Carlos Alberto García Moreno was born on October 23, 1951. It is one of the… Read Full Bio ↴Carlos Alberto García Moreno was born on October 23, 1951. It is one of the key figures of contemporary music Argentina. His recording debut came in 1972, when he participated in the first record of Raul Porchetto, titled "Rock Christ."
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
No Me Dejan Salir
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo largar
No puedo salir
No puedo sentir
Amor a este sentimiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo salir
Por amor a este sentimiento
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo pensar
No puedo vivir
No puedo sentir
Si amor es un pensamiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ese sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Ya no sirve
Vivir para sufrir
Te das cuenta
Sácate el mocasín
No puedo calmar
No puedo parir
No puedo esperar
Mil años que cambie el viento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ses sentimiento
Tengo que confiar en mi amor, tengo que confiar en mi sentimiento
No me dejan salir
Estoy verde
No me dejan salir
No puedo largar
No puedo salir
No puedo sentir
Tengo que volverte a ver
Tengo que volverte a ver
No puedo salir
Por amor a este sentimiento
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo pensar
No puedo vivir
No puedo sentir
Si amor es un pensamiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ese sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Ya no sirve
Vivir para sufrir
Te das cuenta
Sácate el mocasín
No puedo calmar
No puedo parir
No puedo esperar
Mil años que cambie el viento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ses sentimiento
Tengo que confiar en mi amor, tengo que confiar en mi sentimiento
The lyrics of Charly García's song "No Me Dejan Salir" narrate the emotional struggle and longing of someone who is trapped and confined in their current situation. The use of the phrase "Estoy verde" (meaning "I'm not ready" or "I'm inexperienced") coupled with the repeated line "No me dejan salir" (meaning "They won't let me out") creates a sense of frustration and helplessness. The singer of the song believes that their feelings are holding them back and preventing them from being able to move on from their current situation.
Line by Line Meaning
Estoy verde
I am inexperienced and not ready to face the world
No me dejan salir
I am being held back and not allowed to explore my potential
No puedo largar
I cannot let go of my current situation
No puedo sentir amor a este sentimiento
I cannot feel love for this feeling
Tengo que volverte a ver
I need to see you again
No puedo pensar
I cannot think clearly
No puedo vivir
I cannot keep living like this
No puedo sentir amor si amor es un pensamiento
I cannot feel love if love exists only in my thoughts
Tengo que confiar en mi amor
I must trust my love
Ya no sirve vivir para sufrir
Living to suffer is no longer worth it
Te das cuenta, sácate el mocasín
Realize it, take off your shoe
No puedo calmar
I cannot calm down
No puedo parir
I cannot give birth to new ideas or projects
No puedo esperar mil años que cambie el viento
I cannot wait for a change that could take forever
Por amor a ese sentimiento
For the love of that feeling
Tengo que confiar en mi sentimiento
I must trust my feelings
Lyrics © Universal Music Publishing Group
Written by: CARLOS ALBERTO GARCIA
Lyrics Licensed & Provided by LyricFind
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Danilosky
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo largar
No puedo salir
No puedo sentir
Amor a este sentimiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo salir
Por amor a este sentimiento
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo pensar
No puedo vivir
No puedo sentir
Si amor es un pensamiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ese sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Ya no sirve
Vivir para sufrir
Te das cuenta
Sácate el mocasín
No puedo calmar
No puedo parir
No puedo esperar
Mil años que cambie el viento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ses sentimiento
Tengo que confiar en mi amor, tengo que confiar en mi sentimiento
E.Gaga Germanotta
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo largar
No puedo salir
No puedo sentir
Amor a este sentimiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo salir
Por amor a este sentimiento
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo pensar
No puedo vivir
No puedo pensar
Si amor es un pensamiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ese sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Ya no sirve
Vivir para sufrir
Te das cuenta
Sacate el mocasín
No puedo calmar
No puedo parir
No puedo esperar
Mil años que cambie el viento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ses sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Pedro Alonso Lopéz
¿Quién más está escuchando está canción en plena cuarentena?
Juan David Montes Choqueña
tu nomas
El Chico quiere Rock
JAJAJAJA
tata1468
down
Kelly Decire
Cuarentena parte 2 en Perú xd
Manoel Mello Mattos
Volver a los 20
Víctor Dupont
Charly es de esos artistas que más cantaron y escribieron sobre el encierro, la opresión; pero a la vez su canto es un grito de libertad como pocas veces se oyó en estas tierras.
dementor does
@🌻Ary🌻 con Peron más bien estimada y volviendo al primer comentario, tienes toda la razón fue quien más habló de la dictadura
🌻Ary🌻
Es que nació con Videla xd
Danilosky
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo largar
No puedo salir
No puedo sentir
Amor a este sentimiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo salir
Por amor a este sentimiento
Estoy verde
No me dejan salir
Estoy verde
No me dejan salir
No puedo pensar
No puedo vivir
No puedo sentir
Si amor es un pensamiento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ese sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Tengo que confiar en mi amor
Tengo que confiar en mi sentimiento
Ya no sirve
Vivir para sufrir
Te das cuenta
Sácate el mocasín
No puedo calmar
No puedo parir
No puedo esperar
Mil años que cambie el viento
Tengo que volverte a ver
Tengo que volverte a ver
No puedo perder
Por amor a ses sentimiento
Tengo que confiar en mi amor, tengo que confiar en mi sentimiento