David Guetta
David Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. Read Full BioDavid Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single "Just A Little More Love," an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guetta’s first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album's second, even more devastating single, "Love Don't Let Me Go," a track reminiscent of Moroder's techno-disco style crossed with Depeche Mode's new-wave sound.
Like fellow Frenchman Laurent Garnier, David started off his career in the gay clubs around Paris. Les Halles district in the mid-80s, going on to make a name for himself in acid-house and hip-hop. His first album heralded the beginning of a new DJ career – this time on a global level. Named after the parties he hosts on Ibiza, the fabled isle of techno, David's "F*** ME I'M FAMOUS: IBIZA DJ MIX", which featured his remix of David Bowie's "Heroes," went gold: no small feat for a compilation CD. For the last three years, David has been invited to mix throughout Europe on a regular basis and, more and more often, in the United States, Australia, Japan, Singapore and Israel as well. He is also resident DJ at The Cross in London, Barcelona ‘s Discoteca and the Lausanne club Mad.
Propelled by the rock guitars of the single Money, David’s second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first album’s co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive, and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britain’s Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new – and always spectacular – heights.
From GUETTA BLASTER’s opening salvos, "Money and Stay," we get beats that are cranked up a notch beyond the hard-dance formula of "Just A Little More Love." Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive.
"Used To Be The One," with vocals by Willis, owes a debt to both Yazoo’s Don't Go and garage music. Similarly, the counterpoint of Time evokes Eurythmics’ Sweet Dreams, blending the best of English pop and dance culture – something David has mastered like no one else. Open Your Eyes, a track tailor-made for the Stereo MCs, is built on a rubbery break beat and an acid sequence, with a rap that brings their classic Connected to mind. The abrasive AC/DC, clearly a future hit on the underground/rave circuit, is like the missing link between Jeff Mills and Ministry of Sound.
Two velvet-smooth cuts neatly crown the album: "In Love With Myself," a track that could hold its own against Moroder & Oakey’s Electric Dreams any day, is followed by "Higher," on which Chris Willis pays homage to the style of phrasing and embellishment popularized by Stevie Wonder, an approach that has proliferated in both R&B and garage/house music à la New Jersey duo Blaze. GUETTA BLASTER drives its point home with the metronomic Movement Girl, featuring James Perry, and the killer Get Up, on which macho riffs, the hysterical falsetto of Chris Willis and screaming guitars swirl around a punchy beat.
On GUETTA BLASTER, David Guetta has not only successfully avoided the pitfalls of second albums – he has truly launched himself into a new dimension.
The song "Just A Little More Love" appeared in the film The Football Factory, was sung in the Gospel version at the 2006 Victoria's Secret Fashion Show.
On New Year's Day 2007 he appeared at Big Beach Boutique 3, a concert held on the beach of Brighton, UK, put together by and headlined by Fatboy Slim.
His fourth album is "Pop Life" released in France on 23 April, 2007 with the leading single
"Love is gone."
24. August 2009. he released "One Love". He introduces this album with the hit singles "When Love Takes Over" feat. Kelly Rowland and "Sexy Bitch/Chick" feat. Akon. He wanted to make a new music stream named House Pop or Hip House. In this album he worked with well known vocalists, producers and DJs like Chris Willis, Estelle, Kid Cudi, Novel, Ne-Yo, Will I Am & Apl De Ap from The Black Eyed Peas, Lil' John, DJ Chuckie, Abel Ramos, Koen Groenveld, Afrojack, DJ Footloose, Joachim Garraud and others.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. Read Full BioDavid Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single "Just A Little More Love," an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guetta’s first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album's second, even more devastating single, "Love Don't Let Me Go," a track reminiscent of Moroder's techno-disco style crossed with Depeche Mode's new-wave sound.
Like fellow Frenchman Laurent Garnier, David started off his career in the gay clubs around Paris. Les Halles district in the mid-80s, going on to make a name for himself in acid-house and hip-hop. His first album heralded the beginning of a new DJ career – this time on a global level. Named after the parties he hosts on Ibiza, the fabled isle of techno, David's "F*** ME I'M FAMOUS: IBIZA DJ MIX", which featured his remix of David Bowie's "Heroes," went gold: no small feat for a compilation CD. For the last three years, David has been invited to mix throughout Europe on a regular basis and, more and more often, in the United States, Australia, Japan, Singapore and Israel as well. He is also resident DJ at The Cross in London, Barcelona ‘s Discoteca and the Lausanne club Mad.
Propelled by the rock guitars of the single Money, David’s second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first album’s co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive, and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britain’s Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new – and always spectacular – heights.
From GUETTA BLASTER’s opening salvos, "Money and Stay," we get beats that are cranked up a notch beyond the hard-dance formula of "Just A Little More Love." Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive.
"Used To Be The One," with vocals by Willis, owes a debt to both Yazoo’s Don't Go and garage music. Similarly, the counterpoint of Time evokes Eurythmics’ Sweet Dreams, blending the best of English pop and dance culture – something David has mastered like no one else. Open Your Eyes, a track tailor-made for the Stereo MCs, is built on a rubbery break beat and an acid sequence, with a rap that brings their classic Connected to mind. The abrasive AC/DC, clearly a future hit on the underground/rave circuit, is like the missing link between Jeff Mills and Ministry of Sound.
Two velvet-smooth cuts neatly crown the album: "In Love With Myself," a track that could hold its own against Moroder & Oakey’s Electric Dreams any day, is followed by "Higher," on which Chris Willis pays homage to the style of phrasing and embellishment popularized by Stevie Wonder, an approach that has proliferated in both R&B and garage/house music à la New Jersey duo Blaze. GUETTA BLASTER drives its point home with the metronomic Movement Girl, featuring James Perry, and the killer Get Up, on which macho riffs, the hysterical falsetto of Chris Willis and screaming guitars swirl around a punchy beat.
On GUETTA BLASTER, David Guetta has not only successfully avoided the pitfalls of second albums – he has truly launched himself into a new dimension.
The song "Just A Little More Love" appeared in the film The Football Factory, was sung in the Gospel version at the 2006 Victoria's Secret Fashion Show.
On New Year's Day 2007 he appeared at Big Beach Boutique 3, a concert held on the beach of Brighton, UK, put together by and headlined by Fatboy Slim.
His fourth album is "Pop Life" released in France on 23 April, 2007 with the leading single
"Love is gone."
24. August 2009. he released "One Love". He introduces this album with the hit singles "When Love Takes Over" feat. Kelly Rowland and "Sexy Bitch/Chick" feat. Akon. He wanted to make a new music stream named House Pop or Hip House. In this album he worked with well known vocalists, producers and DJs like Chris Willis, Estelle, Kid Cudi, Novel, Ne-Yo, Will I Am & Apl De Ap from The Black Eyed Peas, Lil' John, DJ Chuckie, Abel Ramos, Koen Groenveld, Afrojack, DJ Footloose, Joachim Garraud and others.
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Titanium
David Guetta Lyrics
You shout it out
But I can't hear a word you say
I'm talking loud, not saying much
I'm criticized, but all your bullets ricochet
Shoot me down, but I get up
I'm bulletproof, nothing to lose
Fire away, fire away
Ricochet, you take your aim
Fire away, fire away
You shoot me down, but I won't fall
I am titanium
You shoot me down, but I won't fall
I am titanium
Cut me down
But it's you who'll have further to fall
Ghost town and haunted love
Raise your voice, sticks and stones may break my bones
Talking loud, not saying much
I'm bulletproof, nothing to lose
Fire away, fire away
Ricochet, you take your aim
Fire away, fire away
You shoot me down, but I won't fall
I am titanium
You shoot me down, but I won't fall
I am titanium
I am titanium
I am titanium
Stone hard, machine gun
Firing at the ones who run
Stone hard, as bulletproof glass
You shoot me down, but I won't fall
I am titanium
You shoot me down, but I won't fall
I am titanium
You shoot me down, but I won't fall
I am titanium
You shoot me down, but I won't fall
I am titanium
I am titanium
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Peermusic Publishing, Kobalt Music Publishing Ltd.
Written by: David Pierre Guetta, Giorgio Hesdey Tuinfort, Nick Van De Wall, Sia Kate Furler
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
DARK HUMOUR
The 2011-2015 period were the golden era of EDM. Lots and lots of quality electronic songs week after week.
The era was ignited by the Swedish DJ's like Avicci, Axwell, ingrosso etc.. their songs started to get huge airplays in USA, thus started to take over the mainstream music, competed with pop music and at a point of time even mainstream pop music was losing to edm. That was the standard of these DJ's.
The era was dominated by mostly European producers like Avicci, Calvin Harris, Martin Garrix, Hardwell, Tiesto, Afrojack, Robin Schulz, Alesso, showteck, Nicky Romero and many other.
Avicci and Calvin Harris seemed like the flag bearers of the era with their many smash hits.
Swedish House Mafia dissolved before Axwell and ingrosso started making music as duo, they were also one of the key figures of the era.
Dutch DJ's Hardwell, Afrojack and Tiesto had huge success with their songs getting in to Billboard charts and New faces like Martin Garrix and Alesso were big hit from the very start and went on to become so huge by the end of the era.
Music festivals like Tomorrowland and ultra music festival became the biggest festivals of the decade which helped edm to become a culture worldwide and helped to regain its long lost glory.
House music was the king. Electro, progressive, bigroom, deep and tropical house songs were all over the charts.
New artist kygo from Norway increased the legacy of the era by give great tropical house classics .kygos arrival was during the last year's of the golden age and continued his success past the era
The era also had great number of Drum n bass,Dubstep, hardstyle hits which showed the diversity of golden age.
The golden age came to an end when producers started featuring for mainstream pop artists for dance pop songs which have mostly a future bass or trap drop eg: Martin Garrix, Dimitri Vegas and chainsmokers whose new hits which were mostly future bass and trap which were well recieved .
The shift from the major house sound to the hip-hop trap, future bass kind of sound was evident. There were many good artists in these like chainsmokers but all producers somehow tried different styles which were not as catchy or impactful as their previous hits.
Still, Calvin Harris enjoyed success with club edm sound, kygo was becoming huge but the huge number in dutch and Swedish House songs declined and the industry was inclined towards a different sound
Mumble rap came in to scene and a horrific trap sound ruled the industry for some years . Only a few artists like Alan Walker, kygo and new artists like marshmelo was able to hit some sweet spot.
Marshmello sucsses proved that trap and future bass sounds are now the ruling sound of the industry during late 2010s .
But by then the golden age signature house sound faded away. If you ask a music critics of 2010 that what was the highlight of the decade, you most probably get the answer EDM
Definitely edm was the gamechanger ,an explosion in to the scene which wa predicted by many artists a long time ago, And the result was gold. The era gave great memories to music fans especially electronic music fans to cherish forever.
Hardcore edm fans believe that the era is not at all dead and it's in it's dormant stage and waiting for a huge comeback♥️ hope so😊
sl3epless
I remember when it came out, people were actually talking about this song everywhere. What a masterpiece.
Milton Brown
guetta normally ruins great tracks but he got this one right!
Subhan Nasarullah
Listen ed in quarantine for self motivation
Chris
Ikr, even though I was 7 at the time I definitely listened to it and probably talked about it, probably.
Tini Vasini
totaly
Jake Stubbs
You know the song ain’t dead when there’s comments from yestarday
Cassio
O que a Sia canta, pessoas bonitas, é um espetáculo!
Dreamy Cloudy Lyrics 🌥️
This song never gets old. No matter how much I listen, I never get bored ... ❤
Robson gabriel
Essa música fez parte da minha adolescência.. independente do tempo sempre volto aqui.. nostalgia incrível ❤️
Izaque Ramalho
E ainda em 2022 🇧🇷😅👏🏻