In the fifties after many failed attempts to sell his songs, he finally was signed up with Capitol Records and recorded a few rock and roll songs without much chart success. Just before he was drafted into the Army, he wrote a song called 'The All American Boy' and did a demo for his friend, Bill Parsons, to learn and record it. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but it was wrongly credited to Bill Parsons.
His real big break came when RCA boss and guitarist Chet Atkins signed him to the RCA label. The first song he released on this label, 'Shame On Me', sold nearly a million copies and pushed Bobby Bare to fame overnight. His second RCA release, 'Detroit City' won him a Grammy for the best song of the year. Then a surge of hits followed, including '500 Miles Away From Home', 'Four Strong Winds' and others. He has also recorded two very successful albums with Skeeter Davis and has also dueted with Lacy J. Dalton and Rosanne Cash and additionally had a major hit as part of a trio with Norma Jean (singer) and Liz Anderson in 1967 titled 'The Game of Triangles'.
He moved to Mercury label in 1970 and had two big hits from early Kris Kristofferson compositions, 'Come Sundown' and 'Please Don't Tell Me How The Story Ends' before returning to RCA label where he produced his own records. Later Bare moved to CBS label and in 1979, he helped establish Rosanne Cash's career by singing with her on "No Memories Hangin' Round". Bare's singles for Columbia Records included 'The Jogger', 'Tequila Sheila', 'Gotta Get Rid Of This Band', 'When Hippies Get Older' and 'Numbers'. He later recorded for EMI with little success.
Bobby Bare is a versatile singer, and in the 70s started to release novelty songs recorded live with selected audiences. One of such songs, 'Marie Laveau' about a witch, reached the number one position on the country chart. This song was written by his friend, a very talented song writer, poet, author and cartoonist Shel Silverstein. He also penned many other songs for Bobby Bare including a Grammy nominated hit called 'Daddy What If' which he recorded with his five year old son, Bobby Bare Jr, who later became a star on his own. Bobby Bare later recorded a very successful album with his family and penned mainly by Shel called 'Singing in The Kitchen'. It was nominated for best group category in Grammy Awards but was declined by Bobby himself.
He later took chances recording strange, controversial material as 'Dropkick Me Jesus (Through The Goalposts Of Life)' (a 1976 Grammy nominee) and the expletive-driven 'Redneck Hippie Romance' with much success.
Bobby Bare is also the first to come up with a concept album called 'Bird Named Yesterday' which was very successful. His most successful concept album is 'Lullaby Legends and Lies'.
Bobby Bare was also given an opportunity to star in the movies. He did a Western with Troy Donahue called A Distant Trumpet, and a few episodes of a TV series called No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.
In 1998 he formed the band Old Dogs together with his friends Jerry Reed, Mel Tillis and Waylon Jennings.
In addition to the above, Bobby Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newberry, Tom T. Hall, Kris Kristofferson, and many others. He later had a TV series called 'Bobby Bare & Friends, A Song Writer Showcase'. Recently, he has recorded a new album after over 20 years called 'The Moon Was Blue' produced by his son. His son, Bobby Bare, Jr., is also a musician.
Vincennes
Bobby Bare Lyrics
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I'm coming back clear the track I'm someone to someone in Vincennes my hometown
Have you ever known how lonesome it can be in the big city
Let me tell you friend it's lonesome
Everybody runnin' busy with their own affairs
There I was in a crowd lost and no one cares
I've often heard if you want a break go to the big city that's the place to start
Vincennes Vincennes...
The lyrics of Bobby Bare's song "Vincennes" talk about the singer's hometown and his desire to return to it. He repeats the name of the small town in Indiana three times in each line of the chorus, emphasizing his attachment to it. The singer contrasts the loneliness he feels in the big city with the warmth and sense of community he experiences in his hometown. He conveys a sense of disillusionment with the promises of success and happiness that the urban lifestyle seems to offer, emphasizing that the only thing he saw people in the big city get was a broken heart.
The lyrics of "Vincennes" offer a nostalgic and sentimental portrayal of small-town life, contrasting it with the alienation and loneliness of life in the big city. The song highlights the importance of roots and community, suggesting that they provide a sense of belonging and meaning that is hard to find in the hustle and bustle of urban life. Overall, the lyrics convey a sense of longing and a desire for a simpler, more authentic way of life.
Line by Line Meaning
Vincennes Vincennes Vincennes Indiana Vincennes Vincennes Vincennes my hometown
The singer repeatedly emphasizes the name of the town, which is Vincennes in Indiana, and calls it his hometown, thereby showing his love for it.
I'm coming back clear the track I'm someone to someone in Vincennes my hometown
The singer proclaims that he is returning to his hometown and advises everyone to clear the track, which means to make way for his arrival. He further asserts that he is somebody's important person in Vincennes, which again shows his affection for it.
Have you ever known how lonesome it can be in the big city
The singer asks a rhetorical question to the listeners, implying that he understands the loneliness one can feel in a large city.
Let me tell you friend it's lonesome
The singer affirms his previous statement and tells the listeners that it is indeed lonely living in a big city.
Everybody runnin' busy with their own affairs
The singer observes that everyone is preoccupied with their own activities and does not have time for others in a bustling city.
There I was in a crowd lost and no one cares
The singer describes his own experience of feeling lost and unimportant in a large crowd, as nobody there showed any concern for him.
I've often heard if you want a break go to the big city that's the place to start
The singer acknowledges the common belief that if someone wants to make it big, they should go to a big city, which is considered the starting point for success.
But the only break I saw anybody get in the heart of that city was a broken heart
The singer counters the previous belief by stating that the only significant thing anyone got in the city was a heartbreak, which suggests that the city can break people's spirits and dreams.
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