Christine Ellen Hynde (born September 7, 1951 in Akron, Ohio) is an America… Read Full Bio ↴Christine Ellen Hynde (born September 7, 1951 in Akron, Ohio) is an American rock musician, best known as the leader of the band The Pretenders. She is a singer, songwriter, and guitarist, and the only member of the band to remain constant.
Daughter of a part-time secretary and a telephone company worker, Hynde graduated from Firestone High School, admitting "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind."
Those "things" included Hynde's experimentation with hippie counterculture, psychotropic drugs, eastern mysticism, vegetarianism and of course, joining or starting a band. Soon enough, Hynde joined a band called Sat. Sun. Mat. (which included Mark Mothersbaugh from Devo) while attending Kent State University's Art School for three years. Hynde was on the campus during the infamous "Kent State shootings".
Hynde also developed an interest in NME when she wasn't waitressing or working various other jobs to support herself, eventually saving enough money for the move from Ohio to London in 1973. With her art background, Hynde landed a job in an architectural firm but left after eight months. It was then that Hynde met rock journalist Nick Kent and landed a writing position at NME. However, it was a short gig among many as Hynde soon found herself working at Malcolm McLaren and Vivienne Westwood's then-unknown clothing store, SEX, where Hynde was summarily fired for a fight with a customer in which Hynde was hit with a bell from the store. Hynde then made a fruitless attempt to start a band in France before her return to Cleveland in 1975.
Hardly discouraged, Hynde resurfaced in France in 1976 for another stab at forming a band. Finding her way to London in the midst of the punk movement, Hynde tried to start a group with Mick Jones from The Clash. After the band failed to take off, Malcolm McLaren placed her as a guitarist in Masters of the Backside. But Chrissie was booted just as the band became The Damned. By that time, Mick Jones had invited Hynde to join his band on their initial riotous tour of Britain. Chrissie's recollection of that period: "It was great, but my heart was breaking. I wanted to be in a band so bad. And to go to all the gigs, to see it so close up, to be living in it and not to have a band was devastating to me. When I left, I said, 'Thanks a lot for lettin' me come along,' and I went back and went weeping on the underground throughout London. All the people I knew in town, they were all in bands. And there I was, like the real loser, you know? Really the loser."
But Hynde's luck soon changed. A demo tape of hers found its way to Dave Hill, owner of the label Real Records. Hill stepped in to manage her career, and began by paying off the back rent owed on her rehearsal room in Covent Garden. Hill also advised Chrissie to take her time and get a band together. In the spring of 1978, Hynde met bassist Pete Farndon through a mutual friend at a bar in Portobello Road. The meeting led to her rehearsal room (described by Farndon as "the scummiest basement I'd ever been in in my life") where they started playing "Groove Me", by King Floyd, followed by two of Hynde's tunes: "Tequila" and "The Phone Call". Hynde and Farndon then hooked up with James Honeyman-Scott and Martin Chambers, put the name Pretenders on the group, -- inspired by the song "The Great Pretender" -- recorded a demo tape (including "Precious", "The Wait" and a Kinks' cover, "Stop Your Sobbing"), handed it to Hynde's friend Nick Lowe, produced a single ("Stop Your Sobbing/The Wait") and performed their first gigs ever in a club in Paris. The single was released in January 1979 and quickly hit the Top Thirty in UK. The band's precocious success was followed by their first gigs in Britain where the band earned wide critical acclaim. In the same spring (1978), The Pretenders recorded their eponymous first album and hit the charts in UK and US with the song "Brass In Pocket".
The Pretenders lineup would change over the years as a result of numerous deaths and internal conflicts. However, Hynde endured, a solid anchor who became the band's eventual leader although Chambers later returned. Her guitar of choice is a Fender Telecaster.
As the rare, successful female bandleader and style-setter in the early days of punk and new wave, Hynde's impact was pervasive & substantial. Her edginess, punk sensibilities (she gave Sid Vicious his trademark lock necklace), musical vision, lyrical candor & truthfulness in interviews earned the respect of fans, musicians and critics alike, inspiring multitudes of young women to follow. Among many collaborations, Hynde's recordings with UB40 (a cover version of "I Got You Babe") and Cheap Trick ("Walk Away") have also registered popular success.
Chrissie Hynde had a daughter Natalie Ray in 1983 with Ray Davies of The Kinks. A cover version of the Davies song "Stop Your Sobbing" had been an early hit for the Pretenders, although Hynde met Davies several years later -- a meeting which bloomed into a long-term relationship. She then married musician Jim Kerr of the band Simple Minds in 1984, and had a daughter Yasmin with him in 1985. They divorced in 1990. She married artist Lucho Brieva in 1997 and lived with him in London until they separated in 2002.
Hynde did a duet with INXS on their album Full Moon, Dirty Hearts in 1993. Hynde appears on the title track of the album.
Hynde sang the vocals on the Moodswings album Moodfood for track #9, "State of Independence Part II" which was played during the closing credits on the soundtrack of Single White Female.
Chrissie Hynde has been in the news in recent years as a high-profile animal rights activist. She is a supporter of PETA [1]
Hynde recorded a duet with Frank Sinatra on Sinatra's 1994 album Duets II. They performed the song "Luck Be a Lady".
In 1995 Hynde made an acting appearance on the US television comedy Friends.
In 1999 Hynde played guitar and sang vocals with Sheryl Crow on the song "If It Makes You Happy" during a concert in Central Park.
Hynde is mentioned prominently in the lyrics of the Terence Trent D'Arby song "Penelope Please."
In 2004 Hynde moved to São Paulo, Brazil for a couple of months in order to play with Brazilian musician Moreno Veloso in an informal tour that lasted until December 2004. She bought a flat in the Copan Building in Sao Paulo's downtown.
In 2005, Hynde collaborated with Incubus on a song called "Neither Of Us Can See". The song is on the soundtrack album for Stealth.
Hynde also recorded a song called "Cry (If You Don´t Mind)" with the Spanish band Jarabe de Palo for their album "Un metro cuadrado - 1m²".
Likewise in 2005, Hynde dueted with Ringo Starr on a song entitled "Don't Hang Up" which can be heard on Starr's most recent album Choose Love.
She was also the vocalist on Tube & Berger's 2004 #1 Dance Top 40 track "Straight Ahead". The track gave Hynde her first US #1 track on the Billboard charts.
She supplied the voice for the clouded leopard in the movie Rugrats Go Wild (2003) in which she sang a duet with Bruce Willis
Daughter of a part-time secretary and a telephone company worker, Hynde graduated from Firestone High School, admitting "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind."
Those "things" included Hynde's experimentation with hippie counterculture, psychotropic drugs, eastern mysticism, vegetarianism and of course, joining or starting a band. Soon enough, Hynde joined a band called Sat. Sun. Mat. (which included Mark Mothersbaugh from Devo) while attending Kent State University's Art School for three years. Hynde was on the campus during the infamous "Kent State shootings".
Hynde also developed an interest in NME when she wasn't waitressing or working various other jobs to support herself, eventually saving enough money for the move from Ohio to London in 1973. With her art background, Hynde landed a job in an architectural firm but left after eight months. It was then that Hynde met rock journalist Nick Kent and landed a writing position at NME. However, it was a short gig among many as Hynde soon found herself working at Malcolm McLaren and Vivienne Westwood's then-unknown clothing store, SEX, where Hynde was summarily fired for a fight with a customer in which Hynde was hit with a bell from the store. Hynde then made a fruitless attempt to start a band in France before her return to Cleveland in 1975.
Hardly discouraged, Hynde resurfaced in France in 1976 for another stab at forming a band. Finding her way to London in the midst of the punk movement, Hynde tried to start a group with Mick Jones from The Clash. After the band failed to take off, Malcolm McLaren placed her as a guitarist in Masters of the Backside. But Chrissie was booted just as the band became The Damned. By that time, Mick Jones had invited Hynde to join his band on their initial riotous tour of Britain. Chrissie's recollection of that period: "It was great, but my heart was breaking. I wanted to be in a band so bad. And to go to all the gigs, to see it so close up, to be living in it and not to have a band was devastating to me. When I left, I said, 'Thanks a lot for lettin' me come along,' and I went back and went weeping on the underground throughout London. All the people I knew in town, they were all in bands. And there I was, like the real loser, you know? Really the loser."
But Hynde's luck soon changed. A demo tape of hers found its way to Dave Hill, owner of the label Real Records. Hill stepped in to manage her career, and began by paying off the back rent owed on her rehearsal room in Covent Garden. Hill also advised Chrissie to take her time and get a band together. In the spring of 1978, Hynde met bassist Pete Farndon through a mutual friend at a bar in Portobello Road. The meeting led to her rehearsal room (described by Farndon as "the scummiest basement I'd ever been in in my life") where they started playing "Groove Me", by King Floyd, followed by two of Hynde's tunes: "Tequila" and "The Phone Call". Hynde and Farndon then hooked up with James Honeyman-Scott and Martin Chambers, put the name Pretenders on the group, -- inspired by the song "The Great Pretender" -- recorded a demo tape (including "Precious", "The Wait" and a Kinks' cover, "Stop Your Sobbing"), handed it to Hynde's friend Nick Lowe, produced a single ("Stop Your Sobbing/The Wait") and performed their first gigs ever in a club in Paris. The single was released in January 1979 and quickly hit the Top Thirty in UK. The band's precocious success was followed by their first gigs in Britain where the band earned wide critical acclaim. In the same spring (1978), The Pretenders recorded their eponymous first album and hit the charts in UK and US with the song "Brass In Pocket".
The Pretenders lineup would change over the years as a result of numerous deaths and internal conflicts. However, Hynde endured, a solid anchor who became the band's eventual leader although Chambers later returned. Her guitar of choice is a Fender Telecaster.
As the rare, successful female bandleader and style-setter in the early days of punk and new wave, Hynde's impact was pervasive & substantial. Her edginess, punk sensibilities (she gave Sid Vicious his trademark lock necklace), musical vision, lyrical candor & truthfulness in interviews earned the respect of fans, musicians and critics alike, inspiring multitudes of young women to follow. Among many collaborations, Hynde's recordings with UB40 (a cover version of "I Got You Babe") and Cheap Trick ("Walk Away") have also registered popular success.
Chrissie Hynde had a daughter Natalie Ray in 1983 with Ray Davies of The Kinks. A cover version of the Davies song "Stop Your Sobbing" had been an early hit for the Pretenders, although Hynde met Davies several years later -- a meeting which bloomed into a long-term relationship. She then married musician Jim Kerr of the band Simple Minds in 1984, and had a daughter Yasmin with him in 1985. They divorced in 1990. She married artist Lucho Brieva in 1997 and lived with him in London until they separated in 2002.
Hynde did a duet with INXS on their album Full Moon, Dirty Hearts in 1993. Hynde appears on the title track of the album.
Hynde sang the vocals on the Moodswings album Moodfood for track #9, "State of Independence Part II" which was played during the closing credits on the soundtrack of Single White Female.
Chrissie Hynde has been in the news in recent years as a high-profile animal rights activist. She is a supporter of PETA [1]
Hynde recorded a duet with Frank Sinatra on Sinatra's 1994 album Duets II. They performed the song "Luck Be a Lady".
In 1995 Hynde made an acting appearance on the US television comedy Friends.
In 1999 Hynde played guitar and sang vocals with Sheryl Crow on the song "If It Makes You Happy" during a concert in Central Park.
Hynde is mentioned prominently in the lyrics of the Terence Trent D'Arby song "Penelope Please."
In 2004 Hynde moved to São Paulo, Brazil for a couple of months in order to play with Brazilian musician Moreno Veloso in an informal tour that lasted until December 2004. She bought a flat in the Copan Building in Sao Paulo's downtown.
In 2005, Hynde collaborated with Incubus on a song called "Neither Of Us Can See". The song is on the soundtrack album for Stealth.
Hynde also recorded a song called "Cry (If You Don´t Mind)" with the Spanish band Jarabe de Palo for their album "Un metro cuadrado - 1m²".
Likewise in 2005, Hynde dueted with Ringo Starr on a song entitled "Don't Hang Up" which can be heard on Starr's most recent album Choose Love.
She was also the vocalist on Tube & Berger's 2004 #1 Dance Top 40 track "Straight Ahead". The track gave Hynde her first US #1 track on the Billboard charts.
She supplied the voice for the clouded leopard in the movie Rugrats Go Wild (2003) in which she sang a duet with Bruce Willis
Everyday is like sunday
Chrissie Hynde Lyrics
We have lyrics for 'Everyday is like sunday' by these artists:
10000 Maniacs Trudging slowly over wet sand Back to the bench where…
Andryo Today I woke up twelve in the afternoon I missed the…
Colin Meloy Trudging slowly over wet sand, Back to the bench where your…
Karen Souza Trudging slowly over wet sand Back to the bench where your…
KØKKEN - Morrissey Trudging slowly over wet sand Back to the bench where your…
Mariachi Rock-O Trudging slowly over wet sand Back to the bench where your…
Mikrofisch Trudging Slowly Over Wet Sand Back To The Bench Where Your…
Morrissey Trudging slowly over wet sand Back to the bench where your…
Morrissey攀 Trudging slowly over wet sand Back to the bench where your…
Morrissey湥 Trudging slowly over wet sand Back to the bench where your…
Morrissey爀 Trudging slowly over wet sand Back to the bench where your…
Pretenders Trudging slowly over wet sand, back to the bench Where your…
Rhoda Dakar Trudging slowly over wet sand Back to the bench where…
The night is still young Trudging slowly over wet sand Back to the bench where your…
The Pretenders Trudging slowly over wet sand, back to the bench Where your…
The Smiths - Morrissey Trudging slowly over wet sand Back to the bench where your…
We have lyrics for these tracks by Chrissie Hynde:
A Plan Too Far If you can't understand Why a castle that's made out of…
Adding The Blue Everybody's asking where did you go? This gonna be my master…
All Along the Watchtower "There must be some way out of here," said the…
Breakfast in Bed You've been crying your face is a mess Come in…
Caroline No Where did your long hair go? Where is the girl I…
Dark Sunglasses Baby get your groove back, another kind of life, One you…
Don't Hang Up With my inside outside Looking for a free ride Waiting for t…
Down The Wrong Way I have become what I criticize, oh, oh, oh The porn…
How Glad I Am My love has no beginning, my love has no end No…
I Got You Babe They say we're young and we don't know Won't find out…
I Shall Be Released They say everything can be replaced Yet every distance is no…
In A Miracle If you can't understand Why a castle that's made out of…
Let It Be When I find myself in times of trouble Mother Mary comes…
Like In the Movies if you can't understand why a castle that's made out of…
Live and Let Die When you were young And your heart was an open book You…
Luck Be A Lady They call you lady luck But there is room for doubt At…
My Father My father always promised us that we would live in…
Never Be Alone Again (Crowe) I couldn't be anything near, I couldn't be anything…
Spiritual High This isn't actually recorded by Pretenders, but by Moodswing…
Waiting In Vain One, two, three I don't wanna wait in vain for your…
You Or No One I'm a fool to want you I'm a fool to want…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Miguel Rodriguez
The Pretenders - Everyday Is Like Sunday
Lyrics:
Trudging slowly over wet sand, back to the bench
Where your clothes were stolen
This is the coastal town that they forgot to close down
Armageddon, come Armageddon, come Armageddon, come
Everyday is like Sunday, everyday is silent and gray
Hide on the promenade scratch out a postcard
And how I dearly wish I was not here
In the seaside town that they forgot to bomb
Come, come, come, nuclear bomb
Everyday is like Sunday, everyday is silent and gray
Trudging back over pebbles and sand
And a strange dust lands on your hands and on your face
On your face, on your face, on your face
Everyday is like Sunday, win yourself a cheap tray
Share some greased tea with me, everyday is silent and grey
Everyday is like Sunday, everyday is like Sunday
Everyday is like Sunday, everyday is like Sunday
Norberto Raul Coronel
Trudging slowly over wet sand
Back to the bench where your clothes were stolen
This is the coastal town
That they forgot to close down
Armageddon - come armageddon!
Come, armageddon! Come!
Everyday is like sunday
Everyday is silent and grey
Hide on the promenade
Etch a postcard:
"How I dearly wish I was not here"
In the seaside town
...That they forgot to bomb
Come, come, come - nuclear bomb
Everyday is like sunday
Everyday is silent and grey
Trudging back over pebbles and sand
And a strange dust lands on your hands
(And on your face...)
(On your face...)
(On your face...)
(On your face...)
Everyday is like sunday
"Win yourself a cheap tray"
Share some greased tea with me
Everyday is silent and grey
Kirill May
I adore her vocal. She is the best female voice in rock.
hulmerist
One of....
Ben Oltmanns
Bonnie Raitt, Melissa Etheridge, Ann Wilson, I could go on
Whatever
She's ok, but srsly? siouxsie, sinead, liz fraser, bjork, kate bush, beth gibbons...
Mike Luke
Chrissie one of the greatest rock survivors and a voice of an angel. Morrissey would be proud, great version of a masterful song.
Mike Guinness
Such a distinguishable voice and I love it. The one band I regret having never seen in concert. She can do almost anything with that cadence. Thank you, Chrissie, for all you've given to the music World. It is most appreciated.
Citrohan
It is so hard to cover a song that is strongly identified with one artist as this song is. And yet, Chrissie does it spectacularly well, totally gives it her unique sound and makes it seem so easy. Bravo!
R W
Beautifully done ✔ 👏
Capri Corn
I LOVE HER VOICE!!!!!
Alberto Sequera Duarte
yes...this is..........