Run It -uhc
Chris Brown Lyrics

Okay
Acknowledges the start of the song.

Check it, check it, check it out
Asks the listener to pay attention.

It's Santana again
Reintroduces Juelz Santana as an artist on the track.

Steppin', steppin', steppin' out
Indicates that Santana is making a public appearance and presenting himself in a confident manner.

One of them brand new big boy toys
Refers to a luxury car or a new flashy item that Santana has recently acquired.

I do big boy things
Suggests that Santana is living an adult lifestyle and engaging in activities typically reserved for mature men.

I make big boy noise 'cause
Implies that Santana is not afraid to be bold and assertive.

I know what girls want
Claims to understand the desires of women.

I know what they like
Implies that Santana is highly in tune with women's preferences and can cater to them accordingly.

They want to stay up
Suggests that women desire to be awake and active during late hours.

And party all night
Implies that women enjoy going out and having fun during night time, especially at parties.

So bring a friend
Invites the listener to bring a companion to join in the party and have more fun together.

Let me talk to you
Initiates a conversation between the artist and the listener, where the artist shares his thoughts and feelings.

Tell you how it is
Plans to be straightforward and blunt about what he has to say.

I was thinkin' when I saw that body
Admits to being attracted to the listener's physical appearance.

Gotta get shorty
Describes the urge to approach the listener and initiate contact.

Tell her what the young boy goin' do
Promises to inform the listener about the artist's intentions and plans for the night.

Damn them chicks with you
Expresses admiration for the listener's friends or associates who are with her.

Gotta be okay
Suggests that the artist needs to ensure that the listener's friends approve of him.

Babe pretty thick with a kick that's sick
Comments on the listener's physique and how it is impressive.

That need to be hit
Implies that the listener's physical attributes are attractive to the artist and he wants to have some form of physical contact.

So tell me what y'all goin' do
Asks for the listener and her friends' intentions for the night.

I got friends and you got friends
Confirms that the artist and the listener both have companions with them.

They hop out and you hop in
Suggests that the friends of the artist and the listener will leave them alone for the night to enjoy themselves.

I look fly and they jockin'
Boasts about the artist's appearance and how others are impressed with him.

The way you drop, drop
Refers to the listener's dance moves and how she is able to move her hips.

Makes me wanna pop
States that the artist is turned on by the listener's dancing and it causes him to feel aroused.

Is yo man
Asks the listener if she has a partner.

On the floor?
Wonders if the listener's partner is present and in the same location as her.

If he ain't
Implies that the presence of the listener's partner could be a deterrent to the budding relationship between the artist and the listener.

Let me know
Asks the listener to inform the artist about the situation with her partner.

Lemme see if you can run it, run it
Invites the listener to showcase her dancing or flirting skills to the artist and demonstrate her willingness to pursue a relationship with him.

Girl indeed I can run it, run it
Responds to the artist's request for the listener to demonstrate her flirting or dancing prowess by confirming that she is capable of doing it.

Girl you feel right
Compliments the listener's presence and how good she looks or feels.

Make me feel like
Admits that the listener is affecting his emotions and feelings in a positive manner.

I wanna do a little somethin'
Implies that the artist is interested in taking things further and initiating some kind of physical contact or intimate activity with the listener.

Ain't no thing let's do it fo' sho'
Affirms that the artist and the listener are on the same page and agree to pursue a romantic or sexual relationship.

The way that yo wearin' them jeans
Appreciates how the listener looks in her clothing, in this case, jeans.

Is turnin' me on
Admits that the artist is being aroused by the listener's physical appearance.

You're the hottest thing
Describes the listener as being the most attractive person in the area or location.

That's in these streets
Refers to the area where the artist and the listener are situated, implying that there are no other people physically attractive or desirable as the listener.

So baby won't you rock wit me
Asks the listener to engage in an intimate dance with the artist, giving them the opportunity to bond emotionally and physically.

Make it drop honey
Refers to the listener's dancing technique which is attractive and arousing to the artist.

Make it pop honey
Requests that the listener continue her attractive dancing technique to turn on the artist further.

Whip, wop
Refers to dancing moves similar to that of the Ying Yang twins in their hit song Wait till you see my.

Tick, tock to the clock fo' me
Implies that the artist is in control of time and will do what is necessary to maximize the amount of time he and the listener have together.

Don't stop doin' that
Requests that the listener continues her arousing dancing moves to satisfy the artist's needs.

And shorty know what I mean when I tell her so she won't stop doin' that
The artist acknowledges that the listener understands what he is saying, giving her directions to continue her arousing dancing moves.

Plus I heard if you can dance you can bump
Recalls that people who can dance are usually skilled in other forms of physical activity, such as sex.

Well dance time is up
Implies that the artist is ready to shift the relationship from being just dancing to establishing sexual intimacy.

Let's go, let's go (yup)
Indicates that the artist is enthusiastic about taking the relationship to another level and getting intimate with the listener.

We can get it in
Suggests that the artist and the listener can engage in sex or some other form of physical intimacy.

We can get some friends
Implies that the artist has sexual partners or friends who could also join them in the intimate activities.

Do it like he ying yang twins start whisperin'
Refers to the intimate and suggestive language used by the Ying Yang Twins in their music and suggests that the artist is about to engage in similar activities with the listener.

Wait till you see my (hey)
Suggests that the artist has something impressive planned to show the listener.

Let me fall back
Implies that the artist is taking a step back and allowing the listener to make a decision about taking things further or not.

You ain't ready for all that
Asserts that the artist is more advanced in the realm of sexual activity than the listener is or is comfortable with.

Have you sleep late
Implies that the activities planned between the artist and the listener will take a while and could extend beyond regular sleeping hours.

Real late yeah
Further stresses the idea that the artist and the listener will be awake for an extended period of time, into the early hours of the morning.

Takin' them long naps
Suggests that the listener may feel tired after the extended night of activities and will need to rest for some time.

You tell yo friends
Asks the listener to inform her friends about the events that transpired when she was with the artist.

To get wit my friends
Suggests that there is a group of people in the artist's circle who may be potential partners for the listener's friends.

We can be friends
Offers the idea that the listener and the artist can have a relationship beyond just sex or intimacy and can build a friendship together.

Switch and meet friends (switch)
Proposes the idea of changing partners or rotating through different sexual partners to maximize pleasure and enjoyment.

We can do it all night long, and
Reiterates the idea that the artist and the listener will be awake and active through the night, engaging in various activities.

Until the clock hit mornin'
Implies that the artist and the listener will engage in activities until the early hours of the morning before stopping.

Ya dig
A rhetorical question used at the end of a sentence, asking the listener if they understand and agree with the artist's plan.