelos. XD
@cagaturritosdebandita2485
Falta poco para el día
@pablofrediani1364
Es adicto entendés o no?
@omguz892
@@MultiGtaforeverricos y deliciosos caramelos que te hacen ver cosas de 😂😂😂 colores
@agustinaibanez761
Hola. Alguien podría recomendarme buenas canciones de esta banda?. Estoy comenzando a escucharla y la verdad me encantan los temas.
@InterinoMM7787
Para quien no entienda al 100% el sentido de esta canción: "Fizz" era una marca de caramelos argentinos, que se vendían en tiras a un bajo precio, algo de 5 o 10 centavos la unidad muy populares en la década del noventa. (pleno menemismo). Cualquier muchachito de 20-26 años lo sabe porque eran muy populares en los kioscos de las escuelas primarias. Estos caramelos tenían la particularidad de tener un azúcar efervescente en el interior que cuando entraba en contacto con la saliva sentías como una especie de espuma en la boca. Ahí podemos relacionar esa "espuma" con la que se repite en el estribillo. La "espuma" social es el estrato que abarca a la farándula, a los cholulos, a los conchetos, a la gente frívola, ostentosa, y trepadora. "No conecta el pasado" habla de un trepador, un gil que tuvo un golpe de suerte y abandona el rancho para vivir en un departamento en Puerto Madero, como así varios estereotipos: el drogadicto VIP, las vedettes que no son más que prostitutas finas, los "dandy's" y su snobismo, etc.
@mdog1070
Como olvidarlos, los compraba en el kiosco de la escuela cuando tenía 6 😂
@germanmarkes7464
Soy argentino y estoy dentro del rango de edad al que hacés referencia, el mes que viene estaría cumpliendo 27 años, con tu descripción de los caramelos fizz automáticamente empecé a sentir el gusto ácido en la boca y se me adormeció la mandíbula jaja
@LauchaSalvajeOP
Tengo 14 años y se lo que son los fizz xD siempre los dejaba a la mitad odiaba su espuma