Vikernes founded Burzum in 1991 and recorded the first four Burzum albums between January 1992 and March 1993. From 1994 to 2009, Vikernes was imprisoned for the murder of Mayhem guitarist Øystein "Euronymous" Aarseth and the arson of three churches. While imprisoned, he recorded two dark ambient albums using only synthesizers, as he had no access to drums, guitar, or bass. Since his release from prison in 2009, he has recorded several more albums. Vikernes announced the end of Burzum in 2018, but released the project's final album, Thulêan Mysteries in 2020.
Early years (1988–1992)
Varg Vikernes began making music in 1988 with the band Kalashnikov. The following year, the name was changed to Uruk-Hai, after the creatures from J. R. R. Tolkien's The Lord of the Rings. In 1990 and 1991, Vikernes played guitar for the death metal band Old Funeral, which also consisted of members who would later form the band Immortal. He appears on the Old Funeral EP Devoured Carcass. Vikernes left Old Funeral in 1991 to concentrate on creating his own musical visions. He had a short-lived project called Satanel, along Abbath Doom Occulta. He then began a solo project under the name Burzum. The word "burzum" means "darkness" in the Black Speech, a language crafted by Tolkien. Soon after recording two demo tapes, he became part of the Norwegian black metal scene. With his demo tapes, he had attracted attention from Øystein "Euronymous" Aarseth of Mayhem, who had just recently formed the record label Deathlike Silence Productions. Aarseth then signed Burzum to the label, and shortly after, Vikernes―under the pseudonym of Count Grishnackh (another name adapted from The Lord of the Rings)―began to record Burzum's self-titled debut album. According to Vikernes' autobiography on his website, he had intended to record the album in the worst recording quality possible (due to this being a typical trademark of the early Norwegian black metal scene), while still making it sound acceptable. Burzum's eponymous debut album was released in 1992, being the second album released on Deathlike Silence Productions. The song "War" from this album had a guest appearance from Euronymous, playing a guitar solo "just for fun", according to Vikernes.
Vikernes has stated that he had never played any live shows with Burzum, though at one point was interested in it, so Samoth of Emperor accompanied him as a session bassist, though only appearing on the Aske EP. Additionally, Erik Lancelot was hired to be the band's drummer, though did not record on any Burzum material, and along with Samoth did not play a live show. Vikernes had by then lost his interest in playing live concerts, and stated that he "didn't even need session musicians anymore". Therefore, Samoth and Lancelot had parted ways with Burzum. Det som engang var was released as Burzum's second album in 1993, recorded in 1992.
Imprisonment (1993–2009)
May 1994 saw the release of Hvis lyset tar oss, a new album of previously recorded material from 1992. Burzum remained as a solo project until 1994, when Vikernes was arrested for the murder of Euronymous and the burnings of several churches in Norway. During his time in prison, Vikernes released his next album, titled Filosofem, on 1 January 1996. Recorded in March 1993, Filosofem was the last recording Vikernes made before his imprisonment. Burzum/Aske, a compilation comprising the Burzum album and Aske EP, was released in 1995. While imprisoned, Vikernes managed to record two other albums in a dark ambient style. They were released as Dauði Baldrs (1997) and Hliðskjálf (1999). Both of these albums were created with a synthesizer, as Vikernes was prohibited from using any other instruments in prison.
In 1998, all Burzum albums released up to that point were re-released as vinyl picture discs in a special box set called 1992-1997; however Filosofem did not contain "Rundtgåing av den transcendentale egenhetens støtte" due to its length. The regular vinyl issue of Filosofem on Misanthropy had tracks 1–4 plus "Decrepitude II" on side 1 and "Rundtgåing av den transcendentale egenhetens støtte" on side 2.
Post-imprisonment and retirement (2009–2020)
Soon after being released, Vikernes started writing new tracks (nine metal tracks and an ambient intro and outro) for an upcoming Burzum album. According to Vikernes' recounts, several record companies were interested in releasing his first album in eleven years. He stated about the new album, "I want to take my time, and make it the way I want it. It will be metal, and the fans can expect genuine Burzum."
The album was going to be originally titled Den hvite guden (The White God), but he later decided to change it to Belus, which was released by the independent record label Byelobog Productions (byelobog is the transliteration of "белобог" in Slavic languages, meaning 'white god') on 8 March 2010. It was also announced that a movie would be released in 2010, based on Varg Vikernes' life in the early 1990s. The movie would mainly draw inspiration from the book Lords of Chaos, with the film being of the same name. Vikernes expressed his contempt towards both the movie and the book upon which it is based.
A second new album of original Burzum material, Fallen, was released on 7 March 2011, followed by a compilation album, From the Depths of Darkness, containing re-recordings of tracks from Burzum's self-titled album and Det som engang var, on 28 November 2011. A third new studio album of original material, titled Umskiptar, was released in May 2012. Sôl austan, Mâni vestan ("East of the Sun, West of the Moon"), Burzum's first electronic album since 1999, was released in May 2013. On 27 April 2013, a song was posted on the official YouTube channel of Vikernes, titled "Back to the Shadows". In a blog post, Vikernes stated that "Back to the Shadows" would be the last metal track released by Burzum. The album The Ways of Yore was released in June 2014.
In June 2018, in a video posted on his YouTube channel, Vikernes stated that "[he had] moved on [from Burzum]", saying "bye bye" to the project. In July 2018, a YouTube user named Hermann posted unreleased materials of Uruk-Hai from 1988 to 1990 and Burzum's Bergen prison recordings from 1994, which he received from Tiziana Stupia.
In October 2019, Vikernes posted a tweet saying he intended to release another album as Burzum. He announced that the tentative name of the album would be Thulêan Mysteries, which would have 23 songs. The tracks from the album were previously used as background music on Vikernes' YouTube channel, which was taken down the same year. Vikernes also said that the music of Thulêan Mysteries is meant to be used as a background soundtrack for his MYFAROG role-playing game. On 18 December, Vikernes tweeted the album cover for Thulêan Mysteries. The album was released on 13 March 2020. Vikernes has stated that it would be the final Burzum album.
Musical style
Burzum's music includes both straightforward black metal as well as dark ambient, neofolk and neo-medieval music. It is often minimalist and dark, with repetition and simple song structures. Vikernes has described Burzum as a kind of "spell" or recreation of an imaginary world tied in with Pagan history. Each album, he claims, was designed as a kind of "spell" in itself, with each beginning song intending to make the listener more susceptible to "magic", the following songs to inspire a "trance-like state of mind", and the last song to carry the listener into a "world of fantasy" (dreams, for the listener would fall asleep—Burzum was supposed to have been evening music). Vikernes claims the intent to create this fantasy world came from dissatisfaction with the real world. He has stated the "message" of Burzum can be found in the lyrics of the first song of the first album ("Feeble Screams from Forests Unknown").
Burzum's lyrics and imagery are often inspired by fantasy and Norse mythology, and do not feature the far-right political views for which Vikernes is known. In a 2010 interview, Vikernes said: "Burzum is not a political or religious band, or even an anti-religious band. Burzum is music; art if you like, and the interpretation of art lies in the eye of the beholder. I might be Nordic, heterosexual and have a Pagan ideology myself, but why would I expect the fans of my music to be just like me?". Despite the project's apolitical nature, Burzum is included on Meta's Dangerous Individuals and Organizations list.
Burzum's early work was influenced by Tolkien; for example, Vikernes' early moniker "Count Grishnackh" is taken from an orc character called Grishnákh in Tolkien's works. Burzum is a word of the Black Speech of Mordor meaning "darkness" (though Vikernes views what Christians consider "darkness" as "light"), and is inscribed on the One Ring in Tolkien's The Lord of the Rings.
Full Wikipedia article: https://en.wikipedia.org/wiki/Burzum
Studio albums
Burzum (1992)
Det som engang var (1993)
Hvis lyset tar oss (1994)
Filosofem (1996)
Dauði Baldrs (1997)
Hliðskjálf (1999)
Belus (2010)
Fallen (2011)
Umskiptar (2012)
Sôl austan, Mâni vestan (2013)
The Ways of Yore (2014)
Thulêan Mysteries (2020)
Feeble Screams From Forests Unknown
Burzum Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the air
Above a cold lake
Is a soul
From an early
Better age
Grasping for
A mystic thought
Further on lies eternal search
For theories to lift the gate
Only locks are made stronger
And more keys lost as logic fades
In the pool of dreams the water darkens
For the soul that's tired of search
As years pass by
The aura drops
As less and less
Feelings touch
Stupidity
Has won too much
The hopeless soul keeps mating
The lyrics to Burzum's song "Feeble Screams From Forests Unknown" paint a picture of a lonely, lost soul in search of something greater than themselves. They describe drifting above a cold lake, grasping desperately for a mystic thought that seems just out of reach. However, despite this hopelessness, the lyrics suggest that the search continues eternally, even as logic fades and the locks meant to keep the soul out become stronger.
As the song progresses, the tone becomes increasingly dark and troubled. The water in the pool of dreams darkens, representing the soul's growing despair and sense of hopelessness. The aura drops and feelings become more and more distant, leaving the soul feeling increasingly isolated and alone. The final lyrics, "the hopeless soul keeps mating," suggest that despite all of this, the soul continues to search for something to give their life meaning, no matter how futile that search may seem.
Overall, "Feeble Screams From Forests Unknown" is a haunting depiction of the struggle that many people face to find meaning and purpose in life, and the sense of despair and hopelessness that can come from feeling like that search is futile. The song suggests that despite all of this, there is still beauty in the search itself, as futile as it may seem.
Line by Line Meaning
Drifting
The state of being aimless, with no definitive purpose or direction.
In the air
A feeling of detachment and emptiness that engulfs the individual, like being weightless and floating with no control over oneself.
Above a cold lake
The individual is positioned over a body of water that symbolizes the depth of the human psyche- where emotions and thoughts are murky and unstable.
Is a soul
The human essence that is stripped of identity, wandering with no objective or intention.
From an early
The soul is from an earlier time, an age where there was still hope for enlightenment and understanding.
Better age
A time where man's logic and reason were still pure, uncorrupted and free from the taint of greed, power and control.
Grasping for
The soul struggling to clutch a higher concept, an idea or a thought that could connect it to its past and give it hope for the future.
A mystic thought
An abstract or supernatural idea that could give the soul a renewed sense of purpose, a direction to follow.
In vain, but who's to know
All efforts to connect with something higher are fruitless, but the soul still holds on to the possibility of finding spiritual fulfillment.
Further on lies eternal search
The soul resigns itself to the fact that the search for enlightenment is never-ending, it will continue until the end of time.
For theories to lift the gate
Theories and ideas that will unlock the mysteries of existence, the explanations that will allow the soul to be free.
Only locks are made stronger
Life's difficulties, setbacks and tragedies only serve to make the soul's struggle harder and more inescapable.
And more keys lost as logic fades
As the human mind becomes more clouded with doubts and uncertainties, it loses its ability to reason and comprehend, closing off the paths that lead to enlightenment.
In the pool of dreams the water darkens
The more the soul strives for meaning and relevance, the more convoluted and incomprehensible life becomes.
For the soul that's tired of search
The human spirit that has given up on finding fulfillment, resigned to its fate of eternal wandering and struggle.
As years pass by
The passage of time corrodes the hope, faith and determination that once burned bright in the soul.
The aura drops
The soul's energy and drive erode over time, leaving it depleted, disheartened and forever wandering.
As less and less
The individual becomes further disconnected from the world around them, becoming more detached from human emotions and experiences.
Feelings touch
Human connection and intimacy elude those that have lost the spirit of hope, love and belief in a higher purpose.
Stupidity
The human trait of ignorance and narrow-mindedness that quashes the possibility of finding truth and enlightenment.
Has won too much
The human spirit that has given itself up to the baser instincts of greed, deceit and corruption, surrendering to the notion that enlightenment is unattainable.
The hopeless soul keeps mating
An endless cycle of aimless, fruitless wandering for the soul that has given up on finding purpose and fulfillment.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
connie d
on Inn I Slottet Fra Droemmen
"stump" should be "stick"
and "of dreams" should be "from the dream"