The Silver Bullet Band was formed in 1974. Its original members were:
* Drew Abbott, guitar
* Charlie Allen Martin, drums
* Rick Mannassa, keyboards
* Chris Campbell, bass guitar
* Alto Reed, saxophones, flutes, acoustic guitar, keyboards and percussion.
Seger himself did all lead vocals and plays guitar and piano.
In 1975 Mannassa was replaced by Robyn Robbins on keyboards, who in 1980 was replaced by Craig Frost. Around 1977 Martin was replaced by Dave Teegarden on drums, who in 1983 was replaced by Don Brewer. In 1982 Abbott was replaced by Dawayne Bailey on guitar.
Seger has almost always used session musicians, most notably The Muscle Shoals Rhythm Section, on his albums as well.
In 1974 Seger formed the Silver Bullet Band and released the album Seven (credited to Bob Seger), which contained the Detroit-area hard rock hit "Get Out of Denver". This track that was a modest success and charted at #80 nationally.
In April 1976 Seger and the Silver Bullet Band had an even bigger commercial breakthrough with the album Live Bullet, recorded over two nights in Detroit's Cobo Arena in September 1975. The album stayed on the Billboard charts for 168 weeks, peaking at #34 which was Seger's highest charting album at the time. It also contained Seger's hit rendition of Tina Turner's "Nutbush City Limits" (#69 US) as well as Seger's own classic take on life on the road, "Turn the Page", from Back in '72. It also included his late 1960s successful releases — "Heavy Music" and "Ramblin' Gamblin' Man".
Critic Dave Marsh later wrote that "Live Bullet is one of the best live albums ever made ... In spots, particularly during the medley of 'Travelin' Man'/'Beautiful Loser', Seger sounds like a man with one last shot at the top." An instant best-seller in Detroit, Live Bullet quickly began to get attention in other parts of the country. In June 1976 he was a featured performer at the Pontiac Silverdome outside Detroit in front of nearly 80,000 fans. Only three nights before in Chicago, Seger had played before 50 people in a bar.
Seger and the Silver Bullet Band achieved a commercial breakthrough with their 1976 album Night Moves which featured several hits including the highly evocative title song. Subsequently Seger had success with rockers such as "Hollywood Nights" and mellower mid-tempo ballads such as "We've Got Tonight", "Fire Lake" (recorded 1979, and featured Don Henley, Timothy B. Schmit, and Glen Frey on backing vocals) and "Against the Wind". His most recognizable songs are almost certainly "Old Time Rock & Roll" (featured in the film Risky Business) and "Like a Rock" (most familiar to many younger Americans through its association with a long-running Chevrolet ad campaign).
Seger and the Silver Bullet Band released The Distance in 1982. Critically praised for representing a tougher sound than some of Seger's recent material, the album spawned hits with Rodney Crowell's "Shame on the Moon" (which also did moderately well as a country music song), "Even Now", and "Roll Me Away". But perhaps because Seger and his band were ill-equipped to exploit the new MTV era, Seger's album sales dropped noticeably, with The Distance only selling approximately 1 million copies. The following year country music superstar Kenny Rogers would team up with pop singer Sheena Easton to cover "We've Got Tonight". This version was a world wide hit and was so successful Rogers used it as the title cut to one of his own albums. In 1984 Seger wrote and recorded with his band the power rock ballad "Understanding" for the "Teachers" movie soundtrack. The song was a mild Top 40 hit in 1985.
Seger and the Silver Bullet Band were no longer as prolific and four years elapsed before their next studio album, 1986's Like a Rock emerged. The fast-paced "American Storm" garnered both pop and rock airplay, and "Like a Rock" became yet another successful Seger ballad. Later it would become familiar to many Americans through its association with a long-running Chevrolet ad campaign (something Seger explicitly chose to do to support struggling American automobile workers in Detroit). Seger's 1986-1987 American Storm Tour was his self-stated last major tour, playing 105 shows over 9 months and selling almost 1.5 million tickets. Like a Rock sold over a million copies and went platinum.
Bob Seger and the Silver Bullet Band's next record was 1991's The Fire Inside, at a time when glam metal, grunge and alternative rock were all taking the forefront. Seger's new music found little visibility on radio or elsewhere. The same was true of 1995's It's a Mystery, however the album was certified Gold (500,000 copies sold). In between, however, his Greatest Hits compilation was a major success, achieving sales of over 8 million units through late 2006. Seger did go back on the road again for a 1996 tour, which was successful and sold the fourth-largest number of tickets of any North American tour that year.
Seger and his band has recently released his first new album in 11 years, titled Face the Promise (credited to Bob Seger) (with guest appearances from Patty Loveless and Detroiter Kid Rock). In its first 45 days, the album sold more than 400,000 copies, according to Soundscan. The album has sold over 1 million copies to date and stayed on the Billboard chart for months. His supporting tour has also been eagerly anticipated, with many shows selling out within minutes. Showing that Seger's legendary appeal in Michigan had not diminished, all 15,000 tickets available for his first show at Grand Rapids' Van Andel Arena sold out in under five minutes; three additional shows were subsequently added, each of which also sold out.
The Encyclopedia of Rock And Roll stated that "His throaty, authoritative delivery is a pleasure to listen to, and the Silver Bullet Band is superb."
Events in late March of 2007 suggested that Seger may move on from Capitol Records because those who had worked with him to this point are now gone from the label. The same press release also confirmed Seger's intention to release a live CD/DVD package chronicling his Face the Promise tour at some point in the fall.
"Face the Promise" Tour 2006-2007 Lineup:
# Chris Campbell, Bass Guitar, since 1969
# Alto Reed, Saxaphones, since 1972
# Craig Frost, Keyboards, Piano, 25 years
# Mark Chatfield, Lead Guitar (Rythm Guitar 1983, 1996 Tours)
# Shaun Murphy, Backing vocals, since 1973
# Laura Creamer, Backing vocals, since 1968
# Don Brewer, Drums, (also 1983 Tour)
# Jim "Moose" Brown, Guitar and Keyboard
# Barbara Payton, backing vocals
Her Strut
Bob Seger & The Silver Bullet Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But she's a lady through and through
She gives them quite a battle, all that they can handle
She'll bruise some, she'll hurt some too
But oh, they love to watch her strut
Oh, they do respect her, but
They love to watch her strut, uh, oh yeah
Sometimes they want to leave her, just give up and leave her
But they would never play that scene
In spite of all her talking, once she starts in walking
The lady will be all they ever dreamed
Oh, they love to watch her strut
Oh, they'd kill to make the cut
They love to watch her strut
Oh yeah
Love to watch
Watch her strut, now
Oh, they love to watch her strut
Oh, they do respect her, but
They love to watch her strut, uh, oh yeah
Love the strut
Love to, love to
Love to watch her strut
Love to watch her strut, oh
Your strut, ooh
Love your strut
They love to watch her strut
Love to watch her strut
Oh yeah
They love, they love to watch her strut
In Bob Seger & The Silver Bullet Band's song Her Strut, the singer describes a woman who is committed to her independence but embodies traditional femininity. She is a strong and powerful force who can hold her own and leave a lasting impression on those who witness her. Despite her strength, she is vulnerable and can be hurt or bruised. However, the men in the song love to watch her strut and respect her for her strength, but also for her femininity.
The song's lyrics are a commentary on how society views powerful women. The singer acknowledges the woman's strength and independence but also highlights how men are still drawn to feminine qualities. The men in the song want to leave her but can't resist her when she starts to walk and move. The song portrays a power struggle between men and women and the complex relationships that develop when strength and femininity collide.
Overall, the message of the song is that a woman can be strong and independent, but she can also be vulnerable and desirable. The song is a celebration of femininity, independence, and power.
Line by Line Meaning
She's totally committed, to major independence
She's fully dedicated to being independent and self-reliant
But she's a lady through and through
Regardless of her toughness, she still exudes feminine characteristics
She gives them quite a battle, all that they can handle
She's a force to be reckoned with and gives her challengers a tough fight
She'll bruise some, she'll hurt some too
While she may come out on top, she doesn't always make it through unscathed
Oh, they love to watch her strut
Others admire her confidence and how she carries herself
Oh, they do respect her, but
Despite their admiration, they still hold her in high regard
Sometimes they want to leave her, just give up and leave her
At times it seems easier to give up on her, but they won't
But they would never play that scene
Giving up on her wouldn't be something they would ever consider
In spite of all her talking, once she starts in walking
Despite her words, her actions speak louder and they know she means business
The lady will be all they ever dreamed
Their admiration and respect for her grows with every step she takes
Oh, they'd kill to make the cut
Others would do anything to be like her or gain her approval
Love the strut
They love how confident she appears while strutting
Love to, love to
They really love it
Love to watch her strut
They can't get enough of watching her strut
Love to watch her strut, oh
Their admiration for her grows with each strut
Your strut, ooh
They appreciate and notice her unique style of strutting
Love your strut
They can't help but love how confidently she walks
They love, they love to watch her strut
They can't get enough of watching her strut her stuff
Lyrics © Universal Music Publishing Group
Written by: BOB SEGER
Lyrics Licensed & Provided by LyricFind