Band lore states that their name came from both a flippant reference to Adolf Hitler's dog Blondie as well as vocalist Harry's bright blond hair. Previously having been a Playboy Bunny, Harry fronted the early version of the band. initially known as "Angel and the Snakes". They built up underground fame in NYC. Blondie released their first album, 'Blondie', in 1976. The album was mildly successful and spawned the Australian hit single "In The Flesh". Gary Valentine left the band later that year, and they continued briefly as a foursome, recording 'Plastic Letters' and gaining more airplay with their track "Denis". Still in touch with their punk roots, having played in clubs such as CBGBs and hung out with rock artists such as the Ramones, the band broke out into other, more diverse influences such as older dance and pop music, particularly interested in Phil Spector's 'wall of sound' technique.
Valentine was replaced by Los Angeles-based musician Frank Infante (guitar, bass guitar) in 1977. Infante had already played guitar on one track on 'Plastic Letters'. The band went out playing live with Infante and Stein swopping between playing guitar and bass guitar throughout each concert. The band also added British born but LA-based Nigel Harrison (bass guitar), making Blondie a six piece group for the first time. Harrison was a former member of the glam rock band Silverhead.
In 1978, they released the album that would make them international stars, titled 'Parallel Lines'. The album spawned several hit singles, including the number one hit "Heart Of Glass", "Sunday Girl", "Hanging On The Telephone" (a cover of the famous power pop track by The Nerves), and "One Way Or Another". The success of the heavily disco influenced "Heart of Glass", a song sometimes censored for its use of strong language for the time and considered by the band as tongue-in-cheek, proved controversial among many fans of the band's punk background, but it managed to break them through at a massive level.
They released three more albums (1979's Eat To The Beat, 1980's Autoamerican (containing the number one singles "The Tide Is High" and "Rapture") and 1982's The Hunter) as well as a number one single "Call Me", from the score of the 1980 film "American Gigolo".
In 1980, Harrison contributed several unused Blondie songs to ex-Silverhead singer Michael Des Barres solo album I'm Only Human. In 1981, Harry released a solo album Koo Koo, Destri released a solo album Heart On A Wall. Burke recorded and played live with the Eurythmics, and Stein started a record label named Animal Records.
In 1982, health problems for Stein, declining sales and inter-band tension caused the band to split. Harry kept a low profile for a few years while she nursed (now former) boyfriend Stein through a serious illness, but then continued a solo career as an actress/singer.
Reformation plans begun in 1997 with a line-up that included Harry, Stein, Destri, Burke, Valentine, and Harrison. Infante was not invited to the reunion. Valentine and Harrison were eventually (and unceremoniously, they claim) replaced by Paul Carbonara (guitar) and Leigh Foxx (bass).
The band released No Exit in 1998, which did quite well in both US and UK charts and contained the number one hit single "Maria".
The album did not include any song contributions from Valentine or Harrison, despite them recording early sessions for the album and Valentine being assured by Stein that they would use his already recorded song "Amor Fati". Harrison and Infante later filed an unsuccessful lawsuit claiming breach of contract for not including them in the reunion.
The Curse Of Blondie was released in 2003 and, while not matching its predecessor in sales, was critically acclaimed and spawned the global dance hit "Good Boys".
Destri retired from touring in 2004. Kevin Patrick (keyboards), Destri's former keyboard tech and assistant, replaced him soon followed by Matt Katz-Bohen in 2008.
The band's 2006 induction ceremony into the Rock And Roll Hall Of Fame was the scene of an awkward moment between Infante and Harry, during which he asked that the former members be allowed to play along with fellow inductees Harry, Stein and Burke during the band's set, since it was the original band that was being inducted. Harry replied "Can't you see my band is up there?" prompting Infante to counter "I thought it was Blondie that was being inducted."
In 2006, the band toured as the opening act for The New Cars on the "Road Rage Tour." Although Harry was more than 60 years old, the band still managed incendiary versions of their old hits, while playing with enough fire to remind the audience of their punk roots.
In 2007, the band embarked on a tour of Europe, to coincide with the DVD release of the first ever music video album "Eat To The Beat".
Harry has since resumed her solo career, releasing 2007's Necessary Evil.
On June 5, 2008, Blondie commenced a world tour to celebrate the 30th anniversary of Parallel Lines with a concert at Ram's Head Live in Baltimore, Maryland. The tour covered some Eastern and Midwestern US cities throughout the month of June. In July, the tour took the band overseas to Israel, the UK, Russia, Europe and Scandinavia, wrapping up on August 2, 2008 at Rockefeller in Oslo, Norway.
Clem Burke and Paul Carbonara both recently told interviewers that the band is working on another record, which would be their first new album since the release of The Curse of Blondie in 2003. Carbonara described it as "a real Blondie record.
Blondie undertook a North American tour of mid-sized venues with Pat Benatar and The Donnas in the summer of 2009. Following the tour, in October, the band began recording sessions for their ninth studio album with producer Jeff Saltzman in Woodstock, New York. In December 2009, the band released the song "We Three Kings" to coincide with the Christmas holiday.
The new album, to be titled Panic of Girls, which was being mixed at the time, was said to follow in 2010. Chris Stein stated that Dutch artist Chris Berens will provide the cover art. In April 2010, it was announced that guitarist Paul Carbonara had amicably left Blondie to pursue other projects and was replaced by Tommy Kessler. Panic of Girls is tentatively set to be released in 2010/2011.
In June 2010, Blondie began the first leg of a world tour named "Endangered Species Tour", which covered the United Kingdom and Ireland, supported by UK band Little Fish. The set lists featured both classics and new material from the forthcoming Panic of Girls. After a break in July the tour will resume in August and cover the United States and Canada over a course of six weeks. Blondie is then set to take the "Endangered Species Tour" to Australia and New Zealand in November and December. It was revealed that the bands album will be released on the Australian Sony label in November 2010, and elsewhere in January 2011.
Songfacts reports that Mother, the first single from Panic of Girls received its global premiere on BBC Radio on March 17th, 2011 and was made available for purchase on May 23, 2011.
In May 2017 a new album was released named Pollinator with the single "Long Time" which saw the daylight in March.
In 2021, the band released a short film along with a soundtrack EP titled Vivir en la Habana. They also released an alternate version of their song Rapture titled “Yuletide Throwdown” which featured Fab 5 Freddy.
In 2022, Blondie released a Sunday Girl EP consisting of an unreleased demo and live version
of the song as well as the previously released french version of the track in honor of Record Store Day. The band went on a UK tour with support from Johnny Marr followed by a US tour with support from The Damned titled “Against The Odds Tour”, which Chris Stein did not attend due to health problems. They also announced the release of their first archival project and box set, titled Against The Odds: 1974 - 1982, which took six years to compile, began recording their twelfth studio album and remastered their music videos in HD.
Can't Stop Wanting
Blondie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Your katex back to life
Have a life long sexy lap
Dance with your former wife
Go fly a kite or paint
A plane like little boys
Who have never ever tire of
Playing with their little toys
Can’t stop want, what you watch
So get you it, when you watch
Can stop watching, what you see
If what you work with, you look at me
So all those kisses are really not for you
Can’t take the place of work
That you used to do
I’m like a pebble in my shoe
You’re on my mind
So they’re sent to make the passages of time
Can’t stop wanting, what you watch
So when you get (some you don’t)
Can’t stop watching, what you see
It’s what you work with, look at me
I would die to be inside your eyes
To be the last alive
I would try to be a lucky
Star, like the yellow shard, so bright
It’s time to face those other breaks
But I don’t mind
Pages of history or pictures sublime
Your drink tequila like it’s
Little sips of wine
You’re looking for excitement and you’ve
Got your eye on mine
Can’t stop wanting, what you watch
So when you get (some you don’t)
Can’t stop watching, what you see
It’s what you work with, look at me
Can’t stop wanting, what you watch
So when you get (some you don’t)
Can’t stop watching, what you see
It’s what you work with, look at me
The lyrics to Blondie's song "Can't Stop Wanting" seem to revolve around the themes of desire, longing, and the complexity of relationships. The singer acknowledges the various ways people seek excitement and fulfillment in their lives, whether through hobbies, nostalgia, or seeking attention from others. The mention of bringing a "katex" (presumably a misspelling of "latex") back to life and dancing with a former spouse suggests a desire to relive certain experiences or recapture past pleasures.
The lyrics also touch on the idea that external distractions, like kisses or attention from others, cannot replace the meaningful work or connection that the singer used to have with the person they are addressing. The line "I'm like a pebble in my shoe" could be interpreted as a symbol of constant nagging or reminder of the person's presence in the singer's thoughts. The mention of being inside someone's eyes and wanting to be a lucky star hints at a deep desire to be intimately connected and stand out in their life.
Overall, the song explores the internal struggle of wanting someone's attention and affection while feeling insecure about competing with other sources of excitement or distraction in their life.
Line by Line Meaning
I know you like to bring
I am aware that you have a tendency to revive and rejuvenate
Your katex back to life
Your old, cherished memories and experiences
Have a life long sexy lap
Possess an attractive and appealing presence in your love life
Dance with your former wife
Engage in joyful and intimate moments with your ex-spouse
Go fly a kite or paint
Indulge in playful and imaginative activities
A plane like little boys
Creating and enjoying things like young children do
Who have never ever tire of
Who never grow weary or bored of
Playing with their little toys
Engaging with their small playthings
Can’t stop want, what you watch
Unable to cease desiring what you observe
So get you it, when you watch
Therefore, acquire it when you pay attention
Can stop watching, what you see
Able to halt the act of observing what is before you
If what you work with, you look at me
As long as you direct your focus and attention towards me, the subject of your work
So all those kisses are really not for you
Hence, all those affectionate gestures and acts of love are not intended for you
Can’t take the place of work
Cannot replace the dedication and effort put into one's tasks
That you used to do
Which you were previously accustomed to
I’m like a pebble in my shoe
I am a persistent and bothersome sensation in my own thoughts
You’re on my mind
You constantly occupy my thoughts
So they’re sent to make the passages of time
Therefore, these thoughts are sent to make the flow of time more bearable
I would die to be inside your eyes
I would be willing to sacrifice everything to be intimately connected with your perspective and experiences
To be the last alive
To be the sole survivor or the final presence
I would try to be a lucky
I would attempt to embody the fortunate qualities
Star, like the yellow shard, so bright
To shine like a luminous, radiant, and brilliant fragment of yellow light
It’s time to face those other breaks
The moment has arrived to confront those other fractures and difficulties
But I don’t mind
However, I am not bothered or disturbed by them
Pages of history or pictures sublime
Whether it be the records of the past or the awe-inspiring images
Your drink tequila like it’s
You consume tequila as if it were
Little sips of wine
Small, delicate sips of wine
You’re looking for excitement and you’ve
You are in search of thrill and adventure, and you have
Got your eye on mine
Set your attention and interest specifically on me
Can’t stop wanting, what you watch
Incapable of ceasing the desire for what you observe
So when you get (some you don’t)
Thus, when you acquire certain things and fail to obtain others
Can’t stop watching, what you see
Unable to halt the act of observing what is before you
It’s what you work with, look at me
Because I am the subject of your work, your attention is directed towards me
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Kc
on Accidents Never Happen
Judging from the cultural framework at the time i read it as lies being exposed for the middle income layers of the society who ere led to believe that if they follow certain codes they will be happy and prosperous but so many fail so accidents nver happen is a mockery