Boa is a name of several artists:
1. South Korean singer
2. Croatian … Read Full Bio ↴Boa is a name of several artists:
1. South Korean singer
2. Croatian art rock band
3. Chilean power groove metal band
1) A mononym of South Korean singer Kwon Boa / 권보아 [[url=/tag/Hangul]Ko] (b. 5 Nov 1986, in Gyeonggi-do, South Korea) - a backronym of 'Beat of Angel' (active in South Korea, Japan & USA). She was discovered by SM Entertainment talent agents, when she accompanied her older brother to a talent search. In 1998, she signed to SM Entertainment & after two years of training, débuted with “ID; Peace B” ('00). Two years later, she released her Japanese début album, “Listen To My Heart” (Avex Trax). Her USA début was, the single, “Eat You Up” (14 Oct '08, SM Entertainment USA), followed by an English-language début album, “BoA” (17 Mar '09).
Influenced by hip-hop & rnb singers - such as Nelly & Janet Jackson - many of BoA’s songs fall into those genres. As the singer feels she does not “have any talent for writing [songs]”, the writing and composition of her songs are handled mostly by her staff; for this reason, she has drawn some criticism. (Though only a few of her songs are self-written, BoA began composing on her own with her Japanese début album Listen to My Heart, in which she co-wrote and composed the song “Nothing’s Gonna Change”.)
BoA’s multilingual skills (she speaks Japanese and conversational English along with her native Korean and has recorded songs in Mandarin Chinese) have contributed to her commercial success in South Korea and Japan and her popularity throughout East Asia. She is the only non-Japanese Asian to have two million-selling albums in Japan and is one of only two artists to have six consecutive number-one studio albums on the Oricon charts since her début.
2000-02 - Debut: At age eleven, BoA accompanied her older brother to an SM Entertainment talent search. Though her brother was the one who auditioned, SM talent scouts instead took notice of BoA and offered her a contract. Her parents initially opposed the notion of BoA’s leaving school to enter the entertainment business but eventually consented at her brother’s persuasion. BoA underwent two years of training (involving vocal, dance, and Japanese lessons), and at the age of thirteen released her début album ID; Peace B in South Korea on August 25, 2000. The album was moderately successful; it entered the Top 10 of the South Korean charts and sold around 156,000 units. Meanwhile, her Korean record label, SM Entertainment, made arrangements with Japanese label Avex Trax to launch her music career in Japan. In early 2001, BoA released her first mini-album, Don’t Start Now; it sold around 90,000 units. After its release, she took a hiatus from the Korean music industry to focus on the Japanese market at which time she worked to solidify her skills in Japanese.
BoA began her Japanese music career singing at the Avex-owned club Velfarre. In 2001, she released her début Japanese single, a Japanese version of the song, “ID; Peace B” (originally from the eponymous album). The single reached #20 on the Oricon chart and was followed by “Amazing Kiss”, “Kimochi wa Tsutawaru” (気持ちはつたわる), and “Listen to My Heart”; the last became the singer’s first single to enter the Oricon’s Top Five. After the September 11, 2001 attacks, BoA recorded the charity single “The Meaning of Peace” with Kumi Koda (倖田來未) as part of Avex’s Song Nation project to raise funds for charity. Her début Japanese album, Listen to My Heart, was released on March 13, 2002. The album was a breakthrough in BoA’s career: it became an RIAJ-certified million-seller and debuted atop the Oricon, making it the first album by a Korean artist to reach the top. A single, “Every Heart: Minna no Kimochi” (Every Heart -ミンナノキモチ-), was released on the same day as the album. After the release of Listen to My Heart, BoA released her second Korean studio album, No.1, a month later. The album sold around 544,000 units and became the fourth-best-selling record of the year in South Korea. Jumping into the World (a Japanese re-release of the mini-album Don’t Start Now) and the Japanese single “Don’t Start Now” were released a month later on the same day.
2003-05 - Commercial Success: BoA then released her seventh single “Valenti”. It became a Top Five single for the artist, peaking at the number-two position on the Oricon. BoA released two more singles “Kiseki / No.1” and “Jewel Song / Beside You: Boku o Yobu Koe”, both which also peaked at the number-three position. At the end of the year, BoA released her second Korean mini-album Miracle.
BoA’s second Japanese studio album, Valenti (2003), became her best-selling album, with over 1,249,000 copies sold. In support of the album, BoA launched BoA 1st Live Tour Valenti, her first Japanese concert tour. Later that year, she released two Korean albums, Atlantis Princess and the mini-album Shine We Are!. The former was the fifth-best-selling South Korean record of the year with around 345,000 units sold; the latter sold around 58,000 units and was the fifty-second-best-selling record. Her third Japanese studio album, Love & Honesty (2004) was a musical “change in direction”: it contained a rock-dance song (“Rock with You”) and “harder” R&B. Though the album failed to match Valenti in sales, it topped the Oricon chart for two weeks and became RIAJ-certified triple-platinum. In support of the album, BoA held a tour, Live Concert Tour 2004: Love & Honesty. In contrast with 1st Live Tour, which “emphasized exotic Asian design”, the Love & Honesty tour had an “outer-space, sci-fi” theme; among the props were a three-story-high space ship and the robot Asimo. The tour, which started in Saitama and ended in Yokohama, spanned nine performances and attracted about 105,000 attendants. Her first compilation album, Best of Soul (2005), however, sold over a million copies, making BoA the first non-Japanese Asian singer to have two million-selling albums in Japan.
BoA reinvented her image on her fourth Korean album, My Name (2004); she left the “cute” and “youthful” style that had characterized earlier years and presented herself as “sexy” and “sultry”. The album was the beginning of a foray into the Chinese market and contained two songs sung in Mandarin Chinese.The sales of BoA’s Korean albums began to decline: the album sold 191,000 units and became the eleventh-best-selling South Korean album of the year. Her fifth Korean album, Girls on Top, continued her image change. The album portrayed the singer as more “mature and self-confident” and was a “declaration of war on male chauvinism”; the “bohemian” look of the cover photograph represented “freedom and depth”, while music videos and album photographs that portrayed BoA in traditional Korean dress brought the “idea of Korean womanhood” into her music. The album also continued BoA’s foray into the Chinese market and, like the previous album, contained Mandarin Chinese songs. The album sold less than the previous album; it was the fourteenth-best-selling record of the year in South Korea with 113,000 units sold.
2006-08 - Sales Decline: In 2006, BoA was mostly inactive in South Korea as she focused her attention on Japan; however, on September 21, 2006, she released her first digital single in Korea, a Korean version of “Key of Heart”. Her fourth Japanese studio album, Outgrow, was released on February 15, 2006. The limited CD+DVD edition of the album contained music videos of the album’s singles and a password to access a special version of the official website. The album reached the number-one spot on the Oricon chart for its first week of release, making it her fourth consecutive Japanese album to do so. It had low début sales, however; with 220,000 copies sold, it became her lowest-selling first-week début for a studio album at that point. “Do the Motion”, the first single from the album, reached the top spot, making her the fourth non-Japanese Asian to have a number-one single on the Oricon charts. “Merry Christmas from BoA” (2005), the album’s last single, was the singer’s first digital single. In support of Outgrow, BoA launched a special Zepp tour, B0A The Live, on September 29, 2006. The tour, which lasted until October 29, started from Nagoya and contained twelve shows, two in each of the following cities: Nagoya, Fukuoka, Osaka, Tokyo, Sendai, and Sapporo. She staged her first Christmas concert on December 7, 2006.
BoA’s fifth Japanese studio album, Made in Twenty (20) (2007), continued her transition from a “teenage girl” image to a more mature image. The album, which contained R&B and dance songs as well as ballads, debuted at the top of the weekly Oricon charts, making the album her sixth in a row to do so. She began using a personal computer for composing one of the songs (“No More Make Me Sick”). On March 31, 2007, she launched a nationwide tour of Japan in support of the album. The tour, which sold about 70,000 tickets, was, according to BoA, “the biggest concert” she had ever given. Two tracks from the singles of Made in Twenty (20) were used as theme songs; “Your Color”, from the single “Nanairo no Ashita: Brand New Beat / Your Color” (2006), was used as the ending theme song for the Japanese release of the Xbox 360 game Ninety-Nine Nights. “Key of Heart”, from the single “Key of Heart / Dotch” (2006), was the ending theme for the Japanese release of the movie Over the Hedge. She also released an English version of “Key of Heart”, which was only available on the first press edition of the single. Later in 2007, Anycall (a Samsung brand) signed BoA, Xiah (of TVXQ), Tablo (of Epik High), and jazz pianist Jin Bora onto “Anyban”, a band created specifically to promote Anycall. The band released the single, “TPL (Talk, Play, Love)”.
With her sixth Japanese album, The Face(2008), BoA took more creative control over her music. At this time, BoA was influenced by electro-pop. Additionally, BoA included “happy spring” songs (the lead single “Sweet Impact” and its B-side, “Bad Drive”), a guitar-driven “groovy dance” song (2007’s “Lose Your Mind”), and ballads. Lyrically, BoA focused mainly on love, though “Be with You.” (2008) was about a person’s relationship with their dog. The album debuted at the top of the weekly Oricon charts, making BoA one of only two artists in Japan to have six consecutive studio albums top the Oricon weekly charts (the other is Ayumi Hamasaki (浜崎あゆみ), who has eight consecutive number-one albums).
2008-now - USA Foray: On 2 Sept' 08, SM Entertainment announced that BoA would make her American début under a new subsidiary label, SM Entertainment USA. A press conference was held on September 10, 2008 at the Seoul Imperial Palace Hotel to clarify the details of her American début. BoA’s début American single “Eat You Up” was released online on October 21, 2008; The physical single was to be released in stores on November 11, 2008, but SM instead released a promotional CD containing dance remixes of “Eat You Up”. “Eat You Up” became a number-one Breakout on the Hot Dance Club Play chart. The remix of “Eat You Up” featuring rapper Flo Rida and was slated for release in late November and leaked onto the internet in December. BoA performed “Eat You Up” as well as other songs at YouTube’s Tokyo Live concert, and performed in New York City on December 3, 2008, as well as the Jingle Ball at the Anaheim Honda Center on December 6, 2008. She also performed the song “Look Who’s Talking” at the event.
BoA released a triple-A-side single on February 18, 2009, “Eien/Universe/Believe in Love”. On the same day, the Ravex single “Believe in Love” was released, featuring vocals by BoA. Her second compilation album, Best & USA was released on March 18. The album will be released in a two-disc or one-disc edition. The former will contain one disc with Japanese songs and one with her début American album; the latter has fourteen Japanese songs and two songs from her American début album. BoA’s self-titled English album was released on March 17. BoA headlined as a performer for the San Francisco Pride Festival on June 28, 2009 alongside Solange Knowles and The Cliks. She debuted her next single “Energetic”, performing it for the first time in public. She also performed “Eat You Up” and “I Did It for Love (feat. Sean Garrett).
On August 31, SM USA released BoA Deluxe, the repackaged version of her début English album. The album contained two new tracks and the radio edit version of “Energetic”. After the release of BoA Deluxe, BoA went back to the Japanese market releasing a new single entitled “Bump Bump!” (October 2009), which features label-mate Verbal from [aritst]M-Flo. Following the release of “Bump Bump!”, BoA released “Mamoritai: White Wishes” (まもりたい ～White Wishes～) (December 2009) and she held a Christmas concert in December. Her seventh Japanese album, Identity was released on February 10, 2010.
On March 1, 2010, SM Entertainment announced that BoA will make a comeback in South Korea for her 10th début anniversary which is going to be on August 25, 2010 and is going to release a full-length Korean album five years after her Girls on Top album in 2005.
Sites: Discogs
2) A Croatian art rock band which was especially prominent during the 1980s. The band formed in Zagreb, then SR Croatia in 1974, when its founding members, Mladen Puljiz and Slavko Remenarić, switched their interest from classical music to rock music, inspired by art-rock acts such as Yes, King Crimson, Genesis, David Bowie, Roxy Music and Peter Gabriel.
The group started its concert activity in 1979 with a line-up consisted of: Mladen Puljiz (keyboards, vocals), Slavko Remenarić (guitar), Igor Šoštarić (drums) and Damir Košpić (bass guitar). The band moved towards the then actual New Romantic sound and fashion and after the release of their debut album for Suzy in 1981, they were voted by the readers of the prominent Yugoslav musical magazine Džuboks as the best upcoming act of the year.
Their next album Ritam strasti (Rhythm of passion) followed by around hundred concerts around former Yugoslavia brought them even higher popularity. Despite the fact that their next album Govor tjela (Body language) included some successful hits, the band fell into creative crisis and thus the group halted its activities until 1989 when the group got a new rhythm section consisted of the drummer Paolo Sfeci (former member of Aerodrom and Parni valjak) and the bass player Zvonimir Bučević (prominent session musician).
In 1990 the band released the album Prvi Val (First Wave), and performed as a support act of David Bowie's concert at Maksimir stadium in Zagreb in front of over 50000 people. Two years after, they released the compilation album 81-92 featuring live performances and studio recordings with new arrangements. The CD also included the song Zemlja, which was recorded in 1991 for the Rock za Hrvatsku (Rock for Croatia) music project tributed to the Croatian War of Independence. In 1993, a new member of the group is the keyboard player Gojko Tomljanović. In the next year they release the CD Kraj detinjstva (End of Childhood) featuring guest appearances by prominent artists such as: Josipa Lisac, Dino Dvornik and Vanna. The feature song Kao mir (Like peace), a duet with Jospia Lisac was nominated in two categories for the prestigious Croatian music award Porin.
In 2002 Croatia Records released the integral versions of the two first albums on CD, which was awarded with Porin in the Re-release of the year category. Following this succes, the band also released a compilation featuring songs from their third and fourth album in 2004 under the title Kao nekad (Like in the old days). All of the songs were remastered and in some of them the authors modified the arrangements. The CD also contains bonus tracks such as Boa Constrictor, an experimental instrumental, which includes sound effect that Puljiz i Remenarić recorded back in 1974 on their old Grundig 2-track open-reel tape recorder.
The group is still active.
3) A Chilean power groove metal band formed by guitarist / producer Gerhard Wolleter with the idea to just have fun and play live but with the intention to deliver the maximum power and intensity as possible incorporating power Latin grooves and mixing them with thrash metal to put a fresh and original style to a trend that is repeating it self over and over again. Gerhard ask long time friend Gustavo¨Horse¨Romero to join him in the project as a singer and a bass player, the music and lyrics for 9 songs were all ready written by Gerhard as well as the impossible drum parts also composed by Wolleter.
1. South Korean singer
2. Croatian … Read Full Bio ↴Boa is a name of several artists:
1. South Korean singer
2. Croatian art rock band
3. Chilean power groove metal band
1) A mononym of South Korean singer Kwon Boa / 권보아 [[url=/tag/Hangul]Ko] (b. 5 Nov 1986, in Gyeonggi-do, South Korea) - a backronym of 'Beat of Angel' (active in South Korea, Japan & USA). She was discovered by SM Entertainment talent agents, when she accompanied her older brother to a talent search. In 1998, she signed to SM Entertainment & after two years of training, débuted with “ID; Peace B” ('00). Two years later, she released her Japanese début album, “Listen To My Heart” (Avex Trax). Her USA début was, the single, “Eat You Up” (14 Oct '08, SM Entertainment USA), followed by an English-language début album, “BoA” (17 Mar '09).
Influenced by hip-hop & rnb singers - such as Nelly & Janet Jackson - many of BoA’s songs fall into those genres. As the singer feels she does not “have any talent for writing [songs]”, the writing and composition of her songs are handled mostly by her staff; for this reason, she has drawn some criticism. (Though only a few of her songs are self-written, BoA began composing on her own with her Japanese début album Listen to My Heart, in which she co-wrote and composed the song “Nothing’s Gonna Change”.)
BoA’s multilingual skills (she speaks Japanese and conversational English along with her native Korean and has recorded songs in Mandarin Chinese) have contributed to her commercial success in South Korea and Japan and her popularity throughout East Asia. She is the only non-Japanese Asian to have two million-selling albums in Japan and is one of only two artists to have six consecutive number-one studio albums on the Oricon charts since her début.
2000-02 - Debut: At age eleven, BoA accompanied her older brother to an SM Entertainment talent search. Though her brother was the one who auditioned, SM talent scouts instead took notice of BoA and offered her a contract. Her parents initially opposed the notion of BoA’s leaving school to enter the entertainment business but eventually consented at her brother’s persuasion. BoA underwent two years of training (involving vocal, dance, and Japanese lessons), and at the age of thirteen released her début album ID; Peace B in South Korea on August 25, 2000. The album was moderately successful; it entered the Top 10 of the South Korean charts and sold around 156,000 units. Meanwhile, her Korean record label, SM Entertainment, made arrangements with Japanese label Avex Trax to launch her music career in Japan. In early 2001, BoA released her first mini-album, Don’t Start Now; it sold around 90,000 units. After its release, she took a hiatus from the Korean music industry to focus on the Japanese market at which time she worked to solidify her skills in Japanese.
BoA began her Japanese music career singing at the Avex-owned club Velfarre. In 2001, she released her début Japanese single, a Japanese version of the song, “ID; Peace B” (originally from the eponymous album). The single reached #20 on the Oricon chart and was followed by “Amazing Kiss”, “Kimochi wa Tsutawaru” (気持ちはつたわる), and “Listen to My Heart”; the last became the singer’s first single to enter the Oricon’s Top Five. After the September 11, 2001 attacks, BoA recorded the charity single “The Meaning of Peace” with Kumi Koda (倖田來未) as part of Avex’s Song Nation project to raise funds for charity. Her début Japanese album, Listen to My Heart, was released on March 13, 2002. The album was a breakthrough in BoA’s career: it became an RIAJ-certified million-seller and debuted atop the Oricon, making it the first album by a Korean artist to reach the top. A single, “Every Heart: Minna no Kimochi” (Every Heart -ミンナノキモチ-), was released on the same day as the album. After the release of Listen to My Heart, BoA released her second Korean studio album, No.1, a month later. The album sold around 544,000 units and became the fourth-best-selling record of the year in South Korea. Jumping into the World (a Japanese re-release of the mini-album Don’t Start Now) and the Japanese single “Don’t Start Now” were released a month later on the same day.
2003-05 - Commercial Success: BoA then released her seventh single “Valenti”. It became a Top Five single for the artist, peaking at the number-two position on the Oricon. BoA released two more singles “Kiseki / No.1” and “Jewel Song / Beside You: Boku o Yobu Koe”, both which also peaked at the number-three position. At the end of the year, BoA released her second Korean mini-album Miracle.
BoA’s second Japanese studio album, Valenti (2003), became her best-selling album, with over 1,249,000 copies sold. In support of the album, BoA launched BoA 1st Live Tour Valenti, her first Japanese concert tour. Later that year, she released two Korean albums, Atlantis Princess and the mini-album Shine We Are!. The former was the fifth-best-selling South Korean record of the year with around 345,000 units sold; the latter sold around 58,000 units and was the fifty-second-best-selling record. Her third Japanese studio album, Love & Honesty (2004) was a musical “change in direction”: it contained a rock-dance song (“Rock with You”) and “harder” R&B. Though the album failed to match Valenti in sales, it topped the Oricon chart for two weeks and became RIAJ-certified triple-platinum. In support of the album, BoA held a tour, Live Concert Tour 2004: Love & Honesty. In contrast with 1st Live Tour, which “emphasized exotic Asian design”, the Love & Honesty tour had an “outer-space, sci-fi” theme; among the props were a three-story-high space ship and the robot Asimo. The tour, which started in Saitama and ended in Yokohama, spanned nine performances and attracted about 105,000 attendants. Her first compilation album, Best of Soul (2005), however, sold over a million copies, making BoA the first non-Japanese Asian singer to have two million-selling albums in Japan.
BoA reinvented her image on her fourth Korean album, My Name (2004); she left the “cute” and “youthful” style that had characterized earlier years and presented herself as “sexy” and “sultry”. The album was the beginning of a foray into the Chinese market and contained two songs sung in Mandarin Chinese.The sales of BoA’s Korean albums began to decline: the album sold 191,000 units and became the eleventh-best-selling South Korean album of the year. Her fifth Korean album, Girls on Top, continued her image change. The album portrayed the singer as more “mature and self-confident” and was a “declaration of war on male chauvinism”; the “bohemian” look of the cover photograph represented “freedom and depth”, while music videos and album photographs that portrayed BoA in traditional Korean dress brought the “idea of Korean womanhood” into her music. The album also continued BoA’s foray into the Chinese market and, like the previous album, contained Mandarin Chinese songs. The album sold less than the previous album; it was the fourteenth-best-selling record of the year in South Korea with 113,000 units sold.
2006-08 - Sales Decline: In 2006, BoA was mostly inactive in South Korea as she focused her attention on Japan; however, on September 21, 2006, she released her first digital single in Korea, a Korean version of “Key of Heart”. Her fourth Japanese studio album, Outgrow, was released on February 15, 2006. The limited CD+DVD edition of the album contained music videos of the album’s singles and a password to access a special version of the official website. The album reached the number-one spot on the Oricon chart for its first week of release, making it her fourth consecutive Japanese album to do so. It had low début sales, however; with 220,000 copies sold, it became her lowest-selling first-week début for a studio album at that point. “Do the Motion”, the first single from the album, reached the top spot, making her the fourth non-Japanese Asian to have a number-one single on the Oricon charts. “Merry Christmas from BoA” (2005), the album’s last single, was the singer’s first digital single. In support of Outgrow, BoA launched a special Zepp tour, B0A The Live, on September 29, 2006. The tour, which lasted until October 29, started from Nagoya and contained twelve shows, two in each of the following cities: Nagoya, Fukuoka, Osaka, Tokyo, Sendai, and Sapporo. She staged her first Christmas concert on December 7, 2006.
BoA’s fifth Japanese studio album, Made in Twenty (20) (2007), continued her transition from a “teenage girl” image to a more mature image. The album, which contained R&B and dance songs as well as ballads, debuted at the top of the weekly Oricon charts, making the album her sixth in a row to do so. She began using a personal computer for composing one of the songs (“No More Make Me Sick”). On March 31, 2007, she launched a nationwide tour of Japan in support of the album. The tour, which sold about 70,000 tickets, was, according to BoA, “the biggest concert” she had ever given. Two tracks from the singles of Made in Twenty (20) were used as theme songs; “Your Color”, from the single “Nanairo no Ashita: Brand New Beat / Your Color” (2006), was used as the ending theme song for the Japanese release of the Xbox 360 game Ninety-Nine Nights. “Key of Heart”, from the single “Key of Heart / Dotch” (2006), was the ending theme for the Japanese release of the movie Over the Hedge. She also released an English version of “Key of Heart”, which was only available on the first press edition of the single. Later in 2007, Anycall (a Samsung brand) signed BoA, Xiah (of TVXQ), Tablo (of Epik High), and jazz pianist Jin Bora onto “Anyban”, a band created specifically to promote Anycall. The band released the single, “TPL (Talk, Play, Love)”.
With her sixth Japanese album, The Face(2008), BoA took more creative control over her music. At this time, BoA was influenced by electro-pop. Additionally, BoA included “happy spring” songs (the lead single “Sweet Impact” and its B-side, “Bad Drive”), a guitar-driven “groovy dance” song (2007’s “Lose Your Mind”), and ballads. Lyrically, BoA focused mainly on love, though “Be with You.” (2008) was about a person’s relationship with their dog. The album debuted at the top of the weekly Oricon charts, making BoA one of only two artists in Japan to have six consecutive studio albums top the Oricon weekly charts (the other is Ayumi Hamasaki (浜崎あゆみ), who has eight consecutive number-one albums).
2008-now - USA Foray: On 2 Sept' 08, SM Entertainment announced that BoA would make her American début under a new subsidiary label, SM Entertainment USA. A press conference was held on September 10, 2008 at the Seoul Imperial Palace Hotel to clarify the details of her American début. BoA’s début American single “Eat You Up” was released online on October 21, 2008; The physical single was to be released in stores on November 11, 2008, but SM instead released a promotional CD containing dance remixes of “Eat You Up”. “Eat You Up” became a number-one Breakout on the Hot Dance Club Play chart. The remix of “Eat You Up” featuring rapper Flo Rida and was slated for release in late November and leaked onto the internet in December. BoA performed “Eat You Up” as well as other songs at YouTube’s Tokyo Live concert, and performed in New York City on December 3, 2008, as well as the Jingle Ball at the Anaheim Honda Center on December 6, 2008. She also performed the song “Look Who’s Talking” at the event.
BoA released a triple-A-side single on February 18, 2009, “Eien/Universe/Believe in Love”. On the same day, the Ravex single “Believe in Love” was released, featuring vocals by BoA. Her second compilation album, Best & USA was released on March 18. The album will be released in a two-disc or one-disc edition. The former will contain one disc with Japanese songs and one with her début American album; the latter has fourteen Japanese songs and two songs from her American début album. BoA’s self-titled English album was released on March 17. BoA headlined as a performer for the San Francisco Pride Festival on June 28, 2009 alongside Solange Knowles and The Cliks. She debuted her next single “Energetic”, performing it for the first time in public. She also performed “Eat You Up” and “I Did It for Love (feat. Sean Garrett).
On August 31, SM USA released BoA Deluxe, the repackaged version of her début English album. The album contained two new tracks and the radio edit version of “Energetic”. After the release of BoA Deluxe, BoA went back to the Japanese market releasing a new single entitled “Bump Bump!” (October 2009), which features label-mate Verbal from [aritst]M-Flo. Following the release of “Bump Bump!”, BoA released “Mamoritai: White Wishes” (まもりたい ～White Wishes～) (December 2009) and she held a Christmas concert in December. Her seventh Japanese album, Identity was released on February 10, 2010.
On March 1, 2010, SM Entertainment announced that BoA will make a comeback in South Korea for her 10th début anniversary which is going to be on August 25, 2010 and is going to release a full-length Korean album five years after her Girls on Top album in 2005.
Sites: Discogs
2) A Croatian art rock band which was especially prominent during the 1980s. The band formed in Zagreb, then SR Croatia in 1974, when its founding members, Mladen Puljiz and Slavko Remenarić, switched their interest from classical music to rock music, inspired by art-rock acts such as Yes, King Crimson, Genesis, David Bowie, Roxy Music and Peter Gabriel.
The group started its concert activity in 1979 with a line-up consisted of: Mladen Puljiz (keyboards, vocals), Slavko Remenarić (guitar), Igor Šoštarić (drums) and Damir Košpić (bass guitar). The band moved towards the then actual New Romantic sound and fashion and after the release of their debut album for Suzy in 1981, they were voted by the readers of the prominent Yugoslav musical magazine Džuboks as the best upcoming act of the year.
Their next album Ritam strasti (Rhythm of passion) followed by around hundred concerts around former Yugoslavia brought them even higher popularity. Despite the fact that their next album Govor tjela (Body language) included some successful hits, the band fell into creative crisis and thus the group halted its activities until 1989 when the group got a new rhythm section consisted of the drummer Paolo Sfeci (former member of Aerodrom and Parni valjak) and the bass player Zvonimir Bučević (prominent session musician).
In 1990 the band released the album Prvi Val (First Wave), and performed as a support act of David Bowie's concert at Maksimir stadium in Zagreb in front of over 50000 people. Two years after, they released the compilation album 81-92 featuring live performances and studio recordings with new arrangements. The CD also included the song Zemlja, which was recorded in 1991 for the Rock za Hrvatsku (Rock for Croatia) music project tributed to the Croatian War of Independence. In 1993, a new member of the group is the keyboard player Gojko Tomljanović. In the next year they release the CD Kraj detinjstva (End of Childhood) featuring guest appearances by prominent artists such as: Josipa Lisac, Dino Dvornik and Vanna. The feature song Kao mir (Like peace), a duet with Jospia Lisac was nominated in two categories for the prestigious Croatian music award Porin.
In 2002 Croatia Records released the integral versions of the two first albums on CD, which was awarded with Porin in the Re-release of the year category. Following this succes, the band also released a compilation featuring songs from their third and fourth album in 2004 under the title Kao nekad (Like in the old days). All of the songs were remastered and in some of them the authors modified the arrangements. The CD also contains bonus tracks such as Boa Constrictor, an experimental instrumental, which includes sound effect that Puljiz i Remenarić recorded back in 1974 on their old Grundig 2-track open-reel tape recorder.
The group is still active.
3) A Chilean power groove metal band formed by guitarist / producer Gerhard Wolleter with the idea to just have fun and play live but with the intention to deliver the maximum power and intensity as possible incorporating power Latin grooves and mixing them with thrash metal to put a fresh and original style to a trend that is repeating it self over and over again. Gerhard ask long time friend Gustavo¨Horse¨Romero to join him in the project as a singer and a bass player, the music and lyrics for 9 songs were all ready written by Gerhard as well as the impossible drum parts also composed by Wolleter.
Shine We Are
BoA Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gonna take a chance...
Something new?OshieteWhat's your dream
RUUPE denozoku yoTry me boy
Futari chikazuku kimochiumi yori mabushiku yurasou
* Umaku yuku koto mosou ja naku sugiru koto datte...
Demo shinjiteruitsu no hi kaSo shine we are! Wow
** I feel the brightness lovetaiyou dakishimetara
NokosazuWith youKanaeru Happiness!
Shiroi nami ga sosogikomu mirai narahadashi no mama de
Hashitte yukeru
Zuttoonnaji basho woittari kitari shite ita
Sore ga toomawari demochikamichi dattari shite ne
Hashagisugita atonantonaku sabishiku nattari
Dokoka night irufutari demoSo shine we are! Wow
*** I feel the brightness lovedare demo iiwake ja nai
Tsunaida te noatsusa wa hitotsu
Kanata wo miru hitomi ni iki wo tometaafureru yume ga
Ukandeta kara
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nareAll I need is love
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nareAll I need is love
* repeat
** repeat
*** repeat
Something new?OshieteWhat's your dream
RUUPE denozoku yoTry me boy
Futari chikazuku kimochiumi yori mabushiku yurasou
* Umaku yuku koto mosou ja naku sugiru koto datte...
Demo shinjiteruitsu no hi kaSo shine we are! Wow
** I feel the brightness lovetaiyou dakishimetara
NokosazuWith youKanaeru Happiness!
Shiroi nami ga sosogikomu mirai narahadashi no mama de
Hashitte yukeru
Zuttoonnaji basho woittari kitari shite ita
Sore ga toomawari demochikamichi dattari shite ne
Hashagisugita atonantonaku sabishiku nattari
Dokoka night irufutari demoSo shine we are! Wow
*** I feel the brightness lovedare demo iiwake ja nai
Tsunaida te noatsusa wa hitotsu
Kanata wo miru hitomi ni iki wo tometaafureru yume ga
Ukandeta kara
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nareAll I need is love
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nareAll I need is love
* repeat
** repeat
*** repeat
Boa's song "Shine We Are" is an upbeat and inspirational song about taking chances and pursuing your dreams without fear. The lyrics encourage listeners to step out of their comfort zone and embrace new experiences. The singer asks the listener "What's your dream?" and encourages them to "Try me boy" and take a chance on something new. The chorus emphasizes the importance of positivity and love, and the power of those emotions to create happiness and success. Boa encourages listeners to "shine" and believe in themselves, with the refrain "So shine we are!"
The song evokes a sense of bright and hopeful energy, with lyrics about a bright and shining future where anything is possible. In the second verse, Boa sings about the challenges and setbacks that may come along the way, but encourages listeners to keep pushing forward and never lose sight of their dreams. The bridge emphasizes the importance of connection and support from others, with lines like "Tsunaida te no atsusa wa hitotsu" (The warmth of our connected hands is one).
Overall, "Shine We Are" is an uplifting and empowering song that encourages listeners to pursue their dreams with positivity and determination, while also recognizing the importance of love and support from others.
Line by Line Meaning
Gonna take a chance...
I'm willing to try something new and take a risk.
OshieteWhat's your dream
Tell me, what are your dreams?
RUUPE denozoku yoTry me boy
I'm confident, challenge me boy.
Futari chikazuku kimochiumi yori mabushiku yurasou
As we get closer, our feelings become brighter and more intense than the ocean.
Umaku yuku koto mosou ja naku sugiru koto datte...
Things won't go well just by imagining it, but you need to have faith in it.
Demo shinjiteruitsu no hi kaSo shine we are! Wow
But if we believe in ourselves, we can shine, so let's do it!
I feel the brightness lovetaiyou dakishimetara
I feel so happy and warm when I embrace the bright sun.
NokosazuWith youKanaeru Happiness!
I won't leave your side, with you we can make happiness come true!
Shiroi nami ga sosogikomu mirai narahadashi no mama de
The white waves pour into our future, being authentic and true to ourselves.
Hashitte yukeru
We can run towards our dreams.
Zuttoonnaji basho woittari kitari shite ita
We were always coming and going to the same place.
Sore ga toomawari demochikamichi dattari shite ne
Sometimes it's a roundabout, but we keep going anyway.
Hashagisugita atonantonaku sabishiku nattari
After giggling too much, we start to feel lonely.
Dokoka night irufutari demoSo shine we are! Wow
But even if we are somewhere at night, two of us can still shine!
I feel the brightness lovedare demo iiwake ja nai
I feel so happy and warm, and no one can make excuses for that.
Tsunaida te noatsusa wa hitotsu
The warmth of our joined hands is one-of-a-kind.
Kanata wo miru hitomi ni iki wo tometaafureru yume ga
My overflowing dream is when I see in your eyes, longing to come true.
Ukandeta kara
It emerged from within me.
Yes I'm gonna feel all right gonna take a chance
Yes, I'm going to feel good and take a risk!
Shiawase ni nareAll I need is love
I'll become happy, all I need is love.
repeat *
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repeat **
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repeat ***
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Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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@user-kk1ir9ff7b
Gonna take a chance
Something new 敎えて What's your dream
Something new 오시에테 What's your dream
Something new 가르쳐줘 What's your dream
ル-ぺで のぞくよ Try me boy
루-페데 노조쿠요 Try me boy
돋보기로 들여다 봐요 Try me boy
二人 近づく 氣持 海よりまぶしく搖らそう
후타리치카즈쿠키모치
우미요리마부시쿠유라소우
두 사람이 가까워지는 느낌 바다보다
눈부시게 흔들리게해
うまく行くことも そうじゃなく過ぎることだって
우마쿠유쿠코토모 소우쟈나쿠스기루코토닷테
잘 되가는 일도 잘 되지 않고 지나가는 일도
でも信じてる いつの日か
So shine we are! wow
데모신지테루 이츠노히까
So shine we are! wow
그래도 믿고 있어요 언젠가
So shine we are! wow
I feel the brightness love
太陽抱きしめたら
I feel the brightness love
타이요우다키시메타라
I feel the brightness love
태양을 끌어안으면
殘さずwith you かなえるhappiness
노코사즈with you 카나에루 happiness
남기지 않아 with you 이루어지는 happiness
白い波が注ぎこむ未來なら
裸足のままで
시로이나미가소소기코무미
라이나라하다시노마마데
하얀파도가 밀려오는
미래라면 맨발인 채로
走って行ける
하싯테유케루
달려 갈 수 있어
zutto おんなじ場所を 行ったり來たりしていた
즛토 온나지바쇼오 잇타리키타리시테이타
계속 같은 곳을 왔다갔다하고 있었어
それが遠回りでも近道だ
ったりしてね
소레가 토오마와리데모
치카미치닷타리시테네
그것이 멀리 돌아가는 것이라도
지름길이기도 했지
はしゃぎ過ぎた後 なんとなくさみしくなったり
하샤기 스기타아토 난토나쿠 사미시쿠낫타리
시끌벅적한 후엔 왠지 외로워지기도 했지
何處か似ている 二人でも
So shine we are! wow
도코카니테이루후타리데모
So shine we are! wow
어딘가 닮은 두사람이라도
So shine we are! wow
I feel the brightness love
誰でもいいわけじゃない
I feel the brightness love
다레데모이이와케쟈나이
I feel the brightness love
아무라도 좋은 게 아니야
つないだ手の 熱さはひとつ
츠나이다테노 아츠사와히토츠
잡은 손의 온기는 하나
彼方を見る瞳に息を止めた あふれる夢が
카나타오미루히토미니이키
오토메타아후레루유메가
저편을 보는 눈동자에
숨이 멎었어 넘쳐나는 꿈이
浮かんでたから
우카응데타카라
떠다니고 있었으니까
Yes I'm gonna feel all right
gonna take a chance
シアワセニナレ All I need is love
시아와세니나레 All I need is love
행복해져라 All I need is love
Yes I'm gonna feel all right
gonna take a chance
シアワセニナレ All I need is love
시아와세니나레 All I need is love
행복해져라 All I need is love
うまく行くことも そうじゃなく
過ぎることだって
우마쿠유쿠코토모 소우쟈나쿠
스기루코토닷테
잘 되가는 일도 그게 아니라
스쳐가는 일이라고
でも信じる いつの日か
So shine we are! wow
데모신지떼루이츠노히까
So shine we are! wow
그래도 믿고 있어 언젠가
So shine we are! wow
I feel the brightness love
太陽抱きしめたら
I feel the brightness love
타이요우다키시메타라
I feel the brightness love
태양을 끌어안으면
殘さずwith you かなえるhappiness
노코사즈with you 카나에루 happiness
남기지 않아 with you
이루어지는 happiness
白い波が注ぎこむ未來なら
裸足のままで
시로이나미가소소기코무미라이나라
하다시노마마데
하얀파도가 밀려오는
미래라면 맨발인 채로
走って行ける
하싯테유케루
달려 갈 수 있어
I feel the brightness love
誰でもいいわけじゃない
I feel the brightness love
다레데모이이와케쟈나이
I feel the brightness love
아무라도 좋은 게 아니야
つないだ手の 熱さはひとつ
츠나이다테노 아츠사와히토츠
잡은 손의 온기는 하나
彼方を見る瞳に息を止めた
あふれる夢が
카나타오미루히토미니이키
오토메타아후레루유메가
저편을 보는 눈동자에
숨이 멎었어 넘쳐나는 꿈이
浮かんでたから
우카응데타카라
떠다니고 있었으니까
Yes I'm gonna feel all right
gonna take a chance
シアワセニナレ All I need is love
시아와세니나레 All I need is love
행복해져라 All I need is love
Yes I'm gonna feel all right
gonna take a chance
シアワセニナレ All I need is love
아와세니나레 All I need is love
행복해져라 All I need is love
Yes I'm gonna feel all right
gonna take a chance
シアワセニナレ All I need is love
시아와세니나레 All I need is love
행복해져라 All I need is love
@winterkarina3204
Gonna take a chance...
Something new? Oshiete What's your dream
RUUPE de nozoku yo Try me boy
Futari chikazuku kimochi umi yori mabushiku yurasou
* Umaku yuku koto mo sou ja naku sugiru koto datte...
Demo shinjiteru itsu no hi ka So shine we are! Wow
** I feel the brightness love taiyou dakishimetara
Nokosazu With you Kanaeru Happiness!
Shiroi nami ga sosogikomu mirai nara hadashi no mama de
Hashitte yukeru
Zutto onnaji basho wo ittari kitari shite ita
Sore ga toomawari demo chikamichi dattari shite ne
Hashagisugita ato nantonaku sabishiku nattari
Dokoka nite iru futari demo So shine we are! Wow
* I feel the brightness love dare demo iiwake ja nai
Tsunaida te no atsusa wa hitotsu
Kanata wo miru hitomi ni iki wo tometa afureru yume ga
Ukandeta kara
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nare All I need is love
Yes I'm gonna feel all right gonna take a chance
Shiawase ni nare All I need is love
* repeat
** repeat
* repeat
@katel7215
보아의 수많은 명곡 중 가장 좋아하는 노래이자 뮤비
특별한 연출없는 뮤비인데 보아의 자연스러운 표정이나 제스처를 보는것만으로도 여전히 꿀잼..
그 당시 일본에서 성공한 보아의 세련된 분위기와 데뷔 초 상큼함을 느낄수있어서 유독 이 뮤비가 좋아요!
요즘 세계적으로 인기 있는 한국 가수들이 많아졌지만 보아는 지금 다시 생각해봐도 뭔가 다른 특별함이 여전히 느껴지네요
@cielrace
일본에서 최전성기 누리던 그때의 모습ㅇㅇ저한테도 보아는 샤인위아 때의 보아....❤
@user-dg7of3lc5m
상큼함 그자체
@user-ic2xz8lr5u
2003년 상반기 끝나갈때쯔음
일본여행 갔다왔었는데 정말 모든 식당 카페 매장이며 길거리 여기저기 울려퍼지던
한국가수 보아의 노래에 외국이 맞나
싶을정도로 신기했던때가 있었습니다 ㅋㅋㅋ 후.. 지금들어도 그당시 보아의 인기에 충격이었는데 그노래가 이 샤인위아였어요
@user-yz4jn6bb3w
갑자기 어린 시절 생각나서 보아 노래 다 듣는 중 내 어린 시절 생각하고 싶으면 걍 보아 노래 들으면 됨 그럼 그 때의 나 생각하던 것들 기분 공기 냄새 다 생각남ㅎㅎ
@user-tx8uv5ms5r
ㅇㅇ
@user-ty9dn6dk4s
@유경숙 qQQQQQqq+q++qààaàAaaaqQQqQQQqqqq*1+!1!!!1+++aààaàqQAAà
@dmsdud2664
완전 공감!!
@mrkim-jj1pz
맞아요ㅠㅠ
@swimandshine
소름....