While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Say no more
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Mentiste
Fallaste
No viste quien soy
Amaste
Te fuiste
Curaste
Alguna vez
Algo tenía que pasar
(No sé si lo entenderás)
Yo siempre estuve aquí
No sé que hiciste en mi
Porque mi vida es
Tan triste
Yo se que
Existe la voz (la voz)
Pediste perdón (perdón)
Mi vida es
Tan triste
Yo se que
Existe la voz, la voz
Decía simplemente que se había producido un incendio
Al llegar los bomberos, encontraron
A un hombre en una cama en llamas
The lyrics to Charly Garcia's "Say no more" are filled with emotion and introspection, exploring themes of betrayal, love, forgiveness, and regret. The first stanza is a list of actions taken by the subject of the song: "Jugaste" (you played), "Mentiste" (you lied), "Fallaste" (you failed), "No viste quien soy" (you didn't see who I am). The second stanza is a list of reactions to those actions: "Amaste" (you loved), "Te fuiste" (you left), "Curaste" (you healed), "Pediste perdón" (you asked for forgiveness).
The chorus begins with the line "Alguna vez" (at some point), suggesting that these actions and reactions were an inevitable result of the relationship. The singer expresses a sense of confusion and sadness: "No sé si lo entenderás" (I don't know if you'll understand), "Yo siempre estuve aquí" (I was always here), "No sé qué hiciste en mi" (I don't know what you did to me). However, there is a glimmer of hope in the line "Porque mi vida es tan triste" (because my life is so sad): the singer acknowledges that there is a voice inside that can still offer comfort and guidance.
The final lines of the song are a haunting reference to a news report of a man burning alive: "Decía simplemente que se había producido un incendio / Al llegar los bomberos, encontraron / A un hombre en una cama en llamas" (They simply said there had been a fire / When the firefighters arrived, they found / A man on a bed in flames). This image underscores the sense of desperation and pain conveyed throughout the song.
Overall, "Say no more" is a deeply personal and emotional song that speaks to the human experience of love and loss. Its lyrics are open to interpretation but are sure to resonate with anyone who has experienced the highs and lows of a passionate relationship.
Line by Line Meaning
Jugaste
You played games
Mentiste
You lied
Fallaste
You failed
No viste quien soy
You didn't see who I am
Amaste
You loved
Te fuiste
You left
Curaste
You healed
Pediste perdón
You asked for forgiveness
Alguna vez
Sometime
Algo tenía que pasar
Something had to happen
(No sé si lo entenderás)
(I don't know if you'll understand)
Yo siempre estuve aquí
I was always here
No sé que hiciste en mi
I don't know what you did to me
Porque mi vida es
Because my life is
Tan triste
So sad
Yo se que
I know that
Existe la voz (la voz)
The voice exists
Pediste perdón (perdón)
You asked for forgiveness
Mi vida es
My life is
Tan triste
So sad
Yo se que
I know that
Existe la voz, la voz
The voice exists, the voice
Decía simplemente que se había producido un incendio
He simply said that there had been a fire
Al llegar los bomberos, encontraron
Upon the arrival of the firefighters, they found
A un hombre en una cama en llamas
A man in a burning bed
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
@Artylandia
Jugaste
Mentiste
Fallaste
No viste quien soy
Amaste
Te fuiste
Curaste
Pediste perdón (perdón)
Alguna vez
Algo tenía que pasar
(No sé si lo entenderás)
Yo siempre estuve aquí
No sé que hiciste en mi
Porque
Mi vida es
Tan triste
Yo se que
Existe la voz (la voz)
Pediste perdón (perdón)
Mi vida es
Tan triste
Yo se que
Existe la voz, la voz
"Decía simplemente que se había producido un incendio"
"Al llegar los bomberos, encontraron
A un hombre en una cama en llamas"
@innocencio22
Creo que es una de las portadas más lindas del rock nacional.
@felays3171
?? Todo lo contrario, entiendo el concepto del disco a la perfección y todo, pero no es una portada "linda", ni siquiera busca serlo
@innocencio22
@Felays Qué bueno que entiendas a Charly a la perfección! En cuanto a si la portada es linda o no creo que depende de cada uno. A mí me gusta.
@saladodelsureditorial8675
SNM
@undrogadicto
Es mí portada favorita
@gabrielacordoba2819
Jajajaja ponele que "linda". Es vital, y con ESO...
@vonlandon4714
A riesgo de que me linchen diré que esta es una de las mejores canciones que se han escrito. Y es quizás este uno de los mejores discos de la historia del rock argentino. Particularmente me cambió la forma de ver las cosas, de percibir el mundo.
@electricfriends7954
Yo le halle gusto al SNM hasta que estaba re mal en mi vida
@javirolrain7539
Me gustaría escuchar ese punto de vista
@IBSALVI
"A riesgo de que me linchen" jajajaa la re vivis