Carrie Marie Underwood (born March 10, 1983) is an American singer who rose… Read Full Bio ↴Carrie Marie Underwood (born March 10, 1983) is an American singer who rose to prominence after winning the fourth season of American Idol in 2005. Underwood's single "Inside Your Heaven" made her the only country artist to debut atop the Billboard Hot 100 chart and the only solo country artist in the 2000s to have a number-one song on the Hot 100. Her debut album, Some Hearts (2005), was bolstered by the successful crossover singles "Jesus, Take the Wheel" and "Before He Cheats", becoming the best-selling solo female debut album in country music history. She won three Grammy Awards for the album, including Best New Artist. The next studio album, Carnival Ride (2007) had one of the biggest opening weeks of all time by a female artist and won two Grammy Awards. Her third studio album, Play On (2009), produced the single "Cowboy Casanova", which had one of the biggest single-week upward movements on the Hot 100.
With more than 64 million albums sold worldwide, 18 #1 singles, with seven as co-writes, Seven Grammys, and countless other accolades---all achieved with four albums in less than eight years---some artists might feel as though they’d earned the right to rest on their laurels, but not Carrie Underwood. Fueled by a restless creative spirit, good-natured competitive streak and abundance of God-given talent, Carrie unleashes her most ambitious project yet with Blown Away.
Teaming again with producer Mark Bright, Carrie delivers a 14-song collection that covers a particularly vast expanse of emotional territory. She celebrates the understated pleasures of small town living in “Thank God for Hometowns” and explores the exquisite fragility of life in “Forever Changed.” She’s not averse to tackling abuse and betrayal then doling out a little sweet revenge with such compelling tracks as “Blown Away” and “Two Black Cadillacs.” Musically the songs range from rollicking up-tempo anthems, such as the hit first single “Good Girl” to the island-flavored escape of “One Way Ticket” and the steel guitar-laced country lament of “Wine After Whiskey.”
Such musical and lyrical diversity is the foundation of Carrie’s artistry. After all, this is a young woman who has performed with Steven Tyler on a top-rated edition of CMT’s “Crossroads,” scored a No. 1 country hit with good friend Brad Paisley on “Remind Me,” and sang with the iconic Tony Bennett on the 2012 Grammy telecast, delivering the classic “It Had to be You,” their collaboration on Bennett’s Duets II album.
The Oklahoma native is a fan of all types of music, yet she’s purposefully planted herself in the country format, even while her eclectic tastes have influenced her creative output. She’s been careful to not get pigeonholed and prides herself on not being predictable. “I feel like I’ve taken all of my albums into as many different directions as possible while still keeping them cohesive,” she says. “I love this album from start to finish and love every song on it. There’s not one single song that’s like another song I’ve ever done. I think it’s my best album. I really do think there’s something for everyone.”
Her ability to be unique yet accessible has been crucial to Carrie’s career from the beginning. She became America’s sweetheart in 2005 when she won the fourth season of American Idol, a vehicle that transformed her from a shy Oklahoma girl with a great voice to a budding superstar. Since then she’s become the popular franchise’s most successful alumni.
She’s won a vast array of awards including three female vocalist awards from both the Country Music Association (CMA) and the Academy of Country Music (ACM). In 2010, when Carrie garnered her second win as ACM Entertainer of the Year, she became the first female artist to win the award twice, and only the 7th female to take the award in the 40-year history of the ACM category, among Loretta Lynn, Dolly Parton, Barbara Mandrell, Reba McEntire, Shania Twain, and the Dixie Chicks. Carrie also received the ACM Triple Crown Award, thanks to her past wins for the categories of Entertainer of the Year, Top Female Vocalist and Top New Female Vocalist, which has been won by only one other female artist – Barbara Mandrell in 2004. In addition to the above, Carrie’s won 7 American Music Awards, 6 People’s Choice Awards, 9 CMT Music Awards, 9 American Country Awards, and 7 BMI Songwriter Awards. Carrie also received a Golden Globe nomination in 2010 for “Best Original Song” for “There’s A Place For Us” from Chronicles of Narnia: Voyage of the Dawn Treader which she both recorded and co-wrote.
Carrie’s 2005 debut Some Hearts topped Billboard’s Country Albums chart for 27 weeks, has sold over 7 million copies, and was voted #1 Country Album of the Decade by Billboard. Both her 2007 sophomore album, Carnival Ride and 2009’s Play On debuted at No. 1. Her current album, Blown Away, debuted atop the all-genre Billboard 200 chart, where it held the No. 1 spot for two consecutive weeks. Over the course of four albums, she’s saturated country radio with such hits as “Jesus, Take the Wheel,” “Before He Cheats,” “So Small,” “Last Name,” “Just A Dream,” “Cowboy Casanova,” “Temporary Home,” “All-American Girl,” “Undo It,” “Mama’s Song,” “Good Girl,” and “Blown Away.”
Carrie’s highly acclaimed concert tours have further helped to establish her into the elite status of the country music community, or in any genre of music, with her stellar performances. In 2008, after wrapping her “Carnival Ride Tour” she became the top selling country female touring artist of the year selling out many of the 137 shows before 1.2 million fans. In that year, Carrie also became the most-heard artist at country radio and was named the #1 Hot Country Songs Artist by Billboard and #1 Top Country Artist by Radio & Records. In 2010, her next headline arena tour, the “Play On Tour,” played 108 shows with one million fans attending which resulted in Carrie being named again as the top-ranked female country touring artist of the year. Carrie is currently on her critically-acclaimed international “Blown Away Tour”, which began at London’s historic Royal Albert Hall, and continued throughout Australia, before launching in North America in September of 2012.
Carrie is a proud member of the Grand Ole Opry and expanded her resume making her acting debut in the 2011 film “Soul Surfer.” She can be seen in print and TV ads as the North American face of Olay beauty products, and has a long-running deal with vitaminwater®. One of Country Music’s most respected young ambassadors, Carrie has served as co-host of the CMA Awards with Brad Paisley the past five years.
Yet for those who think they know Carrie, Blown Away is likely to catch them by surprise, particularly the cinematic title track with its swirling, atmospheric production and intense lyric about abuse and revenge. “I got chills,” she says of the first time she heard the Josh Kear/Chris Tompkins penned stunner. “I remember where I was when I heard it and called my manager and said, ‘Do not let anyone else have this song. It’s my song’ . . . It’s such a visual song. You listen to it and you can see everything that is happening. It’s so dramatic. I’m not a drama person, but when you can make a movie in song form in 3 ½ minutes, it’s surreal.”
“Blown Away” finds a daughter getting revenge on an abusive, alcoholic father and the next song, “Two Black Cadillacs,” also has a larger-than-life cinematic quality which makes both tunes feel like mini-movies set to music. “Two Black Cadillacs” relates the story of a wife and mistress who conspire to get even with the man who betrayed them both. “It’s just more drama,” says Carrie, who co-wrote the tune with Josh Kear and Hillary Lindsey. “It was so much fun creating all this drama and singing about it. That’s the great thing about being an entertainer; you’re just a big actor. When we start sitting down and writing songs, you just never know what’s going to come out.”
Carrie co-wrote eight of the 14 songs on Blown Away, including the first single, Good Girl" which reached number 1 on the country airplay charts and is certified platinum. ‘Good Girl’ was one of the last ones I wrote for the album,” she says of the tune she penned with Chris DeStefano and Ashley Gorley. “We wanted something a little more fun and up-tempo. Chris DeStefano is just a mad scientist with his Pro Tools and he can play every instrument. We walked out of that writing session with a demo. It sounded awesome. It was ready to go. We let everybody hear it and everybody was so excited.”
“Cupid’s Got a Shotgun” is another of the album’s high-energy tracks and it gets an extra kick from Paisley contributing his signature guitar licks. “Once we got into the studio, I was like Brad Paisley HAS to play on this. He’ll make the song,” Carrie says of the tune, she wrote with Kear and Tompkins. “We left so much space in the song for him to come in and play. He did his thing and sounded awesome. He added that last piece of the puzzle and it’s just so country. It’s really cool.”
In addition to being musically inventive, Carrie has long been known for delivering songs with substance, and the new album delivers its share of potent messages. “Nobody Ever Told You,” which Carrie wrote with Luke Laird and Hillary Lindsey, boasts an empowering lyric and a breezy, engaging melody. “People need to hear compliments more,” she says of the song’s life-affirming lyric. “People need to hear ‘I love you’ more. People need to hear ‘You are beautiful’ more.”
“Good in Goodbye,” co-written by Carrie, Lindsey and Ryan Tedder, is a bittersweet look at life beyond heartbreak that offers tender truth in the lines “As bad as it was/As bad as it hurt/I thank God I didn’t get what I thought I deserved.” On the other end of the emotional spectrum, “Thank God for Hometowns” is a sweet salute to small town life. “I heard that one when I was going back to my 10 year high school reunion,” the Checotah, OK native says. “I listened to the demo when I was driving in to go stay with my parents. It was just very fitting in my heart at that time.”
“Forever Changed” is a beautiful ballad that brings tears to Carrie’s eyes as she discusses it. “I had a hard time recording it and I still have a hard time listening to it,” she says of the Tom Douglas/Hillary Lindsey/James T. Slater penned ballad. “That is the most wonderfully well written song I’ve ever heard in my life. There’s this young girl meeting the love of her life, getting married and having a baby. It takes you back in time and there is something old fashioned about it. At the end, the mom’s obviously slipping a way a little bit. It is a sad song, but it’s not meant to be a sad song. It’s about love, being forever changed, forever loved.”
In a few short years, Carrie has seen the power music has to change lives---to incite dialog, to instill hope, and to simply entertain. She’s aware of the platform she’s been given. She respects it and appreciates every moment. “I’m very happy in my life and I count my blessings every day,” she says. “Seven years ago when I decided to try out for American Idol, my life changed completely in the blink of an eye. I went down a different train track and took off at about a million miles per hour. I feel like I’m still learning. In the beginning, it was like, ‘Oh, I have a No. 1. That’s awesome!’ I didn’t really understand what that meant. ‘Jesus, Take The Wheel’ and ‘Before He Cheats’ were No. 1 for several weeks, and that doesn’t happen often, but I had no idea. I realize now what hard work it actually is and I feel like I can appreciate those victories even more. Touring is more fun because I know what it’s like to headline a tour. I feel like I’m able to be more and more creative all the time. I always feel like I’m taking steps forward.”
With more than 64 million albums sold worldwide, 18 #1 singles, with seven as co-writes, Seven Grammys, and countless other accolades---all achieved with four albums in less than eight years---some artists might feel as though they’d earned the right to rest on their laurels, but not Carrie Underwood. Fueled by a restless creative spirit, good-natured competitive streak and abundance of God-given talent, Carrie unleashes her most ambitious project yet with Blown Away.
Teaming again with producer Mark Bright, Carrie delivers a 14-song collection that covers a particularly vast expanse of emotional territory. She celebrates the understated pleasures of small town living in “Thank God for Hometowns” and explores the exquisite fragility of life in “Forever Changed.” She’s not averse to tackling abuse and betrayal then doling out a little sweet revenge with such compelling tracks as “Blown Away” and “Two Black Cadillacs.” Musically the songs range from rollicking up-tempo anthems, such as the hit first single “Good Girl” to the island-flavored escape of “One Way Ticket” and the steel guitar-laced country lament of “Wine After Whiskey.”
Such musical and lyrical diversity is the foundation of Carrie’s artistry. After all, this is a young woman who has performed with Steven Tyler on a top-rated edition of CMT’s “Crossroads,” scored a No. 1 country hit with good friend Brad Paisley on “Remind Me,” and sang with the iconic Tony Bennett on the 2012 Grammy telecast, delivering the classic “It Had to be You,” their collaboration on Bennett’s Duets II album.
The Oklahoma native is a fan of all types of music, yet she’s purposefully planted herself in the country format, even while her eclectic tastes have influenced her creative output. She’s been careful to not get pigeonholed and prides herself on not being predictable. “I feel like I’ve taken all of my albums into as many different directions as possible while still keeping them cohesive,” she says. “I love this album from start to finish and love every song on it. There’s not one single song that’s like another song I’ve ever done. I think it’s my best album. I really do think there’s something for everyone.”
Her ability to be unique yet accessible has been crucial to Carrie’s career from the beginning. She became America’s sweetheart in 2005 when she won the fourth season of American Idol, a vehicle that transformed her from a shy Oklahoma girl with a great voice to a budding superstar. Since then she’s become the popular franchise’s most successful alumni.
She’s won a vast array of awards including three female vocalist awards from both the Country Music Association (CMA) and the Academy of Country Music (ACM). In 2010, when Carrie garnered her second win as ACM Entertainer of the Year, she became the first female artist to win the award twice, and only the 7th female to take the award in the 40-year history of the ACM category, among Loretta Lynn, Dolly Parton, Barbara Mandrell, Reba McEntire, Shania Twain, and the Dixie Chicks. Carrie also received the ACM Triple Crown Award, thanks to her past wins for the categories of Entertainer of the Year, Top Female Vocalist and Top New Female Vocalist, which has been won by only one other female artist – Barbara Mandrell in 2004. In addition to the above, Carrie’s won 7 American Music Awards, 6 People’s Choice Awards, 9 CMT Music Awards, 9 American Country Awards, and 7 BMI Songwriter Awards. Carrie also received a Golden Globe nomination in 2010 for “Best Original Song” for “There’s A Place For Us” from Chronicles of Narnia: Voyage of the Dawn Treader which she both recorded and co-wrote.
Carrie’s 2005 debut Some Hearts topped Billboard’s Country Albums chart for 27 weeks, has sold over 7 million copies, and was voted #1 Country Album of the Decade by Billboard. Both her 2007 sophomore album, Carnival Ride and 2009’s Play On debuted at No. 1. Her current album, Blown Away, debuted atop the all-genre Billboard 200 chart, where it held the No. 1 spot for two consecutive weeks. Over the course of four albums, she’s saturated country radio with such hits as “Jesus, Take the Wheel,” “Before He Cheats,” “So Small,” “Last Name,” “Just A Dream,” “Cowboy Casanova,” “Temporary Home,” “All-American Girl,” “Undo It,” “Mama’s Song,” “Good Girl,” and “Blown Away.”
Carrie’s highly acclaimed concert tours have further helped to establish her into the elite status of the country music community, or in any genre of music, with her stellar performances. In 2008, after wrapping her “Carnival Ride Tour” she became the top selling country female touring artist of the year selling out many of the 137 shows before 1.2 million fans. In that year, Carrie also became the most-heard artist at country radio and was named the #1 Hot Country Songs Artist by Billboard and #1 Top Country Artist by Radio & Records. In 2010, her next headline arena tour, the “Play On Tour,” played 108 shows with one million fans attending which resulted in Carrie being named again as the top-ranked female country touring artist of the year. Carrie is currently on her critically-acclaimed international “Blown Away Tour”, which began at London’s historic Royal Albert Hall, and continued throughout Australia, before launching in North America in September of 2012.
Carrie is a proud member of the Grand Ole Opry and expanded her resume making her acting debut in the 2011 film “Soul Surfer.” She can be seen in print and TV ads as the North American face of Olay beauty products, and has a long-running deal with vitaminwater®. One of Country Music’s most respected young ambassadors, Carrie has served as co-host of the CMA Awards with Brad Paisley the past five years.
Yet for those who think they know Carrie, Blown Away is likely to catch them by surprise, particularly the cinematic title track with its swirling, atmospheric production and intense lyric about abuse and revenge. “I got chills,” she says of the first time she heard the Josh Kear/Chris Tompkins penned stunner. “I remember where I was when I heard it and called my manager and said, ‘Do not let anyone else have this song. It’s my song’ . . . It’s such a visual song. You listen to it and you can see everything that is happening. It’s so dramatic. I’m not a drama person, but when you can make a movie in song form in 3 ½ minutes, it’s surreal.”
“Blown Away” finds a daughter getting revenge on an abusive, alcoholic father and the next song, “Two Black Cadillacs,” also has a larger-than-life cinematic quality which makes both tunes feel like mini-movies set to music. “Two Black Cadillacs” relates the story of a wife and mistress who conspire to get even with the man who betrayed them both. “It’s just more drama,” says Carrie, who co-wrote the tune with Josh Kear and Hillary Lindsey. “It was so much fun creating all this drama and singing about it. That’s the great thing about being an entertainer; you’re just a big actor. When we start sitting down and writing songs, you just never know what’s going to come out.”
Carrie co-wrote eight of the 14 songs on Blown Away, including the first single, Good Girl" which reached number 1 on the country airplay charts and is certified platinum. ‘Good Girl’ was one of the last ones I wrote for the album,” she says of the tune she penned with Chris DeStefano and Ashley Gorley. “We wanted something a little more fun and up-tempo. Chris DeStefano is just a mad scientist with his Pro Tools and he can play every instrument. We walked out of that writing session with a demo. It sounded awesome. It was ready to go. We let everybody hear it and everybody was so excited.”
“Cupid’s Got a Shotgun” is another of the album’s high-energy tracks and it gets an extra kick from Paisley contributing his signature guitar licks. “Once we got into the studio, I was like Brad Paisley HAS to play on this. He’ll make the song,” Carrie says of the tune, she wrote with Kear and Tompkins. “We left so much space in the song for him to come in and play. He did his thing and sounded awesome. He added that last piece of the puzzle and it’s just so country. It’s really cool.”
In addition to being musically inventive, Carrie has long been known for delivering songs with substance, and the new album delivers its share of potent messages. “Nobody Ever Told You,” which Carrie wrote with Luke Laird and Hillary Lindsey, boasts an empowering lyric and a breezy, engaging melody. “People need to hear compliments more,” she says of the song’s life-affirming lyric. “People need to hear ‘I love you’ more. People need to hear ‘You are beautiful’ more.”
“Good in Goodbye,” co-written by Carrie, Lindsey and Ryan Tedder, is a bittersweet look at life beyond heartbreak that offers tender truth in the lines “As bad as it was/As bad as it hurt/I thank God I didn’t get what I thought I deserved.” On the other end of the emotional spectrum, “Thank God for Hometowns” is a sweet salute to small town life. “I heard that one when I was going back to my 10 year high school reunion,” the Checotah, OK native says. “I listened to the demo when I was driving in to go stay with my parents. It was just very fitting in my heart at that time.”
“Forever Changed” is a beautiful ballad that brings tears to Carrie’s eyes as she discusses it. “I had a hard time recording it and I still have a hard time listening to it,” she says of the Tom Douglas/Hillary Lindsey/James T. Slater penned ballad. “That is the most wonderfully well written song I’ve ever heard in my life. There’s this young girl meeting the love of her life, getting married and having a baby. It takes you back in time and there is something old fashioned about it. At the end, the mom’s obviously slipping a way a little bit. It is a sad song, but it’s not meant to be a sad song. It’s about love, being forever changed, forever loved.”
In a few short years, Carrie has seen the power music has to change lives---to incite dialog, to instill hope, and to simply entertain. She’s aware of the platform she’s been given. She respects it and appreciates every moment. “I’m very happy in my life and I count my blessings every day,” she says. “Seven years ago when I decided to try out for American Idol, my life changed completely in the blink of an eye. I went down a different train track and took off at about a million miles per hour. I feel like I’m still learning. In the beginning, it was like, ‘Oh, I have a No. 1. That’s awesome!’ I didn’t really understand what that meant. ‘Jesus, Take The Wheel’ and ‘Before He Cheats’ were No. 1 for several weeks, and that doesn’t happen often, but I had no idea. I realize now what hard work it actually is and I feel like I can appreciate those victories even more. Touring is more fun because I know what it’s like to headline a tour. I feel like I’m able to be more and more creative all the time. I always feel like I’m taking steps forward.”
Ever Ever After
Carrie Underwood Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ever ever after
Storybook endings, fairy tales coming true
Deep down inside we want to believe they still do
And a secret is taught, it's our favorite part of the story
Let's just admit we all want to make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's realest by making believe
Unafraid, unashamed
There is joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might break through
To ever ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever, ever, ever after
I've been dreaming of a true love's kiss
Ooh
For ever ever after
Storybook endings, fairy tales coming true
Deep down inside we want to believe they still do
And a secret is taught, it's our favorite part of the story
Let's just admit we all want to make it too
Ever ever after
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's realest by making believe
Unafraid, unashamed
There is joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might break through
To ever ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever, ever, ever after
I've been dreaming of a true love's kiss
Ooh
For ever ever after
The song "Ever Ever After" by Carrie Underwood talks about the concept of fairy tale endings and makes a case for holding onto the hope that they can still come true. The song acknowledges that life may not always go as planned but encourages listeners to keep their spirits up and believe in the possibility of happy endings. The lyrics also speak to the idea of embracing individuality and not being afraid to show vulnerability.
The song opens by acknowledging the allure of fairy tales and how deep down inside, people still want to believe that they can come true. The chorus calls for perseverance and encourages listeners to hold onto their dreams. It also touches on the idea of forging one's own path and not being held back by societal expectations. The verse moves on to talk about the power of imagination and how it can lead to real-life successes. The song concludes by reiterating the idea that happy endings can still come true and that true love and personal fulfillment are just one "wish" away.
Line by Line Meaning
Storybook endings, fairy tales coming true
People yearn for happy endings like those found in fairy tales
Deep down inside we want to believe they still do
Despite doubts, people hope that such happy endings truly exist
And a secret is taught, it's our favorite part of the story
The anticipation and possibility of a happy ending is often what captivates us
Let's just admit we all want to make it too
We all desire to be part of a happy ending or have one ourselves
If we just don't get it our own way
Sometimes, things don't work out as we planned
It may only be a wish away
Still, there's always hope that our wishes will come true
Start a new fashion, wear your heart on your sleeve
We can embrace our desires and express them openly
Sometimes you reach what's realest by making believe
Believing in something can make it more real to us
Unafraid, unashamed
We should be confident and proud of our desires and beliefs
There is joy to be claimed in this world
There is happiness to be found in life if we look for it
You even might wind up being glad to be you
Embracing who we are and what we want can lead to genuine happiness
Though the world will tell you it's not smart
Society may discourage us from believing in fairy tale endings
The world can be yours if you let your heart believe in ever after
If we believe in ourselves and our desires, we can achieve what we want in life
No wonder your heart feels it's flying
The possibility of our wishes coming true can be exhilarating
Your head feels it's spinning
Our emotions and thoughts can overwhelm us when we're excited about something
Each happy ending's a brand new beginning
A happy ending can lead to a fresh start or a new opportunity
Let yourself be enchanted, you just might break through
We should embrace our desires and allow ourselves to be hopeful
Forever could even start today
Our happy ending or wish may come true at any moment
Maybe it's just one wish away
Despite doubts or setbacks, there's always hope that our wish will be granted
I've been dreaming of a true love's kiss
The song's speaker desires romantic love and affection
For ever ever after
The artist hopes for a happily ever after ending to their love story
Lyrics © O/B/O APRA AMCOS
Written by: ALAN IRWIN MENKEN, STEPHEN LAURENCE SCHWARTZ
Lyrics Licensed & Provided by LyricFind
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ゆみ
lyrics
Ever ever after
Storybook endings, fairytales coming true
Deep down inside we wanna believe they still do (Still do)
In our secretest heart, it's our favorite part of the story
Let's just admit we all wanna make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve (Ever after)
Sometimes you reach what's real just by making believe
(By making believe)
Unafraid, unashamed
There is a joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might break through
To ever ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever ever after
(I've been dreaming of a true love's kiss)
Oh, whoa, whoa
Forever ever after
Caleb DiPaola
I love this song. I have since the movie came out. My favorite line is “let’s just admit we all want to make it to..ever after!” Been married to my wife for 16 + years and have 4 kids together.
Been living out ever after since our wedding day. How you might ask? Simple I say each of you put the other’s interests before your own.
Men, embrace your masculinity. Women embrace your femininity.
I have talked to many guys who feel they will never be able to have that ever after with a wife.
So sad what the red pill movement and third wave feminism has done to men and women’s relationships.
I hope everyone achieves that “ever after” . :)
Viet Linh Nguyen
[Lyrics]
Ever ever after
Storybook endings, fairytales coming true
Deep down inside we wanna believe they still do
In our secretest heart, it's our favorite part of the story
Let's just admit we all wanna make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's real just by making believe
Unafraid, unashamed
There is a joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might breakthrough
To ever, ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever ever after
(I've been dreaming of a true love's kiss)
Oh, whoa, whoa
For ever ever after
Raúl Quiroz
De niño lloraba con este maravilloso final tan feliz acompañado de su maravillosa música es el mejor tema que he escuchado del año 2008, tanto que esta canción representa mi año como mi tema principal. Llevo haciendo una lista de mis temas principales toda la vida...
2000: Phil Collins En mi corazón vivirás
2001: Menudo Coqui
2002: Elvis Presley Burning love
2003: Israel Kamakawiwo Somewhere over the rainbow
2004: Diego Torres Color esperanza
2005: Quirquiña Clausura
2006: Celine Dion I’m alive
2007: Hi-5 Deseos
2008: Carrie Underwood Ever Ever After
2009: Michael Jackson Heal the world
2010: Ricardo Montaner Soy feliz
2011: Weezer You might think
2012: Katy Perry Firework
2013: Los Auténticos La guitarra
2014: Stan Bush The touch
2015: Los Brothers Admito que no soy feliz
2016: Shakira Try Everything
2017: Lindsey Stirling Something Wild
2018: JT Music Join us for a bite
2019: OV7 No me voy
2020: Pimpinela El año que se detuvo el tiempo
2021: Halo at Yojohan Nakaru
2022: Mago de Oz Hoy toca ser feliz
2023: Julieta Venegas Tu historia
VTTV
Ever ever after
Storybook endings, fairytales coming true
Deep down inside we wanna believe they still do
In our secretest heart, it's our favorite part of the story
Let's just admit we all wanna make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's real just by making believe
Unafraid, unashamed
There is a joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might breakthrough
To ever, ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever ever after
(I've been dreaming of a true love's kiss)
Oh, whoa, whoa
For ever ever after
jollyhotdog
LYRICS:
Ever ever after
Storybook endings, fairytales coming true
Deep down inside we wanna believe they still do
In our secretest heart, it's our favorite part of the story
Let's just admit we all wanna make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's real just by making believe
Unafraid, unashamed
There is a joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might breakthrough
To ever, ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever ever after
(I've been dreaming of a true love's kiss)
Oh, whoa, whoa
For ever ever after
Eidelyz
Lyrics
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.
.
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Ever ever after
Storybook endings, fairytales coming true
Deep down inside we wanna believe they still do
In our secretest heart, it's our favorite part of the story
Let's just admit we all wanna make it too
Ever ever after
If we just don't get it our own way
Ever ever after
It may only be a wish away
Start a new fashion, wear your heart on your sleeve
Sometimes you reach what's real just by making believe
Unafraid, unashamed
There is a joy to be claimed in this world
You even might wind up being glad to be you
Ever ever after
Though the world will tell you it's not smart
Ever ever after
The world can be yours if you let your heart
Believe in ever after
No wonder your heart feels it's flying
Your head feels it's spinning
Each happy ending's a brand new beginning
Let yourself be enchanted, you just might breakthrough
To ever, ever after
Forever could even start today
Ever ever after
Maybe it's just one wish away
Your ever ever after
Ever ever after
(I've been dreaming of a true love's kiss)
Oh, whoa, whoa
For ever ever after
StarGaizer789
I wish this song was more commonly played. It is truly a masterpiece, I was a 7 year old girl when I heard this song. It made a little 7 year old girl believe in love for the very first time.
Joshua Koteka
Same here 💋💋
Chelsgirl29
@Joshua Koteka I was in 7th grade when this beautiful song came and i remember when i first heard it at the end of the movie i knew it, it was gonna be one of my favorite songs! I can't wait for Disenchanted!
Hope Awesome
💗💗💗
Seanchris Regner
Oml same
Gia Cherubini
I don’t believe in love
cance7984
She poured her heart and soul in this song.
tytyforever
fr 😭
Victoria Rose
I agree!
Andressa Barbosa
❤❤❤❤❤