While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
FaxU
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y hay un lado que no tiene sol
Y todos tienen una casa blanca
Y todos tienen un poco de amor
Fax u
¿quién te creés que sos?
Fax u
En mi telephone
Fax u
(concha de fax u)
Yo te besaba
Yo te quería
Yo te trataba
Como a una algodón
Pero los cables
Llegaron arriba
Y desde abajo
Ya no te vi amor
Fax u
Y tu telephone
Fax u
Fax u
Ya no se quien sos
Fax u
Adoro la teletransportación
Cuando me hablabas
Cuando ingerías
Cuando salías
A ese balcón
Todo era rosa
Todo era nada
Todo era blanca
El alba y hoy
Fax you!
Te quiero ver!
Fax you!
Adoro la teletransportación
Yo soy mucho mas rápido que lo que creíste
No estás completamente inventada
Te falta algo, te falta amor
Te falta ser como son los soldados
Que mueren junto al frente amor
Fax you!
The lyrics to Charly Garcнa's song "Fax U" describe the alienation and detachment caused by modern technology, specifically the fax machine and telephone. The first verse speaks of the soft frames of houses and the side that doesn't get any sun, but how everyone still has a white house and a little bit of love. This is contrasted with the chorus, where the singer commands the fax machine, asking who it thinks it is and declaring "Fax u" (a play on both "fuck you" and "fax you"). The second verse speaks of lost love and nostalgia, where the singer fondly remembers kissing, loving, and treating someone gently, but the arrival of cables and machines caused a disconnection where the singer can no longer recognize their former lover. The final lines of the song express a desire to see this person again and a fascination with the idea of teletransportation.
The song seems to be a commentary on how technology has distanced people from each other and made communication more impersonal. The fax machine specifically is used as a symbol for this, and the lyrics suggest that this lack of connection has caused pain and loneliness. The singer longs for a connection that transcends technology, which is where the idea of teletransportation comes in.
Line by Line Meaning
Las casas tienen armazones blandas
Houses have soft structures
Y hay un lado que no tiene sol
And there's a side that doesn't get sun
Y todos tienen una casa blanca
And everyone has a white house
Y todos tienen un poco de amor
And everyone has a little love
Fax u
Send a fax to you
¿quién te creés que sos?
Who do you think you are?
En mi telephone
On my phone
Concha de fax u
F**k you fax machine
Yo te besaba
I used to kiss you
Yo te quería
I used to love you
Yo te trataba
I used to treat you
Como a una algodón
Like a cotton candy
Pero los cables
But wires
Llegaron arriba
Got disconnected
Y desde abajo
And from below
Ya no te vi amor
I didn't see you anymore, love
Ya no se quien sos
I don't know who you are anymore
Adoro la teletransportación
I love teleportation
Cuando me hablabas
When you talked to me
Cuando ingerías
When you drank
Cuando salías
When you went out
A ese balcón
To that balcony
Todo era rosa
Everything was pink
Todo era nada
Everything was nothing
Todo era blanca
Everything was white
El alba y hoy
Dawn and today
Te quiero ver!
I want to see you!
No estás completamente inventada
You're not completely invented
Te falta algo, te falta amor
You're missing something, you're lacking love
Te falta ser como son los soldados
You need to be like soldiers
Que mueren junto al frente amor
Who die together in the front, my love
Fax you!
F**k you fax machine!
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
Dimas Gozzi
Las casas tienen armazones blancas
y hay un lado que no tiene sol
y todos tienen una casa blanca
y todos tienen un poco de amor.
Fax U
¿Quién te creés que sos?
fax u
fax u
In your telephone
fax u
(I gonna tell you fax U)
Yo te besaba
yo te quería
yo te trataba
como a un algodón
Pero los cables
llegaron arriba
y desde abajo
ya no te vi amor
Fax u
In your telephone
fax u
fax u
ya no se quién sos
fax u
Adoro la teletransportación
adoro la teletransportación.
Cuando me hablabas
cuando querías
cuando salías
a ese balcón
Todo era rosa
todo era nada
todo era blanca
pero no hay hoy
Fax U!
Te quiero ver!
Fax U!
Fax U!
Fax U!
Fax U!
Adoro la teletransportación
yo soy mucho mas rápido que lo que creíste
No estás completamente inventada
te falta algo, te falta amor
te falta ser como son los soldados
que mueren junto al frente amor
Fax U!
Fax U!
Fax U!
Fax U!
Fax U!
Fabrizio Marco
Es la primera vez que escucho este tema, y siento que es uno de los mejores que escuché en mi vida
Martín Casalnovo
Escucha el disco entero y explotará tu cabeza
Walter Gonzalez
Bienvenido al mundo de charly!!
#SnM
Atenea *
Hoy 08/03/2022 lo sigo escuchando y pienso exactamente lo mismo. Saludos Fabrizio
Alan Sayavedra
Y el cover de Dillom en vivo lo escuchaste?
Daniel Guzmán
Muchos años pensando que este tema era muy denso, delirante , satánico, de un drogadicto en sus peores momentos, que no era el Charly de los ochenta que había sido mi ídolo. Ahora 25 años después me doy cuenta de que equivocado que estaba. Es una obra de arte esto hermano. El sonido de la grabación, los efectos, las guitarras de Mapu , la voz de Carlitos que no va haber cover que lo supere. La letra , la armonía , mil disculpas maestro.
Driw
Este artista es una obra maestra en si mismo, ¿Tiene algo malo? (Musicalmente hablando), lo dudo.
Lorena Molina
👏👏👏
daniel menoyo
la vanguardia es así
Germán Barbott
@Clara Son letras que hasta que no las vives en la piel del protagonista no logras tomar dimensión de lo acertada que es la letra ,una obra de arte