Burning Spear
Winston Rodney (born March 1, 1945), also known as Burning Spear, is a Jamaican … Read Full Bio ↴Winston Rodney (born March 1, 1945), also known as Burning Spear, is a Jamaican roots reggae singer and musician. Like many famous Jamaican reggae artists, Burning Spear is known for his Rastafari movement messages.
Rodney was born in Saint Ann's Bay, St. Ann, Jamaica, as were Bob Marley and Marcus Garvey; who both had a great influence on Rodney's life. Garvey in his philosophy, which Burning Spear greatly took to, and Marley in directly helping Burning Spear get started in the music industry. Burning Spear was originally Rodney's group, named after Jomo Kenyatta, the first Prime Minister and President of an independent Kenya. As fame took hold the name of the group gradually became synonymous with Rodney.
Burning Spear is one of the strongest proponents of Marcus Garvey's self-determination and self-reliance for all African descendants, thus leading to several album releases in commemoration of the African activist.
In 2002, Burning Spear and his wife, Sonia Rodney who has produced a number of his albums, founded Burning Spear Records.
Burning Spear advocates messages of honesty, peace, and love, which tie in with his religious and political messages of Rasta and black unity.
About Burning Spear
Burning Music
"I don't know how other people see music," reggae legend Burning Spear reflects. "Some people might see it based upon money, some people might see music based upon opportunity and access. But I see music as life. I see music as inspiration."
For more than 35 years, Burning Spear's music-thus, his life-has inspired people on numerous continents. Since the beginning, his songs have implored listeners to fight oppression in all its forms, to work at improving their own condition and to consider the social impact of their actions.
OUR MUSIC builds upon the Jamaican native's legacy of musical activism. With its inimitable dancing groove, the album percolates and bubbles rhythmically in its call for unity between races, between nations, between individuals and even between business associates.
OUR MUSIC is the second album released on his Burning Spear label, following 2003's Grammy-nominated FREEMAN. In the midst of its expected messages about love, oppression and African history is the title track, a public confirmation that his brand of positivity is tempered with a strong sense of self. "Our Music" is Burning Spear's reclamation of his own artistry-a justification for establishing his record company and a challenge to all artists to commandeer their own future.
"A lot of artists just have no time to really look within the business section of the music business," Burning Spear reasons. "There's no one to really sit them down and give them some of that business understanding before they get into what they get into. So then people walk all over these artists and do things where it's not appropriate and it's not right. It's not in the artist's love."
With his art and his business now firmly in his own control, Burning Spear's OUR MUSIC stands among the most joyful albums of his career. Bolstered by its throbbing basslines, bright horn parts and slinky female background singers, the songs embrace persistence ("Try Again"), self-analysis ("Friends"), love ("Fix Me") and community ("Together") through deceptively simple lyrics that point to deeper issues. It is, in effect, smart music you can dance to.
"It's like art," he says. "You're gonna paint this thing, and people are gonna look at this art and say that it looks like a tree, looks like a car, some people it looks like a flower. People are gonna say different things according to what they see. It's very different, what it looks like to them."
No matter who looks at Burning Spear's career, they have to be impressed. Of his more than 25 albums, nine have earned Grammy nominations, with one of them - 1999's CALLING RASTAFRI - receiving the Academy's Best Reggae Album honor. And he remains one of the few reggae pioneers still working and influencing the people today.
Born Winston Rodney in St. Ann, Jamaica, he was an early fan of Bob Marley. As the legend goes, Rodney bumped into Marley while walking through a field, and the two began talking about music. Marley encouraged him to visit Jamaica's Studio One, where Rodney and a fellow musician recorded "Door Peep." By the time of its release, Rodney had branded the duo Burning Spear, taking the nickname of Jomo Kenyatta, who was jailed by a colonial British government in Africa but rose to become the first president of Kenya.
"I believe in people who are gonna stand up for what they believe in," Burning Spear notes, "not only for themselves, but for themselves and their people, and that was what Jomo was doing."
Even more central to Burning Spears' mission - and it truly is a mission - was the doctrine of Marcus Garvey, a 20th century figure who pushed for a stronger black race through self-reliance. The Jamaican-born Garvey supported freedom and economic strength for all people, but made the African-originated population his focus and published his views in a New York-based newspaper, Negro World. Garvey was jailed in the 1920s and eventually exiled to Jamaica, though he never lashed out at the system that brought him down. His message survived, influencing the likes of Kenyatta, Martin Luther King Jr., Marley and Burning Spear, which titled some of its seminal albums MARCUS GARVEY and MARCUS' CHILDREN.
"Those men wasn't preachin' any violence," Burning Spear says. "They were preachin' about Oneness and the struggles of black people about where they can live and having their voices heard. I don't see anything wrong with his plan and his direction. I think he opened a lot of eyes and opened a lot of mouths so those people could really talk and their voices could be heard. I think the time is right now to clear his name up and set his record free."
Burning Spear's mission remains rather unchanged today, though the act and the music have undergone some alterations. The duo grew into a trio, but has long since morphed into Burning Spear, a solo artist. And while his music has always been a vehicle for social change, his songs are now increasingly melodic, developed with catchy hooks that use short phrases and point more subtly to internal truths for those willing to go through self-exploration.
The music survives in a much different musical era. The reggae genre, once a distinct idiom unto itself, has been co-opted by artists throughout the years and melded with other pop forms. Artists such as Eric Clapton, Paul Simon, The Rolling Stones, The Police, Stevie Wonder and UB40 combined it with pop and rock during the '70s and '80s, while Shaggy and Sean Paul have blended it with hip-hop textures in more recent years. Even country man Willie Nelson put together a hybrid album involving Toots Hibbert, of The Maytals.
Those efforts have called attention to the genre, and specifically to those who helped bring reggae to the world in the '70s, including Burning Spear, Peter Tosh, Hibbert and Marley. In his time, Marley gave Burning Spear his personal seal of approval, and the Spear continues to maintain a devotion to reggae's roots while continuing his service to Jah.
"I think people have to remember the originals," Burning Spear suggests. "So to be honest, I don't really feel no way about it when people put reggae in a different form. Regardless who's gonna do what with the music, I don't think they interfere with Burning Spear."
OUR MUSIC relies heavily on the roots of the reggae movement.
"What I tried to do with this album, musically and lyrically, is to go back to the '70s, when we were singin' about the history and the culture and the lifestyle of these people," Burning Spear observes. "A lot of Burning Spear songs of that earlier times, people would see as political. To me, it's just a natural thing. As an artist, I just expressed that."
Burning Spear continues his mission of expressing his heart, of entertaining and educating the masses. He cleverly accomplishes that by winning over his listeners' bodies before he impacts their minds. He witnesses that process each time he takes the stage.
"You see the head start to nod, you start to see one movement from one of these legs down here and another one, 'til the whole body just gets involved in the whole thing," he laughs. "You have to think about that when you're creatin' the music-you're not just creatin' the music for people to sit back and listen, 'Oh, that's all good and that's bad.' You need people to shake a leg."
As they listen at home and shake legs to OUR MUSIC, listeners will also be swept up with the headiness of Burning Spear's message. The political statements are still there, most obviously in the continued references to Marcus Garvey ("One Marcus" and "Little Garvey").
But OUR MUSIC also contains deeper ideas that penetrate quietly, subtly into the mind before they reach clarity. The bouncy "Friends" asks rather simplistically, "Are you my friend, my neighbor or my enemy?/Who are you? Who are you?" On further reflection, it's obvious that the question is a complex one about societal roles and provocative self-evaluation. "Together" recalls the image of African slaves, shackled together at the ankles, while suggesting that contemporary blacks can still link together figuratively at the elbow in the continued quest for equality. And "Fix Me" embraces the power and essence of love, which Burning Spear sees as the ultimate goal of humanity.
"Love," he says, "is a harmony thing, it's a communication. Love is a link."
Burning Spear's link is a pure one in 2006. Unfettered by someone else's record company, still linked to the roots of reggae and to the ideals of its forefathers, OUR MUSIC points to a better world for those who are oppressed, and for those who simply believe a better world is possible.
"Music," Burning Spear maintains, "is a very important thing. We have to remember that no force is stronger than the music."
Rodney was born in Saint Ann's Bay, St. Ann, Jamaica, as were Bob Marley and Marcus Garvey; who both had a great influence on Rodney's life. Garvey in his philosophy, which Burning Spear greatly took to, and Marley in directly helping Burning Spear get started in the music industry. Burning Spear was originally Rodney's group, named after Jomo Kenyatta, the first Prime Minister and President of an independent Kenya. As fame took hold the name of the group gradually became synonymous with Rodney.
Burning Spear is one of the strongest proponents of Marcus Garvey's self-determination and self-reliance for all African descendants, thus leading to several album releases in commemoration of the African activist.
In 2002, Burning Spear and his wife, Sonia Rodney who has produced a number of his albums, founded Burning Spear Records.
Burning Spear advocates messages of honesty, peace, and love, which tie in with his religious and political messages of Rasta and black unity.
About Burning Spear
Burning Music
"I don't know how other people see music," reggae legend Burning Spear reflects. "Some people might see it based upon money, some people might see music based upon opportunity and access. But I see music as life. I see music as inspiration."
For more than 35 years, Burning Spear's music-thus, his life-has inspired people on numerous continents. Since the beginning, his songs have implored listeners to fight oppression in all its forms, to work at improving their own condition and to consider the social impact of their actions.
OUR MUSIC builds upon the Jamaican native's legacy of musical activism. With its inimitable dancing groove, the album percolates and bubbles rhythmically in its call for unity between races, between nations, between individuals and even between business associates.
OUR MUSIC is the second album released on his Burning Spear label, following 2003's Grammy-nominated FREEMAN. In the midst of its expected messages about love, oppression and African history is the title track, a public confirmation that his brand of positivity is tempered with a strong sense of self. "Our Music" is Burning Spear's reclamation of his own artistry-a justification for establishing his record company and a challenge to all artists to commandeer their own future.
"A lot of artists just have no time to really look within the business section of the music business," Burning Spear reasons. "There's no one to really sit them down and give them some of that business understanding before they get into what they get into. So then people walk all over these artists and do things where it's not appropriate and it's not right. It's not in the artist's love."
With his art and his business now firmly in his own control, Burning Spear's OUR MUSIC stands among the most joyful albums of his career. Bolstered by its throbbing basslines, bright horn parts and slinky female background singers, the songs embrace persistence ("Try Again"), self-analysis ("Friends"), love ("Fix Me") and community ("Together") through deceptively simple lyrics that point to deeper issues. It is, in effect, smart music you can dance to.
"It's like art," he says. "You're gonna paint this thing, and people are gonna look at this art and say that it looks like a tree, looks like a car, some people it looks like a flower. People are gonna say different things according to what they see. It's very different, what it looks like to them."
No matter who looks at Burning Spear's career, they have to be impressed. Of his more than 25 albums, nine have earned Grammy nominations, with one of them - 1999's CALLING RASTAFRI - receiving the Academy's Best Reggae Album honor. And he remains one of the few reggae pioneers still working and influencing the people today.
Born Winston Rodney in St. Ann, Jamaica, he was an early fan of Bob Marley. As the legend goes, Rodney bumped into Marley while walking through a field, and the two began talking about music. Marley encouraged him to visit Jamaica's Studio One, where Rodney and a fellow musician recorded "Door Peep." By the time of its release, Rodney had branded the duo Burning Spear, taking the nickname of Jomo Kenyatta, who was jailed by a colonial British government in Africa but rose to become the first president of Kenya.
"I believe in people who are gonna stand up for what they believe in," Burning Spear notes, "not only for themselves, but for themselves and their people, and that was what Jomo was doing."
Even more central to Burning Spears' mission - and it truly is a mission - was the doctrine of Marcus Garvey, a 20th century figure who pushed for a stronger black race through self-reliance. The Jamaican-born Garvey supported freedom and economic strength for all people, but made the African-originated population his focus and published his views in a New York-based newspaper, Negro World. Garvey was jailed in the 1920s and eventually exiled to Jamaica, though he never lashed out at the system that brought him down. His message survived, influencing the likes of Kenyatta, Martin Luther King Jr., Marley and Burning Spear, which titled some of its seminal albums MARCUS GARVEY and MARCUS' CHILDREN.
"Those men wasn't preachin' any violence," Burning Spear says. "They were preachin' about Oneness and the struggles of black people about where they can live and having their voices heard. I don't see anything wrong with his plan and his direction. I think he opened a lot of eyes and opened a lot of mouths so those people could really talk and their voices could be heard. I think the time is right now to clear his name up and set his record free."
Burning Spear's mission remains rather unchanged today, though the act and the music have undergone some alterations. The duo grew into a trio, but has long since morphed into Burning Spear, a solo artist. And while his music has always been a vehicle for social change, his songs are now increasingly melodic, developed with catchy hooks that use short phrases and point more subtly to internal truths for those willing to go through self-exploration.
The music survives in a much different musical era. The reggae genre, once a distinct idiom unto itself, has been co-opted by artists throughout the years and melded with other pop forms. Artists such as Eric Clapton, Paul Simon, The Rolling Stones, The Police, Stevie Wonder and UB40 combined it with pop and rock during the '70s and '80s, while Shaggy and Sean Paul have blended it with hip-hop textures in more recent years. Even country man Willie Nelson put together a hybrid album involving Toots Hibbert, of The Maytals.
Those efforts have called attention to the genre, and specifically to those who helped bring reggae to the world in the '70s, including Burning Spear, Peter Tosh, Hibbert and Marley. In his time, Marley gave Burning Spear his personal seal of approval, and the Spear continues to maintain a devotion to reggae's roots while continuing his service to Jah.
"I think people have to remember the originals," Burning Spear suggests. "So to be honest, I don't really feel no way about it when people put reggae in a different form. Regardless who's gonna do what with the music, I don't think they interfere with Burning Spear."
OUR MUSIC relies heavily on the roots of the reggae movement.
"What I tried to do with this album, musically and lyrically, is to go back to the '70s, when we were singin' about the history and the culture and the lifestyle of these people," Burning Spear observes. "A lot of Burning Spear songs of that earlier times, people would see as political. To me, it's just a natural thing. As an artist, I just expressed that."
Burning Spear continues his mission of expressing his heart, of entertaining and educating the masses. He cleverly accomplishes that by winning over his listeners' bodies before he impacts their minds. He witnesses that process each time he takes the stage.
"You see the head start to nod, you start to see one movement from one of these legs down here and another one, 'til the whole body just gets involved in the whole thing," he laughs. "You have to think about that when you're creatin' the music-you're not just creatin' the music for people to sit back and listen, 'Oh, that's all good and that's bad.' You need people to shake a leg."
As they listen at home and shake legs to OUR MUSIC, listeners will also be swept up with the headiness of Burning Spear's message. The political statements are still there, most obviously in the continued references to Marcus Garvey ("One Marcus" and "Little Garvey").
But OUR MUSIC also contains deeper ideas that penetrate quietly, subtly into the mind before they reach clarity. The bouncy "Friends" asks rather simplistically, "Are you my friend, my neighbor or my enemy?/Who are you? Who are you?" On further reflection, it's obvious that the question is a complex one about societal roles and provocative self-evaluation. "Together" recalls the image of African slaves, shackled together at the ankles, while suggesting that contemporary blacks can still link together figuratively at the elbow in the continued quest for equality. And "Fix Me" embraces the power and essence of love, which Burning Spear sees as the ultimate goal of humanity.
"Love," he says, "is a harmony thing, it's a communication. Love is a link."
Burning Spear's link is a pure one in 2006. Unfettered by someone else's record company, still linked to the roots of reggae and to the ideals of its forefathers, OUR MUSIC points to a better world for those who are oppressed, and for those who simply believe a better world is possible.
"Music," Burning Spear maintains, "is a very important thing. We have to remember that no force is stronger than the music."
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Burning Spear Lyrics
*We Are Free Oh, we gonna shout it out Yes, we gonna tell they Tell…
01-door peeper Door peep shall not enter this a holy land Where wise…
02 We Are Free Oh, we gonna shout it out Yes, we gonna tell they Tell…
02. We Are Free Oh, we gonna shout it out Yes, we gonna tell they Tell…
05-Jah See And Know Do you remember we usually walk through the track together? …
11 We Are Free Oh, we gonna shout it out Yes, we gonna tell they Tell…
11-we are free Oh, we gonna shout it out Yes, we gonna tell they Tell…
2000 Years - Tradition CHORUS Why o why o why Why o why o why Mor…
700 Strong This is the story of the trou macacq, the pine…
Africá I and I don't make up I and I mind…
Africa Over the hills and cross Jah valley We go de already Over…
African Jamaican I am a African Jamaican Just spending some time in foreign…
African Postman Son, who is that knocking out there It's an African postman…
African Postman (live) African postman, African postman, African postman, African p…
African Teacher Teach me, teach me, teach me, teach me, teacher Teach…
African Woman Did you ever see an African woman nipples run dry? Because…
Any River Down by the riverside. Down by the riverside, Oh I…
Appointment With His Majesty Make an appointment with his Majesty Make an appointment wi…
As It Is I start singing in the late sixtees Told about Studio One…
Bad to Worse The all wild world knows that it's getting from bad…
Black Disciples No, black disciples will never run away No, they will no…
Black Soul It is not good to travel today Neither to cross the…
Brighten My Vision Everyone have a bad day in life But I rather…
Burning Reggae Come people, come be a part of this whole Come people,…
Call On Jah Call on Jah, call on Jah, call on Jah, call…
Call on You When the sun goes down And we move along, I will…
Calling Rastafari Calling Rastafari Calling Rastafari Sons and daughters of …
Changes Sometimes all over, people got to change them say Sometimes …
Children The whole a we suffer, yes We suffer, yes, we suffer The…
Christopher Columbus I and I all I know I and I all I…
Civilization New civilization, new civilization All over this land, all o…
Clean It Up The mentaly of our people can be stronger not Only with…
Columbus I and I old I know I and I old…
Columbus (Live) I and I old I know I and I old I…
Come Each and everyone a comin' my day Each and everyone a…
Come in Peace We don't want no more war, war We don't want no…
Come, Come Oh, Jah Rastafari help us one and all Come mek, we…
Commercial Development The new Commmercial Development Political and Material Get…
Creation Your mother and your father been through great tribulation t…
Creation Rebel Travell up all the rough road To find my bredren to…
Cry Blood I and I don't make up I and I mind To…
Cry Blood Africa I and I don't make up I and I mind…
Cultivation Come along my brother, come along Let us dp the thing…
Days of Slavery Do you remember the days of slavery? Do you remember the…
Don Don't mess with Jill Don't mess with Jill Don't mess…
Don't Sell Out My island don't sell out My island don't sell out, please…
Door Peep Door peep shall not enter this a holy land Where wise…
Door Peep Shall Not Enter I an I, Son of the Most High, Jah Rastafari Our…
Door Peeper Door peep shall not enter this a holy land Where wise…
Down by the River Don't break this heart Don't break this heart Down by the r…
Dry & Heavy THE WOOD DRY BUT IT STILL HEAVY THE WOOD DRY…
Dub African African, Jamaican Spending some time in foreign land African…
Elephants The elephants, the elephants I saw the elephants today I saw…
Estimated Prophet Estimated Prophet Lyrics: John Barlow Music: Bob Weir Playe…
Ethiopian Live Out One a dem come They couldn't live it out Two a…
Ethiopians Live It Out One a dem come they couldn't live it out two a dem…
Every Other Nation Every other nation have their speaker Every other nation ha…
Far Over As far as your eyes can see You will be seeing…
Farover As far as your eyes can see, You will be seeing…
Farover - 2002 Remastered Version As far as your eyes can see, You will be seeing…
Farther East Of Jack Old Marcus Garvey Burning Spear /: No one remember old Ma…
Fire Down Below Fire, down below, I said fire, down below And the people…
Fire Man Fire, down below, I said fire, down below. And the people…
Fittest Of The Fittest Yes, the fittest of the fittest Of the fittest of the…
Fix Me Give me one look That look what I always want Give me…
Foggy Road My way is long, but the road is foggy My way…
Follow Marcus Garvey Follow, follow, follow, follow Marcus Garvey foot step Why …
For You For you...I shall give We laugh..but no-one's laughing W…
Free Oh, we gonna shout it out Yes, we gonna tell they Tell…
Free Black People all man want to be free all man want to be…
Freeman Jah Rastafari Don't trouble the Rastaman, Don't hurt the…
Friends Are you my friend, my Neighbor, or my enemy? Who are you?…
Garvey Marcus Garvey's words come to pass Marcus Garvey's words com…
Get Ready People get ready, for the time has come We don't want…
Glory Be to Jah Glory be to Jah - One Creator Glory be to Jah…
Great Men Let's recall some great men, Who've been fighting for our r…
Greetings Yes, greetings Yes, greetings Black Jah, black Jah come …
Greetings - 2002 Remastered Version Yes, greetings Yes, greetings Black Jah, black Jah come from…
Groovy Marcus Garvey's words come to pass Marcus Garvey's words co…
Ha Ha Whoy, We gonna shout it out Yes, we gonna tell them Who…
Hail H.I.M Hail H.I.M Hail Jah Ta Fari, Hail Jah Ta Fari…
Hallelujah Chorus: Yes hallelujah come free me Come free me come free…
Hallelujah (extended mix) Chorus: Yes hallelujah come free me Come free me come free m…
Happy Day Oh, we gonna shout it out Shout it out loud and…
Happy Day (Live) Oh, we gonna shout it out Shout it out loud and…
Hello Rastaman So they think I'm crazy So they think I'm crazy…
Hey Dready When some people see a Rastaman, not knowing his Name like…
Holy Foundation The holy foundation is in the mountain. 3x The fresh wind…
Holy Man Got to arrange some pickup Got to arrange some pickup Take …
House of Reggae Sometimes they confuse our minds And let us all think…
I Should I go on my knees and plea to you To…
I Stand Strong I Stand Strong I stand strong in a Babylon I stand strong…
Identity So they want I to change my identity Musically, musically, …
Image Yes, oh yes The image of Marcus Mosiah Garvey Marcus Mosiah …
Institution Mister Garvey is so cool Mister Garvey is so smooth That's w…
It's A Long Way Around Get fucking low x3 Hallowed, be thy name, Thy? fucking kingd…
Jah a guh raid Come on let's reason Even for a second, Let's reason about t…
Jah Is My Driver Jah is my rider Jah is my driver (Jah is my rider) Jah…
Jah Kingdom No matter where we go We are the lions in His…
Jah No Dead They tried to fool the black population By telling them that…
Jah See And Know Do you remember we usually walk through the track together? …
Jordan River No wicked shall not enter this-a river The fittest of the…
Journey We've been travelin', more than 2000 miles. We've been trav…
Kiss the Girl Percussion, string, wind, [Incomprehensible] Can't you se…
Land Of My Birth Land of my birth, land of my birth I love you,…
Legal Hustlers When I take a look, with in and around, the…
Let's Move So remember All eyes is on Rasta So remember All eyes is on…
Lion mama call brada to tell papa who live in di…
Little Garvey Hold them little Garvey, hold them! Hold them big Marcus, ho…
Live Good Try my best to live good Try my best to do…
Love to you Tell me what a love can do to you So tell…
Loved For Who I Am I want to be loved, for who I am, Not loved…
Loving You I want to love you I want to love you I want…
MAKE WE DWEET Mek we dweet Mek we dweet Mek we dweet And if you ready…
Mamie Try my bes' to tell the children the res' Try…
Man In The Hills Come along my brother, come along Let us do the thing…
Marcus Children Suffer The whole a we suffer, yes We suffer, yes, we suffer The…
Marcus Garvey Marcus Garvey's words come to pass Marcus Garvey's words com…
Marcus Garvey (Live) Marcus Garvey's words come to pass,- Marcus Garvey's words c…
Marcus Garvey Version Marcus Garvey's words come to pass Marcus Garvey's words com…
Marcus Say Jah No Dead They tried to fool the black population By telling them tha…
Marcus Senior Someone must know the people he usually talk to Someone must…
Mek Me Dweet Mek we dweet Mek we dweet Mek we dweet And if you ready…
Message Oh, we gonna shout it out Shout it out loud and…
Mi Gi Dem Spear - Mi Gi Dem (I Give Them) Mi gi dem…
Mi Gi Dem (I Give Them) Mi gi dem whey dem want, yes mi gi dem Mi…
Mister Garvey Mister Garvey is so cool Mister Garvey is so smooth That's…
Music I want to be music Yes, I want to be music So…
My Island You live on my island And you own all my rights I…
My Roots My roots I'll never forget I'll always remember the road I…
Nayah Keith Do you know social living is the best Do you…
New Civilization New Civilization, New Civilization All over this land, all …
No More War We don't want no more war Pon no good, no good Can't…
No Worry You'self No. no, no worry No worry, no worry, no worry (No, no…
Not Guilty The crime you want to charge I-Man for, it's not possible, …
Not Stupid Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! So they want…
Nyah Keith Away zion i away Away can treat you right High high high…
Old Boy Garvey No one remember old Marcus Garvey, No one remember old Marcu…
Old School Calling, calling, calling... Back to the old school, once…
Old Timer Old timer do you remember, remember, remember Old timer all…
On the Inside I want to know, I want to know I want to…
One Marcus Garvey Marcus Garvey's words come to pass Marcus Garvey's words com…
One People West Indians, black Americans West Indians, black Americans …
Our Music Our music, they think that we lose it Our music, they…
Own Security Chorus: Give us our own security in our neighborhood Give …
People Get Ready Poeple get ready, for the time has come. We don't want…
People of the World The time has come when I and I should know…
Pick Up the Pieces Here to pick up the pieces Here to pick up the…
Play Jerry Tickets were selling way in advance Campers were camping way…
Praise Him Take a day off and rest yourself Praise your God for…
Rasta Business Fashion dread A young people business Material dread A young…
Recall Some Great Men Let's recall some great men, who've been fighting for our…
Red Meet me at the bank of the beautiful river Meet me…
Reggae Physician Reggae Physician Give I some medication Reggae Physician …
Resting Place Where must I find my resting place? Where must I find…
Rise Up So we rise up from this Little island, where reggae Music …
Road Foggy My way is long, but the road is foggy My way…
Rock Fret not yourself my brother Worry not yourself, my sister …
Rock and Roll Rock and Roll, R & B, Pop and Rock, Reggae and…
Rocking Time Fret not yourself my brother Worry not yourself, my sister Y…
Run For Your Life Im just a man not a rich man a rastaman, Yes…
She's Mine Oh, I love a girl Yes, I love a girl And her…
Should I Should I go on my knees and plea to you To…
Shout It Out Oh, we gonna shout it out Yes, we gonna tell they Tell…
Slavery Days Do you remember the days of slavery? Do you remember the…
Social Living Do you know social living is the best Do you…
Social Living (12 Do you know social living is the best Do you…
Sons of He I and I is the sons of he from Bozrah With…
Spear Burning Cintaku kepadamu Tidak mungkin berubah Kasih ku bagai dulu D…
Statue of Liberty In the early fifties and sixties and Seventies American st…
Step It step it step it step it step it ster it fjjkf gfkdhcuj hdkhd…
Subject In School Jah! Rastafari I wonder if they love Him Wonder if they car…
Sweeter Than Chocolate My love is sweeter than chocolate and more My love is…
Swell Headed Is a lucky ting I never get swell headed (x2) And…
Swell Headed (Live) Is a lucky ting I never get swell headed Is a…
Swellheaded Is a lucky ting I never get swell headed (x2) And…
Take A Look Way over in Ethiopia, when my little brother wake He have…
Thank You Thank you to remember Thank you to remember Thank you to rem…
The Invasion They take us away from Africa With the intention to steal…
The Message Oh, we gonna shout it out Shout it out loud and…
The Sun So when the sun goes down And we move along I will…
The World Should Know There is enough for one and all So why should one…
Them a Come Each and everyone a comin' my day Each and everyone a…
They Can't They can't kill us all, They can't kill us all, hey. The…
This Man This man I know him so long, I never want To…
Throw Down Your Arms Throw down your arms and come, Throw down your arms and…
Together (EXT Mix) It's your boy Lil Durk man King of Chicago man This is…
Tradition Why o why o why Why o why o why More than…
Trust Don't trust that man, That man could loose his trust So…
Try Again Come now people, let′s try again (Let's try again) Come now…
Tumble Down Jah is my life and strength and energy Gots to be…
Walk Walk Walk Walk You can walk, walk, walk, walk, walk Walk…
We Are Fre Oh, we gonna shout it out Yes, we gonna tell they Tell…
We Feel It We feel it, yes, we feel it, Yes, we feel it. When…
Weeping And Wailing Weeping and wailing now Gnashing of teeth Weeping and wailin…
When Jah Call When Jah call Get ready, get ready When Jah call on you…
World Power Sufferation, Sufferation Sufferation, Sufferation, Sufferat…
You Want Me To Chorus: You really want me to love you You really…
You Were Wrong I see them I know them Never live with them They want…
Richard maina
on Children
Greetings on of my favorite song, of Rodney
GEORGE MANGANYE
on Appointment With His Majesty
I NAMED MY CHILD RITA MARLEY .EVER SINCE SHE WANT TO MEET THE REAL MOTHER(RITA MARLEY).HOW CAN SHE DO THAT.
GEORGE MANGANYE
on Appointment With His Majesty
IS BROTHER WINSTON RODNEY WATCHING THE XENOPHOBIC ATTACK IN AFRICA.LET HIM COME AND CONVINCE THIS JAH-JAH CHILDREN NOT TO KILL EACH OTHER
GEORGE MANGANYE
on Appointment With His Majesty
I AM INTERESTED IN THE LYRICS(EDUCATION)BY WINSTON RODNEY
Malefu Cathy Motaung
on Loved For Who I Am
I love this song how can i download it pls help
Teba Sinker
on Man In The Hills
Jah Live Jah Guide Jah Protect.
Darren Smith
on Throw Down Your Arms
TOCH MY HEART OH JAH.......JAH RASTAFARI
Darren Smith
on The Invasion
SLAVER DAYS
Hamisi Omari Magala
on Give Me
reggae is like school, you can more thing in the reggae music