Good Love
City Girls Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Yeah (beat it up, beat it up, beat it up)
They want Usher, baby (beat it up, beat it up, beat it up)
Fr-freaky (beat it up, beat it up, beat it up)
ATL, City Girls (beat it up, beat it up, beat it up)
Ladies in the house tonight if you ready (fr-freaky)
(Mr. Hanky)

You say, yeah, you say that you want good love
Girl, I can give it to you (give it to me)
Wanna lay you down, make you fall in love
All the freaky things that I can do (ooh)
I can freak you 'til the mornin' (yeah)
Get on top and ride on it (ride, ride, ride)
Eighty ways, I'll keep you comin' (beat it up, beat it up, beat it up)
Any way that you want it (uh)
I can freak you in the daytime (ooh)
If you up or late night (uh-huh)
I'ma let you control it (yeah)
Any way that you want it (City Girl shit)
I can freak you

Pull up lookin' too good
Too hood, on my star shit (I am)
Showin' my coochie print (yeah)
Crop top, no bra, bitch
Gon' head, pat me down (pat me down)
To the table, sit me down (let's go)
In the middle of the crowd (like this)
Okay, let's order rounds
Bring out that Ace of Spades, DeLeón and lemonade (ayy)
Sit me center stage and watch me do my thing
Like don't stop, get it, get it, ooh, ooh, hit it, hit it
Look back, swirl, twist it, we just them city bitches

You say, yeah, you say that you want good love (I do)
Girl, I can give it to you (let's go, let's go, freaky, freaky)
Wanna lay you down, make you fall in love
All the freaky things that I can do
I can freak you 'til the mornin' (yeah)
Get on top and ride on it (ride, ride, ride)
Eighty ways, I'll keep you comin' (beat it up, beat it up, beat it up)
Any way that you want it (uh, uh)
I can freak you in the daytime (ooh)
If you up or late night (uh-huh)
I'ma let you control it (yeah)
Any way that you want it (ayy, ayy)
I can freak you

Hands on your knees, hands on your knees
If that nigga broke, then make that ass freeze
We ain't shakin' ass for niggas with no cheese (nah)
And we ain't pullin' up for niggas with no keys (no)
I don't want a drink, where the bottles at? (Where they at?)
Sit right here, pay for the tab (right here)
Me and my bitches gon' make you laugh (hahaha)
And when we done with you, we gon' send you back
Big booty, big bag, they big mad
I pull up flexin' on they bitch ass
He want a good girl, that's too bad
I'm so cunty, I'm too bad

You say, yeah, you say that you want good love (I do)
Girl, I can give it to you (let's go, let's go, freaky, freaky)
Wanna lay you down, make you fall in love
All the freaky things that I can do
I can freak you 'til the mornin' (yeah)
Get on top and ride on it (ride, ride, ride)
Eighty ways, I'll keep you comin' (beat it up, beat it up, beat it up)
Any way that you want it (uh, uh)
I can freak you in the daytime (ooh)
If you up or late night (uh-huh)
I'ma let you control it (yeah)
Any way that you want it
I can freak you

Yeah, oh
Fr-freaky (fr-freaky)
Oh (don't stop, beat it, beat it)
(Don't stop, beat it, beat it)
Fr-freaky
(Don't stop, beat it, beat it)
(Don't stop, beat it, beat it)




Fr-freaky
City Boys

Overall Meaning

The lyrics to City Girls's song "Good Love" is an explicit and provocative expression of sexual confidence and empowerment. The song is filled with explicit sexual references, with lyrics that suggest the singer's ability to provide fulfilling sexual experiences, emphasizing their expertise and willingness to please their partner. The song celebrates the idea of uninhibited sexual encounters and the joy of exploring one's desires.


The chorus of the song emphasizes the singer's ability to provide "good love" and fulfill their partner's desires. They confidently assert that they can do "freaky things" and please their partner in multiple ways. The verses continue this theme, describing how they can fulfill their partner's desires both during the day and at night, and how they are willing to let their partner take control of the experience.


The second verse includes lines that highlight the singer's confidence and self-assuredness. They mention their appearance and how they effortlessly attract attention. There is also a sense of independence and not relying on men for financial support, stating that they won't "shake their ass" or "pull up" for men who don't have money or resources.


The lyrics overall celebrate female sexual agency and the ability to take control of one's own pleasure. It exudes a confident and unapologetic attitude towards sexuality and emphasizes the power and satisfaction that comes from exploring one's desires.


Line by Line Meaning

Yeah (beat it up, beat it up, beat it up)
Expressing enthusiasm and excitement, emphasizing the desire for intense physical intimacy


They want Usher, baby (beat it up, beat it up, beat it up)
Referring to the desire for passionate and satisfying lovemaking similar to the renowned singer Usher's reputation


Fr-freaky (beat it up, beat it up, beat it up)
Highlighting the willingness to engage in unconventional and daring sexual activities


ATL, City Girls (beat it up, beat it up, beat it up)
Representing the bold and fearless attitude adopted by the City Girls, who originate from Atlanta


Ladies in the house tonight if you ready (fr-freaky)
Inviting all the confident women in the vicinity to embrace their sexuality and engage in adventurous encounters


(Mr. Hanky)
Credit given to the song's producer, Mr. Hanky


You say, yeah, you say that you want good love
Acknowledging the desire for a fulfilling and satisfying romantic connection


Girl, I can give it to you (give it to me)
Asserting the ability to provide the desired level of affection and intimacy to the woman


Wanna lay you down, make you fall in love
Expressing the intention to create a physical and emotional bond by engaging in passionate sexual encounters


All the freaky things that I can do (ooh)
Highlighting the array of unconventional and exciting sexual activities that can be explored


I can freak you 'til the mornin' (yeah)
Promising the ability to engage in intense and pleasurable sexual experiences throughout the night


Get on top and ride on it (ride, ride, ride)
Suggesting the woman to take control and actively participate in the sexual encounter


Eighty ways, I'll keep you comin' (beat it up, beat it up, beat it up)
Implying expertise in a variety of sexual techniques to ensure a continuous flow of pleasure


Any way that you want it (uh)
Expressing willingness to cater to the woman's desires and preferences in order to please her


I can freak you in the daytime (ooh)
Indicating the availability and readiness to engage in passionate encounters during daylight hours


If you up or late night (uh-huh)
Highlighting the flexibility and willingness to meet the woman's desires, whether she prefers daytime or nighttime activities


I'ma let you control it (yeah)
Granting the woman the power to guide and dictate the pace and intensity of the sexual experience


I can freak you
Asserting the ability to engage in thrilling and unconventional sexual activities


Pull up lookin' too good
Arriving at a location with a striking and visually appealing appearance


Too hood, on my star shit (I am)
Embracing and celebrating one's upbringing, representing their authentic self in a confident and assertive manner


Showin' my coochie print (yeah)
Deliberately displaying a visible outline of the genital area as a provocative and empowering statement


Crop top, no bra, bitch
Wearing a short top without a bra, defying societal expectations of modesty and highlighting personal freedom


Gon' head, pat me down (pat me down)
Encouraging someone to physically search or investigate their body, possibly suggesting a flirty or playful interaction


To the table, sit me down (let's go)
Asking to be brought to a designated spot or area and given attention or respect


In the middle of the crowd (like this)
Desiring to be the center of attention, embracing their confidence and attracting the gaze of the surrounding people


Okay, let's order rounds
Proposing the idea of purchasing multiple rounds of drinks in a celebratory and fun atmosphere


Bring out that Ace of Spades, DeLeón and lemonade (ayy)
Requesting specific high-end alcoholic beverages, associated with luxury and indulgence, for a pleasurable and extravagant experience


Sit me center stage and watch me do my thing
Desiring to be positioned in a prominent and highly visible location where they can showcase their talents or captivating presence


Like don't stop, get it, get it, ooh, ooh, hit it, hit it
Encouraging continuous and energetic movement or action, resulting in a sexually satisfying encounter


Look back, swirl, twist it, we just them city bitches
Engaging in flirtatious and provocative dancing, embodying the confidence and free-spirited nature associated with urban women


Hands on your knees, hands on your knees
Instructing someone to place their hands on their knees, possibly as part of a seductive dance move or sexual position


If that nigga broke, then make that ass freeze
Refusing to entertain or engage romantically with individuals who lack financial stability or resources, emphasizing independence and self-worth


We ain't shakin' ass for niggas with no cheese (nah)
Declining to dance provocatively or engage sexually with individuals who lack financial means, prioritizing material security and personal value


And we ain't pullin' up for niggas with no keys (no)
Choosing not to respond or show interest in people who lack authority, control, or power, prioritizing individuals with influence and status


I don't want a drink, where the bottles at? (Where they at?)
Displaying confidence and assertiveness by expecting high-quality and expensive beverages, expressing a desire for luxury and indulgence


Sit right here, pay for the tab (right here)
Commanding attention and expecting someone to cover the expenses, asserting a dominant and entitled position


Me and my bitches gon' make you laugh (hahaha)
Promising an entertaining and enjoyable experience in the company of oneself and a group of close friends


And when we done with you, we gon' send you back
Implying that after a brief encounter or interaction, the person will be dismissed or discarded, emphasizing the temporary nature of the connection


Big booty, big bag, they big mad
Highlighting physical attributes such as a curvaceous figure and possessing wealth or material possessions, provoking envy or jealousy from others


I pull up flexin' on they bitch ass
Arriving at a location with confidence and a sense of superiority, intimidating or overshadowing others


He want a good girl, that's too bad
Rejecting the expectation of conforming to societal standards of purity and subverting traditional expectations, expressing self-assurance and defiance


I'm so cunty, I'm too bad
Embracing and celebrating a bold, assertive, and audacious personality that challenges norms and expectations


Yeah, oh
Exclaiming in agreement or affirmation, expressing enthusiasm or excitement


Fr-freaky (fr-freaky)
Reiterating the daring and unconventional nature of their sexual desires and interests


Oh (don't stop, beat it, beat it)
Expressing the desire for continuous and rhythmic movement or stimulation during sexual encounters


(Don't stop, beat it, beat it)
Emphasizing the need for constant and energetic motion or action during intimate moments


Fr-freaky
Reiterating the fearless and audacious approach to exploring unconventional sexual experiences


(Don't stop, beat it, beat it)
Encouraging the continuation of vigorous and exciting sexual activity without interruption


(Don't stop, beat it, beat it)
Insisting on the persistent and forceful engagement in pleasurable and thrilling activities


Fr-freaky
Reiterating the willingness and enthusiasm to participate in unconventional and exciting sexual encounters


City Boys
Acknowledging and creating a parallel to the City Girls' bold and fearless attitude, recognizing individuals who embody the same audacious qualities




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Caresha Brownlee, Corey Dennard, Harry Casey, Jatavia Johnson, Jonathan Smith, Kinta Cox, Lathun Grady, Luther Campbell, Nija Charles, Paul Lewis, Rick Finch, Tony Butler, Usher Raymond IV

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@darvin50k

Whoever’s reading this, i pray that whatever your going’s through gets better and whatever your struggling with or worrying bout is going to be fine and that everyone has a fantastic day! Amen

@purty2802

Ty

@KickinItWithQuadTV

Wasn’t expecting this but thank you!

@ashantifrazier7724

I receive this in Jesus name. Amen you to

@tasiaclinkscales3973

Amen Ty sm

@Diviase

Thanks u 2!

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@CresceMusicOfficial

My music will be as big as this one day, mark my words 🙏🙏 Thanks for the inspiration, love the video.

@77devmore

Your music is real nice! You on your way! 🙏🏽✝️💯

@tokenrow669

It's gonna take sacrifice rituals and selling your soul homie

@plittymafia

@@tokenrow669 not neccesarily, if he don't go through the industry, and does it natural, then he'll be ok. Though it is going to take him some time to do because he's doing it natural. I plan on doing it natural as well. I DO NOT support that man downstairs. Thats all im saying.

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