1) A doom metal super… Read Full Bio ↴There are multiple artists named named Clouds:
1) A doom metal supergroup based in Europe.
2) A dubstep / experimental electronica duo from Finland.
3) A psychedelic band from Edinburgh, Scotland, active in the 1960s.
4) An alternative rock band from Australia.
5) A rock band from Boston, United States.
6) A duo of techno producers from Perth, Scotland.
7) An indie pop band from Glasgow, Scotland, active in the 1980s.
8) A Polish synthpop band.
9) A rock band from England, active in the late 1960s.
10) A garage rock band from Los Angeles, United States, active in the 1960s.
11) An electro/thrash/indie group from Roseburg, Oregon.
12) An indie-pop band from Oslo, Norway.
13) A hiphop/electro producer from Detroit, Michigan.
1) Clouds is an international doom metal group assembled in 2013 by Daniel Neagoe. Bandcamp page: https://cloudsofficial.bandcamp.com
2) Clouds from Finland is an electronic music production team that consists of Tommi Liikka and Samuli Tanner. Tommi is a Helsinki native and Samuli comes from a small village deep in rural Finland. The pair met through mutual friends in 1999, and ever since planned on working on some music together, hindered by both working on various projects and shows of their own. The plan was finally realised after a string of coincidences and happy accidents led them to sharing a house in the northern suburbs of Helsinki.
Tommi is a veteran DJ and promoter who has been working hard to introduce people to the strange sounds emerging from the US west coast hip-hop underground, while keeping an ear open for various musical styles all sharing a common thread: bass weight. He has brought the music he believes in to the people of this cold northern nation by releasing numerous mixtapes, organising shows for artists he felt needed to be heard and by running his record label, Anti-Party Music.
Samuli has been producing and releasing electronic music under various aliases such as Ponytail and as part of the Dubbing Mixers project, as well as playing drums in noise/punk bands and co-running the Tuulanauhat record label. Samuli's signature production style, most audible in his Ponytail project, is a healthy mashup of lo-fi drones and sample-heavy cut n'paste workouts built into hip-hop instrumentals.
The combination of these musical influences is evident in Clouds - both members share an interest in the DIY aesthetic often connecting all kinds of music made with passion, not brains. And passion is a trait that overlaps any genre or style boundaries, leading to music that is willing to break the mold.
By 2006, Tommi was already deep into dubstep, and when the pair finally got together for a few fun and productive sessions trying to nail down the style, Clouds was born. The Clouds sound is like a soundtrack to the invasion of earth by little and green, but dubwise, aliens. It's a fresh take on the standards of dubstep, combining elements from video games, experimental music and hip-hop with deep melodic meditations and dancefloor-shredding basslines. Always keeping it fresh, Clouds tracks rarely tread a path they've previously stepped on. This has been noted by many of the scene's top DJ's, leading to Clouds being championed by people like Joe Nice, Geiom, Skream, N-Type, L-Wiz, DJ/Rupture and Tes La Rok. Not ones to leave the footwork for others, Clouds has also been travelling to spread their sound to various places such as China, France, UK (DMZ and Subdub among others), Russia, Ireland and Sweden.
3) Clouds was a Scottish psychedelic / prog rock band active from 1964 through 1971. Initially called The Premiers, and then 1-2-3, the band consisted of Ian Ellis (vocals, bass), Billy Ritchie (organ) and Harry Hughes (drums). As 1-2-3, the band had a headlining Marquee residency in 1967, attended by future rock luminaries such as David Bowie, Keith Emerson, Rick Wakeman, Yes, and King Crimson. Playing an early form of progressive rock two years before it became fashionable, the band were signed by Brian Epstein and Nems, but crucially, did not release any recordings, ironically leaving the progressive scene to flourish and leave them behind, though they much to do with influencing it in the first place.
The band was then signed to Chrysalis, and released three albums on the labels Island and Chrysalis: Scrapbook (1969), Up Above Our Heads (1970) and Watercolour Days (1971). Many headlining tours in Europe and the USA followed, but the band were unable to creat sufficient public interest, and disbanded in late 1971.
Only some years later, a critical reappraisal of 1-2-3 led to the band being properly credited as a definitive precursor of the progressive rock movement. Billy Ritchie (the keyboard player) was credited as being the first keyboard player in rock to stand and take a leading role, paving the way for others like Emerson and Wakeman.
4) Clouds was formed in Sydney, Australia in 1989. The nucleus of the group was Jodi Phillis (born in Australia and raised USA) and the New Zealand born Tricia Young. Prior to being in the Clouds Jodi was a member of the short-lived 'The Nu-Genes', while Tricia had never been in a band at all. They met when mutual friends introduced them at a BBQ.Within a year, they were signed to Red Eye Records, having added Stuart Eadie on drums and Dave Easton on guitar. Later Raph Whittingham would replace Eadie, with Ben Nightingale stepping in for Easton.
Between 1990 and 1997, The Clouds put out seven singles (Hieronymus, Anthem, Say It, Bower Of Bliss, Alchemy's Dead, Here Now, Down From The Sky, Never Say Forever), 5 EPs (Clouds, Loot, Beetroot, Aquamarine Panel Van) four albums (the classic Penny Century, Octopus, Thunderhead, Futura), two compilations (Pre-Raphaelite, Collage) and numerous videos.
Starting out with a very strong pop element, their sound evolved into something tougher, darker and more experimental. The Clouds never achieved mainstream success in Australia however their records sold a consistently with Penny Century going gold. They had a large and loyal fanbase and toured in the US and Europe. In particular, Jodi Phillis continued to perform in numerous other bands and as a solo artist.
Part of the flourishing Australian independent music scene in the early 90's, that included The Falling Joys, The Hummingbirds, Ratcat and The Underground Lovers, The Clouds left an enduring legacy of articulate and gutsy rock and roll.
5) Clouds is a rock band from Boston, United States. They deliver unbridled action-rock harking back to the mid/late '90s Man's Ruin garage onslaught - which, in turn, owes its collective hearing loss to the likes of the Wipers, Bad Brains, Stooges, and MC5.
They say you can take the kid out of the rock, but you can’t take the rock out of the kid…or some shit like that. This is especially difficult when “the kid” in question is Cave In’s Adam McGrath, fearless leader and vocalist/guitarist of Clouds, an outfit that delivers unbridled action-rock harking back to the mid/late-’90s Man’s Ruin garage onslaught—which, in turn, owes its collective hearing loss to the likes of the Wipers, the Bad Brains, the Stooges, and the MC5. So you can see what kind of lineage we’re talking about here. But wait—that’s not all these Boston gents have to offer: From nasty psych and Southern power grooves to (believe it or not) “Party Grunge” and sax’d-out dub, Legendary Demo has it all. Unlike anything else in Hydra Head’s vast back catalogue, this is truly a revelation.
6) Clouds from Perth, Scotland, is a duo formed by Calum Macleod and Liam Robertson. With a sound that has seen steady development from frenzied banger to subtle, inventive techno, they have garnered huge support from the reigning heavyweights of electronic music, it’s not often that an artist can count a list of artists like Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore as ardent supporters.
Part of Turbo Recordings core of young ‘New Jack Techno’ artists, Tiga has championed their first releases, paving the way for a breakthrough year in 2013. A series of club 12″s entitled ‘Tannhauser Acid Works’, and a stockpile of dance floor weaponry is set for release on Gary Beck’s new label and Fifth Wall, as well as remixes for the likes of Hot Chip, and indie upstarts Blue Hawaii and Suuns.
Most significantly, the duo have just finished their debut album and it’s a brilliant and subtle collection of techno that comfortably situates them in the same league as UK masters Actress and Zomby. First listeners and key press have been blown away. The album is set for release in June, on Turbo Recordings.
Increasingly versatile as DJs, Clouds centre themselves with a foundation of powerful, big-room techno, but they skillfully incorporate influences that range from UK bass music, Electro, and House. In the tradition of the best UK DJs, they exhibit knowledge and range that is remarkable for their age. Watch out… Clouds are unequivocally one of the brightest talents in electronic music.
7) Clouds was an indie pop band from Glasgow, Scotland, active in the 1980s. They released the single "Tranquil / Get Out of My Dream" in 1988 on the Subway Organization label.
8) Clouds is a synthpop band from Suwałki, Poland. The band consists of Artur M. Janiec, who is an author of the music and Eliza Machnik - vocalist. Clouds performs synth-pop and downtempo music. They are from city.
9) Clouds from England was a late 1960s East Anglian band. http://www.davewagstaffe.com
10) Clouds was a garage rock band from Los Angeles, United States, active in the 1960s.
11) Clouds from Roseburg, Oregon, had a constantly changing line-up and eventually broke up in 2006. http://www.myspace.com/cloudsmusic
12) Clouds from Oslo, Norway. After having released albums and/or EPs as Lasse And The Dirtydogs, The Dirtydogs and Best Laid Plans, some new members were added and the band changed their name to Clouds. https://www.facebook.com/cloudsoslo
13) Clouds is a hiphop / electro producer from Detroit, Michigan, United States.
4 pm
Clouds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With my hand behind my back
I feel my shiny silver blade
Love on my right hand
Hate on my left hand
God at my command
But they don't understand
So much blood on my hands
I got your blood on my hands
All the work I tried to do
Is in essence what the Good Book says
It's true I say to you
Let the judgment begin
Punish them for their sin
Let the sun shine in
Good over evil we will win
I got blood on my hands
So much blood on my hands
I got your blood on my hands
It's four in the afternoon
And you're looking like a whore made up in blue
You're gonna learn
See the look in my eye
Better not start to cry
You know the reason why
You're gonna have to die
I got blood on my hands
So much blood on my hands
I got your blood on my hands
I got your blood on my hands
I need your blood on my hands
The first verse of Clouds's "4 pm" describes the singer as a bitter, twisted soul with a shiny silver blade behind their back. The imagery of the silver blade implies a sense of danger or violence. The singer then goes on to convey their conflicting emotions of love and hate, with the presence of God as their guiding force. However, despite their belief in their own righteousness, they feel misunderstood. In the chorus, the singer confesses to having blood on their hands, which implies that they have committed violent, possibly lethal actions. The repetition of the lyric further emphasizes the weight of their actions.
The second verse begins by stating that the singer's actions align with the teachings of the Good Book, which is likely a reference to the Bible. They believe that they are executing judgment on sinners, punishing them for their wrongdoings, and ultimately attempting to bring good over evil. In the chorus, the singer repeats the same lines as before, asserting that they have the blood of their victims on their hands. The final verse describes a woman who is dressed in blue, painted up like a whore. The singer threatens to kill her, stating that she'll have to die and that they "need [her] blood on [their] hands."
The lyrics of "4 pm" paint a dark, foreboding picture of a violent individual who feels justified in their actions. The repetition of the chorus emphasizes the weight of their guilt and the violence of their deeds. The references to God and the Good Book may suggest that the singer considers themselves to be executing divine justice. Overall, the song evokes a sense of unease and discomfort in the listener.
Line by Line Meaning
I'm a bitter, twisted soul
I am a person who carries resentment, negativity and cynicism within me
With my hand behind my back
I have a hidden agenda or motive
I feel my shiny silver blade
I feel powerful and in control
Love on my right hand
I have the capacity to love
Hate on my left hand
I have the capacity to hate
God at my command
I believe that I am guided or favored by a higher power
But they don't understand
Others do not comprehend or empathize with me
I got blood on my hands
I am responsible for causing harm, destruction or death
So much blood on my hands
I have caused a significant amount of damage or devastation
I got your blood on my hands
I specifically caused harm or death to you
All the work I tried to do
My actions and endeavors thus far
Is in essence what the Good Book says
Reflects the teachings or principles of religious texts
It's true I say to you
What I claim is genuine and correct
Let the judgment begin
Justice or retribution should be imparted
Punish them for their sin
Hold those accountable for their wrongdoing
Let the sun shine in
I anticipate a brighter future or positive outcome
Good over evil we will win
Righteousness or morality will triumph over malevolence
It's four in the afternoon
The current time is around four o'clock
And you're looking like a whore made up in blue
You appear disreputable or promiscuous while wearing blue
You're gonna learn
You will be taught a lesson or punished
See the look in my eye
Observe the expression or emotion conveyed by my eyes
Better not start to cry
Do not begin to weep or show weakness
You know the reason why
You are aware of what you did to deserve my wrath
You're gonna have to die
You will face a fatal consequence for your actions
I need your blood on my hands
I desire to be responsible for your demise or destruction
Lyrics © Universal Music Publishing Group
Written by: JODI PHILLIS
Lyrics Licensed & Provided by LyricFind
sqpcinc
OMG This tune has haunted me for 28 years. I found it! I can't believe it
Paul Hales
Pibg
simcott
I bought this 'Loot' EP back in 1991. Saw them live whenever they were in Melb.
I loaned this cd (and their first 'CloudFactory') EP to someone at Uni in 1996 and we lost contact after she pulled out of the course. I've been trying to replace those cd's ever since. IM SO GLAD THESE SONGS HAVE BEEN POSTED AS A YOUTUBE PLAYLIST, IVE NOT HEARD THEM FOR 20 YEARS!!!
Stuart Wakefield
+simcott I was lucky enough to find a Loot EP at Dixons recycled in Fitzroy, been looking for over 10 years
RaindancerAU
One of the greatest yet seemingly least known Clouds tracks. Wish I still had my CD.
Rachel Stone
God I’ve been reminiscing over this amazing song for years. Great to find it here. The lyrics are so disturbing and in contrast to the gorgeous voices and upbeat vibe. But it’s a smart portrait of a freaky religious killer
rohan haggart
my have clouds song. love jodi
Rachel Stone
Thanks for sharing
Paul Hales
PING