techno
Techno is a type of electronic dance music played on synthesizers and drum … Read Full Bio ↴Techno is a type of electronic dance music played on synthesizers and drum machines featuring often dark menacing robotic-sounding melodies with squelchy synth and deep bass lines set to a four on the floor beat.
In 1980's Detroit, the Belleville three, first Juan Atkins (Cybotron, Model 500) and later his friends Derrick May (Rhythim is Rhythim) and Kevin Saunderson (Inner City, Reese) began experimenting with synthesizers to create electronic dance music. Derrick May described it as sounding like George Clinton (of Parliament and Funkadelic) and Kraftwerk stuck in an elevator. Atkins' early tracks were akin to the emerging electro of Hashim, Herbie Hancock and Man Parrish, and also shared an emphasis on drums found in the freestyle of Freeez, Shannon and Paul Hardcastle combined with the deep bass and danceability of British new wave synthpop (eg. New Order, Simple Minds, Pete Shelley) and the spacey sound of italo disco (eg. Rizo Ortolani, Laser, Charlie). There was also a lot of crosspollination between Detroit techno artists and Chicago house artists particularly noticeable in Saunderson's work with Inner City. Chicago acid house by Steve "Silk" Hurley and Lil' Louis sounds particularly close to techno. In 1988, Atkins, May and Saunderson released a compilation album, 'Techno! The New Dance Sound of Detroit.'
The word or prefix 'techno' had been used by or about the Techno Twins (1977), Kraftwerk (1978 in Japan's 'Rock Magazine'), Yellow Magic Orchestra (1979 single Technopolis), but Detroit Techno had a darker sound with more bass, and was often played at a faster more 'danceable' tempo. Skinny Puppy is another early band that had been described as 'techno' (e.g. in Billboard 1985), but they were perhaps closer to the ebm of Front 242. In the early 1980's, the Sheffield band Cabaret Voltaire went electronic, and moved into a funkier direction, and came to be classified as techno. In Saunderson's Reese band, he was influenced by and influenced Belgian new beat (eg. A Split Second, 101).
When British bands such as The KLF and Psychic TV were formed in the mid-1980's, they took 'techno' in a psychedelic direction, and along with acid house, it began to be played at rave parties, impromptu dance events held in abandoned warehouses or outdoors. Techno-influenced west European bands began to score major hits in the late 1980's early 1990's (eg. Snap!, Technotronic, 2 Unlimited) and came to dominate club music for a time. In 1990, The KLF released "What time is love? Live at Trancentral" sparking a spate of releases with crowd noise. In 1991, Second Phase released "Mentasm" leading to the increasing use of the Hoover sound effect in rave/techno releases. Breakbeat, chillout, hardcore, trance and trip hop developed within the techno rave scene, and eventually split off as separate genres. The popularity of techno faded somewhat after 2000 (supplanted to some extent by house and trance), but minimal techno continues to be produced. Gabber and happy hardcore developed out of hardcore techno. Big beat bands such as The Chemical Brothers, The Crystal Method, The Prodigy are also commonly classified as techno. Rave techno is still an influence on electro house artists such as Benny Benassi, Bingo Players, Dimitri Vegas & Like Mike, Global Deejays, Krewella and Vitalic.
This style of music uses loop-sequencing and turntables. Though often strongly mixing melodies and heavy bass lines, techno music relies on pulsing rhythms. Techno songs rely on heavy syncopation. Most songs are in 4/4 time and feature time marked with bass drums on the quarter note and hi-hats every second eighth note.
In 1980's Detroit, the Belleville three, first Juan Atkins (Cybotron, Model 500) and later his friends Derrick May (Rhythim is Rhythim) and Kevin Saunderson (Inner City, Reese) began experimenting with synthesizers to create electronic dance music. Derrick May described it as sounding like George Clinton (of Parliament and Funkadelic) and Kraftwerk stuck in an elevator. Atkins' early tracks were akin to the emerging electro of Hashim, Herbie Hancock and Man Parrish, and also shared an emphasis on drums found in the freestyle of Freeez, Shannon and Paul Hardcastle combined with the deep bass and danceability of British new wave synthpop (eg. New Order, Simple Minds, Pete Shelley) and the spacey sound of italo disco (eg. Rizo Ortolani, Laser, Charlie). There was also a lot of crosspollination between Detroit techno artists and Chicago house artists particularly noticeable in Saunderson's work with Inner City. Chicago acid house by Steve "Silk" Hurley and Lil' Louis sounds particularly close to techno. In 1988, Atkins, May and Saunderson released a compilation album, 'Techno! The New Dance Sound of Detroit.'
The word or prefix 'techno' had been used by or about the Techno Twins (1977), Kraftwerk (1978 in Japan's 'Rock Magazine'), Yellow Magic Orchestra (1979 single Technopolis), but Detroit Techno had a darker sound with more bass, and was often played at a faster more 'danceable' tempo. Skinny Puppy is another early band that had been described as 'techno' (e.g. in Billboard 1985), but they were perhaps closer to the ebm of Front 242. In the early 1980's, the Sheffield band Cabaret Voltaire went electronic, and moved into a funkier direction, and came to be classified as techno. In Saunderson's Reese band, he was influenced by and influenced Belgian new beat (eg. A Split Second, 101).
When British bands such as The KLF and Psychic TV were formed in the mid-1980's, they took 'techno' in a psychedelic direction, and along with acid house, it began to be played at rave parties, impromptu dance events held in abandoned warehouses or outdoors. Techno-influenced west European bands began to score major hits in the late 1980's early 1990's (eg. Snap!, Technotronic, 2 Unlimited) and came to dominate club music for a time. In 1990, The KLF released "What time is love? Live at Trancentral" sparking a spate of releases with crowd noise. In 1991, Second Phase released "Mentasm" leading to the increasing use of the Hoover sound effect in rave/techno releases. Breakbeat, chillout, hardcore, trance and trip hop developed within the techno rave scene, and eventually split off as separate genres. The popularity of techno faded somewhat after 2000 (supplanted to some extent by house and trance), but minimal techno continues to be produced. Gabber and happy hardcore developed out of hardcore techno. Big beat bands such as The Chemical Brothers, The Crystal Method, The Prodigy are also commonly classified as techno. Rave techno is still an influence on electro house artists such as Benny Benassi, Bingo Players, Dimitri Vegas & Like Mike, Global Deejays, Krewella and Vitalic.
This style of music uses loop-sequencing and turntables. Though often strongly mixing melodies and heavy bass lines, techno music relies on pulsing rhythms. Techno songs rely on heavy syncopation. Most songs are in 4/4 time and feature time marked with bass drums on the quarter note and hi-hats every second eighth note.
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One More Time
Daft Punk Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
One more time
One more time
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah
One more time
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, don't stop the dancing
One more time, mmm
You know I'm just feelin'
Celebration
Tonight
Celebrate
Don't wait too late, mmm, no
We don't stop, you can't stop
We're gonna celebrate
One more time
One more time
One more time, a celebration
You know we're gonna do it right
Tonight, hey, just feeling
Music's got me feeling the need
Need, yeah
Come on, alright
We're gonna celebrate
One more time
Celebrate and dance so free
Music's got me feeling so free
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah
One more time
One more time, we're gonna celebrate
Oh yeah, alright, don't stop the dancing
One more time, we're gonna celebrate
Oh yeah, don't stop the dancing
One more time, mmm
You know I'm just feelin'
Celebration
Tonight
Celebrate
Don't wait too late, mmm, no
We don't stop, you can't stop
We're gonna celebrate
One more time
One more time
One more time, a celebration
You know we're gonna do it right
Tonight, hey, just feeling
Music's got me feeling the need
Need, yeah
Come on, alright
We're gonna celebrate
One more time
Celebrate and dance so free
Music's got me feeling so free
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free
The lyrics to Daft Punk's "One More Time" are simple and repetitive, featuring the phrase "One more time" repeated over and over again. The song is about celebrating and having a good time, with the lyrics encouraging listeners to keep dancing and enjoying themselves. The repetition of the phrase "One more time" is used to emphasize the idea that the party will continue all night long.
Throughout the song, there is a sense of excitement and energy, with the music and lyrics working together to create a feeling of euphoria. The lyrics are not particularly deep or meaningful, but they are effective in getting listeners excited and involved in the party atmosphere that the song creates.
Overall, "One More Time" is a fun and upbeat song that captures the joy and energy of a night out with friends. The song's simplicity and repetition make it easy to sing along to and remember, making it a classic party anthem that continues to be popular today.
Line by Line Meaning
One more time
Repeat the celebration
One more time, we're gonna celebrate
We will celebrate once again
Oh yeah, alright, don't stop the dancing
Continue dancing the whole night
You know I'm just feelin' Celebration Tonight
I am excited and looking forward to celebrating tonight
Celebrate and dance so free
Rejoice and dance with no inhibitions
Music's got me feeling so free
The music is liberating me
We don't stop, you can't stop
We will not cease, neither will you
Don't wait too late, mmm, no
Do not waste time, act now
Need, yeah, Come on, alright
Feeling the urge, let's do it
Lyrics © Universal Music Publishing Group, REACH MUSIC PUBLISHING, Warner Chappell Music, Inc.
Written by: Anthony Wayne Moore, Thomas Bangalter, Guy Manuel
Lyrics Licensed & Provided by LyricFind
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Anonymous
One - Alita Moses - Lyrics
I can't remember anything
Can't tell if this is true or a dream
Deep down inside I feel to scream
This terrible silence stops me
Now that the war is through with me
I'm waking up, I cannot see
That there's not much left of me
Nothing is real but pain now
Hold my breath as I wish for death
Oh please, God, wake me
Back in the womb it's much too real
In pumps life that I must feel
But can't look forward to reveal
Look to the time when I'll live
Fed through the tube that sticks in me
Just like a wartime novelty
Tied to machines that make me be
Cut this life off from me
Hold my breath as I wish for death
Oh please, God, wake me
Musical Interlude
Now the world is gone, I'm just one
Oh God, help me
Hold my breath as I wish for death
Oh please, God, help me
Darkness imprisoning me
@GioTMIP
If you are looking for "full story" here is the order:
1. "One More Time"
2. "Aerodynamic"
3. "Digital Love"
4. "Harder, Better, Faster, Stronger"
5. "Crescendolls"
6. "Nightvision"
7. "Superheroes"
8. "High Life"
9. "Something About Us"
10. "Voyager"
11. "Veridis Quo"
12. "Short Circuit"
13. "Face to Face"
14. "Too Long"
@TheWeecheng
If you are looking for "full story" here is the order:
1. "One More Time"
2. "Aerodynamic"
3. "Digital Love"
4. "Harder, Better, Faster, Stronger"
5. "Crescendolls"
6. "Nightvision"
7. "Superheroes"
8. "High Life"
9. "Something About Us"
10. "Voyager"
11. "Veridis Quo"
12. "Short Circuit"
13. "Face to Face"
14. "Too Long"
credit to ein stein
@dcstoy
Daft Punk didn't just create music. They created experiences that were felt. Thank you Daft Punk for all the memories.
@alon1750
yeah drake did it first buddy
@hempwizard710
one mooooore timeeeee
@yzepedanajera
Honorarios yesss 🎉🎉
@gabriel-tc2cn
I think drake was still doing degrassi when this came out i think you mean DRE maybe ice cube or dmx even.@alon1750
@alon1750
@@gabriel-tc2cn no no the song is an exact copy of “circo loco” by drake
@iamPrime
Just One more time. Please 🥺
@Jamallqmsl
Yea
@CittizinKane
Melancholy mood today, such awesome music makes me sad.
I’m happy to have been here for it though!