1. An American rapper and produce… Read Full Bio ↴There are 2 artists with the name Blu:
1. An American rapper and producer from Los Angeles, California.
2. An ambient drum and bass musician located in the United Kingdom.
(1) Johnson Barnes (born April 15, 1983 in Inglewood, California), better known by the stage name Blu, is an American rapper and producer. In 2007 he released his debut album, "Below the Heavens", which was produced entirely by Exile, one half of Emanon. Since then he has collaborated with Mainframe under the name Johnson&Jonson, and with Ta'Raach under the name C.R.A.C. Knuckles. He has also released several solo albums, most notably "HerFavoriteColo(u)r" (2009), "j e s u s" (2011) and "No York!" (2011). Furthermore, in 2009 he produced the Sene & Blu album "ADayLate&ADollarShort" and in 2011 he released a second album with Exile, "Give Me Flowers While I Can Smell Them".
Blu is definitely a leader in the new school of Los Angeles emcees. His presence is undeniable, while his music captivates audiences regardless of race, class, and gender. He has been credited with taking LA hip hop back to the place where Freestyle Fellowship, Jurassic 5, and The Pharcyde left off.
With his cool-headed SoCal demeanor and everyman charisma, Blu was championed at the onset of his recording career when he collaborated with Emanon DJ/producer Exile for the highly acclaimed LP Below the Heavens (2007). Born Johnson Barnes in Inglewood, California, Blu, whose stepfather was a pastor, was very influenced by gospel and Christian rap when he was developing his MC skills in middle and high school. His musical turning point came when he first heard the Common classic "I Used to Love H.E.R." (1994), as well as the Chicago MC's third album, One Day It'll All Make Sense (1997). From then onward, Blu abandoned his schoolyard freestyle frame of mind and dedicated his abilities to crafting well-written songs. As he started doing live performances, he paid his dues working as a hype man for several underground rap and soul artists, including Slum Village, Steve Spacek, Platinum Pied Pipers, and, of course, Emanon. His relationship with Exile and newfound mindset in making music pointed him toward signing with L.A. independent Sound in Color in 2004, which for the young MC meant brushing off interest from Interscope and Death Row.
Subsequently, he cut a few records for Exile's Sound in Color album, Dirty Science (2006), recorded features for other L.A. artists, and self-pressed his Lifted EP in 2006. When Below the Heavens first hit shelves in August 2007, Blu and Exile were virtual unknowns in underground hip-hop, but Blu's deft songwriting and Exile's soul-drenched, Jay Dee-influenced production quickly amassed them a national audience. Below the Heavens ended up on many critics' year-end lists and, particularly, launched Blu into the public hip-hop eye. Remaining independent, Blu later turned to Sound in Color labelmate and L.A.-via-Detroit MC/producer Ta'Raach (formerly known as Lacks) for the collaborative project C.R.A.C. Knuckles. Over the next five years, Blu released a total of seven albums and mixtapes, including 2011's Open and Blu & Exile's Give Me My Flowers While I Can Still Smell Them in 2012. The previously unreleased albums Her Favorite Colo(U)r and NoYork! also finally saw proper release in 2013. ~ Cyril Cordor, Rovi
The underground Los Angeles-based duo of MC Blu (b. Johnson Barnes) and DJ/producer Exile (b. Aleksander Manfredi) earned widespread acclaim right out of the gate with their debut album, Below the Heavens (2007), which critics crowned as the seemingly perfect marriage of Blu's everyday-struggle raps and Exile's Pete Rock- and J Dilla-inspired production. Blu, struggling to make ends meet at the time, first crossed paths with Exile in the early to mid-2000s, while the rapper earned gigs as a hype man for various soul/hip-hop outfits like Slum Village, Platinum Pied Pipers, and Exile's own duo, Emanon. In fact, Blu knew the other half of Emanon, MC/singer Aloe Blacc, who then introduced the two to each other. Deciding to sign to L.A. independent label Sound in Color, Exile's label home, in 2004, Blu began cutting a few records with the DJ/producer and assisted him with his solo LP, Dirty Science (2006). Blu was still trying to break into the industry, but Exile was enjoying production credits for the likes of Jurassic 5, Kardinal Offishall, and Mobb Deep. The release of the soul-entrenched collaborative effort, Below the Heavens in August 2007, put them both in the limelight and had fans of the alternative rap scene buzzing; however, it specifically garnered Blu many "Artist to Watch" features in various magazine and online publications throughout the year and into 2008. During subsequent years, they worked apart more than together; nevertheless, 2012 brought another co-billed LP, Give Me My Flowers While I Can Still Smell Them. ~ Cyril Cordor, Rovi
Blu Checks In
Blu Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Into the room of Bloom
Into the house of Marilyn
And you can hear our cries
Our cries did echo
And his stomach did bellow for a minute or two
And I was stuck in Bloom
So was Lucas
Our genes purely passive
And aggressively demanding a table at Tiffany's
For the three of us
Breaking a sky to see what's above the clouds
superstitiously, viciously, my arrangement
His arrangement quite differently depicted our mind
And if it was a fight night our electrolytes span around through space and through time
Me and Lucas can feel this one quite differently
So yeah
From the both of us
Let's Bloom
The lyrics to Blu's song "Blu Checks In" delve into a surreal and introspective exploration of identity and perception. The opening line, "Step into the room / Into the room of Bloom," sets the stage for a journey into the inner world of Blu. The reference to Bloom suggests a state of growth, transformation, or blossoming. It could also be a play on the word "bloom" as a verb, suggesting that entering this room is an act of blooming or coming alive.
The line "Into the house of Marilyn" introduces the presence of Marilyn, who could represent an iconic figure or symbolize a glamorous and enigmatic aspect of Blu's psyche. The following lines, "And you can hear our cries / Our cries did echo / And his stomach did bellow for a minute or two," imply a sense of emotional release or turmoil. The imagery suggests that the cries reverberate within the room, possibly indicating the echoes of past experiences or emotions.
The lyrics then delve into a discussion of genetics and perception, with the lines "No dominant, no recessive / Our genes purely passive / And aggressively demanding a table at Tiffany's." Here, genetics become a metaphor for the interactions and dynamics between Blu and someone named Lucas. The mention of a table at Tiffany's hints at the desire for prestige or a certain social status, but it may also symbolize a longing for belonging and acceptance.
The closing lines, "Breaking a sky to see what's above the clouds / superstitiously, viciously, my arrangement / His arrangement quite differently depicted our mind," evoke a sense of curiosity and a quest for deeper understanding. It suggests a willingness to challenge conventional wisdom or beliefs in order to gain a higher perspective. The differing arrangements of Blu and Lucas's minds hint at individuality and the unique lenses through which they perceive the world.
Overall, "Blu Checks In" invites listeners to reflect on themes of self-discovery, identity, and the complexities of human relationships.
Line by Line Meaning
Step into the room
Enter the space where the events are taking place
Into the room of Bloom
Inside the realm of growth and transformation
Into the house of Marilyn
Entering a place associated with beauty and glamour
And you can hear our cries
Our vocal expressions of emotions can be heard
Our cries did echo
The sound of our distress reverberated
And his stomach did bellow for a minute or two
His abdomen emitted a loud sound briefly
And I was stuck in Bloom
I found myself trapped in a state of growth and change
So was Lucas
Lucas experienced the same predicament
No dominant, no recessive
None of our traits were superior or inferior
Our genes purely passive
Our genetic makeup lacked assertiveness
And aggressively demanding a table at Tiffany's
Urgently seeking recognition and belonging in an upscale setting
For the three of us
Including all of us, forming a trio
Breaking a sky to see what's above the clouds
Challenging conventional boundaries to explore the unknown
superstitiously, viciously, my arrangement
My positioning was filled with irrational beliefs and hostility
His arrangement quite differently depicted our mind
His placement portrayed our thoughts in a distinct manner
And if it was a fight night our electrolytes span around through space and through time
During a conflict, our bodily substances circulated within dimensions
Me and Lucas can feel this one quite differently
Lucas and I perceive this situation with contrasting emotions
So yeah
In summary
From the both of us
Representing both our perspectives
Let's Bloom
Let us flourish and grow
Lyrics © DistroKid
Written by: Walter Tricks
Lyrics Licensed & Provided by LyricFind
@paulodyballahh9148
[Intro]
(Draco)
Grr, baow (Baow)
C Blu!
[Chorus]
30 stick in my pants so don't ask me to dance
Bitch, you know I might do my C Blu bop
And Lil' Bando a bitch, heard his sister a thot
I might fuck her the next time he diss me
And I heard you got one in the kidney
That's on bro, had you "Runnin' the city"
Said you lookin' for me, come and get me
No, it ain't hard to find me (At all)
I be posted wit' killers beside me
Think that I'm lackin', I keep me a Ivy
[Verse]
No, I ain't bluffin', I dare you to try me
They shot me like, "How you survive?"
Spin the 8 and nobody outside
Drop the addy, you know we gon' slide
Peekaboo, I just popped out the cut (Baow)
Tried to run, he got shot in his butt
I'm a lion, I'm huntin' alone (Facts)
Spinnin' dolo just me and my knocks
I'm a 'ooter, don't think we gon' box (At all)
Tried to reach now he ducking these shells
Scream out, "Mex" when we spin down the block
Lost Naz now, I'm givin' 'em hell
When I bend better duck down ya' tac'
Bitch, you know my whole gang did a lot
For the set, yeah, I really threw shots
I been chasin' niggas since a jit
'Member beatin' opps with a stick
Now I'm sixteen totin' grips
Walkin' 'round with a .30 stick
All my opps pussy niggas, hoes
Ro got shot, nigga, then he– (C Blu!)
[Chorus]
30 stick in my pants so don't ask me to dance
Bitch, you know I might do my C Blu bop
And Lil' Bando a bitch, heard his sister a thot
I might fuck her the next time he diss me
And I heard you got one in the kidney
That's on bro, had you "Runnin' the city"
Said you lookin' for me, come and get me
No, it ain't hard to find me (At all)
I be posted wit' killers beside me
Think that I'm lackin', I keep me a Ivy
[Outro]
Think that I'm lackin', I keep me a Ivy
C Blu!
@micaheaton1676
C Blu gotta be one of my favs from the Bronx scene. Distinctive voice, chill delivery, genuinely funny ass bars....kid's got it. And when him and Setty on a track together it's guaranteed to be a banger.
@4shok17songs7
Fr😂
@dfaljhSWD
My grandmother used to sing this to me when i was a toddler. I still remember her soothing voice singing this
@wsg
wrd
@yandelross8780
whats it caled
@xxdemonxx6424
idk
@@yandelross8780
@itsraiderz1721
@@yandelross8780limb by limb - cutty ranks
@NashawnMinnifield-uj4ng
Cap
@Alexisnegron21
Cblu always never disappoints
@Alexisnegron21
🔥🔥🔥🔥🔫