His musical style was individualistic, and Jefferson's singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar. He has been titled "Father of the Texas Blues."
He was not influential on some younger blues singers of his generation, as they did not seek to imitate him as they did other commercially successful artists. However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style.
Jefferson was born blind near Coutchman, Texas in Freestone County, near present-day Wortham, Texas. Jefferson began playing the guitar in his early teens, and soon after he began performing at picnics and parties. He also became a street musician, playing in East Texas towns in front of barbershops and on corners. According to his cousin, Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:"They was rough. Men was hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night."
By the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with fellow blues musician Leadbelly. In Dallas, Jefferson was one of the earliest and most prominent figures in the blues movement developing in Dallas' Deep Ellum area. Jefferson likely moved to Deep Ellum in a more permanent fashion by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of blues guitar, in exchange for Walker's occasional services as a guide. Also, by the early 1920s, Jefferson was earning enough money for his musical performances to support a wife, and possibly a child. However, firm evidence for both his marriage and any offspring is unavailable.
The beginning of the recording career
Unlike many artists who were "discovered" and recorded in their normal venues, in December 1925 or January 1926, he was taken to Chicago, Illinois, to record his first tracks. Uncharacteristically, Jefferson's first two recordings from this session were gospel songs ("I Want to be like Jesus in my Heart" and "All I Want is that Pure Religion"), released under the name Deacon L. J. Bates. This led to a second recording session in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues," were hits; this led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues," which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Unfortunately, Paramount Records' studio techniques and quality were infamously bad, and the resulting recordings sound no better than if they had been recorded in a hotel room. In fact, in May 1926, Paramount had Jefferson re-record his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and subsequent releases used that version. Both versions appear on compilation albums and may be compared.
Success with Paramount Records
It was largely due to the popularity of artists such as Blind Lemon Jefferson and contemporaries such as Blind Blake and Ma Rainey that Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (although there is debate over the reliability of this as well); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a frequently seen compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of pigeonholing his music into one regional category. He sticks to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee during the early 1920s at which time Davis and fellow entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to OKeh Records, he took Jefferson with him, and OKeh quickly recorded and released Jefferson's "Matchbox Blues" backed with "Black Snake Moan," which was to be his only OKeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than on his Paramount records at the time. When he had returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, under producer Arthur Laibly.
In 1927, Jefferson recorded another of his now classic songs, the haunting "See That My Grave Is Kept Clean" (once again using the pseudonym Deacon L. J. Bates) along with two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be." Of the three, "See That My Grave Is Kept Clean" became such a big hit that it was re-recorded and re-released in 1928.
Stories
As his fame grew, so did the tales regarding his life, often personally involving the teller. T-Bone Walker states that as a boy, he was employed by Jefferson to lead him around the streets of Dallas; he would have been of the appropriate age at the time. A Paramount employee told biographer Orrin Keepnews that Jefferson was a womanizing sloppy drunk; on the other hand, Jefferson's neighbor in Chicago, Romeo Nelson, reports him as being "warm and cordial," and singer Rube Lacy states that Jefferson always refused to play on a Sunday, "even if you give me two hundred." He is claimed to have earned money wrestling before his musical success, which is further claimed as proof that he was not blind at the time (something of a non sequitur). Victoria Spivey elliptically credits Jefferson as someone who "could sure feel his way around."
Death and grave
Jefferson died in Chicago in December 1929. The cause of death is unknown, and though rumors swirled that a jealous lover poisoned his coffee, a more likely scenario is that he died due to a heart attack after being disoriented during a snowstorm (another scenario is that he froze to death). The book "Tolbert's Texas" claims that he was killed while being robbed of a large royalty cash payment by a guide taking him to Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by pianist Will Ezell. Jefferson was buried at Wortham Negro Cemetery (now Wortham Black Cemetery). Far from his grave being kept clean, it was unmarked until 1967, when a Texas Historical Marker was erected in the general area of his plot, the precise location being unknown. By 1996, the cemetery and marker were in poor condition, but a new granite headstone was erected in 1997. In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery and keeping his wishes his gravesite is being kept clean by a cemetery committee in Wortham Texas.
Musical influence
Jefferson had an intricate and fast style of guitar playing and a particularly high-pitched voice. He was a founder of the Texas blues sound and an important influence on other blues singers and guitarists, including Lead Belly and Lightnin' Hopkins. The white North Carolina performer Arthel "Doc" Watson credited listening to Jefferson's recordings as his first exposure to the blues, which would powerfully influence his own style.
He was the author of many tunes covered by later musicians, including the classic "See That My Grave Is Kept Clean." Another of his tunes, "Matchbox Blues," was recorded more than 30 years later by the Beatles, albeit in a rockabilly version credited to Carl Perkins, who himself did not credit Jefferson on his 1955 recording. Given this influence, it is unfortunate that many of the details of his life remain shrouded in mystery, perhaps forever; even the only known picture of him, shown here, is heavily retouched, with a fake tie painted in by hand. However, at the time, "race music" and its white cousin, "hillbilly music," were not considered to be worthy of consideration as art, rather as a low-cost product to be sold and soon forgotten.
Blind Lemon Jefferson is the featured musician on a State of Texas license plate.
B. B. King has always maintained that Jefferson was a huge influence on his singing and guitar playing.
The Rock and Roll Hall of Fame listed one song by Blind Lemon Jefferson of the 500 songs that shaped rock and roll: 1927 Matchbox Blues
Jefferson was among the inaugural class of blues musicians inducted into the Blues Hall of Fame.
Covers of Blind Lemon Jefferson
The White Stripes's "De Ballot of De Boll Weevil" is a cover version of "Boll Weevil Blues."
Bob Dylan's "See That My Grave Is Kept Clean" on Bob Dylan.
The Beatles's and Carl Perkins' "Match Box" was a cover version of "Matchbox Blues."
B. B. King's "See That My Grave Is Kept Clean" on One Kind Favor
References to Blind Lemon Jefferson
King Solomon Hill recorded the song "My Buddy Blind Papa Lemon" as a tribute to Jefferson in 1932.
Van Morrison refers to Jefferson in the song "Cleaning Windows" on the 1982 album Beautiful Vision.
Francis Cabrel refers to Jefferson in the song "Cent Ans de Plus" on the 1999 album Hors-Saison.
Geoff Muldaur refers to Jefferson with the song "Got To Find Blind Lemon" on the album The Secret Handshake
Nick Cave and the Bad Seeds recorded the song "Blind Lemon Jefferson" on the album The Firstborn Is Dead.
The 2007 film Black Snake Moan refers to the title of Jefferson's song "Black Snake Moan"
In the 2003 movie Masked and Anonymous, Bobby Cupid (Luke Wilson) gives his friend Jack Fate (Bob Dylan) Blind Lemon's original guitar, on which he claims Matchbox Blues was first recorded.
Patrick Sky parodied Jefferson as "Blind Funk Earwax" playing "Child Molesting Blues" on his 1973 album Songs That Made America Famous
Cheech and Chong parodied Jefferson as "Blind Melon Chitlin'" on their self-titled 1971 album Cheech and Chong (album), their 1985 album Get Out of My Room, and in a stage routine that can be seen in their 1983 movie Still Smokin'.
A bar called Blind Lemon appears in the Philip K. Dick novel The Game-Players of Titan.
An episode of Sanford and Son titled "The Blind Mellow Jelly Collection" refers to Jefferson's name.
Michael Martin Murphy refers to Jefferson in the song "Rolling Hills' on his 1973 album Cosmic Cowboy Souvenir.
Lead Belly refers to Jefferson in his song "My Friend Blind Lemon."
On VeggieTales, Larry tries to sing the blues with the help of Blind Lemon Lincoln.
Blind Melon may be a reference to his name and/or style.
Long Lonesome Blues
Blind Lemon Jefferson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You take a high brown woman, man she's hard to fool
You can't never tell, what a woman's got on her mind
You might think she's crazy about you, but she leaving
you all the time
Ain't so good‑looking, your teeth don't shine like
But that nice disposition, carry a woman all through the
world
I'm going to the river, going to carry my rocking chair
Going to ask that gal for a, how the worried blues
left here
I think I heard, my good gal call my name
She couldn't call so loud, but she calls so nice and
plain
I was raised in Texas, schooled in Tennessee
High‑stepper you can't make, no fatmouth out of me
Can't a woman act funny, quit you for another man
Can't go look down the street, but she's always raising
sand
Blind Lemon Jefferson's Long Lonesome Blues is a song that talks about the woes of love and heartbreak. In the first verse, the lyrics liken the arrival of the blues to Texas like a slow-moving mule. The next lines suggest that a high brown woman is hard to fool despite how much a man tries. The second verse delves into the complexities of women, and how they can sometimes be hard to read. A woman might act as if she loves you, but she will still leave you. It is a harsh reality that one must come to terms with when in love. The third verse suggests that even though the singer might not be the best looking, or his teeth don't shine like pearls, it is a good disposition that can carry a woman through the world, rather than good looks.
In the fourth and fifth verses, the singer longs to find a solution for his heartbreak. He decides to go to the river and carry his rocking chair, and he aims to ask his girl how she managed to leave him with the worried blues. The last verse reveals that the singer was raised in Texas and schooled in Tennessee, meaning he has had experience in both love and academics in different states. The final lines suggest that women can be unpredictable, and a man cannot walk down the street without a woman causing trouble.
Line by Line Meaning
Well the blues come to Texas, loping like a mule
The feeling of sadness has come to Texas slowly and stubbornly like a mule does.
You take a high brown woman, man she's hard to fool
If you have a relationship with a sophisticated woman of color, you will find it difficult to deceive her.
You can't never tell, what a woman's got on her mind
It's hard to decipher what women think of you just by looking at their facial expressions.
You might think she's crazy about you, but she leaving you all the time
Although you might think that a woman is in love with you, she has every intention of leaving you at some point.
Ain't so good‑looking, your teeth don't shine like pearls
Your appearance is not great, and your teeth are not as white and shiny as pearls.
But that nice disposition, carry a woman all through the world
Despite not having the best looks, a kind personality is often enough to win a woman's heart, and that's what'll take her places all over the world.
I'm going to the river, going to carry my rocking chair
I'm heading to the river to spend some time with a loved one while relaxing on my rocking chair.
Going to ask that gal for a, how the worried blues left here
I plan on asking that girl how she managed to overcome her blues so I too can feel uplifted like her.
I think I heard, my good gal call my name
I believe I heard my beloved calling out my name.
She couldn't call so loud, but she calls so nice and plain
Although she didn't call out loud, she called my name very lovingly and clearly.
I was raised in Texas, schooled in Tennessee
My upbringing was in Texas, but I received further education in Tennessee.
High‑stepper you can't make, no fatmouth out of me
I won't boast about myself, nor will I be boastful even if I appear confident.
Can't a woman act funny, quit you for another man
Sometimes women act strange, and they might leave you for another man without warning.
Can't go look down the street, but she's always raising sand
Whenever you turn your back, the woman you're involved with might cause a commotion, and you will always hear about it from others.
Lyrics © Universal Music Publishing Group
Written by: BLIND LEMON JEFFERSON
Lyrics Licensed & Provided by LyricFind
Jean-Michel Dehalu
I walked from Dallas, I walked to Wichita Falls
I say, I walked from Dallas, I walked to Wichita Falls
Hadn't have lost my sugar, well, I would not have walked at all
Some women see you comin', man, they go get the rocker chair
Women see you comin', go get the rocker chair
"I wanna fool this man and make out he's welcome here"
So cold in China, the birds can hardly sing
So cold in China, birds can hardly sing
You didn't make me mad till you soak my diamond ring
Hey, mama and papa, and papa's papa 'deed double do love you, doggone it
Somebody's talking to you, mama and papa 'deed double do love you
What you cryin' 'bout, baby, papa don't care what you do
Well, I know my baby, she gonna jump and shout
I say, I know my baby, she gonna jump and shout
When she gets a letter Lemon have rolled them few days out
Said, baby, what's the matter, Papa Lemon can't get no mail
Said, baby, what's the matter, Papa Lemon can't get no mail
Mama, dreamt last night, pulled a black cat across your trail
I got up this mornin' with the blues all around my bed
I got up this mornin', blues all around my bed
Fixin' to eat my breakfast, the blues all in my bread
davidrmohr
This is the first time I've heard of Lemon Jefferson. From the first vocal I thought to myself that this is the person that must have really influenced Canned Heat. Now I have to go search for more Blind Lemon Jefferson!
XaZa8uh Itra
The real question is , who HAVENT these early Black american blues musicians influenced? literally every modern style and type of music, thats what!
Homesick Hanes
skip james
Southwest77
He was a mentor to one of the greats, Houston native Lightning Hopkins.
Thibaud Briens
Yes absolutely. This one sounds very similar sometimes to Going Up The Country
jasonjohnston94
It was Dorian Henry, who also performed under the name Ragtime Texas, who inspired Canned Heat to record “Going Up The Country“. The original song was titled “Bull Doze Blues“ and it was recorded in 1928. Dorian played guitar and accompanied himself on cane reeds called quills. Canned Heat used a flute but copied the melody almost note for note.
Creighton
I love every song this man ever put out! I could listen to him, and all the old Blues and Country artists 24/7
richard mindemann
Sublime artist. Among the finest of blues artists in the history of that idiom. Probably the most difficult of any blues guitar player to imitate. Just magnificent.
Kat Miller
He hits your soul with his music ❤️
2300 skiddoo
Absolute genius. One of the most important and most underrated musicians of the 20th century.