Beanie Sigel's name derives from the street in Philadelphia where he was raised, "Sigel Street," and "Beans" is what people used to call him as a child. Beanie also founded the group and label State Property as well as the clothing company.
Sigel's debut LP, The Truth, was released February 28, 2000 on Roc-A-Fella Records. The album received a gold plaque for hits like "The Truth" and "Remember The Days" featuring Eve. His second album The Reason was released in mid-2001. The Reason was lighter material compared to his debut album and introduced the world to his own rap group State Property. Beanie Sigel helped launch the careers of fellow Philly rappers Freeway, Peedi Crakk and the Young Gunz.
Around 2001, Beanie Sigel and Jadakiss of the Ruff Ryders were involved in a beef that stemmed from Jada claiming rappers from Beans' home city of Philly were simply signed because they were a hot fashion among major labels, which to some extent was true at the time. Sigel took offense to this, and they sent several tracks back and forth. Eventually Styles P. (D-Block} and Jay-Z got involved, and Beans even called out DMX, who never responded.
The beef went on even after Russell Simmons, owner at the time of Def Jam (the label which Roc-A-Fella was under and Ruff Ryders was affiliated with through DMX) made the two declare a brief truce and Jay-Z apologized to Jadakiss and bowed out. Disses finally stopped flying after Sigel released a scathing diss track over Jada's "Put Ya Hands Up" beat, recalling when the LOX wore shiny suits in a Bad Boy video, among other things.
Sigel also was involved in directing his first movie State Property, the popular direct-to-video film produced by Roc-A-Films. The State Property clothing line was also created by Sigel.
The third album The B. Coming was released on March 28, 2005 under Dame Dash Music Group and features production from The Neptunes, Just Blaze, and Bink!, among others, with guest appearances by State Property, Redman, Snoop Dogg and usual suspects Cam'ron and Jay-Z. The album was recorded in the weeks between his sentencing and imprisonment and was released after he was locked up; he was released a few months ago.
While he was in jail, it is said none of the State Property members except for Oschino Vazquez came to visit him. He told Dame to pass the word on that State Property was no longer in effect, until after he was released. When the split between Roc-A-Fella owners occured, Dame made it clear that Beanie's intentions were to move State Property to his new Dame Dash Music Group.
However, all members except for, again, Oschino, chose to go with Jay-Z. When questioned, they claimed they were signed by Jay and never needed State Property or Beanie Sigel to make them popular. When he was released from jail, Beans had a few choice words for his friends, claiming "I still love them like brothers...I just don't know if we can make music again."
It was thought that Beans had chosen to sign with Dame; however, this is unclear, as he was present at Jay-Z's I Declare War concert in 2005, and has said he now has his own State Property Records under Jay-Z's Def Jam.
In September, 2005, a jury acquitted him of charges that he nearly shot to death a man on a crowded city street two years ago. In August, Sigel left federal prison after serving nearly a year on a federal weapons charge that stemmed from a 2002 traffic stop in Philadelphia.
Sigel also has fallen behind in child-support payments. He was briefly jailed in November until he paid $27,000 in child support and $2,000 in fines, but seems to be paying off his debts.
With the case behind him, Sigel now plans to "make music, make movies and work on his clothing line," said his attorney, Fortunato N. Perri Jr. The case was the last in a series of criminal charges against Sigel, who has a long arrest record dating back to his days growing up in South Philadelphia.
On Tuesday, January 10, 2006, Sigel was convicted of assault for a fight in 2003. He agreed with the prosecutor's version of events, and was convicted of misdemeanor simple assault. He was immediately sentenced to two years probation plus $180 in court costs.
The charges stem from an argument between Sigel and a man who said the rapper punched him in both eyes, breaking his left eye socket, during a January 2003 argument outside a Chinese restaurant.
Beanie Sigel is the co-creator of "The Playpen", a new animated series with writer/producers, Brian Ash and Myles Reiff. The show follows the misadventures of a group of hard-headed tykes in a maximum security daycare center called, The State Nursery.
All for It
Beanie Sigel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pass another shot of that Patron
Shorty I'm goin', why chu goin' with me
After this, tonight I'm goin' home
You wanna come, shorty come with me
Now I wanna see you get your hands up
Shorty wanna shake it for me
Ladies if you with me, get your hands up
Lil nasty bitch
Cute face, slim waist, nice ass and tits
It's a damn shame that lil' sweet thing ain't nothin' but a freak thing
"In Love With A Stripper" like T-Pain
Er' weekday, up in the club like Lis' Raye
Makin' niggas make it rain like Lil Wayne
Boy, mami tottsie rollin' that pole
I ain't Peedi Peedi baby, I just know what I know
Call me Iceberg baby, Pimpin' Ken on a stroll
Got the right one baby, wouldn't give you a cold
No, but I could give you the coat
Pimps up, hoes down, bank roll all froze
Mack keep em looking pretty, but won't give em no dough
Uncle Diddy run the city, butch you ain't know?
Now let that thing bounce, drop slow
And show out your outsides, you know how it go, oh
[Chorus]
I'm at my maximum, I'm fully loaded
Baby girl c'mon, roll with it
Don't be askin' them if I'm gon bomb
Like the atom or the a-tom, just order the dom
B Mack and them, you better know it
Nab hoes, after the show, she gon show it
That hoe, I told you she gon do it
The loads is full, she let me smash in the Buick
I'm comin' for clothes, these hoes, we goin' through it
Pull out my gat, she though I was goin' shoot her
Mr. P Crakk Cocaine, I got rulers
My mind in the gutter, and my heart in the sewer
I kick a bitch to the curb, I keep it movin'
Married to the game, I love my money and my music
Half Puerto Rican and black, they think I'm Jewish
I don't give em shit, and they keep comin' back to it
[Chorus]
Yeah, yeah, yeah
Now come and sit yo big ass down
Right here on daddy legs, now hush, take a sip of the brown
Lap dance on it, leave a white stain on my Levis
This the twat team, I'm a show you how we ride
Through a lasso over your hips, rustle your mean thighs
You bow-legged too? I'm a hit it from all sides
Uh huh, we brought the bar, you bought the bar
Beans got the big lighter out, waiting to spark
Word up, dance floors, noise, asses shaking
And she winding that body like she got Jamaican
Asians, sistas, blacks, bad Caucasians
Get em all Goosed up, then I persuade them
To bounce to the c-r-i-b
Shorty to young, sorry, gotta chill in the lobby
It's the penthouse, big couch, get digged out
You bring your lil' male friends, I get kicked out
[Chorus]
"All for It" by Beanie Sigel is a club anthem that celebrates the party atmosphere and the enjoyment of a night out. The lyrics focus on the interactions between Sigel and a woman who is described as attractive and sexually provocative. It's a song that incorporates elements of rap, R&B, and dance music, with a catchy chorus and energetic beat that encourages the listener to let loose and have fun.
In the first verse, Sigel describes the woman he's attracted to as a "lil nasty bitch" with physical features that he finds alluring. He acknowledges that she may be seen as promiscuous but expresses his fascination with her. He references T-Pain's hit song "In Love With A Stripper" to further emphasize the sexual nature of their encounter. He boasts about his ability to make it rain money in the club like Lil Wayne and compares himself to Iceberg Slim, a well-known pimp. This demonstrates his confidence and alpha male persona.
The second verse continues the theme of sexual conquest, with Sigel boasting about his ability to attract women and satisfy their desires. He uses vulgar and explicit language to convey his sexual prowess and dominance. He also references his association with the rap game and his love for money, highlighting his materialistic mindset. Sigel presents himself as a player who has control over women and is detached emotionally.
The chorus reinforces the party atmosphere, urging everyone to get their hands up and shake it on the dancefloor. It's a call to let loose, enjoy the night, and embrace the hedonistic lifestyle that comes with the club scene.
Line by Line Meaning
Pass another shot of that Patron
Give me another shot of Patron
Shorty I'm goin', why chu goin' with me
I'm leaving, why are you coming with me
After this, tonight I'm goin' home
After this, I'm going home tonight
You wanna come, shorty come with me
If you want to come, then come with me
Now I wanna see you get your hands up
Now I want to see you raise your hands
Shorty wanna shake it for me
The girl wants to dance provocatively for me
Ladies if you with me, get your hands up
Ladies, if you're with me, raise your hands
Shake it, shake it, shake it for me
Shake your body and dance for me
Lil nasty bitch
Sexy and provocative woman
Cute face, slim waist, nice ass and tits
Attractive woman with a small waist, nice buttocks, and breasts
It's a damn shame that lil' sweet thing ain't nothin' but a freak thing
It's unfortunate that a seemingly innocent girl is actually quite promiscuous
"In Love With A Stripper" like T-Pain
Like T-Pain's song "In Love With A Stripper", expressing attraction to a stripper
Er' weekday, up in the club like Lis' Raye
Every weekday, at the club like Lisa Raye
Makin' niggas make it rain like Lil Wayne
Making men throw money like Lil Wayne's extravagant spending
Boy, mami tottsie rollin' that pole
Girl, she's skillfully dancing and on the stripper pole
I ain't Peedi Peedi baby, I just know what I know
I'm not Peedi Peedi, but I have knowledge and experience
Call me Iceberg baby, Pimpin' Ken on a stroll
Call me Iceberg, I have the same style as Pimpin' Ken
Got the right one baby, wouldn't give you a cold
I have the right woman, I won't treat you poorly
No, but I could give you the coat
I may not provide the worst treatment, but I can provide some protection
Pimps up, hoes down, bank roll all froze
Pimping is in control, women are submissive, and plenty of money is being flaunted
Mack keep em looking pretty, but won't give em no dough
I make them look beautiful, but I won't give them any money
Uncle Diddy run the city, but you ain't know?
Did you not know that Uncle Diddy is running the city?
Now let that thing bounce, drop slow
Now let your body bounce and move slowly
And show out your outsides, you know how it go, oh
Show off your physical appearance, you know how it goes
I'm at my maximum, I'm fully loaded
I'm at my limit, I'm fully prepared
Baby girl c'mon, roll with it
Come on, baby girl, go with the flow
Don't be askin' them if I'm gon bomb
Don't be asking them if I'm going to fail
Like the atom or the a-tom, just order the dom
Like the atom or the A-Tom, just order the Dom Pérignon (champagne)
B Mack and them, you better know it
B Mack and his crew, you better recognize them
Nab hoes, after the show, she gon show it
Attracting women after the show, and then she'll reveal her intentions
That hoe, I told you she gon do it
That promiscuous woman, I told you she would do it
The loads is full, she let me smash in the Buick
The car is crowded, but she allows me to have sex in the Buick
I'm comin' for clothes, these hoes, we goin' through it
I'm coming for expensive clothing, these promiscuous women, we're experiencing it together
Pull out my gat, she thought I was goin' shoot her
I take out my gun, and she mistakenly thinks I'm going to shoot her
Mr. P Crakk Cocaine, I got rulers
A reference to drugs and having control/power
My mind in the gutter, and my heart in the sewer
My thoughts are dirty and immoral, and my feelings are corrupted
I kick a bitch to the curb, I keep it movin'
I reject a woman and move on without dwelling
Married to the game, I love my money and my music
Committed to the game (music industry), I value money and my music career
Half Puerto Rican and black, they think I'm Jewish
Being mixed race, some people mistake me for Jewish
I don't give em shit, and they keep comin' back to it
I don't give them anything, yet they keep coming back for more
Now come and sit yo big ass down
Now come and sit down with your large rear end
Right here on daddy legs, now hush, take a sip of the brown
Sit on my lap, be quiet, and drink some whiskey
Lap dance on it, leave a white stain on my Levis
Give me a lap dance that leaves a visible mark on my jeans
This the twat team, I'm a show you how we ride
We are a group of sexually promiscuous women, and I'll show you our ways
Through a lasso over your hips, rustle your mean thighs
Put a lasso around your hips and make your thighs shake
You bow-legged too? I'm a hit it from all sides
Are you bow-legged as well? I'll have sex with you in various positions
Uh huh, we brought the bar, you bought the bar
Yes, we brought alcohol to the situation, and you paid for it
Beans got the big lighter out, waiting to spark
I have a big lighter ready to ignite something
Word up, dance floors, noise, asses shaking
Listen, dance floors are crowded, there's noise, and asses are moving
And she winding that body like she got Jamaican
She's moving her body in a way that resembles Jamaican dancing
Asians, sistas, blacks, bad Caucasians
Referring to women of different races and ethnicities: Asians, black women, and attractive white women
Get em all Goosed up, then I persuade them
I get them all drunk (Goose vodka), and then I convince them
To bounce to the c-r-i-b
To come back to my place (crib)
Shorty too young, sorry, gotta chill in the lobby
The girl is too young, so I apologize, but she has to wait in the lobby
It's the penthouse, big couch, get digged out
It's a luxurious penthouse with a large couch, and we'll have sex there
You bring your lil' male friends, I get kicked out
If you bring your male friends, I'll be kicked out
Yeah, yeah, yeah
An exclamation of agreement or approval
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: THEODOR BOWEN, WRITER UNKNOWN
Lyrics Licensed & Provided by LyricFind
D
on special delivery (nas & d-block diss)
State prop!! Heavy hitta suckaaaaa