1. An American rapper and produce… Read Full Bio ↴There are 2 artists with the name Blu:
1. An American rapper and producer from Los Angeles, California.
2. An ambient drum and bass musician located in the United Kingdom.
(1) Johnson Barnes (born April 15, 1983 in Inglewood, California), better known by the stage name Blu, is an American rapper and producer. In 2007 he released his debut album, "Below the Heavens", which was produced entirely by Exile, one half of Emanon. Since then he has collaborated with Mainframe under the name Johnson&Jonson, and with Ta'Raach under the name C.R.A.C. Knuckles. He has also released several solo albums, most notably "HerFavoriteColo(u)r" (2009), "j e s u s" (2011) and "No York!" (2011). Furthermore, in 2009 he produced the Sene & Blu album "ADayLate&ADollarShort" and in 2011 he released a second album with Exile, "Give Me Flowers While I Can Smell Them".
Blu is definitely a leader in the new school of Los Angeles emcees. His presence is undeniable, while his music captivates audiences regardless of race, class, and gender. He has been credited with taking LA hip hop back to the place where Freestyle Fellowship, Jurassic 5, and The Pharcyde left off.
With his cool-headed SoCal demeanor and everyman charisma, Blu was championed at the onset of his recording career when he collaborated with Emanon DJ/producer Exile for the highly acclaimed LP Below the Heavens (2007). Born Johnson Barnes in Inglewood, California, Blu, whose stepfather was a pastor, was very influenced by gospel and Christian rap when he was developing his MC skills in middle and high school. His musical turning point came when he first heard the Common classic "I Used to Love H.E.R." (1994), as well as the Chicago MC's third album, One Day It'll All Make Sense (1997). From then onward, Blu abandoned his schoolyard freestyle frame of mind and dedicated his abilities to crafting well-written songs. As he started doing live performances, he paid his dues working as a hype man for several underground rap and soul artists, including Slum Village, Steve Spacek, Platinum Pied Pipers, and, of course, Emanon. His relationship with Exile and newfound mindset in making music pointed him toward signing with L.A. independent Sound in Color in 2004, which for the young MC meant brushing off interest from Interscope and Death Row.
Subsequently, he cut a few records for Exile's Sound in Color album, Dirty Science (2006), recorded features for other L.A. artists, and self-pressed his Lifted EP in 2006. When Below the Heavens first hit shelves in August 2007, Blu and Exile were virtual unknowns in underground hip-hop, but Blu's deft songwriting and Exile's soul-drenched, Jay Dee-influenced production quickly amassed them a national audience. Below the Heavens ended up on many critics' year-end lists and, particularly, launched Blu into the public hip-hop eye. Remaining independent, Blu later turned to Sound in Color labelmate and L.A.-via-Detroit MC/producer Ta'Raach (formerly known as Lacks) for the collaborative project C.R.A.C. Knuckles. Over the next five years, Blu released a total of seven albums and mixtapes, including 2011's Open and Blu & Exile's Give Me My Flowers While I Can Still Smell Them in 2012. The previously unreleased albums Her Favorite Colo(U)r and NoYork! also finally saw proper release in 2013. ~ Cyril Cordor, Rovi
The underground Los Angeles-based duo of MC Blu (b. Johnson Barnes) and DJ/producer Exile (b. Aleksander Manfredi) earned widespread acclaim right out of the gate with their debut album, Below the Heavens (2007), which critics crowned as the seemingly perfect marriage of Blu's everyday-struggle raps and Exile's Pete Rock- and J Dilla-inspired production. Blu, struggling to make ends meet at the time, first crossed paths with Exile in the early to mid-2000s, while the rapper earned gigs as a hype man for various soul/hip-hop outfits like Slum Village, Platinum Pied Pipers, and Exile's own duo, Emanon. In fact, Blu knew the other half of Emanon, MC/singer Aloe Blacc, who then introduced the two to each other. Deciding to sign to L.A. independent label Sound in Color, Exile's label home, in 2004, Blu began cutting a few records with the DJ/producer and assisted him with his solo LP, Dirty Science (2006). Blu was still trying to break into the industry, but Exile was enjoying production credits for the likes of Jurassic 5, Kardinal Offishall, and Mobb Deep. The release of the soul-entrenched collaborative effort, Below the Heavens in August 2007, put them both in the limelight and had fans of the alternative rap scene buzzing; however, it specifically garnered Blu many "Artist to Watch" features in various magazine and online publications throughout the year and into 2008. During subsequent years, they worked apart more than together; nevertheless, 2012 brought another co-billed LP, Give Me My Flowers While I Can Still Smell Them. ~ Cyril Cordor, Rovi
Go Away
Blu Lyrics
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Wish you wouldn't stay (little girl)
Won't you go away (little girl)
Wooo ooo go away.
Go away little girl
Go away little girl
I'm not supposed to be alone with you
But our lips must never meet
I belong to somebody else and I must be true.
Please go away little girl
Go away little girl
It's hurting me more each minute that you delay
When you are near me like this
You're much too hard to resist
So go away little girl before I beg you to stay.
Won't you go away (little girl)
Wish you wouldn't stay (little girl)
Won't you go away (little girl)
Wooo ooo go away.
Go away little girl
Go away little girl
It's hurting me more each minute that you delay
When you are near me like this
You're much too hard to resist
So go away little girl
Call it a day little girl
Please go away little girl before I beg you to stay.
Won't you go away (little girl)
Wish you wouldn't stay (little girl)
Won't you go away (little girl)
Please go away.
The song "Go Away" by Blu explores the internal struggle of a person who is tempted by the presence of another, but is committed to someone else. The repetition of the phrase "Go away little girl" throughout the lyrics illustrates the singer's desire for the person to leave and not disrupt their current relationship.
The chorus emphasizes the conflict between attraction and fidelity. The line "I'm not supposed to be alone with you" indicates that there are boundaries in place, suggesting that the singer knows it is wrong to pursue a connection with this person. Despite acknowledging the sweetness of the other person's lips, the singer asserts that they must never meet, as their loyalty lies elsewhere.
The plea for the person to go away is not due to a lack of interest or dislike, but rather stems from a sense of responsibility and commitment. The lyrics imply that their loyalty to their current partner is stronger than their desire for this other individual. The singer feels the weight of their emotions and expresses the pain and difficulty they experience as the minutes pass while the other person remains near.
The final verse implies a sense of urgency and desperation. The singer recognizes that the temptation becomes increasingly difficult to resist as the other person lingers. The repetition of the phrase "before I beg you to stay" suggests that their resolve is weakening, and they fear that they might give in to their desires if the other person does not leave soon.
Overall, "Go Away" communicates the internal turmoil of someone torn between their commitment to a partner and their attraction to someone else. It explores the conflict between desire and loyalty, ultimately emphasizing the importance of staying faithful to their relationship by asking the person to go away before they surrender to their feelings.
Line by Line Meaning
Won't you go away (little girl)
I implore you to leave (my dear)
Wish you wouldn't stay (little girl)
I'd prefer if you didn't remain here (darling)
Won't you go away (little girl)
I beseech you to depart (my sweet)
Wooo ooo go away.
Oh, please, just go away.
Go away little girl
Please leave, young lady
I'm not supposed to be alone with you
It is against the norm for me to be in your company without others present
Oh yes I know that your lips are sweet
Indeed, I am aware of the allure of your kisses
But our lips must never meet
However, our lips should never touch
I belong to somebody else and I must be true.
I am committed to another individual and therefore, I must remain faithful
Please go away little girl
I earnestly request your departure, young lady
It's hurting me more each minute that you delay
Every moment you prolong your presence, my pain intensifies
When you are near me like this
When you are in close proximity to me like now
You're much too hard to resist
You are extremely difficult to resist
So go away little girl before I beg you to stay.
Therefore, please leave, young lady, before I am compelled to plead for you to remain
Call it a day little girl
Consider this day over, young lady
Please go away little girl before I beg you to stay.
I implore you to depart, young lady, before I find myself begging for your presence
Won't you go away (little girl)
I implore you to leave (my dear)
Wish you wouldn't stay (little girl)
I'd prefer if you didn't remain here (darling)
Won't you go away (little girl)
I beseech you to depart (my sweet)
Please go away.
Kindly depart.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Carole King, Gerry Goffin
Lyrics Licensed & Provided by LyricFind