Claudin de Sermisy (c. 1490 – October 13, 1562) was a French composer of th… Read Full Bio ↴Claudin de Sermisy (c. 1490 – October 13, 1562) was a French composer of the Renaissance. Along with Clément Janequin he was one of the most renowned composers of French chansons in the early 16th century; in addition he was a significant composer of sacred music. His music was both influential on, and influenced by, contemporary Italian styles.
Sermisy was most likely born either in Picardy, Burgundy, or Île-de-France, based on the similarity of his surname to place names there. Sometime in his early life he may have studied with Josquin Desprez, if Pierre Ronsard is to be believed, but many musicologists consider the claim unreliable; at any rate he absorbed some of the older composer's musical ideas either early, or later, as he became acquainted with his music. Josquin was possibly at the French court between 1501 and about 1503, though this has never been definitely established, so a master-pupil relationship would have been possible then; Sermisy's whereabouts before 1508 are not known, but presence at the Royal Chapel was certainly possible.
In 1508 the young Sermisy was appointed as a singer in the Royal Chapel of Louis XII, where he was also a cleric. His birthdate is inferred from the date he joined the royal chapel; 18 was about the right age for such an appointment. In 1515 he went to Italy with Francis I, and in 1520 he was part of the musical festivities arranged by Francis I and Henry VIII of England at the Field of the Cloth of Gold, directed by Jean Mouton, where he was almost certainly a singer. He may have been a composer of some of the music there as well. In 1532 he also participated in the similar meeting between the kings at Boulogne, for which he wrote a ceremonial motet.
For a while in the early 1520s Sermisy was a canon at Notre-Dame-de-la-Rotonde in Rouen, but he left there in 1524 to take a similar position in Amiens. By 1532 he was music director of the Royal Chapel, still under Francis I, who reigned until 1547. At this post he was expected to teach and care for the boys of the choir, as well as find talented singers to recruit. In 1533, in addition to his post at the Royal Chapel, he became a canon at the Sainte-Chapelle, which would have required him to live in Paris. He acquired a large house there, large enough to shelter refugees from the church in St Quentin when the Spanish sacked their city in 1559. In 1554 he also was given a prebend at Ste Catherine in Troyes. Few biographical details are available about his last years, but he seems to have been active as a composer up to the end of his life based on publication dates of works. He was buried in the Sainte-Chapelle.
Sermisy was most likely born either in Picardy, Burgundy, or Île-de-France, based on the similarity of his surname to place names there. Sometime in his early life he may have studied with Josquin Desprez, if Pierre Ronsard is to be believed, but many musicologists consider the claim unreliable; at any rate he absorbed some of the older composer's musical ideas either early, or later, as he became acquainted with his music. Josquin was possibly at the French court between 1501 and about 1503, though this has never been definitely established, so a master-pupil relationship would have been possible then; Sermisy's whereabouts before 1508 are not known, but presence at the Royal Chapel was certainly possible.
In 1508 the young Sermisy was appointed as a singer in the Royal Chapel of Louis XII, where he was also a cleric. His birthdate is inferred from the date he joined the royal chapel; 18 was about the right age for such an appointment. In 1515 he went to Italy with Francis I, and in 1520 he was part of the musical festivities arranged by Francis I and Henry VIII of England at the Field of the Cloth of Gold, directed by Jean Mouton, where he was almost certainly a singer. He may have been a composer of some of the music there as well. In 1532 he also participated in the similar meeting between the kings at Boulogne, for which he wrote a ceremonial motet.
For a while in the early 1520s Sermisy was a canon at Notre-Dame-de-la-Rotonde in Rouen, but he left there in 1524 to take a similar position in Amiens. By 1532 he was music director of the Royal Chapel, still under Francis I, who reigned until 1547. At this post he was expected to teach and care for the boys of the choir, as well as find talented singers to recruit. In 1533, in addition to his post at the Royal Chapel, he became a canon at the Sainte-Chapelle, which would have required him to live in Paris. He acquired a large house there, large enough to shelter refugees from the church in St Quentin when the Spanish sacked their city in 1559. In 1554 he also was given a prebend at Ste Catherine in Troyes. Few biographical details are available about his last years, but he seems to have been active as a composer up to the end of his life based on publication dates of works. He was buried in the Sainte-Chapelle.
Tant que vivray
Claudin de Sermisy Lyrics
We have lyrics for these tracks by Claudin de Sermisy:
Je ne menge point de porc Je ne mange point de porc. Le porc a condition telle…
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@Wolfgang1782
“Affirming” is an understatement. It’s the most ardent expression of love, and his accompanying bars of celebration at the reality.
@konarciq
Thank you so much, TwoSetViolin, for introducing me to this magnificent piece!
@napo3091
konarciq
Legit why I’m here too, twoset gang rise up!
@suya2027
Same
@Jakeroo767
Exactly facts
@yeah8598
I found by myself
@NamiNade-kz7ew
Same here
@jorges.morion6793
Una de las mas sublime y evocadora chanson de todo el Renacimiento, ¡maravillosa!
@rahang4126
Quelle perfection ! Et quelle régression de l'harmonie nos oreilles subissent maintenant, par rapport à cette époque...la prétendue évolution musicale est étrange
@sophiedupont4707
C’est magnifique , on doit l’apprendre par coeur dans mon école et je ne le regrette pas