1) Christopher Maurice… Read Full Bio ↴There is more than one artist with this name:
1) Christopher Maurice Brown (born May 5, 1989) from Tappahannock, Virginia.
In late 2005, he released his first studio album, Chris Brown, which spawned the Billboard Hot 100 number-one debut single, "Run It!" which was produced by Scott Storch and featured Juelz Santana. The album also produced two other top ten singles: "Yo (Excuse Me Miss)" and "Say Goodbye." Brown's second studio album, Exclusive was released worldwide in November 2007. It has spawned his second US number one hit, "Kiss Kiss" which was produced by T-Pain, who was also featured in the song . The third single, "With You", has reached number 2 on the Billboard Hot 100, and has entered into the top ten in several countries across the world, becoming one of his most successful worldwide releases to date.
The second single, "Kiss Kiss", was nominated for the 50th Annual Grammy Awards in the category for Best Rap/Sung Collaboration.
Brown, one of two children, was born and raised in the small town of Tappahannock, Virginia, the son of Joyce Hawkins and Clinton Brown. Brown was influenced by the artists his parents played on the home radio, such as Michael Jackson and Sam Cooke. A dancer since the age of two, Brown was not aware of his vocal talents until the age of eleven. Before becoming a vocalist, he was interested in becoming a rapper.
At thirteen, Brown was discovered by a local production team who visited his father's gas station searching for new talent. Since then, he began his recording career and moved to New York, staying there for two years. Brown's local production team organized an audition before Def Jam Vice President Tina Davis, who currently works as his manager. At the age of 15, Brown was then sent to perform for L.A. Reid and was subsequently signed in 2004 to Jive Records. By early 2005, Brown began work for his debut album, working with the likes of Scott Storch, The Underdogs, Dre, Vidal, Bryan Michael Cox, Bow Wow, and Jermaine Dupri.
Brown left school in late 2004 to begin working on his self-titled debut album which was released on November 29, 2005. The album debuted at #2 on the Billboard 200 selling over 155,000 copies in first week of sales. Five weeks later, became certified platinum, and within a year, went double platinum. His debut single "Run It!," was #1 in the United States, New Zealand, and Australia. Following "Run It!," "Yo (Excuse Me Miss)" became Brown's second top 10 hit in the US, peaking at #7, and #13 in the UK. It has been certified platinum by the RIAA.
His third single "Gimme That" was released in March 2006 which featured Lil Wayne for a remix, originally not featured on the Chris Brown album, but was later included. The single debuted on the U.S. Billboard Hot 100 at #80 and climbed the charts quickly peaking at #15. Chris also co-directed his music videos for "Yo (Excuse Me Miss)" and "Gimme That." His fourth single is the ballad "Say Goodbye," which is also a part of the Step Up Soundtrack. On June 13, 2006, Brown released a DVD entitled, Chris Brown's Journey, which shows footage of him travelling in England and Japan, getting ready for his first visit to the Grammys, behind the scenes of his music videos and bloopers.
On August 17, 2006 to further promote the album, Brown kicked off his major co-headlining tour, The Up Close and Personal Tour. Due to the tour, production for his next album was pushed back two months a second summer tour is in the works once the album is completed the tour may include artists: Pretty Ricky, Bow Wow, Lil Wayne, Juelz Santana, Ne-Yo, Ciara, and Cherish.'. Chris also has been the opening act for R&B singer Beyonce Knowles on the Australian leg of her The Beyonce Experience tour.
Exclusive is the second studio album by Brown. The album was released in November, 2007. It served as the sophomore album for Brown and was both critically and commercially successful. The album was supported by five singles including the songs "Kiss Kiss" and "With You". Exclusive has gone on to sell over three million copies.
Graffiti was released in 2009 and included the top-twenty single "I Can Transform Ya". Brown's fourth album F.A.M.E. was released in 2011 becoming Chris Brown's first studio album to top the Billboard 200. The album earned Brown his first Grammy Award for Best R&B Album.
His fifth album entitled Fortune was released in 2012.
Brown's latest album X was released in September, 2014.
Chris Brown has also started to act in movies and has appeared in Stomp The Yard and This Christmas as well as several episodes of The O.C.
Websites of interest:
- Chris Brown Web
- UChris
- Chris Brown World
2) Chris Brown (born 1953) is a composer, pianist, and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles.
Born and raised in Chicago, he moved to California to study electronic music with Gordon Mumma and composition with William Brooks at University of California, Santa Cruz, and with David Rosenboom at Mills College. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improvisor and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Sexophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.
His 1992 epic electroacoustic work "Lava", for brass, percussion, and electronics is also available on Tzadik Records. He teaches Composition and Electronic Music at Mills College in Oakland, where he is Co-Director of the Center for Contemporary Music (CCM). He is not to be confused with R & B artist Chris Brown.
3) Chris Brown is a Canadian singer-songwriter and multi-instrumentalist.
Brown was one of the primary singers and songwriters for the alternative rock band Bourbon Tabernacle Choir in the 1980s and 1990s. When that band broke up, he continued performing as a duo with his Bourbon bandmate Kate Fenner. Brown has accompanied dozens of notable musicians on stage, such as in 1998 when he spent six months filling in for Kevin Hearn as a member of Barenaked Ladies while Hearn battled leukemia.
Brown released a solo album, Burden of Belief, in 2003. He performs this material both solo and with Tony Scherr, Anton Fier, and Teddy Kumpel as Chris Brown and the Citizens' Band. The group's album Oblivion was released in 2007.
4) A San Francisco-area based power pop singer-songwriter.
5) A UK DJ/Remixer and part of Ruff Driverz.
Talm Bout
Chris Brown Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Fuck is you talkin' 'bout?
Bitches on me and my homies
Tryna get all the clout
She just want the money like it's all free
'Cause I got a lot of racks on me
Girl, you ain't no good, you keep tellin' lies
I can see the fake written all over your face
Won't run no game with me, you know that's a mistake
Know I keep it real, this ain't no disguise
Girl, you know you bad, that ain't no surprise
You get what you want when that ass in my face
And you do it for fun, girl, you love the chase
If you want the cash, then, baby, make it drop
Give you what you ask 'til you get to the top
Know you won't be lonely if you come through tonight (no)
I wanna bring a friend, we could get to it right
Look at these bitches on me
Fuck is you talkin' 'bout?
Bitches all been my homies
Tryna get all the clout
She just want the money like it's all free
'Cause I got a lot of racks on me
Look at these bitches on me
Fuck is you talkin' 'bout?
Bitches all been my homies
Tryna get all the clout (oh, she)
She just want the money like it's all free
'Cause I got a lot of racks on me
You be doin' magic every time you dance
Make it disappear when you use no hands
Know what to do
You don't mind workin' 'cause you're comfortable
Girl, your loyalty, it don't stand a chance
You been all around, you been makin' plans
To circle right back
Your actions loud, baby, keep it like that, yeah
If you want the cash, baby, make it drop
Give you what you ask, so you get to the top
Know you won't be lonely if you come through tonight
Could bring a friend, we could get to it right (yeah)
Look at these bitches on me
Fuck is you talkin' 'bout? (Oh)
Bitches on me and my homies
Tryna get all the clout (yeah-yeah)
She just want the money like it's all free
'Cause I got a lot of racks on me
Look at these bitches on me (oh, yeah)
Fuck is you talkin' 'bout? (fuck is you talkin' 'bout?)
Bitches on me and my homies
Tryna get all the clout (yeah, oh, she)
She just want the money like it's all free (all free)
'Cause I got a lot of racks on me
Lot of racks on me
Lot of racks on me
On me, on me, oh
Lot of racks on me
Lot of racks on me
(Ah-ah)
Ooh, ooh
Ooh, yeah-yeah, yeah-yeah, yeah
Ooh-ooh (oh-oh)
'Cause I got a lot of racks on me
Look at these bitches on me
Fuck is you talkin' 'bout?
Bitches on me and my homies
Tryna get all the clout
She just want the money like it's all free
'Cause I got a lot of racks on me
Look at these bitches on me
Fuck is you talkin' 'bout?
Bitches on me and my homies
Tryna get all the clout (oh, she)
She just want the money like it's all free
'Cause I got a lot of racks on me
The lyrics of Chris Brown's song "Talm' Bout" discuss his encounters with women who are only interested in his fame, wealth, and material possessions. He addresses these women with a sense of skepticism and awareness of their intentions. The repeated phrase "Look at these bitches on me, fuck is you talkin' 'bout?" conveys his frustration towards those who try to gain attention or use him for personal gain. He recognizes their desire for money, but he also acknowledges his own success and abundance, as evidenced by the line "She just want the money like it's all free, 'Cause I got a lot of racks on me."
In the second verse, Chris Brown praises a particular woman for her unique qualities. He mentions her dancing skills and how she captivates him with her movements, implying that she stands out from others who only want his money. He appreciates her loyalty and implies that she makes him feel comfortable. However, he also recognizes that she has made plans with others in the past, cautioning her to continue to keep her actions consistent and genuine.
Line by Line Meaning
Look at these bitches on me
I have attracted the attention of many women
Fuck is you talkin' 'bout?
What are you trying to say or imply?
Bitches on me and my homies
Women are showing interest in both me and my friends
Tryna get all the clout
Trying to gain attention and popularity
She just want the money like it's all free
She is only interested in money and thinks it comes easily
'Cause I got a lot of racks on me
I have a large amount of money
Girl, you ain't no good, you keep tellin' lies
You are not trustworthy, constantly lying
This here what you want, you ain't gotta hide
You desire this situation, no need to conceal it
I can see the fake written all over your face
I can easily see through your deceitful nature
Won't run no game with me, you know that's a mistake
Don't try to deceive me, it will be a regrettable choice
Know I keep it real, this ain't no disguise
I always stay authentic, no need to pretend
Girl, you know you bad, that ain't no surprise
You are well aware of your attractiveness, it's not unexpected
You get what you want when that ass in my face
You achieve your desires when you use your physical appeal
And you do it for fun, girl, you love the chase
You enjoy the thrill of pursuing and being pursued
If you want the cash, then, baby, make it drop
If you want money, demonstrate it through your actions
Give you what you ask 'til you get to the top
I will provide what you request until you achieve success
Know you won't be lonely if you come through tonight (no)
I assure you won't feel alone if you join me tonight
I wanna bring a friend, we could get to it right
I desire to invite another person so we can have a good time
You be doin' magic every time you dance
Your dancing is mesmerizing and captivating
Make it disappear when you use no hands
You impressively make moves without needing your hands
Know what to do
You are experienced and skillful
You don't mind workin' 'cause you're comfortable
You are willing to put in effort because you are confident
Girl, your loyalty, it don't stand a chance
Your loyalty is not strong or reliable
You been all around, you been makin' plans
You have been socializing and making future arrangements
To circle right back
To return to where you started or reconnect
Your actions loud, baby, keep it like that, yeah
Your behavior is noticeable and impactful, continue in the same way
Lot of racks on me
I possess a significant amount of money
On me, on me, oh
Referring to the presence of money around me
Ooh, ooh
Expressing excitement or pleasure
Could bring a friend, we could get to it right (yeah)
You have the option to bring a friend and we can enjoy ourselves
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Brian Bates, Chris Brown, Jamal Gaines, Patrizio Pigliapaco, Terrence Thomas, Torin Martinez, Tre'Von Waters
Lyrics Licensed & Provided by LyricFind
@liminality8791
Brown was driving a vehicle with Robyn F. as the front passenger on an unknown street in Los Angeles. Robyn F. picked up Brown's cellular phone and observed a three-page text message from a woman who Brown had a previous sexual relationship with.
A verbal argument ensued and Brown pulled the vehicle over on an unknown street, reached over Robyn F. with his right hand, opened the car door and attempted to force her out. Brown was unable to force Robyn F. out of the vehicle because she was wearing a seat belt. When he could not force her to exit, he took his right hand and shoved her head against he passenger window of the vehicle, causing an approximate one-inch raised circular contusion.
Robyn F. turned to face Brown and he punched her in the left eye with his right hand. He then drove away in the vehicle and continued to punch her in the face with his right hand while steering the vehicle with his left hand. The assault caused Robyn F.'s mouth to fill with blood and blood to splatter all over her clothing and the interior of the vehicle.
Brown looked at Robyn F. and stated, 'I'm going to beat the sh-- out of you when we get home! You wait and see!'
Robyn F. then used her cell phone to call her personal assistant Jennifer Rosales, who did not answer. Robyn F. pretended to talk to her and stated, 'I'm on my way home. Make sure the police are there when I get there.'
After Robyn F. faked the call, Brown looked at her and stated, 'You just did the stupidest thing ever! Now I'm really going to kill you!'
Brown resumed punching Robyn F. and she interlocked her fingers behind her head and brought her elbows forward to protect her face. She then bent over at the waist, placing her elbows and face near her lap in [an] attempt to protect her face and head from the barrage of punches being levied upon her by Brown.
Brown continued to punch Robyn F. on her left arm and hand, causing her to suffer a contusion on her left triceps that was approximately two inches in diameter and numerous contusions on her left hand.
Robyn F. then attempted to send a text message to her other personal assistant, Melissa Ford. Brown snatched the cellular telephone out of her hand and threw it out of the window onto an unknown street.
Brown continued driving and Robyn F. observed his cellular telephone sitting in his lap. She picked up the cellular telephone with her left hand and before she could make a call he placed her in a head lock with his right hand and continued to drive the vehicle with his left hand.
Brown pulled Robyn F. close to him and bit her on her left ear. She was able to feel the vehicle swerving from right to left as Brown sped away. He stopped the vehicle in front of 333 North June Street and Robyn F. turned off the car, removed the key from the ignition and sat on it.
Brown did not know what she did with the key and began punching her in the face and arms. He then placed her in a head lock positioning the front of her throat between his bicep and forearm. Brown began applying pressure to Robyn F.'s left and right carotid arteries, causing her to be unable to breathe and she began to lose consciousness.
She reached up with her left hand and began attempting to gouge his eyes in an attempt to free herself. Brown bit her left ring and middle fingers and then released her. While Brown continued to punch her, she turned around and placed her back against the passenger door. She brought her knees to her chest, placed her feet against Brown's body and began pushing him away. Brown continued to punch her on the legs and feet, causing several contusions.
Robyn F. began screaming for help and Brown exited the vehicle and walked away. A resident in the neighborhood heard Robyn F.'s plea for help and called 911, causing a police response. An investigation was conducted and Robyn F. was issued a Domestic Violence Emergency Protective Order.
Photo: https://imagez.tmz.com/image/e6/o/2012/05/03/e627f2363c5d59a88548c77894b773fb.jpg
@liminality8791
And only the best of hits on women too
Brown was driving a vehicle with Robyn F. as the front passenger on an unknown street in Los Angeles. Robyn F. picked up Brown's cellular phone and observed a three-page text message from a woman who Brown had a previous sexual relationship with.
A verbal argument ensued and Brown pulled the vehicle over on an unknown street, reached over Robyn F. with his right hand, opened the car door and attempted to force her out. Brown was unable to force Robyn F. out of the vehicle because she was wearing a seat belt. When he could not force her to exit, he took his right hand and shoved her head against he passenger window of the vehicle, causing an approximate one-inch raised circular contusion.
Robyn F. turned to face Brown and he punched her in the left eye with his right hand. He then drove away in the vehicle and continued to punch her in the face with his right hand while steering the vehicle with his left hand. The assault caused Robyn F.'s mouth to fill with blood and blood to splatter all over her clothing and the interior of the vehicle.
Brown looked at Robyn F. and stated, 'I'm going to beat the sh-- out of you when we get home! You wait and see!'
Robyn F. then used her cell phone to call her personal assistant Jennifer Rosales, who did not answer. Robyn F. pretended to talk to her and stated, 'I'm on my way home. Make sure the police are there when I get there.'
After Robyn F. faked the call, Brown looked at her and stated, 'You just did the stupidest thing ever! Now I'm really going to kill you!'
Brown resumed punching Robyn F. and she interlocked her fingers behind her head and brought her elbows forward to protect her face. She then bent over at the waist, placing her elbows and face near her lap in [an] attempt to protect her face and head from the barrage of punches being levied upon her by Brown.
Brown continued to punch Robyn F. on her left arm and hand, causing her to suffer a contusion on her left triceps that was approximately two inches in diameter and numerous contusions on her left hand.
Robyn F. then attempted to send a text message to her other personal assistant, Melissa Ford. Brown snatched the cellular telephone out of her hand and threw it out of the window onto an unknown street.
Brown continued driving and Robyn F. observed his cellular telephone sitting in his lap. She picked up the cellular telephone with her left hand and before she could make a call he placed her in a head lock with his right hand and continued to drive the vehicle with his left hand.
Brown pulled Robyn F. close to him and bit her on her left ear. She was able to feel the vehicle swerving from right to left as Brown sped away. He stopped the vehicle in front of 333 North June Street and Robyn F. turned off the car, removed the key from the ignition and sat on it.
Brown did not know what she did with the key and began punching her in the face and arms. He then placed her in a head lock positioning the front of her throat between his bicep and forearm. Brown began applying pressure to Robyn F.'s left and right carotid arteries, causing her to be unable to breathe and she began to lose consciousness.
She reached up with her left hand and began attempting to gouge his eyes in an attempt to free herself. Brown bit her left ring and middle fingers and then released her. While Brown continued to punch her, she turned around and placed her back against the passenger door. She brought her knees to her chest, placed her feet against Brown's body and began pushing him away. Brown continued to punch her on the legs and feet, causing several contusions.
Robyn F. began screaming for help and Brown exited the vehicle and walked away. A resident in the neighborhood heard Robyn F.'s plea for help and called 911, causing a police response. An investigation was conducted and Robyn F. was issued a Domestic Violence Emergency Protective Order.
Photo:
https://imagez.tmz.com/image/e6/o/2012/05/03/e627f2363c5d59a88548c77894b773fb.jpg
@breezy9988
One of the most underrated albums of all time - Breezy (Deluxe) ❤️🐐
@marylavetta8136
Every time I listen to Chris Brown he makes me believe I can dance😂💃🏽
@aysyvz1990
Me neither 😁
@marylavetta8136
@Ayş Yvz 😆😆
@mohamedishamra8933
😂😂
@marylavetta8136
@MOHAMEDI SHAMRA I swear I be moving and grooving (in my head)!!😂😂
@Tay_Taylor29
Well u could know how if u practiced. I mean it’s not that difficult I’ve been dancing since I was 8 because of Michael Jackson and Chris Brown. As well as Many other people can say the same thing to so if u practiced it’s not that difficult.
@chillvibesmix
This guy is timeless, living legend. Can’t knock his work ethic, and he’s been doing this for years!!
@abdou5091
Agree
@S-Lomar
😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂🤣🤣🤣😂😂😂😂😂😂🤣🤣🤣🤣😂🤣😂😂😂🤣😂😂😂😂😂😂😂😂😂😂😂😂🤣🤣😂🤣🤣🤣😂😂😂🤣😂🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣😂😂🤣🤣🤣😂😂😂😂😂😂😂🤣🤣🤣🤣🤣🤣