While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Rejas Electrificadas
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
que ayer te han levantado
te ruego que respires todavía.
Apoyo mis espaldas y espero que abraces
atravesando el muro de mis días.
Y rasguña las piedras,
y rasguña las piedras.
y rasguña las piedras hasta mí.
se acercan las bandas de rock and roll
y sacuden un poco,
las paredes gastadas
y siento las preguntas de tu voz.
Y rasguña las piedras,
y rasguña las piedras.
y rasguña las piedras hasta mí.
Y si estoy cansado de gritarte
es que sólo quiero despertarte.
Y por fin veo tus ojos
que lloran desde el fondo
y empiezo a amarte con toda mi piel
Y escarbo hasta abrazarte
y me sangran las manos
pero qué libres vamos a crecer
Y rasguña las piedras,
y rasguña las piedras.
y rasguña las piedras hasta mí.
Y rasguña las piedras,
y rasguña las piedras.
y rasguña las piedras hasta mí.
The lyrics of Charly García's song Rejas electrificadas talk about a person who is trapped behind walls that were built around them. The singer is trying to reach them and urging them to keep breathing. They lean against the wall in the hopes that the person behind it will embrace them and break through the wall that separates them. The person behind the wall asks questions and tries to communicate with the singer, and their words are barely perceptible under the sound of the rock and roll bands that keep playing outside the walls.
The singer is tired of shouting for the person behind the wall and only wants to awaken them from their trapped state. Finally, the person behind the wall reveals themselves to the singer, and they start loving them with all their heart. Even though their hands bleed from digging through the wall, they are now free to grow and develop. The phrase "y rasguña las piedras" (and scratches the stones) is repeated throughout the song as a metaphor for the effort and pain it takes to break free from the walls of oppression.
Overall, the song's lyrics are about breaking free from the constraints that someone or something has put on you. It advocates for love, growth, and freedom and encourages people to persevere through the difficulties of breaking free.
Line by Line Meaning
Detrás de las paredes que ayer te han levantado
Behind the walls that were built around you yesterday
te ruego que respires todavía.
I implore you to keep breathing
Apoyo mis espaldas y espero que abraces
I lean my back against the wall and hope you will embrace me
atravesando el muro de mis días.
Breaking through the wall of my everyday life.
Y rasguña las piedras,
And scratch the stones,
y rasguña las piedras.
And scratch the stones.
y rasguña las piedras hasta mí.
And scratch the stones until you reach me.
Apenas perceptibles, escucho tus palabras
I can barely hear your words
se acercan las bandas de rock and roll
The sound of rock and roll bands approaching
y sacuden un poco, las paredes gastadas
Shaking the worn-out walls a little bit
y siento las preguntas de tu voz.
And I can feel the questions in your voice.
Y si estoy cansado de gritarte
And if I am tired of shouting at you
es que sólo quiero despertarte.
It's because I just want to wake you up.
Y por fin veo tus ojos
And finally I see your eyes
que lloran desde el fondo
Crying from the depths of your soul
y empiezo a amarte con toda mi piel
And I begin to love you with all of my being
Y escarbo hasta abrazarte
And I dig deep to embrace you
y me sangran las manos
And my hands bleed
pero qué libres vamos a crecer
But how free we will grow
Y rasguña las piedras,
And scratch the stones,
y rasguña las piedras.
And scratch the stones.
y rasguña las piedras hasta mí.
And scratch the stones until you reach me.
Contributed by Claire A. Suggest a correction in the comments below.
Rodri Pabon
Majestuoso 👏
Agustin Molina
Que ser tan maravilloso,nos hizo tan feliz ..te amo Carlitos
Santiago Martin
el mejor tema de charly garcia!
fabricio ü
se me hace muy tierno la melodía jaja lo amo
ShadowH
jaja es preciosa
Fabio Tito Montefinale
Mirá vos , esto no lo conocía ...
Cami Cerdeiro
hermosisimo snm
Nicolás Alberto Godoy
Happy melody 🎶😌🎶
didier foffano
Remasterizaron todos, menos "Yendo de la cama al living", o por los menos yo ahora 16-10-2019 19:56, no lo encuentro
Vaniv
suena a Undertale