In 1973, Springsteen released his first two albums, Greetings from Asbury Park, N.J. and The Wild, the Innocent & the E Street Shuffle, neither of which earned him a large audience. He changed his style and reached worldwide popularity with Born to Run in 1975. It was followed by Darkness on the Edge of Town (1978) and The River (1980), which topped the US Billboard 200 chart. After the solo recording, Nebraska (1982), he reunited with the E Street Band for Born in the U.S.A. (1984), his most commercially successful album and one of the best-selling albums of all time. Seven of its singles reached the Top Ten of the Billboard Hot 100, including the title track. Springsteen recorded his next three albums, Tunnel of Love (1987), Human Touch (1992), and Lucky Town (1992) using mostly session musicians. He reassembled the E Street Band for 1995's Greatest Hits, then recorded the sparse acoustic The Ghost of Tom Joad, followed by the EP Blood Brothers (1996), his last release of the decade.
Springsteen dedicated his 2002 album The Rising to the victims of the September 11 attacks. He released two more folk albums, Devils & Dust (2005) and We Shall Overcome: The Seeger Sessions (2006), followed by two more albums with the E Street Band: Magic (2007) and Working on a Dream (2009). The next two, Wrecking Ball (2012) and High Hopes (2014), topped album charts worldwide. His latest releases include the solo Western Stars (2019), the E Street Band-featuring Letter to You (2020) and a solo cover album Only the Strong Survive (2022). When Letter to You went to No.2 in the US, Springsteen became the first artist to score a Top Five hit across six consecutive decades.
Among the album era's prominent acts, Springsteen has sold more than 140 million records worldwide and more than 71 million in the United States, making him one of the world's best-selling music artists. He has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes, an Academy Award, and a Special Tony Award (for Springsteen on Broadway). Springsteen was inducted into both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame in 1999, received the Kennedy Center Honors in 2009, named MusiCares person of the year in 2013, and awarded the Presidential Medal of Freedom by President Barack Obama in 2016. He ranked 23rd on Rolling Stone's list of the Greatest Artists of All Time, which described him as being "the embodiment of rock & roll".
Full Wikipedia article: https://en.wikipedia.org/wiki/Bruce_Springsteen
Studio albums
Greetings from Asbury Park, N.J. (1973)
The Wild, the Innocent & the E Street Shuffle (1973)
Born to Run (1975)
Darkness on the Edge of Town (1978)
The River (1980)
Nebraska (1982)
Born in the U.S.A. (1984)
Tunnel of Love (1987)
Human Touch (1992)
Lucky Town (1992)
The Ghost of Tom Joad (1995)
The Rising (2002)
Devils & Dust (2005)
We Shall Overcome: The Seeger Sessions (2006)
Magic (2007)
Working on a Dream (2009)
Wrecking Ball (2012)
High Hopes (2014)
Western Stars (2019)
Letter to You (2020)
Only the Strong Survive (2022)
Thunder Road
Bruce Springsteen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Like a vision she dances across the porch
As the radio plays
Roy Orbison singing for the lonely
Hey, that's me, and I want you only
Don't turn me home again
I just can't face myself alone again
Don't run back inside, darling
So you're scared and you're thinking
That maybe we ain't that young anymore
Show a little faith, there's magic in the night
You ain't a beauty but, hey, you're alright
Oh, and that's alright with me
You can hide 'neath your covers and study your pain
Make crosses from your lovers, throw roses in the rain
Waste your summer praying in vain
For a savior to rise from these streets
Well now I'm no hero, that's understood
All the redemption I can offer, girl
Is beneath this dirty hood
With a chance to make it good somehow
Hey, what else can we do now?
Except roll down the window
And let the wind blow back your hair
Well, the night's busting open
These two lanes will take us anywhere
We got one last chance to make it real
To trade in these wings on some wheels
Climb in back, heaven's waiting down on the tracks
Oh-oh, come take my hand
We're riding out tonight to case the promised land
Oh-oh, Thunder Road
Oh, Thunder Road, oh, Thunder Road
Lying out there like a killer in the sun
Hey, I know it's late, we can make it if we run
Oh-oh, Thunder Road
Sit tight, take hold
Thunder Road
Well, I got this guitar
And I learned how to make it talk
And my car's out back
If you're ready to take that long walk
From your front porch to my front seat
The door's open but the ride ain't free
And I know you're lonely for words that I ain't spoken
Tonight we'll be free, all the promises'll be broken
There were ghosts in the eyes
Of all the boys you sent away
They haunt this dusty beach road
On the skeleton frames of burned out Chevrolets
They scream your name at night in the street
Your graduation gown lies in rags at their feet
And in the lonely cool before dawn
You hear their engines roaring on
When you get to the porch
They're gone on the wind
So Mary, climb in
It's a town full of losers
I'm pulling out of here to win
The opening verse of Bruce Springsteen's song Thunder Road introduces us to a scene where Mary is dancing on the porch as the radio plays Roy Orbison's "Only the Lonely." The singer is trying to convince Mary to leave with him and not to be afraid of getting older. He recognizes that they are no longer young, yet there is still magic in the night. He reassures her that although she may not be beautiful, she's still alright with him.
In the chorus, he urges Mary to take his hand, and they'll ride out tonight to "the promised land" on Thunder Road. He tells her to sit tight and hold on, as they will take the opportunity to escape to somewhere new. In the second verse, he sings about his own limitations as a person, recognizing that he's no hero, but he's offering everything he has to Mary, including his "dirty hood." He urges Mary to join him in his car and take the long walk from her front porch to his front seat. He acknowledges that her past has a hold on her, but tonight is the night that they can both be free from it. Finally, he uses the image of the boys Mary has sent away, who haunt the beach road, to persuade her to leave with him, as she hears their engines roaring on.
Line by Line Meaning
A screen door slams, Mary's dress sways
Mary rushes out of her house, and her dress sways in the movement
Like a vision she dances across the porch
The scene is so beautiful, it feels like a dream
As the radio plays
The background music sets the mood for the moment
Roy Orbison singing for the lonely
The song playing on the radio is Roy Orbison's "Only the Lonely"
Hey, that's me, and I want you only
The singer relates to the lonely character in the song and wants Mary's affection
Don't turn me home again
The singer doesn't want Mary to reject him and send him home
I just can't face myself alone again
The singer is lonely and wants to be with Mary
Don't run back inside, darling
The singer doesn't want Mary to retreat from him
You know just what I'm here for
The singer is clear about his intentions and desires
So you're scared and you're thinking
Mary is hesitant and uncertain
That maybe we ain't that young anymore
Mary wonders if they are too old for this kind of romance
Show a little faith, there's magic in the night
The singer urges Mary to have faith in their love and the possibilities of the night
You ain't a beauty but, hey, you're alright
The singer doesn't care about Mary's looks, just her heart
Oh, and that's alright with me
The singer is content with Mary just the way she is
You can hide 'neath your covers and study your pain
The singer acknowledges Mary's pain and tendency to hide from it
Make crosses from your lovers, throw roses in the rain
Mary uses symbols of love to cope with her emotional pain
Waste your summer praying in vain
Mary's efforts to find salvation has been futile so far
For a savior to rise from these streets
Mary looks for a way out of her pain in the streets
Well now I'm no hero, that's understood
The singer doesn't consider himself a hero or savior
All the redemption I can offer, girl
The singer can't save Mary but he can provide some relief
Is beneath this dirty hood
The singer's car, which carries Mary away from her troubles, is the only thing he can offer her
With a chance to make it good somehow
The singer and Mary have a chance to change their lives tonight
Hey, what else can we do now?
The singer and Mary are out of other options
Except roll down the window
The singer suggests opening up to new experiences
And let the wind blow back your hair
The singer suggests that Mary let loose and have fun
Well, the night's busting open
Tonight is full of possibilities
These two lanes will take us anywhere
The open road provides endless opportunities
We got one last chance to make it real
The night is their last chance to change their lives
To trade in these wings on some wheels
The singer suggests leaving behind old dreams for new realities
Climb in back, heaven's waiting down on the tracks
The singer invites Mary to join him on this journey and embrace the possibilities of the night
Oh-oh, come take my hand
The singer urges Mary to join him and take his hand as they follow their dreams
We're riding out tonight to case the promised land
The singer and Mary are taking a risk to explore their hopes and dreams
Oh-oh, Thunder Road
Thunder Road is the symbol of hope and possibility
Oh, Thunder Road, oh, Thunder Road
The singer repeats the name of the road to emphasize its importance
Lying out there like a killer in the sun
Thunder Road is full of promise, but it also has a danger to it
Hey, I know it's late, we can make it if we run
Despite the danger, the singer believes they can still make it if they try
Oh-oh, Thunder Road
The singer repeats the name of the road to emphasize its importance
Sit tight, take hold
The singer urges Mary to hold on tight and brace herself for the ride
Thunder Road
Thunder Road is the place where their dreams will come true
Well, I got this guitar
The guitar is a symbol of the singer's artistic expression and potential
And I learned how to make it talk
The singer has honed his skill and can convey his emotions through his music
And my car's out back
The car is the vehicle that can take them to their dreams
If you're ready to take that long walk
The singer is inviting Mary to join him on a long and risky journey
From your front porch to my front seat
The singer is asking Mary to come out of her comfort zone and into his car
The door's open but the ride ain't free
The journey will come at a cost
And I know you're lonely for words that I ain't spoken
Mary is looking for assurance and comfort, which the singer hopes to provide
Tonight we'll be free, all the promises'll be broken
The singer is taking a risk to escape his past promises and embrace a new reality
There were ghosts in the eyes
The artist is haunted by the past
Of all the boys you sent away
Mary has rejected many suitors in the past
They haunt this dusty beach road
The memories of these lost opportunities linger on this road
On the skeleton frames of burned out Chevrolets
The abandoned and burned cars symbolize the broken dreams of the past
They scream your name at night in the street
The lost opportunities call out to Mary, haunting her with regret
Your graduation gown lies in rags at their feet
The discarded graduation gown symbolizes lost opportunities and broken dreams
And in the lonely cool before dawn
The singer is up late, haunted by his past and filled with uncertainty
You hear their engines roaring on
The singer's past mistakes still resonate with him
When you get to the porch
The singer and Mary finally arrive at their destination
They're gone on the wind
The singer reflects on the past and what could have been
So Mary, climb in
Despite the past, the singer invites Mary to pursue new dreams
It's a town full of losers
The singer reflects on the limitations and failures of their hometown
I'm pulling out of here to win
The singer takes a risk and leaves the past behind to pursue a new future with Mary
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Bruce Springsteen
Lyrics Licensed & Provided by LyricFind
@baddiemauve4958
The screen door slams
Mary's dress waves
Like a vision she dances across the porch
As the radio plays
Roy Orbison singing for the lonely
Hey that's me and I want you only
Don't turn me home again
I just can't face myself alone again
Don't run back inside
Darling you know just what I'm here for
So you're scared and you're thinking
That maybe we ain't that young anymore
Show a little faith there's magic in the night
You ain't a beauty but hey you're alright
Oh and that's alright with me
You can hide 'neath your covers
And study your pain
Make crosses from your lovers
Throw roses in the rain
Waste your summer praying in vain
For a saviour to rise from these streets
Well now I'm no hero
That's understood
All the redemption I can offer girl
Is beneath this dirty hood
With a chance to make it good somehow
Hey what else can we do now?
Except roll down the window
And let the wind blow
Back your hair
Well the night's busting open
These two lanes will take us anywhere
We got one last chance to make it real
To trade in these wings on some wheels
Climb in back
Heaven's waiting down on the tracks
Oh-oh come take my hand
We're riding out tonight to case the promised land
Oh-oh Thunder Road oh Thunder Road oh Thunder Road
Lying out there like a killer in the sun
Hey I know it's late we can make it if we run
Oh Thunder Road sit tight take hold
Thunder Road
Well I got this guitar
And I learned how to make it talk
And my car's out back
If you're ready to take that long walk
From your front porch to my front seat
The door's open but the ride it ain't free
And I know you're lonely
For words that I ain't spoken
But tonight we'll be free
All the promises'll be broken
There were ghosts in the eyes
Of all the boys you sent away
They haunt this dusty beach road
In the skeleton frames of burned out Chevrolets
They scream your name at night in the street
Your graduation gown lies in rags at their feet
And in the lonely cool before dawn
You hear their engines roaring on
But when you get to the porch they're gone
On the wind so Mary climb in
It's a town full of losers
And I'm pulling out of here to win
@raymarsh4620
"You ain't a beauty but you're alright." - Love that line.
@sgbene
Dont forget “ and that’s alright with me” 💜
@1VaDude
Oh, how I thought that in my head many times back in the 1980s............and went home with her anyway.
@dwr4992
One of the greatest songwriters of all time. A true story-teller.
@MichelleLopez-ge1xy
❤😂🎉😊The greatest!!!
@mrsazchief4775
Imagine being from New Jersey and listening to this, born in 1963, Red Bank. I was.
@bigman33111
I’m from Red Bank too. First saw Bruce in ‘76 at the Carlton Theater. Blew me away. We all knew he was gonna be a superstar.
@1VaDude
From Pennsylvania..............but born in NC in 1965. I truly never began to appreciate Bruce Springsteen until I was in college.
@alexandervonkarnstein
I'm not exactly a Springsteen fan, but I think this song is one of the best songs of the 20th century.
@nov20five
You either "get" Bruce or you don't. If you get him, he REALLY gets you....