He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.
Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.
In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.
In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.
In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.
In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.
boom wine
Beenie Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We-We-Welcome di King of di Dancehall
Aye gyal how yuh suh tempting
Yuh bumpa a shake like a bed spring, bed spring
When yuh bend yuh back yuh do mi one ting
Mek mi start up yuh engine, Vroom
Yuh a mi Queen
My girl mi will geh yuh anything
Any time yuh start whining
Mi love one ting when yuh wine an boom
Chorus
Gyal a one man to yuh ting a him alone a push a key inna yuh room
Wine an boom
Aye
Him wah lef an cyaa lef, but if him lef him haffi come back soon
Wine an boom
Yuh mek mi get back mi Visa
Yuh sumptin tight like a tweezer
Wine an boom
My girl yuh born as a diva, dem other gyal deh a sleep
Verse 1
First ting
Yuh body tun up, my muscle get up
Love fi see yuh bow leg dem when yuh stan up
Brown an petite, everyting tat up
Yuh tattoo, yuh clean shave, yuh brassiere nuh push up
Gyal a chat tell har back up
A bout twenty years now har bank account lock up
She date Claude Massop
An she still deh bout yah might as well be a bishop
Verse 2
You a Mercedes some gyal a Plymouth
Nuff gyal a look me yes, but mi nuh si slut
Gyal a wine in front a mi, mi see but
A puppy tail an a jiggle
Anyway
Just ovastan one ting
Mi woman a mi woman, but she a mi sistrin
When wi walk inna any party
Mi nah fi tell she seh fi wine an boom
Chorus
Gyal a one man to yuh ting a him alone a push a key inna yuh room
Wine an boom
Aye
Him wah lef an cyaa lef, but if him lef him haffi come back soon
Wine an boom
Yuh mek mi get back mi Visa
Gyal yuh tight like a tweezer
Wine an boom
My girl yuh born as a diva, dem other gyal deh a sleep
Verse 3
Gyal a you got di keys to di house an di cars, an di pin to di keycard
Nuh other gyal cyaa pull mi front gate an feel seh she walk inna my yard
First a you feed di four dogs
You a mi gyal, yard an aboard
From di first time mi walk inna di go-go club an see yuh pan di pole
You a wine an boom
Chorus
Gyal a one man to yuh ting a him alone a push a key inna yuh room
Wine an boom
Aye
Him wah lef an cyaa lef, but if him lef him haffi come back soon
Wine an boom
Yuh mek mi get back mi Visa
Gyal yuh tight like a tweezer
Wine an boom
My girl yuh born as a diva, dem other gyal deh a sleep
Outro
Ohh now now now now
Ziggy now now now
Aye now now
Ohh now now now now
Ziggy now now now
Aye now now
"Boom Wine" by Beenie Man is a dancehall song that celebrates the allure and seductiveness of a woman's body and her ability to captivate men through her sensual movements. The lyrics in the song emphasize the power and control that the woman possesses, as she is able to make the man weak with desire and willing to fulfill her every desire.
In the intro, the song welcomes the "King of the Dancehall" and acknowledges the woman's tempting nature. The reference to her shaking "like a bed spring" and bending her back suggests her ability to excite and arouse the man. The line "mek mi start up yuh engine" implies that she has the power to arouse him sexually.
Throughout the song, the chorus repeats the phrase "wine an boom," which refers to the woman's ability to seduce with her dancing and sexual prowess. The lyrics suggest that this woman has a hold on the man, as he is unable to resist her and keeps coming back to her, hence the line "him wah lef an cyaa lef, but if him lef him haffi come back soon." The woman is depicted as confident and in control, and the man is willing to do anything for her.
The verses further highlight the woman's attractiveness and the effect she has on the man. The lyrics describe her body as "tun up" and complement her physique. The line "my woman a mi woman, but she a mi sistrin" implies a complex relationship, suggesting that the man sees her more than just a romantic partner but also as a close companion or confidante.
Overall, "Boom Wine" celebrates the irresistible power of a woman's physicality and her ability to captivate and control men through her seductive dancing and allure.
Line by Line Meaning
We-We-Welcome di King of di Dancehall
Welcome the king of the dancehall
Aye gyal how yuh suh tempting
Hey girl, why are you so tempting?
Yuh bumpa a shake like a bed spring, bed spring
Your buttocks are shaking like a bed spring
When yuh bend yuh back yuh do mi one ting
When you bend your back, you do something for me
Mek mi start up yuh engine, Vroom
Let me start your engine, Vroom
Yuh a mi Queen
You are my Queen
Me a yuh King
I am your King
My girl mi will geh yuh anything
My girl, I will give you anything
Any time yuh start whining
Every time you start whining
Mi love one ting when yuh wine an boom
I love it when you wine and boom
Gyal a one man to yuh ting a him alone a push a key inna yuh room
You have only one man to satisfy you, he is the only one who can enter your room
Wine an boom
Wine and boom
Him wah lef an cyaa lef, but if him lef him haffi come back soon
He wants to leave but can't leave, but if he does leave, he has to come back soon
Yuh mek mi get back mi Visa
You make me regain my Visa
Yuh sumptin tight like a tweezer
You are something tight like a tweezer
My girl yuh born as a diva, dem other gyal deh a sleep
My girl, you were born as a diva, the other girls are asleep
First ting
First thing
Yuh body tun up, my muscle get up
Your body is amazing, it makes my muscles get up
Love fi see yuh bow leg dem when yuh stan up
I love to see your bow legs when you stand up
Brown an petite, everyting tat up
Brown and petite, everything is in the right place
Yuh tattoo, yuh clean shave, yuh brassiere nuh push up
Your tattoo, your clean shave, your brassiere doesn't push up
Gyal a chat tell har back up
Girls are talking, telling her to back up
A bout twenty years now har bank account lock up
Her bank account has been locked up for about twenty years
She date Claude Massop
She dated Claude Massop
An she still deh bout yah might as well be a bishop
And she's still around here, she might as well be a bishop
You a Mercedes some gyal a Plymouth
You are a Mercedes, some girls are a Plymouth
Nuff gyal a look me yes, but mi nuh si slut
Many girls are looking at me, but I don't see a slut
Gyal a wine in front a mi, mi see but
Girls are dancing in front of me, I see but
A puppy tail an a jiggle
It's like a puppy tail wagging and jiggling
Just ovastan one ting
Just understand one thing
Mi woman a mi woman, but she a mi sistrin
My woman is my woman, but she is my sister-in-law
When wi walk inna any party
When we walk into any party
Mi nah fi tell she seh fi wine an boom
I don't have to tell her to wine and boom
Gyal a you got di keys to di house an di cars, an di pin to di keycard
Girl, you have the keys to the house and the cars, and the pin to the keycard
Nuh other gyal cyaa pull mi front gate an feel seh she walk inna my yard
No other girl can open my front gate and think she can enter my yard
First a you feed di four dogs
First, you feed the four dogs
You a mi gyal, yard an aboard
You are my girl, both at home and abroad
From di first time mi walk inna di go-go club an see yuh pan di pole
From the first time I walked into the go-go club and saw you on the pole
You a wine an boom
You are dancing and booming
Ohh now now now now
Oh now now now now
Ziggy now now now
Ziggy now now now
Aye now now
Hey now now
Lyrics © O/B/O APRA AMCOS
Written by: Moses Davis
Lyrics Licensed & Provided by LyricFind
Irina Alarcón
Que buen tema para bailarloooooo💃💃
Camilo Quintero
Rvssian, you break new songs. respect men!
Don Goliath
I remixed all my 90s Dancehall tunes from a few years back. They all sound wicked now, please give them a listen!
Gaza Jade Brown
the Russian that's all I can say anything he touches it's a hit
Kahlil Clarke
Big fucking tune,full stop bruk dem back
loveable980
WE UPIN HEREEEEEEE...BOOM WINE
Deejay Prince
Fire!!!!!!
vinci5251
One man to the thing>>> KINGBEENIEMAN
Mixey
Tune maaad. Drop di video soon docta!
Marro Morrison
ME RATE DAA ONE YA KING, 💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯