1) Christopher Maurice… Read Full Bio ↴There is more than one artist with this name:
1) Christopher Maurice Brown (born May 5, 1989) from Tappahannock, Virginia.
In late 2005, he released his first studio album, Chris Brown, which spawned the Billboard Hot 100 number-one debut single, "Run It!" which was produced by Scott Storch and featured Juelz Santana. The album also produced two other top ten singles: "Yo (Excuse Me Miss)" and "Say Goodbye." Brown's second studio album, Exclusive was released worldwide in November 2007. It has spawned his second US number one hit, "Kiss Kiss" which was produced by T-Pain, who was also featured in the song . The third single, "With You", has reached number 2 on the Billboard Hot 100, and has entered into the top ten in several countries across the world, becoming one of his most successful worldwide releases to date.
The second single, "Kiss Kiss", was nominated for the 50th Annual Grammy Awards in the category for Best Rap/Sung Collaboration.
Brown, one of two children, was born and raised in the small town of Tappahannock, Virginia, the son of Joyce Hawkins and Clinton Brown. Brown was influenced by the artists his parents played on the home radio, such as Michael Jackson and Sam Cooke. A dancer since the age of two, Brown was not aware of his vocal talents until the age of eleven. Before becoming a vocalist, he was interested in becoming a rapper.
At thirteen, Brown was discovered by a local production team who visited his father's gas station searching for new talent. Since then, he began his recording career and moved to New York, staying there for two years. Brown's local production team organized an audition before Def Jam Vice President Tina Davis, who currently works as his manager. At the age of 15, Brown was then sent to perform for L.A. Reid and was subsequently signed in 2004 to Jive Records. By early 2005, Brown began work for his debut album, working with the likes of Scott Storch, The Underdogs, Dre, Vidal, Bryan Michael Cox, Bow Wow, and Jermaine Dupri.
Brown left school in late 2004 to begin working on his self-titled debut album which was released on November 29, 2005. The album debuted at #2 on the Billboard 200 selling over 155,000 copies in first week of sales. Five weeks later, became certified platinum, and within a year, went double platinum. His debut single "Run It!," was #1 in the United States, New Zealand, and Australia. Following "Run It!," "Yo (Excuse Me Miss)" became Brown's second top 10 hit in the US, peaking at #7, and #13 in the UK. It has been certified platinum by the RIAA.
His third single "Gimme That" was released in March 2006 which featured Lil Wayne for a remix, originally not featured on the Chris Brown album, but was later included. The single debuted on the U.S. Billboard Hot 100 at #80 and climbed the charts quickly peaking at #15. Chris also co-directed his music videos for "Yo (Excuse Me Miss)" and "Gimme That." His fourth single is the ballad "Say Goodbye," which is also a part of the Step Up Soundtrack. On June 13, 2006, Brown released a DVD entitled, Chris Brown's Journey, which shows footage of him travelling in England and Japan, getting ready for his first visit to the Grammys, behind the scenes of his music videos and bloopers.
On August 17, 2006 to further promote the album, Brown kicked off his major co-headlining tour, The Up Close and Personal Tour. Due to the tour, production for his next album was pushed back two months a second summer tour is in the works once the album is completed the tour may include artists: Pretty Ricky, Bow Wow, Lil Wayne, Juelz Santana, Ne-Yo, Ciara, and Cherish.'. Chris also has been the opening act for R&B singer Beyonce Knowles on the Australian leg of her The Beyonce Experience tour.
Exclusive is the second studio album by Brown. The album was released in November, 2007. It served as the sophomore album for Brown and was both critically and commercially successful. The album was supported by five singles including the songs "Kiss Kiss" and "With You". Exclusive has gone on to sell over three million copies.
Graffiti was released in 2009 and included the top-twenty single "I Can Transform Ya". Brown's fourth album F.A.M.E. was released in 2011 becoming Chris Brown's first studio album to top the Billboard 200. The album earned Brown his first Grammy Award for Best R&B Album.
His fifth album entitled Fortune was released in 2012.
Brown's latest album X was released in September, 2014.
Chris Brown has also started to act in movies and has appeared in Stomp The Yard and This Christmas as well as several episodes of The O.C.
Websites of interest:
- Chris Brown Web
- UChris
- Chris Brown World
2) Chris Brown (born 1953) is a composer, pianist, and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles.
Born and raised in Chicago, he moved to California to study electronic music with Gordon Mumma and composition with William Brooks at University of California, Santa Cruz, and with David Rosenboom at Mills College. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improvisor and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Sexophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.
His 1992 epic electroacoustic work "Lava", for brass, percussion, and electronics is also available on Tzadik Records. He teaches Composition and Electronic Music at Mills College in Oakland, where he is Co-Director of the Center for Contemporary Music (CCM). He is not to be confused with R & B artist Chris Brown.
3) Chris Brown is a Canadian singer-songwriter and multi-instrumentalist.
Brown was one of the primary singers and songwriters for the alternative rock band Bourbon Tabernacle Choir in the 1980s and 1990s. When that band broke up, he continued performing as a duo with his Bourbon bandmate Kate Fenner. Brown has accompanied dozens of notable musicians on stage, such as in 1998 when he spent six months filling in for Kevin Hearn as a member of Barenaked Ladies while Hearn battled leukemia.
Brown released a solo album, Burden of Belief, in 2003. He performs this material both solo and with Tony Scherr, Anton Fier, and Teddy Kumpel as Chris Brown and the Citizens' Band. The group's album Oblivion was released in 2007.
4) A San Francisco-area based power pop singer-songwriter.
5) A UK DJ/Remixer and part of Ruff Driverz.
Throw It Back
Chris Brown Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Let me see you go)
(Let me see you)
Twenty thousand ain't nothing
Baby, you can get whatever you want from me
How you twerkin' on a Sunday?
Got a nigga wishin' I can be between your knees
All these niggas think that you gon' be they fantasy (no)
And I ain't lyin', girl, I love it
Wherever you are is where I wanna be
Oh, girl
If you let me fuck tonight, baby
Oh, girl, no, we can do it
Baby, throw it back (back), back on your boy (oh)
(Make it, make it drop, and don't stop)
Baby, throw it back (back), back (back) on your boy (oh)
(Make it, make it drop, and don't stop) (ooh)
Baby, baby, baby, baby
'Cause that ass fat (fat) and I love that (that)
Baby, shake it for me, you can make that ass clap (ooh)
If I'm coming back, b-b-back, give me some more
(Make it, make it drop, and don't stop)
Oh, yeah
Uh, fuck up the bed, I go straight to third base
That pussy wet, she my little mermaid
Not just my tongue, I'ma use my whole face
Oh no (yeah)
Huh, light up the blunt, sip a little Henny
Baby girl, you know that I'm ready (ready)
Makin' sure that you don't forget me
No, oh
Oh, girl
If you let me fuck tonight, baby
And I'ma hit the right spot
Girl, you can call me when you need some more
Baby, throw it back (back), back on your boy (yeah, oh)
(Make it, make it drop, and don't stop) (throw it back)
Baby, throw it back (back), back (back) on your boy
(Make it, make it drop, and don't stop) baby, I love what you do when you throw it back
'Cause that ass fat (yeah) and I love that
Baby, shake it for me, you can make that ass clap (ooh)
If I'm coming back, b-b-back, give me some more (oh)
(Make it, make it drop, and don't stop)
Oh, yeah (huh)
Rollin' on me, kissin' on me down low and
Freaky in the mood
A little foreplay before we get down to business
Ha, take off your clothes
Make you feel good when you naked
Girl, your skin feels so smooth (oh)
Put them titties on me
I won't be afraid
Yes we grown enough (grown enough)
We both in love (both in love)
You know that pussy's for dada (yeah)
You know that you mean a lot, so
Let's get freaky 'cause I feel lucky
Baby, throw it back (back), back on your boy
(Make it, make it drop, and don't stop) throw that thing on me, yeah, yeah
Baby, throw it back (back, back), back (back, back) on your boy
(Make it, make it drop, and don't stop) do it all night, oh
Baby, baby, baby, baby
'Cause that ass fat (oh) and I love that (hey)
Baby, shake it for me, you can make that ass clap (ooh, me)
If I'm coming back, b-b-back, give me some more (ooh)
(Make it, make it drop, and don't stop) oh, yeah (oh, yeah)
In "Throw it Back," Chris Brown expresses his desire for a woman's sexual prowess and physical attractiveness. He starts off by acknowledging that he is willing to fulfill any of her desires by suggesting that she can get whatever she wants from him. Brown is captivated by her ability to twerk and fantasizes about being intimately involved with her. He admits that all he can think about is having sex with her, while other men mistakenly believe she will fulfill their fantasies. He confesses his genuine love for her and emphasizes that he wants to be wherever she is.
The chorus of the song reiterates the theme of the woman's attractive body and highlights Brown's enjoyment of watching her dance. He praises her voluptuous behind and encourages her to shake it and make it clap. It is clear that Brown finds her physically appealing and desires to have sex with her repeatedly. He asks for more in a sexual context, indicating his eagerness for a physical connection with her.
In the second verse, Brown suggests that he is skilled in pleasuring his partner. He claims to go "straight to third base" and expresses his intention to use his entire face, not just his tongue, to pleasure her. He emphasizes his readiness to engage in sexual activity by referencing the consumption of alcohol and the use of marijuana. Brown reassures his partner that she won't forget him and suggests that they engage in foreplay before getting down to business.
The chorus is repeated, emphasizing Brown's excitement about the woman's body and his desire for her to continue throwing it back. The final verse reinforces the idea that both partners are willing participants in their sexual encounters. Brown encourages his partner to fully expose herself and assures her that he won't be afraid. He acknowledges their emotional connection by stating that they are both in love. The verse concludes with a playful reference to his affectionate nickname for her private parts and a reminder that she means a lot to him.
Overall, the lyrics of "Throw it Back" depict Chris Brown's desire for sexual gratification from a woman he finds physically attractive. The song's explicit language and imagery focus on the physical aspects of the relationship, emphasizing the pleasure both partners derive from their sexual encounters.
Line by Line Meaning
(Let me see you go)
I want to witness your moves and energy
(Let me see you go)
I want to witness your moves and energy
(Let me see you)
I want to witness your moves and energy
Twenty thousand ain't nothing
Money is not a problem, I can afford anything for you
Baby, you can get whatever you want from me
I am willing to fulfill your desires and provide for you
How you twerkin' on a Sunday?
I'm amazed at how you dance seductively even on a holy day
Got a nigga wishin' I can be between your knees
I desire to be intimately close to you
All I think about is fuckin' (for real)
My mind is constantly consumed by thoughts of sexual intimacy
All these niggas think that you gon' be they fantasy (no)
Other men have false hopes that you will fulfill their romantic dreams, but that's not true
And I ain't lyin', girl, I love it
I genuinely enjoy the way you make me feel
Wherever you are is where I wanna be
I want to be wherever you are, as you are my desired destination
Oh, girl
I'm addressing you, my beloved
If you let me fuck tonight, baby
If you allow me to engage in sexual activity with you tonight, darling
Oh, girl, no, we can do it
I assure you that we are capable of engaging in such activities
Baby, throw it back (back), back on your boy (oh)
Gyrating your body backwards towards me, showcasing your sensuality
(Make it, make it drop, and don't stop)
Continue moving your body in a seductive manner, without pausing
Baby, baby, baby, baby
Repeatedly emphasizing my affection towards you
'Cause that ass fat (fat) and I love that (that)
I find your curvaceous buttocks very attractive and pleasurable
Baby, shake it for me, you can make that ass clap (ooh)
Performing energetic and captivating movements with your buttocks, resulting in a clapping sound
If I'm coming back, b-b-back, give me some more
If I decide to return for further sexual encounters, provide me with more pleasurable experiences
Oh, yeah
Expressing enthusiasm and agreement
Uh, fuck up the bed, I go straight to third base
I engage in passionate activities that escalate quickly to intimate acts
That pussy wet, she my little mermaid
Your vagina is moist, resembling the mythical creature known as a mermaid
Not just my tongue, I'ma use my whole face
I will utilize various parts of my face, not limited to my tongue, to provide pleasure
Oh no (yeah)
Expressing surprise, anticipation, and excitement
Huh, light up the blunt, sip a little Henny
I will smoke marijuana and drink cognac to enhance our experience
Baby girl, you know that I'm ready (ready)
I am prepared and eager for intimacy with you
Makin' sure that you don't forget me
I aim to leave a lasting impression in your memory
No, oh
Expressing disagreement or refusal
Rollin' on me, kissin' on me down low and
You straddling and caressing me in an intimate manner
Freaky in the mood
Both of us are feeling a strong desire for sexual experimentation
A little foreplay before we get down to business
Engaging in sexual activities that precede intercourse
Ha, take off your clothes
Removing your garments to expose your naked body
Make you feel good when you naked
My aim is to provide pleasure and satisfaction when you are undressed
Girl, your skin feels so smooth (oh)
The texture of your skin is incredibly soft and pleasurable to touch
Put them titties on me
Rest your breasts on my chest
I won't be afraid
I am not hesitant or nervous about engaging in sexual activities
Yes we grown enough (grown enough)
Both of us are mature adults capable of making our own decisions
We both in love (both in love)
We share a mutual feeling of affection
You know that pussy's for dada (yeah)
Your vagina is meant for me, your lover
You know that you mean a lot, so
You hold significant value and importance in my life
Let's get freaky 'cause I feel lucky
Let's engage in adventurous and unconventional sexual activities because I am feeling fortunate
Baby, throw it back (back), back on your boy
Thrust your hips backward towards me, intensifying our sexual experience
(Make it, make it drop, and don't stop)
Continue with your rhythmic and alluring movements, without pause
Baby, throw it back (back), back (back) on your boy
Move your body seductively and energetically towards me
(Make it, make it drop, and don't stop) baby, I love what you do when you throw it back
I deeply enjoy and appreciate the way you move your body in that manner
'Cause that ass fat (yeah) and I love that
I find your shapely buttocks highly attractive and desirable
Baby, shake it for me, you can make that ass clap (ooh, me)
Perform enticing movements with your buttocks, resulting in a clapping sound that pleases me
If I'm coming back, b-b-back, give me some more (ooh)
If I choose to return for more sexual encounters, provide me with additional pleasurable experiences
(Make it, make it drop, and don't stop) oh, yeah (oh, yeah)
Continue moving your body sensually and energetically, expressing enthusiasm and agreement
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Bernard Worrell, Christopher Maurice Brown, David Lee Spradley, Garry Marshall Shider, George Clinton Jr., George Everett III Clinton, J.R. Rotem, Phillip Wynn, Robert S. Kelly, Theron Makiel Thomas, William Earl Collins
Lyrics Licensed & Provided by LyricFind
Alex Martinez
Just give this man the King of R&B title already. Nobody else deserves it
Regina Hill
yup
Greg Greg
Indeed lol
J-Master Reacts😎
Aye hold up r Kelly got that title Chris is the prince
Martavious Tisby
Agree
BreeAyeezy
he already has it lol King Breezy!!!
Débora Brown
É incrível como pode passar anos e anos, quem acompanha o Chris sente que sua essência nunca muda!
Esse homem é um mito! Deus abençoe tanto talento... 🙏🏾❤️🥺 🇧🇷
ig: itsLuda
17 years later and the greats STILL recognize Aaliyah's power! Loving the sample, Breezy is undefeated
Fiona Kubakwasa
Rip Aaliyah the beautiful n talented xox
Presshus
Chris brown completely went in on this track, this definitely a banger. I could listen to it all day long 🔥🔥🔥