Rodney was born in Saint Ann's Bay, St. Ann, Jamaica, as were Bob Marley and Marcus Garvey; who both had a great influence on Rodney's life. Garvey in his philosophy, which Burning Spear greatly took to, and Marley in directly helping Burning Spear get started in the music industry. Burning Spear was originally Rodney's group, named after Jomo Kenyatta, the first Prime Minister and President of an independent Kenya. As fame took hold the name of the group gradually became synonymous with Rodney.
Burning Spear is one of the strongest proponents of Marcus Garvey's self-determination and self-reliance for all African descendants, thus leading to several album releases in commemoration of the African activist.
In 2002, Burning Spear and his wife, Sonia Rodney who has produced a number of his albums, founded Burning Spear Records.
Burning Spear advocates messages of honesty, peace, and love, which tie in with his religious and political messages of Rasta and black unity.
About Burning Spear
Burning Music
"I don't know how other people see music," reggae legend Burning Spear reflects. "Some people might see it based upon money, some people might see music based upon opportunity and access. But I see music as life. I see music as inspiration."
For more than 35 years, Burning Spear's music-thus, his life-has inspired people on numerous continents. Since the beginning, his songs have implored listeners to fight oppression in all its forms, to work at improving their own condition and to consider the social impact of their actions.
OUR MUSIC builds upon the Jamaican native's legacy of musical activism. With its inimitable dancing groove, the album percolates and bubbles rhythmically in its call for unity between races, between nations, between individuals and even between business associates.
OUR MUSIC is the second album released on his Burning Spear label, following 2003's Grammy-nominated FREEMAN. In the midst of its expected messages about love, oppression and African history is the title track, a public confirmation that his brand of positivity is tempered with a strong sense of self. "Our Music" is Burning Spear's reclamation of his own artistry-a justification for establishing his record company and a challenge to all artists to commandeer their own future.
"A lot of artists just have no time to really look within the business section of the music business," Burning Spear reasons. "There's no one to really sit them down and give them some of that business understanding before they get into what they get into. So then people walk all over these artists and do things where it's not appropriate and it's not right. It's not in the artist's love."
With his art and his business now firmly in his own control, Burning Spear's OUR MUSIC stands among the most joyful albums of his career. Bolstered by its throbbing basslines, bright horn parts and slinky female background singers, the songs embrace persistence ("Try Again"), self-analysis ("Friends"), love ("Fix Me") and community ("Together") through deceptively simple lyrics that point to deeper issues. It is, in effect, smart music you can dance to.
"It's like art," he says. "You're gonna paint this thing, and people are gonna look at this art and say that it looks like a tree, looks like a car, some people it looks like a flower. People are gonna say different things according to what they see. It's very different, what it looks like to them."
No matter who looks at Burning Spear's career, they have to be impressed. Of his more than 25 albums, nine have earned Grammy nominations, with one of them - 1999's CALLING RASTAFRI - receiving the Academy's Best Reggae Album honor. And he remains one of the few reggae pioneers still working and influencing the people today.
Born Winston Rodney in St. Ann, Jamaica, he was an early fan of Bob Marley. As the legend goes, Rodney bumped into Marley while walking through a field, and the two began talking about music. Marley encouraged him to visit Jamaica's Studio One, where Rodney and a fellow musician recorded "Door Peep." By the time of its release, Rodney had branded the duo Burning Spear, taking the nickname of Jomo Kenyatta, who was jailed by a colonial British government in Africa but rose to become the first president of Kenya.
"I believe in people who are gonna stand up for what they believe in," Burning Spear notes, "not only for themselves, but for themselves and their people, and that was what Jomo was doing."
Even more central to Burning Spears' mission - and it truly is a mission - was the doctrine of Marcus Garvey, a 20th century figure who pushed for a stronger black race through self-reliance. The Jamaican-born Garvey supported freedom and economic strength for all people, but made the African-originated population his focus and published his views in a New York-based newspaper, Negro World. Garvey was jailed in the 1920s and eventually exiled to Jamaica, though he never lashed out at the system that brought him down. His message survived, influencing the likes of Kenyatta, Martin Luther King Jr., Marley and Burning Spear, which titled some of its seminal albums MARCUS GARVEY and MARCUS' CHILDREN.
"Those men wasn't preachin' any violence," Burning Spear says. "They were preachin' about Oneness and the struggles of black people about where they can live and having their voices heard. I don't see anything wrong with his plan and his direction. I think he opened a lot of eyes and opened a lot of mouths so those people could really talk and their voices could be heard. I think the time is right now to clear his name up and set his record free."
Burning Spear's mission remains rather unchanged today, though the act and the music have undergone some alterations. The duo grew into a trio, but has long since morphed into Burning Spear, a solo artist. And while his music has always been a vehicle for social change, his songs are now increasingly melodic, developed with catchy hooks that use short phrases and point more subtly to internal truths for those willing to go through self-exploration.
The music survives in a much different musical era. The reggae genre, once a distinct idiom unto itself, has been co-opted by artists throughout the years and melded with other pop forms. Artists such as Eric Clapton, Paul Simon, The Rolling Stones, The Police, Stevie Wonder and UB40 combined it with pop and rock during the '70s and '80s, while Shaggy and Sean Paul have blended it with hip-hop textures in more recent years. Even country man Willie Nelson put together a hybrid album involving Toots Hibbert, of The Maytals.
Those efforts have called attention to the genre, and specifically to those who helped bring reggae to the world in the '70s, including Burning Spear, Peter Tosh, Hibbert and Marley. In his time, Marley gave Burning Spear his personal seal of approval, and the Spear continues to maintain a devotion to reggae's roots while continuing his service to Jah.
"I think people have to remember the originals," Burning Spear suggests. "So to be honest, I don't really feel no way about it when people put reggae in a different form. Regardless who's gonna do what with the music, I don't think they interfere with Burning Spear."
OUR MUSIC relies heavily on the roots of the reggae movement.
"What I tried to do with this album, musically and lyrically, is to go back to the '70s, when we were singin' about the history and the culture and the lifestyle of these people," Burning Spear observes. "A lot of Burning Spear songs of that earlier times, people would see as political. To me, it's just a natural thing. As an artist, I just expressed that."
Burning Spear continues his mission of expressing his heart, of entertaining and educating the masses. He cleverly accomplishes that by winning over his listeners' bodies before he impacts their minds. He witnesses that process each time he takes the stage.
"You see the head start to nod, you start to see one movement from one of these legs down here and another one, 'til the whole body just gets involved in the whole thing," he laughs. "You have to think about that when you're creatin' the music-you're not just creatin' the music for people to sit back and listen, 'Oh, that's all good and that's bad.' You need people to shake a leg."
As they listen at home and shake legs to OUR MUSIC, listeners will also be swept up with the headiness of Burning Spear's message. The political statements are still there, most obviously in the continued references to Marcus Garvey ("One Marcus" and "Little Garvey").
But OUR MUSIC also contains deeper ideas that penetrate quietly, subtly into the mind before they reach clarity. The bouncy "Friends" asks rather simplistically, "Are you my friend, my neighbor or my enemy?/Who are you? Who are you?" On further reflection, it's obvious that the question is a complex one about societal roles and provocative self-evaluation. "Together" recalls the image of African slaves, shackled together at the ankles, while suggesting that contemporary blacks can still link together figuratively at the elbow in the continued quest for equality. And "Fix Me" embraces the power and essence of love, which Burning Spear sees as the ultimate goal of humanity.
"Love," he says, "is a harmony thing, it's a communication. Love is a link."
Burning Spear's link is a pure one in 2006. Unfettered by someone else's record company, still linked to the roots of reggae and to the ideals of its forefathers, OUR MUSIC points to a better world for those who are oppressed, and for those who simply believe a better world is possible.
"Music," Burning Spear maintains, "is a very important thing. We have to remember that no force is stronger than the music."
Sons of He
Burning Spear Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With his garments a dipped in blood
Red blood
I and I Rasta is the RRR
Roots Rock Rasta irie
So we've got to be careful
Stop thinking about hurting each other
What you gonna tell mom say
Mom mom I killed my big brother
What a disgraceful moment
Mom start to feeling not so fine
Mom start to lose her mind
Through down your arms and come
Through down your arms and come
Self defeat is the biggest mistake
We can't afford to lose a no more
Brothers
And when the system hold I and I
Regardless how small the problem is
A fingerprint and mugshot
A fingerprint and mugshot
What a disgraceful moment
Marcus Garvey say unite people
Malcom X say by all mean necessary
Martin Luther King say he had a dream
Can't you see people
Holler Queens Brooklyn Bronx Chicago
No replacement for Marcus Garvey
No replacement for Malcom X
No replacement for Martin Luther King
What a disgraceful moment
So we've got to be careful
The wild west is in our face
Let's not play the cow boys
The wild west is in our face
What a disgraceful moment
Let's look back on some American
Plantation
North Carolina
South Carolina
Every say it's just work work work
Those folks they couldn't make a joke
What a disgraceful moment
Here comes the master misses
You better get yourself together quick
And here comes the master
You better fall in order
What a disgraceful moment
Transportation if you sit in it
When you sit you got to move over
For master daughter
What a disgraceful moment
Bathroom on bus stop
Don't think about stop
Keep moving like a clock
So remember your brothers
Love your sisters
So we got to be careful
Stop thinking about hurting each other
I and I is the sons of he from Bozrah
With his garments a dipped in blood
Red blood
I and I Rasta is the RRR
Roots Rock Rasta irie
The song "Sons of He" by Burning Spear focuses on the message of unity and love among brothers and sisters. The lyrics start with the declaration that "I and I" (meaning the Rastafari community) are the sons of He from Bozrah, with their garments dipped in red blood (symbolizing the struggles and sacrifices of their ancestors). The song talks about the need to be careful and stop hurting each other. The lyrics reference a hypothetical scenario where one brother kills another and has to face the shame of telling their mother about it. The song warns against self-defeat and urges listeners to unite like the great civil rights activists - Marcus Garvey, Malcom X, and Martin Luther King Jr.
The lyrics then shift to a critique of the American plantation system and the injustice and degradation that slaves faced. The song highlights the way that slaves were treated and how they had to submit and follow the rules of their masters. The transportation system and bathroom segregation are referenced as examples of the everyday discrimination that Black people faced. The message of the song is to remember the struggles of the past and work towards a better future together.
Line by Line Meaning
I and I is the sons of he from Bozrah
We, the Rastafarians, are the descendants of He from Bozrah
With his garments a dipped in blood
He was covered in blood, implying that he was a fierce warrior or had been in a great battle
I and I Rasta is the RRR
Rastafarians are the Roots Rock Reggae community who believe in the power of the music to influence and uplift the mind and soul
So we've got to be careful
We must be cautious and mindful of our actions
Stop thinking about hurting each other
Stop considering harming our fellow brothers and sisters
And when you hurt I if you hurt I
If you hurt me, you are also hurting yourself
What you gonna tell mom say
What explanation will you provide to your mother?
Mom mom I killed my big brother
Mother, I have committed fratricide
What a disgraceful moment
What shameful behavior
Mom start to feeling not so fine
The mother is not feeling well due to the terrible news
Mom start to lose her mind
The mother is beginning to have a mental breakdown
Through down your arms and come
Put down your weapons and come together
Self defeat is the biggest mistake
Defeating ourselves is the greatest error of all
We can't afford to lose a no more
We cannot afford to lose anyone else
Brothers
Fellow men
And when the system hold I and I
If the system holds us captive or imprisons us
Regardless how small the problem is
Regardless of how small the matter may be
A fingerprint and mugshot
We will be fingerprinted and photographed like criminals
Marcus Garvey say unite people
Marcus Garvey spoke about bringing people together
Malcom X say by all mean necessary
Malcom X believed in whatever means necessary to bring about change
Martin Luther King say he had a dream
Martin Luther King had a vision of equality and justice
Can't you see people
Do you not see the importance of coming together?
Holler Queens Brooklyn Bronx Chicago
Calling out to the people of Queens, Brooklyn, Bronx, and Chicago to join the movement
No replacement for Marcus Garvey
No one can replace the legacy of Marcus Garvey
No replacement for Malcom X
No one can replace the impact of Malcom X
No replacement for Martin Luther King
No one can take the place of Martin Luther King and his message
The wild west is in our face
The frontier mentality is still present and threatening
Let's not play the cow boys
We should not fall into the cowboy mentality
Let's look back on some American Plantation North Carolina South Carolina
Let's reflect on the history of slavery and oppression in America, specifically in North and South Carolina
Every say it's just work work work Those folks they couldn't make a joke
People claimed that slavery was just work, but the enslaved individuals could not find anything humorous about their situation
Here comes the master misses
The master's wife is approaching
You better get yourself together quick
You need to prepare yourself immediately
And here comes the master
The master is arriving
You better fall in order
You need to fall into line and behave accordingly
Transportation if you sit in it
If you sit in the transportation
When you sit you got to move over for master daughter
You must give up your seat for the master's daughter
Bathroom on bus stop
Bathroom stop during bus ride
Don't think about stop
Don't stop or hesitate
Keep moving like a clock
Keep moving like clockwork
Remember your brothers
Keep your fellow men in mind
Love your sisters
Show love and respect to your fellow women
Contributed by Jacob T. Suggest a correction in the comments below.
ZimboChild263
on Nyah Keith
my brothers and sisters,
Let us run away together,
Away, zion I , away,
Away can treat you long,
For we walk to go to the lion,
Where the mill can hold before,
For the wise might knock at your door,
Zion I away,
Zion , i away,
High high high high
Who is higher than high ?
High x4
Who is higher than high
When i am on Zion
Mount zion Has,
All land, Jah Rastafarai
Away can treat you long,
For we walk to go to the lion,
Where the mill can hold before,
For the wise might knock at your door,
Zion I away,
Zion , i away,
High high high high
Who is higher than high ?
High x4
Who is higher than high
When i am on Zion
Mount zion Has,
All land, Jah Rastafarai
Richard maina
on Children
Greetings on of my favorite song, of Rodney
GEORGE MANGANYE
on Appointment With His Majesty
I NAMED MY CHILD RITA MARLEY .EVER SINCE SHE WANT TO MEET THE REAL MOTHER(RITA MARLEY).HOW CAN SHE DO THAT.
GEORGE MANGANYE
on Appointment With His Majesty
IS BROTHER WINSTON RODNEY WATCHING THE XENOPHOBIC ATTACK IN AFRICA.LET HIM COME AND CONVINCE THIS JAH-JAH CHILDREN NOT TO KILL EACH OTHER
GEORGE MANGANYE
on Appointment With His Majesty
I AM INTERESTED IN THE LYRICS(EDUCATION)BY WINSTON RODNEY
Malefu Cathy Motaung
on Loved For Who I Am
I love this song how can i download it pls help
Teba Sinker
on Man In The Hills
Jah Live Jah Guide Jah Protect.
Darren Smith
on Throw Down Your Arms
TOCH MY HEART OH JAH.......JAH RASTAFARI
Darren Smith
on The Invasion
SLAVER DAYS
Hamisi Omari Magala
on Give Me
reggae is like school, you can more thing in the reggae music