While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Ella Es Bailarina
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ella es bailarina
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo hacer
Es un buen maestro
Es un buen maestro
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo aprender
Ella se saca la estola de bisón
Y el soutien dorado
Y el soutien dorado
El pone fuego en el calefón
Y juntos se bañan los dos
Es un policía
Es un policía
Y siempre cumple con su justo deber
Pero todavía hay algo que no pudo hacer
Cuando el maestro debe ir a estudiar
Llega el azulado
Llega el azulado
Deja la guardia en la seccional
Tan sólo para verla bailar
Es un sacerdote
Es un sacerdote
Y siempre cumple con su santo deber
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
The lyrics of Charly Garcia's "Ella Es Bailarina" speak of a talented dancer and teacher who still has things to learn and do in life. The song begins by acknowledging the dancer's skills and knowledge but also highlights that there is something that she hasn't been able to achieve yet. The lyrics then switch to describe a police officer who always follows his duty but also hasn't been able to do something he desires. The third verse introduces a priest who, despite fulfilling his religious duties, ends up marrying the dancer, the police officer, and himself in a packed nightclub.
The song talks about people who seem to have it all together but still have unfulfilled desires and ambitions. It suggests that there is always room for growth and improvement, regardless of one's field of expertise. The last verse also challenges societal norms by depicting a priest, who is expected to adhere to strict religious rules, breaking them and marrying others in a nightclub. Overall, the song shows that people are more than just their titles and roles, that they have desires and aspirations that go beyond what their professions might suggest.
Line by Line Meaning
Ella es bailarina
She is a dancer
Y sabe todo lo que debe saber
And she knows everything she needs to know
Pero todavía hay algo que no pudo hacer
But still there is something she could not do
Es un buen maestro
He is a good teacher
Y sabe todo lo que debe saber
And he knows everything he needs to know
Pero todavía hay algo que no pudo aprender
But still there is something he could not learn
Ella se saca la estola de bisón
She takes off her bison stola
Y el soutien dorado
And the golden bra
El pone fuego en el calefón
He sets fire in the water heater
Y juntos se bañan los dos
And they take a bath together
Es un policía
He is a police officer
Y siempre cumple con su justo deber
And he always fulfills his duty fairly
Pero todavía hay algo que no pudo hacer
But still there is something he could not do
Cuando el maestro debe ir a estudiar
When the teacher has to go study
Llega el azulado
The blue one arrives
Deja la guardia en la seccional
Leaves the guard at the station
Tan sólo para verla bailar
Just to see her dance
Es un sacerdote
He is a priest
Y siempre cumple con su santo deber
And he always fulfills his holy duty
En un club nocturno reventado
In a packed nightclub
Los casó a los tres
He married the three of them
En un club nocturno reventado
In a packed nightclub
Los casó a los tres
He married the three of them
En un club nocturno reventado
In a packed nightclub
Los casó a los tres
He married the three of them
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
F a c u n d o
Ella es bailarina
Ella es bailarina
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo hacer
Es un buen maestro
Es un buen maestro
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo aprender
Ella se saca la estola de bisón
Y el soutien dorado
Y el soutien dorado
El pone fuego en el calefón
Y juntos se bañan los dos
Es un policía
Es un policía
Y siempre cumple con su justo deber
Pero todavía hay algo que no pudo hacer
Cuando el maestro debe ir a estudiar
Llega el azulado
Llega el azulado
Deja la guardia en la seccional
Tan sólo para verla bailar
Es un sacerdote
Es un sacerdote
Y siempre cumple con su santo deber
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
F a c u n d o
Ella es bailarina
Ella es bailarina
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo hacer
Es un buen maestro
Es un buen maestro
Y sabe todo lo que debe saber
Pero todavía hay algo que no pudo aprender
Ella se saca la estola de bisón
Y el soutien dorado
Y el soutien dorado
El pone fuego en el calefón
Y juntos se bañan los dos
Es un policía
Es un policía
Y siempre cumple con su justo deber
Pero todavía hay algo que no pudo hacer
Cuando el maestro debe ir a estudiar
Llega el azulado
Llega el azulado
Deja la guardia en la seccional
Tan sólo para verla bailar
Es un sacerdote
Es un sacerdote
Y siempre cumple con su santo deber
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
En un club nocturno reventado
Los casó a los tres
Vxolytg
Justo sali de un concierto de Charly y toco este tema, y yo no sabia cual era. Y luego 2 dias despues escucho el disco Como Conseguir Chicas y descubro cual era el tema.
Dotto
Que buen tema... del mejor disco.
jose luis campos
Que tema bailable de los 80 !!!! Mortal Charly , capo !!!!!
La vida es música Marce Pérez
Charly tu música me salva!!!!
Christian Campos
Qué temonaso! Pandemia de full Charly!!
Rodrigo Espinoza
Primer view y me gusta
Genio Charly eres el mejor
Rodrigo Damian Gonzalez
Me pasa que siento que el bajo de esta canción lo hicieron bailando, es intuitivo funk, pero te mete unos dedos bien rock, es divertido, no se si me explico, no se si quiero que me entiendan tampoco
Jorge Ibarra
ella es bailarina ja ja ja se la dedico a mi asistenta social bailando es una fiera .....
maccingame musica
Con el permiso de Carlos Alberto les dejo un disco para que disfruten :
https://youtu.be/VGKRJknLssM