Borland states that Black Light Burns is the culmination of the various projects he has been working on ever since he quit Limp Bizkit in 2001. Things began with Big Dumb Face, a solo project that Borland had worked on during his time with Limp Bizkit. Borland didn't take the project too seriously, and used it to basically test the waters, and see how hard it would be to do something serious on his own, without the aid of his band mates. After he quit the band, he began working on several different projects. The first of which was supposed to be an instrumental album one could listen to and simply relax. Simultaneously, he began Eat The Day. With this project, he became cocky, and thought because of his previous success with Limp Bizkit, duplicating that success with a new band would be simple. Borland soon found out this wasn't the case. Eat The Day eventually unravelled itself, as, in Borland's words, "I think everybody involved in that project had different ideas about the direction that it should go". Borland became self-absorbed, and along with continuous pressure from the label, and struggles finding a lead singer for the band, the project eventually disbanded.
In terms of their lineup, the band is somewhat of a successor to the brief project The Damning Well, which consisted of mostly the same members. The main difference this time around being that Borland has taken vocals into his own hands, after many attempts to find a proper vocalist in various projects.
After the 'failure' of Borland's various projects, he returned to Limp Bizkit once again, turning down the spot as Nine Inch Nails touring guitar player. According to vocalist Fred Durst, Borland only agreed to return to the band on the condition that their label, Geffen, agreed to support his solo project, Black Light Burns.
It began only as a side project, with Borland writing many of the songs during his time off from Limp Bizkit, but soon things in Limp Bizkit became very quiet, and Borland himself stated that Black Light Burns was now his main project, and anything else he did, including Limp Bizkit, was a side project. Eventually arguments broke out on MySpace between Borland and Durst, and Borland left Limp Bizkit once again, although according to him, the band members had already gone their separate ways, he simply decided not to return.
The Black Light Burns song titled "I Have a Need" was instrumentally written to be included on the Limp Bizkit release The Unquestionable Truth (Part 1) in 2005, but was cut in order for the EP to remain mostly metal oriented. It features Limp Bizkit's bassist Sam Rivers on the track, and Wes was allowed to use the song for Black Light Burns when the song was turned down for use by Limp Bizkit.
On June 16, Borland announced that the band and Geffen Records had parted ways. There was little word in the following months over the situation regarding a new label, though as of October 25, the band is in negotiations with a label, and are hoping to release their debut album early 2007.
Borland has stated that he is the only constant in Black Light Burns, as the other members of the studio lineup are expected to be mostly unable to participate in touring with Black Light Burns, such as the notoriously busy Josh Freese.
The initial touring lineup of Black Light Burns includes Nick Annis (previously in Open Hand, Turn of the Screw) as a guitarist and Marshall Kilpatric (previously in The Esoteric) on drums, as well as Wes Borland himself.
Black Light Burns' first tour was previously set to begin in fall of 2006 with From First to Last, who Borland also plays bass for on and off. This tour was to feature Borland doing double duty as the singer/guitarist for Black Light Burns and then bassist for From First to Last afterwards. However, Sonny Moore (singer of FFTL) developed a node on his right vocal chord and has to get surgery, thus ending Wes Borland's current touring stint with From First To Last.
In late 2007-early 2008, after a scheduled break from touring for the their label to secure an overseas release of Cruel Melody, Black Light Burns announced plans for a covers album that also includes remixes and b-sides from Cruel Melody, and a DVD containing live and behind the scenes footage of the band. Artists PJ Harvey, INXS, The Jesus Lizard, Love and Rockets, The Swans, Fiona Apple, Lard, and Borland's own old side project Big Dumb Face will be covered for the release. The two discs will be released together in spring of 2008.
On March 30, 2008 Wes Borland made a post on the band's MySpace about how he filled in for the band X Japan and was "looking forward to coming home and getting back to work on the next BLB album", by which he means the second full length Black Light Burns album, due to the fact that their cover song album was already complete by that point in time.
As of August 2008, at the ETP Conference, it was announced that Borland is now the current Marilyn Manson tour guitarist.
Also Two new songs have appeared on http://www.myspace.com/wesleyborland. They are entitled Cats and Cats And Cats, B4Lf3r
Much like Nine Inch Nails, Black Light Burns consists of two entities, the studio band, and the live band. Some members of the band that recorded in the studio may not be able to tour with the band, and future live members might contribute to future CD releases, therefore lineup changes could occur. Borland did all of the vocals, guitar, and bass on the album.
Studio Line-up
1. Wes Borland - (previously in Limp Bizkit, Eat The Day, Big Dumb Face)
2. Danny Lohner - (previously in Nine Inch Nails, A Perfect Circle)
3. Josh Freese - (The Vandals, Nine Inch Nails, A Perfect Circle, many more)
4. Josh Eustis - (Telefon Tel Aviv)
When asked on Black Light Burns's MySpace if the studio band listed above would return for the band's second record, Wes Borland replied "Probably not. Marshall is the full time drummer for BLB now, but Danny Lohner may be returning for some input on the next record."
Live Line-up
1. Wes Borland - Vocals, Guitar
2. Marshall Kilpatric - Drums (previously in The Esoteric, Today is the Day)
3. Nick Annis - Guitar (previously in Open Hand, Turn Of The Screw, shortly played for Seether while on tour in Ozzfest)
4. Dennis Sanders Jr.-Bass
Wes Borland's MacBook Pro will be playing the keyboard or loops that the four above bandmembers can't/won't be playing live. According to Borland, Josh Eustis, who played keyboards and sound design on Cruel Melody, was supposed to join the live lineup, but opted to do production instead, leaving Borland to use his laptop to reproduce samples and keyboards live.
Lucretia My Reflection
Black Light Burns Lyrics
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Two worlds and in between
Hot metal and methedrine
I hear empire down
I hear empire down
I hear the roar of a big machine
Two worlds and in between
Dum-dum bullets and shoot to kill, I hear
Dive, bombers, and
Empire down
Empire down
I hear the sons of the city and dispossessed
Get down, get undressed
Get pretty but you and me,
We got the kingdom, we got the key
We got the empire, now and then,
We don't doubt, we don't take direction,
Lucretia my reflection, dance the ghost with me
We look hard
We look through
We look hard to see for real
Such things I hear, they don't make sense
I don't see much evidence
I don't feel. I don't feel. I don't feel
A long train held up by page on page
A hard reign held up by rage
Once a railroad
Now it's done...
I hear the roar of a big machine
Two worlds and in between
Hot metal and methedrine
I hear empire down...
We got the empire, now and then,
We don't doubt, we don't take reflection,
Lucretia my direction, dance the ghost with me
Dance the ghost with me...
I hear the sons of the city and dispossessed
Get down, get undressed
Get pretty but you and me,
We got the kingdom, we got the key
We got the empire, now and then,
We don't doubt, we don't take direction,
Lucretia my reflection, dance the ghost with me
The song "Lucretia My Reflection" by Black Light Burns depicts a futuristic, dystopian world where the empire is falling apart, and the dispossessed are rising up. The chorus, "I hear empire down," is repeated several times throughout the song, as a reflection of the fall of a once-great power. The lyrics of the song express a sense of defiance and hope, as well as a recognition of the disparity between the powerful and the powerless.
The imagery in the song is vivid and striking, depicting a world filled with "hot metal and methedrine," "dive bombers" and "dum-dum bullets." The contrast between the gritty, industrial imagery and the ethereal chorus creates a sense of tension and unease.
The verses of the song speak to the individual experience in this world, with a focus on the dispossessed and the marginalized. The lines "get down, get undressed, get pretty," suggest that in this world, conformity and appearance are the keys to success. But the singer and their partner have the "key to the kingdom," and they refuse to take direction or doubt themselves. The call to "dance the ghost with me," is an invitation to join in this resistance, to stand up against the empire and dance in the face of darkness.
Overall, "Lucretia My Reflection" is a powerful and evocative song, using striking imagery and a sense of defiance to create a powerful message of resistance and hope.
Line by Line Meaning
I hear the roar of a big machine
I hear the loud noise of a large, powerful machine
Two worlds and in between
There are two different worlds that exist and we are stuck in the middle
Hot metal and methedrine
There is both heat and drugs present in this situation
I hear empire down
I sense the fall and decline of a great empire
I hear empire down
I sense the fall and decline of a great empire
Love lost, fire at will
There is a loss of love and a willingness to use weapons
Dum-dum bullets and shoot to kill, I hear
There are bullets with expanding heads and the order to shoot to kill
Dive, bombers, and
There are bombers diving down
Empire down
The empire is collapsing
Empire down
The empire is collapsing
I hear the sons of the city and dispossessed
I hear the voices of the people living in the urban area who have been deprived of their possessions
Get down, get undressed
Take off your clothes, get comfortable
Get pretty but you and me,
We should look good together
We got the kingdom, we got the key
We have power and control
We got the empire, now and then,
We are in charge of the empire, both in the present and the past
We don't doubt, we don't take direction,
We are confident and do not follow others' lead
Lucretia my reflection, dance the ghost with me
Let's dance together, and appreciate each other's reflection in a mirror
We look hard
We pay close attention
We look through
We look beyond the surface
We look hard to see for real
We are trying to see the truth
Such things I hear, they don't make sense
I hear things that are confusing or nonsensical
I don't see much evidence
I do not have much proof
I don't feel. I don't feel. I don't feel
I do not have any strong emotions
A long train held up by page on page
A very long train is being held up by stacks of paper
A hard reign held up by rage
A tough reign or rule is being held up by the strong emotion of anger
Once a railroad
It used to be a train track
Now it's done...
But now it is over
Writer(s): A. Taylor
Contributed by Connor D. Suggest a correction in the comments below.