no GuiDance
Chris Brown Lyrics


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Before I die, I'm tryna fuck you, baby
Hopefully, we don't have no babies
I don't even wanna go back home
Hopefully, I don't leave you on your own

Ayy
Trips that you planned for the next whole week
Bands too long for a nigga so cheap
And your flex OD, and your sex OD
You got it, girl, you got it (ayy)
You got it, girl, you got (yeah)
Pretty lil' thing, you got a bag and now you wildin'
You just took it off the lot, no mileage
Way they hittin' you, the DM lookin' violent
Talkin' wild, you come around and now they silent
Flew the coop at seventeen, no guidance
You be stayin' low but you know what the vibes is
Ain't never got you nowhere bein' modest
Poppin' shit but only 'cause you know you're poppin', yeah

You got it, girl, you got it (ayy)
You got it, girl, you got it

Lil' baby in her bag, in her Birkin (ayy)
No nine to five, put the work in
Flaws and all, I love 'em all, to me, you're perfect
Baby girl, you got it, girl, you got it, girl (oh-oh)
You got it, girl, you got it, girl (ooh)

I don't wanna play no games, play no games
Fuck around, give you my last name (oh)
Know you tired of the same damn thing
That's okay 'cause, baby, you

You got it, girl, you got it (ayy)
You got it, girl, you got it (got it)

You the only one I'm tryna make love to, pickin' and choosin'
They ain't really love you, runnin' games, usin'
All your stupid exes, they gon' call again
Tell 'em that a real nigga steppin' in
Don't let them niggas try you, test your patience
Tell 'em that it's over, ain't no debatin' (uh)
All you need is me playin' on your playlist
You ain't gotta be frustrated

I don't wanna play no games, play no games (oh)
Fuck around, give you my last name (my last name, oh)
Know you tired of the same damn thing (same damn thing)
That's okay 'cause, baby, you

You got it, girl, you got it (oh, ooh, ayy)
You got it, girl, you got it (got it)
I don't wanna

Before I die, I'm tryna fuck you, baby (yeah)
Hopefully, we don't have no babies (ooh)
I don't even wanna go back home
Hopefully, I don't leave you on your own
You got it, girl, you got it, oh

Play no games (no)
Freaky (freaky)
I can learn a lot from you, gotta come teach me (woo, woo)
You a lil' hot girl, you a lil' sweetie (no, sweet)
Sweet like Pearland, sweet like Peachtree (like that)
I can tell you crazy, but shit kind of intrigue me (no, yeah, I like that)
(I don't wanna, I don't wanna)
Seen it on the 'Gram, I'm tryna see that shit in 3D, mami
I know I get around 'cause I like to move freely (I don't, I don't)
But you could lock it down, I could tell by how you treat me (I don't, I don't)
I seen how you did homeboy, so please take it easy (no, yeah)
Good to have me on your side, I ain't sayin' that you need me (yeah, yeah)
6ix God talk but I ain't tryna get preachy (no, no, no)
I seen how you did homeboy, please take it easier on me
'Cause I don't wanna (no) play no games, play no games
(I don't wanna, I don't wanna)
I don't wanna play no games, play no games
(I don't, I don't)





I don't, I don't
No

Overall Meaning

The lyrics of Chris Brown's song 'No Guidance' talks about a man's desire to be intimate with the woman he loves, without the fear of having children. He's hoping that they could have a moment together without any consequences. The lyrics show the man's appreciation for the woman's beauty and the lifestyle she maintains, without judgment or trying to change her. The man confesses that he wants to be exclusive and commit to her fully, unlike her exes who played games and took her for granted. He also acknowledges her independence and her ability to handle her own affairs.


The lyrics touch on themes of love, desire, and commitment. It talks about the value of loyalty and trust in relationships. It shows that the man is willing to put in the work to make the relationship work, and he's not just looking for a casual fling. The song also highlights the woman's strength and independence- she's not afraid to take charge of her life and make her own decisions. In essence, the song showcases a deep love between two people who are willing to give each other their all.


Line by Line Meaning

Before I die I'm tryna fuck you, baby
The singer desires to engage in sexual intercourse with the addressed person before they die.


Hopefully we don't have no babies
The singer hopes that said sexual encounter does not result in pregnancy.


I don't even wanna go back home
The singer is enjoying their time with the addressed person and does not want to leave and go home.


Hopefully, I don't leave you on your own
The artist hopes that they do not abandon the addressed person as they depart from their current location.


Trips that you plan for the next whole week
The addressed person is frequently making plans for trips that span an entire week.


Bands too long for a nigga so cheap
The singer feels that the addressed person's spending habits are extravagant and beyond their financial means.


And your flex OD, and your sex OD
The addressed person enjoys excessive displays of wealth and sexual activity.


You got it, girl, you got it (ayy)
The artist acknowledges that the addressed person possesses attractive qualities that have caught their attention.


You got it, girl, you got (yeah)
The artist repeats their belief that the addressed person is desirable and possesses enviable qualities.


Pretty lil' thing, you got a bag and now you wildin'
The addressed person is an attractive person who has recently come into a large sum of money and is living a lavish lifestyle.


You just took it off the lot, no mileage
The addressed person recently acquired a new vehicle with little to no mileage on it.


Way they hittin' you, the DM lookin' violent
The addressed person is receiving aggressive, possibly unwanted attention in their direct messages on social media.


Talkin' wild, you come around and now they silent
People are eager to talk about and engage with the addressed person until said person is present, at which point they become quiet.


Flew the coop at seventeen, no guidance
The addressed person left home and began living on their own at the age of seventeen, without much adult guidance or support.


You be stayin' low but you know what the vibes is
The addressed person keeps a low profile, but is aware of the current trends and culture.


Ain't never got you nowhere bein' modest
The artist believes that the addressed person has never achieved much success by being modest or humble.


Poppin' shit but only 'cause you know you're poppin', yeah
The addressed person talks confidently and boastfully because they are aware of their own attractiveness and popularity.


Lil' baby in her bag, in her Birkin
The addressed person is young and attractive, carrying an expensive Birkin bag.


No nine to five, put the work in
The addressed person does not have a regular job, but puts in the effort to make money elsewhere.


Flaws and all, I love 'em all, to me, you're perfect
The artist loves and accepts the addressed person, including their flaws and imperfections.


I don't wanna play no games, play no games
The artist dislikes games and drama in their romantic relationships, and desires a straightforward and genuine connection.


Fuck around, give you my last name (oh)
The artist is willing to commit to a long-term relationship with the addressed person, including marriage.


Know you tired of the same damn thing
The addressed person is likely feeling bored or unsatisfied with their current romantic situation.


You got it, girl, you got it
The artist continues to praise the addressed person's desirable qualities and express their attraction to them.


You the only one I'm tryna make love to, pickin' and choosin'
The addressed person is the only person the singer desires a romantic and sexual relationship with.


They ain't really love you, runnin' games, usin'
The singer believes that the addressed person's past partners did not truly love them, and played games and manipulated them for their own benefit.


All your stupid exes, they gon' call again
The addressed person's previous partners are likely to try and re-enter their life and reconnect with them.


Tell 'em that a real nigga steppin' in
The artist is confident in their own abilities and character, and believes they are a better partner for the addressed person than their previous partners.


Don't let them niggas try you, test your patience
The artist encourages the addressed person to not put up with any undesirable behavior or mistreatment from their previous partners.


Tell 'em that it's over, ain't no debatin' (uh)
The singer encourages the addressed person to be definitive and clear with their past partners about the end of their relationship.


All you need is me playin' on your playlist
The singer believes that they should be at the forefront of the addressed person's mind, and included in their music playlists.


You ain't gotta be frustrated
The artist hopes that the addressed person is no longer feeling frustrated or unhappy in their romantic life, now that they are together.


Freaky (freaky)
The artist desires a sexual connection with the addressed person that includes unconventional or taboo acts.


I can learn a lot from you, gotta come teach me (woo, woo)
The artist believes that they can learn from the addressed person and experience new things with them, and encourages them to teach them what they know.


You a lil' hot girl, you a lil' sweetie (no, sweet)
The singer believes that the addressed person is attractive and sweet, and uses a play on words to tell them so.


Sweet like Pearland, sweet like Peachtree (like that)
The artist again uses a play on words to express their admiration of the addressed person's sweetness and appeal.


I can tell you crazy, but shit kind of intrigue me (no, yeah, I like that)
The singer finds the addressed person's potential craziness or eccentricity to be interesting and attractive.


Seen it on the 'Gram, I'm tryna see that shit in 3D, mami
The singer has seen pictures of the addressed person on social media, and desires to experience their beauty and appeal in person.


I know I get around 'cause I like to move freely (I don't, I don't)
The singer is open and free-spirited when it comes to exploring their options for romantic partners, but recognizes that this can be a negative trait.


But you could lock it down, I could tell by how you treat me (I don't, I don't)
The artist believes that the addressed person is capable of committing to a serious relationship, and demonstrates this through their behavior towards the artist.


I seen how you did homeboy, so please take it easy (no, yeah)
The artist has seen how the addressed person treated a previous partner, and asks them to be kind and gentle with their heart.


Good to have me on your side, I ain't sayin' that you need me (yeah, yeah)
The singer believes that they are a valuable asset to the addressed person, but acknowledges that the person is capable of standing on their own without them.


Six God talk but I ain't tryna get preachy (no, no, no)
The singer makes reference to popular rapper Drake, but does not wish to lecture or moralize the addressed person.


I seen how you did homeboy, please take it easier on me
The artist has witnessed how the addressed person treated a previous partner, and asks them to be more gentle and compassionate with their own heart.


No
The artist abruptly ends the song.




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Anderson Hernandez, Aubrey Drake Graham, Christopher Brown, Joshua Louis Huizar, Michee Patrick Lebrun, Nija Charles, Teddy Walton, Tyler Bryant

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@VelociraptorousRex

Chris Brown is a piece of shit who unashamedly beats women. He literally almost beat Rihanna to death. Anyone who still supports him or collaborates with him should fucking rot.


Here is a copy of the police report:
A verbal argument ensued and Chris Brown pulled the vehicle over on an unknown street, reached over Robyn F. with his right hand, opened the car door and attempted to force her out. Brown was unable to force Robyn F. out of the vehicle because she was wearing a seat belt. When he could not force her to exit, he took his right hand and shoved her head against he passenger window of the vehicle, causing an approximate one-inch raised circular contusion.

Robyn F. turned to face Brown and he punched her in the left eye with his right hand. He then drove away in the vehicle and continued to punch her in the face with his right hand while steering the vehicle with his left hand. The assault caused Robyn F.'s mouth to fill with blood and blood to splatter all over her clothing and the interior of the vehicle.

Brown looked at Robyn F. and stated, 'I'm going to beat the shit out of you when we get home! You wait and see!'

The detective said Robyn F. then used her cell phone to call her personal assistant Jennifer Rosales, who did not answer.

Robyn F. pretended to talk to her and stated, 'I'm on my way home. Make sure the police are there when I get there.'

After Robyn F. faked the call, Brown looked at her and stated, 'You just did the stupidest thing ever! Now I'm really going to kill you!'

Brown resumed punching Robyn F. and she interlocked her fingers behind her head and brought her elbows forward to protect her face. She then bent over at the waist, placing her elbows and face near her lap in [an] attempt to protect her face and head from the barrage of punches being levied upon her by Brown.

Brown continued to punch Robyn F. on her left arm and hand, causing her to suffer a contusion on her left triceps (sic) that was approximately two inches in diameter and numerous contusions on her left hand.

Robyn F. then attempted to send a text message to her other personal assistant, Melissa Ford. Brown snatched the cellular telephone out of her hand and threw it out of the window onto an unknown street.

Brown continued driving and Robyn F. observed his cellular telephone sitting in his lap. She picked up the cellular telephone with her left hand and before she could make a call he placed her in a head lock with his right hand and continued to drive the vehicle with his left hand.

Brown pulled Robyn F. close to him and bit her on her left ear. She was able to feel the vehicle swerving from right to left as Brown sped away. He stopped the vehicle in front of 333 North June Street and Robyn F. turned off the car, removed the key from the ignition and sat on it.

Brown did not know what she did with the key and began punching her in the face and arms. He then placed her in a head lock positioning the front of her throat between his bicep and forearm. Brown began applying pressure to Robyn F.'s left and right carotid arteries, causing her to be unable to breathe and she began to lose consciousness.

She reached up with her left hand and began attempting to gouge his eyes in an attempt to free herself. Brown bit her left ring and middle fingers and then released her. While Brown continued to punch her, she turned around and placed her back against the passenger door. She brought her knees to her chest, placed her feet against Brown's body and began pushing him away. Brown continued to punch her on the legs and feet, causing several contusions.

Robyn F. began screaming for help and Brown exited the vehicle and walked away. A resident in the neighborhood heard Robyn F.'s plea for help and called 911, causing a police response. An investigation was conducted and Robyn F. was issued a Domestic Violence Emergency Protective Order.



All comments from YouTube:

@collenkhangwelo5105

“How you get your music so loud? There’s not even speakers out here” 😭😭😭

@logangomez4384

that lines kills me

@theninjanews7844

collen khangwelo 😂😂😂😂😂😂

@aleksslopanovs

He won for comedy

@Malackhee

collen khangwelo Ima up and coming rapper out of Atlanta. Check out my first song and let me hear the feedback. Good or bad I need it to get better. 🙏🏾 God Bless

@aarkproductions

hey if you like music listen to some of my tracks

186 More Replies...

@Dancosparado45

How THEE FCK did Chris Brown keep a
straight face when Drake was dancing? (Wow Thanks for all the likes ppl)

@ANITABOWDEN27

It's called 'Take 56'

@sergiomcclendon

Because he was embarrassed 😂

@anjiibadass415

It’s called the beef they had was real at one point

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