Haley was blinded in his left eye as a child due to a botched operation. According to biographer John Swenson, Haley later adopted his distinctive spit-curl hairstyle to distract attention from his blind eye. The spit-curl caught on as a 50's style signature, although Haley and others had worn the hairstyle much earlier.
In 1946, Haley joined his first professional group, a Pennsylvania-based western swing band called The Down Homers run by Kenny Roberts. It has often been reported in musical reference works that Haley's first professional recordings were made with the Down Homers on a pair of singles released in 1946 by Vogue Records. This was later debunked by Roberts and others, stating Haley had already left the group by the time the singles were made. In the early 2000s, however, a set of 1946 radio recordings by the Down Homers were discovered and Haley is definitely present as he is identified by name and sings a solo number "She Taught Me to Yodel"; these recordings were commercially released for the first time in 2006.
After gaining experience with the Down Homers, Haley set out on his own, forming several groups such as the Range Drifters and the Four Aces of Western Swing. With the Four Aces, he made a number of regionally successful country music singles in the late 1940s for Cowboy Records while working as a touring musician and later a radio DJ at WPWA. (Many of Haley's early recordings from this period would not be released until after his death.) After disbanding the Four Aces and briefly trying a solo career using the names Jack Haley and Johnny Clifton (as chronicled in the biography Sound and Glory), Haley formed a new group called The Saddlemen in either 1949 or 1950 (sources vary as to the exact year); this new group recorded for several labels, including one single for Atlantic Records, Haley's first exposure to a major national record company. In 1951, Haley was signed to Dave Miller's Philadelphia-based Holiday Records and began to change musical styles, recording cover versions of "Rocket "88"" (previously recorded by Jackie Brenston and His Delta Cats), and in, 1952, "Rock the Joint", previously recorded by several bands including Jimmy Preston and His Prestonians. (By the time of "Rock the Joint", Haley had graduated from Holiday Records to Miller's larger Essex label.) The relative success of these recordings (both sold in the 75,000-100,000 copy range in the Pennsylvania-New England region) convinced Haley that his new and as-yet officially unnamed hybrid of country and rhythm and blues could be a commercial success.and some of his family lives in oklahoma and there is a road named after his family.
Saints Rock And Roll
Bill Haley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Well, when the saints (well, when the saints)
Go marching' in (go marchin' in)
Yeah, when the saints
Go marching' in
Well, Lord, I want want to be in that number
When the saints go marching' in
Yeah, now when Rudy (now when Rudy)
Begins to blow (begins to blow)
Yeah, when Rudy (yeah, when Rudy)
Blows his horns (blow his horns)
Well I want want to be in that number (ah)
Well, when Rudy
Blows his horns
Yeah, now, when Johnny (now, when Johnny)
Begins to wail (begins to wail)
Yeah, when it rains he starts to wail (starts to wail)
Lord, I want want to be in that number (ah)
Well, when Johnny
Comes wailing in
Well, when the saints (when the saints)
Go marching' in (go marchin' in)
Yeah, when the saints (when the saints)
Go marching' in (go marchin' in)
Lord, I want want to be in that number
When the saints go marching' in
When the saints go marching in
The song "Saints Rock & Roll" by Bill Haley & His Comets is a high energy tribute to the joy and excitement of rock and roll music. The lyrics describe a wild and rollicking holiday where the band plays their best rock and roll tunes, and the listener is transported to a joyful and carefree world of music and dance. The repeated refrain of "when the saints go marching in" serves as both a nod to traditional spiritual music as well as a reminder that the power and energy of rock and roll can be transcendent and uplifting.
The lyrics also pay homage to the individual members of the band, introducing them one by one and highlighting their unique musical talents. The guitar, saxophone, and rhythm section all come in for special attention, with each musician's individual contributions celebrated and appreciated. The song is a joyful celebration of music and the power it has to connect people and lift spirits.
Overall, "Saints Rock & Roll" is a fun and infectious song that captures the spirit of rock and roll in its purest form. It is a reminder that even a simple song can bring people together, lift our spirits, and connect us to something greater.
Line by Line Meaning
Well, rock 'n rollin' holiday
Celebrating with rock 'n roll music
Rock 'n rollin all the way
Continuing to rock 'n roll
Rock 'n rollin' to the end
Rocking 'n rolling until the end of the holiday
'Till the saints go marchin' in
Until a religious hymn is played
Now when the saints go marchin' in
Transition to a religious tone
Well, when the saints go marchin' in
Repeating the religious hymn reference
Yeah, Lord, I want want'a be in that number
Expressing a desire to be close to God
When the saints go marchin' in
Reference to a religious event
Well, now when Nick, comes wailin' in
Referring to a musician by name
Yeah, when old Nick comes wailin' in
Referring to musician's style of playing music
Oh, Lord, I want want'a be in that number
Expressing a desire to be part of the music
When that guitar comes wailin' in
Referring to a guitar solo
Well, now when Rudy begins to blow
Referring to another musician by name
Well, when old are you-Dy starts to wail
Referring to musician's style of playing music
Yeah, Lord, I want want'a be in that number
Expressing a desire to be part of the music
When that sax man starts wailin' in
Referring to a saxophone solo
Well, when that rhythm comes wailin' in
Referring to the music's beat
Yeah, when old Rapper starts to wail
Referring to another musician's playing style
Well, Lord, I want want'a be in that number
Expressing a desire to be part of the music
When old Rapper comes wailin' in
Referring to another musician's solo
Now when the band plays rock 'n roll
Return to a rock 'n roll tone
Well, when the Comets rock 'n roll
Referring to the band
Yeah, Lord, I want want'a be in that number
Expressing a desire to be part of the music
When the Comets play rock 'n roll
Referring to the band's performance
(All together now)
Encouraging everyone to join in
When the saints go marchin' in
Referencing the religious hymn one last time
Lyrics © Universal Music Publishing Group
Written by: Bill Haley, Milt Gabler
Lyrics Licensed & Provided by LyricFind
@Wolfhoundersful
Rock and rolling all the day
Rock and rolling all the way
Rock and rolling to the end
Til' the saints go marching in
Oh, when the saints go marching in
Lord, I want to be in that number
When the saints go marching in
Now, when old Frank comes swinging in
When old Franny swinging in
Well, I want to be in that number
When old Franny swinging in
Now, when the sax begins to wail
When old Rudy starts to wail
Well, I want to be in that number
When old Rudy starts to wail
Oh, when the rhythm starts to go
When that rhythm starts to go
Well, I want to be in that number
When that rhythm starts to go
Oh, when the band play rock 'n' roll
When the Comets rock and roll
Well, I want to be in that number
When the Comets rock and roll
@Roger.Coleman1949
My favourite R & R song ever, try keeping your feet still to this !. Recall going with my parents to the Pye Radio Sports & Social Club here in Cambridge ( UK ) and on the stage was a Pye Black Box record player and a pile of Brunswick Bill Haley 78s.I turned DJ for the night , aged 7, with the BB wound up flat out everybody was on the dance floor jiving .I was in seventh heaven - pure nostalgia !
@paulmurray5655
The genius of Bill Haley is that he is the bridge between Big Band and the phenomenon known as rock'n'roll. Rock Around the Clock and Shake, Rattle and Roll aside, this is maybe the best example of this great transition artist. Wow. what a tour de force. Best always. PM
@michaelfuria4257
yes, well stated-Bill nailed it.
@ericseabury3968
Completely agree with you, sir.
@TheRobertpiotr
Żaden geniusz
@LuisLopez-xx2db
For far this song is his major success.
@davidmelton2091
Great version of the song love the saxophone it's one of their greatest songs
@Lanutriatraviesa
That's music for my ears.
@southwriter
Actually, this was recorded in 1956 after Dick, Marshall and Joey left Bill Haley to form The Jodimars. The sax is Rudy Pompilli, the bass is Al Rex.
@adrinathegreat3095
1956 this one spent 6 months in the uk charts making the top 10