He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.
Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.
In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.
In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.
In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.
In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.
Back Against The Wall
Beenie Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh lord, well, I gotta friend called Tony
Who been build a one ? from mi was a baby
His nickname afta dat is money
Let mi give dem di whole story, yeah, ya, ya
As a juvenile in di ghetto were growin' up
Their big guns wanted boy have showin' us
Till policeman back him up
Shoot out his way, escape, he's fabulous
Jamaican most wanted, he's dangerous
People dem a say this is one cantankerous boy
Hey, but now di back against di wall
(Back against di wall)
Likkle yuh know yuh would a fall
(Know yuh would a fall)
Seh dat yuh badda than all
But yuh shouldn't lick di bank down at di mall
(Bank down at di mall)
Now yuh modda pon har belly and a bawl
(Pon har belly and a bawl)
When man mek dat phone call
(Oh, now, now, now, now)
Juan, he was a victim of circumstances
Di system weh dem have yah it create this crisis
Yuh see a ghetto yute with a gun na, call him no boy
His gunshot to rahtid
Lock off jobs in all di communities
As a ghetto yute yuh have a few opportunities
Lack of education wid all we abilities stall, hey, ya
But when yuh back against di wall
(Back against di wall)
Likkle yuh know yuh would a fall
(Know yuh would a fall)
Seh dat yuh badda than all
Mon yuh shouldn't lick di bank down at di mall
(Bank down at di mall)
Now yuh modda pon har belly and a bawl
(Pon har belly and a bawl)
When man mek dat phone call
(Oh, now, now, now, now)
It's like workin' at a hospital, yuh can't afford fi see innah
Workin' at a restaurant, yuh can't afford a food innah
Workin' at a butty poor, yuh can't afford a shoes innah
Feel se dat me right mi fren? No rasta
Well, policeman find a gun weh forty man, gone a prison fah?
Know seh Santa Claus neva visit dis, yah rasta, yah
Neva visit di yute dem in di ghetto weh ya suffa
Oh, now, now, now, now, now, yeah
Ghetto yute it's time for us to be strong
Whoa, lawd, lawd, lawd
Yute man wise up and live as one, yeah, yah, yah, yah
'Cause everyday a black man kill anodda black man, whoa
Di system create by Babylon, so fire bun pon Vatican
So now yuh back against di wall
(Back against di wall)
Likkle yuh know yuh would a fall
(Know yuh would a fall)
Seh dat yuh badda than all
But yuh shouldn't lick di bank down at di mall
(Bank down at di mall)
Now yuh modda pon har belly and a bawl
(Pon har belly and a bawl)
When man mek dat phone call
(Oh, Lord)
Now yuh back against di wall
(Back against di wall)
Likkle yuh know yuh would a fall
(Know yuh would a fall)
Seh dat yuh badda than all
But yuh shouldn't lick di bank dung at di mall
(Bank dung at di mall)
Now yuh modda pon har belly and a bawl
(Pon har belly and a bawl)
When man mek dat phone call
(Oh, now, now, now, now, yeah, ah)
That's all I got to say about dat yuh know
Ghetto yute be wise and realize
The song "Back Against The Wall" by Jamaican dancehall artist Beenie Man is a commentary on the difficulties faced by young men growing up in the ghetto, particularly the pressure and temptation to turn to crime when faced with limited opportunities for education and employment. The song speaks to the misguided notion that having a gun makes one more powerful or respected, when in reality it can lead to tragic consequences. The title of the song, "Back Against The Wall," represents the feeling of being trapped and desperate, with no way out except through violent means.
The lyrics describe two characters, Tony and Juan, who both end up in trouble because of their involvement with guns. Tony, who has been called "Money" since childhood, is a dangerous criminal who has managed to evade capture for years. Juan, on the other hand, is a victim of circumstance, forced into carrying a weapon because of societal pressures and a lack of opportunities. The lyrics suggest that the system has failed these young men, leaving them with no choice but to turn to violence.
The chorus reinforces the idea that violence is not a solution and that those who resort to it will ultimately fall. The lines "Back against the wall/Likkle you know you would a fall" and "Say that you badder than all/But you shouldn't lick the bank down at the mall" convey the message that true strength comes from making positive choices and resisting negative influences. The song ends with a plea for young people in the ghetto to wise up and recognize that they have the power to create positive change in their own lives and in their communities.
Line by Line Meaning
Whoa, na, na, yeah, yeah, ya zagga, nagga, now, now
Introduction to the song
Oh lord, well, I gotta friend called Tony
The artist has a friend named Tony
Who been build a one ? from mi was a baby
Tony has been building something since the artist was a baby
His nickname afta dat is money
Tony's nickname is Money
Let mi give dem di whole story, yeah, ya, ya
The artist is going to tell the whole story
As a juvenile in di ghetto were growin' up
The artist grew up in the ghetto as a juvenile
Their big guns wanted boy have showin' us
Older boys with guns showed them off to the artist and others
And they keep tell him everyday that gun is no toy
They warned the artist and others that guns were not toys
Till policeman back him up
But eventually, the police intervened
Shoot out his way, escape, he's fabulous
He escaped a shootout and was viewed as fabulous
Jamaican most wanted, he's dangerous
He became one of Jamaica's most wanted and dangerous
People dem a say this is one cantankerous boy
People said he was a cantankerous boy
Hey, but now di back against di wall
Now he's stuck with his back against the wall
(Back against di wall)
Repeats the previous line
Likkle yuh know yuh would a fall
You never realize you would fall
(Know yuh would a fall)
Repeats the previous line
Seh dat yuh badda than all
You thought you were better than everyone else
But yuh shouldn't lick di bank down at di mall
But you shouldn't rob the bank down at the mall
(Bank down at di mall)
Repeats the previous line
Now yuh modda pon har belly and a bawl
Now your mother is on her belly crying
(Pon har belly and a bawl)
Repeats the previous line
When man mek dat phone call
When someone makes that phone call
(Oh, now, now, now, now)
Repeats the previous line
Juan, he was a victim of circumstances
Juan was a victim of his circumstances
Di system weh dem have yah it create this crisis
The system they have in place created this crisis
Yuh see a ghetto yute with a gun na, call him no boy
If you see a ghetto youth with a gun, don't call him a boy
His gunshot to rahtid
His gunshot was powerful
Lock off jobs in all di communities
Jobs are scarce in all the communities
As a ghetto yute yuh have a few opportunities
As a ghetto youth, you have minimal opportunities
Lack of education wid all we abilities stall, hey, ya
The lack of education stalls our abilities
It's like workin' at a hospital, yuh can't afford fi see innah
It's like working at a hospital, you can't afford to get treatment
Workin' at a restaurant, yuh can't afford a food innah
Working at a restaurant, you can't afford food
Workin' at a butty poor, yuh can't afford a shoes innah
Working at a beauty parlor, you can't afford shoes
Feel se dat me right mi fren? No rasta
Do you understand me, my friend? No, Rasta
Well, policeman find a gun weh forty man, gone a prison fah?
Police found a gun that forty men were sent to prison for?
Know seh Santa Claus neva visit dis, yah rasta, yah
Santa Claus never visited this place, Rasta
Neva visit di yute dem in di ghetto weh ya suffa
Santa never visited the youths in the ghetto who are suffering
Oh, now, now, now, now, now, yeah
Repeats the previous line
Ghetto yute it's time for us to be strong
It's time for the ghetto youth to be strong
Whoa, lawd, lawd, lawd
Exclamatory expression
Yute man wise up and live as one, yeah, yah, yah, yah
Young men should wise up and live together
'Cause everyday a black man kill anodda black man, whoa
Because every day a black man kills another black man
Di system create by Babylon, so fire bun pon Vatican
The system created by Babylon, so we should burn the Vatican
That's all I got to say about dat yuh know
That's all the artist has to say about that, you know
Ghetto yute be wise and realize
Ghetto youth, be wise and realize
Lyrics Β© O/B/O APRA AMCOS
Written by: CHAD SIMPSON, MOSES DAVIS, DONOVAN THOMPSON
Lyrics Licensed & Provided by LyricFind
kevon anderson
ive been lookin for this song for years...i love this song
BEENIE TRUTH
ALL YOU HAD TO DO WAS TYPE IN THE ALBUM π€·πΎββοΈπ€π€π€π€
sandreengr8est
i love this song
Garfield Menzie
still one of my fav song from my fav artiste jah know
Borney Bernard
My all time favorite
BEENIE TRUTH
2019 back to basics βπΎππ₯π₯π₯π₯π―π―π―π―π―
kay
love this....
Toitei Terence Nyasvimbo
superb tune, reminds me of old days in d ghetto late in d nite smoking weed n getting high pon di corner
Paulette Sands
A big tune dis!!
PsychoRadio
big up Beenie!